Difference between revisions of "Negros Rojos"
m (Text replacement - "Category:Conceptual comics" to "Category:Conceptual comics Category:Artists' publishing")
m (Text replacement - "Category:Conceptual comics Category:Artists' publishing" to "Category:Artists' publishing Category:Conceptual comics")
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Revision as of 08:58, 10 October 2020
|Publisher||self-published (Fatbottom Books) (Out of stock)|
|Format||34 x 25 cm|
CCCCC mocking Barcelona's CCCB's and the institutional acronymic nomenclature, stands for Center for Communication and Conservation of Contemporary Comics. "The work in question is a coloring book, a piece of contemporary history. It's a footnote of a saga of violence, betrayal and fight for the power that you usually laugh at when watching famous TV series. It's a history that started in the sixties...". This is from the introductory text from Negros Rojos; a collection of twenty-one silkscreened posters sealed in an envelope. The project has been presented as a show, and according to CCCCC's spokesperson, "in one of the smallest exhibition spaces in comics history, the bookstore Fat Bottom in Barcelona, further divided by a median wall that could only allow a couple of simultaneous visitors, at most". Negros Rojos presents the findings of a document that was supposedly produced by the Black Panthers for the indoctrination of the young. In reality, it was designed by FBI's Counter Intelligence Program in order to discredit the Black Panthers and mock their revolutionary agenda. Comics has been widely used for propaganda and Negros Rojos traces the bitter history of a comics coloring book that foregrounded the uses of cultural appropriation, overidentification and indoctrination, revealing them as the comics medium's most powerful modes of address.