Difference between revisions of "Nancy Mauro-Flude"

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[[Nancy Mauro-Flude]] is an artist and theorist driven by the demystification of technology, and the ‘mystification’ that lie in and through the performance of the machinic assemblage.  Her research grapples with the talismanic logics of island cultures. Media experimentation and pedagogy form the basis of her work where the computer is approached as a theatre machine. Under various pseudonyms she actively works to fuse radical forms of open culture by introducing experimental pedagogy with a particular focus upon relatively conservative and weakly networked regions. "...Gray magics, hijackings, driftings and seizures of power the sensitive and subversive subterfuges by which she urges, twists and explores the aesthetic politic of the open source spirit" (Anne Goldenberg 2013)
 
[[Nancy Mauro-Flude]] is an artist and theorist driven by the demystification of technology, and the ‘mystification’ that lie in and through the performance of the machinic assemblage.  Her research grapples with the talismanic logics of island cultures. Media experimentation and pedagogy form the basis of her work where the computer is approached as a theatre machine. Under various pseudonyms she actively works to fuse radical forms of open culture by introducing experimental pedagogy with a particular focus upon relatively conservative and weakly networked regions. "...Gray magics, hijackings, driftings and seizures of power the sensitive and subversive subterfuges by which she urges, twists and explores the aesthetic politic of the open source spirit" (Anne Goldenberg 2013)
  
Alumni of [[Piet Zwart Institute]]. Currently Professor in the [http://profile.nus.edu.sg/fass/cnmfmn/ Communications and New Media Department, National University Singapore].  
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Alumni of [[Piet Zwart Institute]].  
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Currently leads [[post-digital]] aesthetics studio [https://www.rmit.edu.au/contact/staff-contacts/academic-staff/m/mauro-flude-dr-marcia-nancy at RMIT Melbourne].  
  
 
Founder of [http://miss-hack.org Miss Desponias Critical Media Salon] and long term member of the [[Genderchangers]] home brewed since 1998, working to actively change the ‘gender’ of technology. Involves projects such as: [http://systerserver.net systerserver], [[ Eclectic Tech Carnival]].
 
Founder of [http://miss-hack.org Miss Desponias Critical Media Salon] and long term member of the [[Genderchangers]] home brewed since 1998, working to actively change the ‘gender’ of technology. Involves projects such as: [http://systerserver.net systerserver], [[ Eclectic Tech Carnival]].
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; Selected publications
 
; Selected publications
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* Mauro-Flude, Nancy (2019), Performing The Internet: Post Digital Folklore, "Digital Humanities and Scholarly Research Trends in the Asia-Pacific Hongkong:IGI-global.
 
* [https://fmkjournals.fmk.edu.rs/index.php/AM/article/view/101 "Don’t mess with my settings"], ''AM Journal of Art and Media Studies'' 8, 2015.
 
* [https://fmkjournals.fmk.edu.rs/index.php/AM/article/view/101 "Don’t mess with my settings"], ''AM Journal of Art and Media Studies'' 8, 2015.
 
* [http://unlikely.net.au/issue-2/divine-trash-strata "Divine Trash Strata"], ''Unlikely: Journal for Creative Arts'' 2, University of Melbourne, 2016.
 
* [http://unlikely.net.au/issue-2/divine-trash-strata "Divine Trash Strata"], ''Unlikely: Journal for Creative Arts'' 2, University of Melbourne, 2016.

Revision as of 23:13, 16 October 2018

Nancy Mauro-Flude is an artist and theorist driven by the demystification of technology, and the ‘mystification’ that lie in and through the performance of the machinic assemblage. Her research grapples with the talismanic logics of island cultures. Media experimentation and pedagogy form the basis of her work where the computer is approached as a theatre machine. Under various pseudonyms she actively works to fuse radical forms of open culture by introducing experimental pedagogy with a particular focus upon relatively conservative and weakly networked regions. "...Gray magics, hijackings, driftings and seizures of power the sensitive and subversive subterfuges by which she urges, twists and explores the aesthetic politic of the open source spirit" (Anne Goldenberg 2013)

Alumni of Piet Zwart Institute.

Currently leads post-digital aesthetics studio at RMIT Melbourne.

Founder of Miss Desponias Critical Media Salon and long term member of the Genderchangers home brewed since 1998, working to actively change the ‘gender’ of technology. Involves projects such as: systerserver, Eclectic Tech Carnival.

Selected projects
Selected curated events
  • TacticalMagick.net Networked Art Forms: Tactical Magick Faerie Circuits, 2013.
  • Microbites.me Microbites of Innovation. Art Track ACM Creativity and Cognition, 2017.
  • InternetLoreAsia Writing for the Internet: Internet lore in Asia. Asia Research Institute, 2018.
Selected publications
  • Mauro-Flude, Nancy (2019), Performing The Internet: Post Digital Folklore, "Digital Humanities and Scholarly Research Trends in the Asia-Pacific Hongkong:IGI-global.
  • "Don’t mess with my settings", AM Journal of Art and Media Studies 8, 2015.
  • "Divine Trash Strata", Unlikely: Journal for Creative Arts 2, University of Melbourne, 2016.
Selected interviews
Links