Difference between revisions of "New York Dada"

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==Literature==
 
==Literature==
* Emily Hage, [http://muse.jhu.edu.sci-hub.bz/journals/journal_of_modern_periodical_studies/v003/3.2.hage.html "The Magazine as Readymade: ''New York Dada'' and the Transgression of Genre and Gender Boundaries"], ''The Journal of Modern Periodical Studies'' 3:2 (2012), pp 175-197.
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* Emily Hage, [http://muse.jhu.edu.sci-hub.tw/journals/journal_of_modern_periodical_studies/v003/3.2.hage.html "The Magazine as Readymade: ''New York Dada'' and the Transgression of Genre and Gender Boundaries"], ''The Journal of Modern Periodical Studies'' 3:2 (2012), pp 175-197.
 
* ''3 New York Dadas and the Blind Man: Marcel Duchamp, Henri-Pierre Roché, Beatrice Wood'', London: Atlas, 2014. [http://www.atlaspress.co.uk/index.cgi?action=view_eclectic&number=14]
 
* ''3 New York Dadas and the Blind Man: Marcel Duchamp, Henri-Pierre Roché, Beatrice Wood'', London: Atlas, 2014. [http://www.atlaspress.co.uk/index.cgi?action=view_eclectic&number=14]
  

Revision as of 15:46, 10 December 2017

One-issue magazine produced by Marcel Duchamp and Man Ray in April 1921, with a contribution from Tristan Tzara.

Issues

New York Dada (1921). 37.5 × 25.5 cm. Download.

The above PDF is sourced from Bibliothèque Kandinsky.

Literature

Links


Avant-garde and modernist magazines

Poesia (1905-09, 1920), Der Sturm (1910-32), Blast (1914-15), The Egoist (1914-19), The Little Review (1914-29), 291 (1915-16), MA (1916-25), De Stijl (1917-20, 1921-32), Dada (1917-21), Noi (1917-25), 391 (1917-24), Zenit (1921-26), Broom (1921-24), Veshch/Gegenstand/Objet (1922), Die Form (1922, 1925-35), Contimporanul (1922-32), Secession (1922-24), Klaxon (1922-23), Merz (1923-32), LEF (1923-25), G (1923-26), Irradiador (1923), Sovremennaya architektura (1926-30), Novyi LEF (1927-29), ReD (1927-31), Close Up (1927-33), transition (1927-38).