Difference between revisions of "Noise"

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==Bibliography==
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==Records==
[[Image:Russolo_Luigi_The_Art_of_Noises.jpg|thumb|258px|Luigi Russolo, ''The Art of Noises'', 1916. [http://monoskop.org/log/?p=9525 Download] (IT, EN, ES, DE, FR, RU).]]
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* [http://archive.org/details/noise-arch-archive-201110 33GB archive of 1980s noise music released on cassette tapes]
[[Image:Attali_Jacques_Noise_The_Political_Economy_of_Music.jpg|thumb|258px|Jacques Attali, ''Noise: The Political Economy of Music'', 1977-. [http://monoskop.org/log/?p=498 Download] (FR, EN).]]
+
 
 +
==Publications==
 +
[[Image:Russolo_Luigi_The_Art_of_Noises.jpg|thumb|258px|Luigi Russolo, ''The Art of Noises'', 1916-, [http://monoskop.org/log/?p=9525 Log] (IT, EN, ES, DE, FR, RU).]]
 +
[[Image:Attali_Jacques_Noise_The_Political_Economy_of_Music.jpg|thumb|258px|Jacques Attali, ''Noise: The Political Economy of Music'', 1977-, [http://monoskop.org/log/?p=498 Log] (FR, EN).]]
 +
[[Image:Novak_David_Japanoise_Music_at_the_Edge_of_Circulation_2013.jpg|thumb|258px|David Novak, ''Japanoise: Music at the Edge of Circulation'', 2013, [http://monoskop.org/log/?p=19433 Log], [[Media:Novak_David_Japanoise_Music_at_the_Edge_of_Circulation_2013.pdf|PDF]].]]
 
===Monographs===
 
===Monographs===
* Luigi Russolo, ''[[Media:Russolo_Luigi_L_Arte_dei_rumori.pdf|L’Arte dei rumori]]'', Milan: Edizione Futuriste di Poesia, 1916, 92 pp. (in Italian). The manifesto was first published on 11 March 1913.  
+
 
** ''[http://www.ubu.com/historical/gb/russolo_noise.pdf The Art of Noises]'', trans. Robert Filliou, Something Else Press, 1967. Manifesto only.
+
* Luigi Russolo, ''[[Media:Russolo_Luigi_L_Arte_dei_rumori.pdf|L'Arte dei rumori]]'', Milan: Edizioni Futuriste di Poesia, 1916, 92+[2] pp. The manifesto was first published in French and Italian on 11 March 1913. {{it}}
 +
** ''[https://www.ubu.com/historical/gb/russolo_noise.pdf The Art of Noises]'', trans. Robert Filliou, Something Else Press, 1967. The manifesto only.
 +
** ''L'art des bruits'', ed. & intro. Giovanni Lista, trans. Nina Sparta, postf. Pierre Henry, Lausanne: Editions l'Age d'Homme, and Paris: Centre de diffusion de l'édition, 1975, 164 pp; new ed., 2001, 164 pp. {{fr}}
 
** ''[[Media:Russolo_Luigi_The_Art_of_Noises.pdf|The Art of Noises]]'', trans. Barclay Brown, New York: Pendragon, 1987, 87 pp.
 
** ''[[Media:Russolo_Luigi_The_Art_of_Noises.pdf|The Art of Noises]]'', trans. Barclay Brown, New York: Pendragon, 1987, 87 pp.
** [[Media:Russolo_Luigi_El_arte_de_los_ruidos_Manifiesto_Futurista.pdf|"El arte de los ruidos. Manifiesto Futurista"]], ''Sin Titulo'' 3 (1996), UCLM, pp 8-15. (in Spanish). Manifesto only.
+
** [[Media:Russolo_Luigi_El_arte_de_los_ruidos_Manifiesto_Futurista.pdf|"El arte de los ruidos. Manifiesto Futurista"]], ''Sin Titulo'' 3, 1996, UCLM, pp 8-15. The manifesto only. {{es}}
** ''[[Media:Russolo_Luigi_Die_Geraeuschkunst.pdf|Die Geräuschkunst]]'', trans. Justin Winkler and Albert Mayr, Basel: Akroama, 1999. (in German)
+
** ''El arte de los ruidos'', trans. Olga and Leopoldo Alas, Cuenca: Centro de Creación Experimental, 1998, 93 pp; repr., Barcelona: Casimiro, 2020, 96 pp. {{es}}
** ''[[Media:Russolo_Luigi_L_Art_des_bruits_Manifeste_futuriste.pdf|L’Art des bruits. Manifeste futuriste]]'', 2003; 4th ed., 2013. (in French). Manifesto only.
+
** ''[[Media:Russolo_Luigi_Die_Geraeuschkunst.pdf|Die Geräuschkunst]]'', trans. Justin Winkler and Albert Mayr, Basel: Akroama, 1999. {{de}}
** ''[[Media:Russolo_Luigi_%D0%98%D1%81%D0%BA%D1%83%D1%81%D1%81%D1%82%D0%B2%D0%BE_%D1%88%D1%83%D0%BC%D0%BE%D0%B2.pdf|Iskusstvo shumov]]'' [Искусство шумов]. (in Russian). The manifesto only.
+
** ''Die Kunst der Geräusche'', trans. Owig DasGupta, ed. & afterw. Johannes Ullmaier, Mainz: Schott, 2000, 111 pp; repr., 2005. With an audio CD. {{de}}
* Jacques Attali, ''[http://monoskop.org/log/?p=498 Bruits: essai sur l’economie politique de la musique]'', Presses Universitaires de France, 1977; 2001. (in French)
+
** ''[[Media:Russolo_Luigi_L_Art_des_bruits_Manifeste_futuriste.pdf|L’Art des bruits: manifeste futuriste, 1913]]'', Paris: Allia, 2003, 38 pp; 2nd ed., 2006, 38 pp; 3rd ed., 2009, 38 pp; [https://1lib.sk/book/4568131/421733 4th ed.], 2013, 44 pp; 6th ed., 2016, 44 pp. The manifesto only. {{fr}}
** ''[http://monoskop.org/log/?p=498 Noise: The Political Economy of Music]'', trans. Brian Massumi, Manchester University Press, 1985, 179 pp.
+
** ''[[Media:Russolo_Luigi_%D0%98%D1%81%D0%BA%D1%83%D1%81%D1%81%D1%82%D0%B2%D0%BE_%D1%88%D1%83%D0%BC%D0%BE%D0%B2.pdf|Iskusstvo shumov]]'' [Искусство шумов], n.d. The manifesto only. {{ru}}
* Ulrich Holbein, ''Der belauschte Lärm'', Frankfurt am Main: Suhrkamp, 1991, 209 pp. (in German)
+
** ''Hälyjen taide'', trans. Tanja Tiekso and Janne Löppönen, Helsinki: Tutkijaliitto, 2018, 99 pp. {{fi}}
 +
 
 +
* Jacques Attali, ''[http://monoskop.org/log/?p=498 Bruits: essai sur l’economie politique de la musique]'', Paris: Presses Universitaires de France, 1977, 301 pp; [http://monoskop.org/log/?p=498 new ed.], Paris: Fayard / PUF, 2001, 304 pp. {{fr}}
 +
** ''Ruidos: ensayo sobre la economía política de la música'', trans. José Martín Arancibia, Barcelona: Ruedo Ibérico, 1978, 303 pp. {{es}}
 +
** ''Rumori: saggio sull'economia politica della musica'', trans. Sergio Mancini, Milan: G. Mazzotta, 1978, 222 pp. {{it}}
 +
** ''Buka: ogled o ekonomiji muzike'', forew. & trans. Eleonora Prohić, Belgrade: Vuk Karadžić, 1983, 204 pp; repr. as Buka: ogled o političkoj ekonomiji muzike'', Belgrade: Krug, 2007, 238 pp. {{sr}}
 +
** ''[http://monoskop.org/log/?p=498 Noise: The Political Economy of Music]'', forew. Fredric Jameson, trans. Brian Massumi, afterw. Susan McClary, Manchester: Manchester University Press, 1985, 179 pp.
 +
** ''[[Media:Attali_Jacques_Ruidos_ensayo_sobre_la_economia_politica_de_la_musica_1995.pdf|Ruidos: ensayo sobre la economía política de la música]]'', trans. Ana María Palos, México: Siglo XXI, 1995, 227 pp. {{es}}
 +
** ''Zao yin: yin yue de zheng zhi jing ji xue'' [噪音: 音樂的政治經濟學], Taipei: Shi bao wen hua, 1995, 238 pp. {{cn}}
 +
** ''Zao yin: yin le de zheng zhi jing ji xue'' [噪音: 音乐的政治经济学], Shanghai: Shang hai ren min chu ban she, 2000, 211 pp; repr., Zheng zhou shi: he nan da xue chu ban she, 2017, 330 pp. {{cn}}
 +
** ''Gürültüden müziğe: müziğin ekonomi-politiği üzerine'', trans. Gülüş Gülcügil Türkmen, ed. Işıl Özcan. Istanbul: Ayrıntı, 2005; [https://1lib.sk/book/11222949/568a5a 2nd ed.], 2014. {{tr}}
 +
** ''Hrup: esej o politični ekonomiji glasbe'', trans. Suzana Koncut, afterw. Mladen Dolar, Ljubljana: Maska, 2008, 167 pp. [https://maska.si/knjiga/transformacije/jacques-attali-hrup/] {{sl}}
 +
** ''Ongaku kahei zatsuon'' [音楽/貨幣/雑音], trans. Sadafumi Kanezuka, Tokyo: Misuzushobo, 2012, 306 pp. {{jp}}
 +
 
 +
* Ulrich Holbein, ''Der belauschte Lärm'', Frankfurt am Main: Suhrkamp, 1991, 209 pp. {{de}}
 +
 
 
* Douglas Kahn, ''[http://monoskop.org/log/?p=63 Noise, Water, Meat: A History of Sound in the Arts]'', MIT Press, 1999, 455 pp.  
 
* Douglas Kahn, ''[http://monoskop.org/log/?p=63 Noise, Water, Meat: A History of Sound in the Arts]'', MIT Press, 1999, 455 pp.  
 +
 
* Alfred Birnbaum (ed.), ''[http://monoskop.org/log/?p=2327 n01se]'', Cambridge, UK: Kettle’s Yard, 2000, 118 pp. Catalogue.
 
* Alfred Birnbaum (ed.), ''[http://monoskop.org/log/?p=2327 n01se]'', Cambridge, UK: Kettle’s Yard, 2000, 118 pp. Catalogue.
* Craig Dworkin, [http://epc.buffalo.edu/authors/howe/howe_dworkin_politics_of_noise.html "The Politics of Noise"], in ''Reading the Illegible'', Evanston: Northwestern University Press, 2003.
+
 
 +
* Craig Dworkin, [http://writing.upenn.edu/epc/authors/howe/howe_dworkin_politics_of_noise.html "The Politics of Noise"], in ''Reading the Illegible'', Evanston: Northwestern University Press, 2003.
 +
 
 
* Bart Kosko, ''Noise'', Viking, 2006.
 
* Bart Kosko, ''Noise'', Viking, 2006.
* Paul Hegarty, ''Noise/Music: A History'', Bloomsbury, 2007, 232 pp.
+
 
 +
* Paul Hegarty, ''[[Media:Hegarty_Paul_Noise_Music_A_History_2007.pdf|Noise/Music: A History]]'', Bloomsbury, 2007, 232 pp.
 +
 
 
* Karin Bijsterveld, ''[http://monoskop.org/log/?p=302 Mechanical Sound: Technology, Culture, and Public Problems of Noise in the Twentieth Century]'', MIT Press, 2008, 350 pp.
 
* Karin Bijsterveld, ''[http://monoskop.org/log/?p=302 Mechanical Sound: Technology, Culture, and Public Problems of Noise in the Twentieth Century]'', MIT Press, 2008, 350 pp.
* Mattin, Anthony Iles (eds.), ''[http://monoskop.org/log/?p=753 Noise & Capitalism]'', Arteleku Audiolab, and San Sebastián: Donostia, 2009.
+
 
 +
* Mattin, Anthony Iles (eds.), ''[http://monoskop.org/log/?p=753 Noise & Capitalism]'', Arteleku Audiolab, and San Sebastián: Donostia, 2009, 191 pp.
 +
** ''[http://monoskop.org/log/?p=753 Ruido y capitalismo]'', Arteleku Audiolab, and San Sebastián: Donostia, 2009. {{ca}}
 +
 
 
* Cat Hope, [http://books.google.com/books?id=ZOQqDz0Snm4C&pg=PT71 "Cultural terrorism and anti-music: Noise music and its impact on experimental music in Australia"], in ''Experimental Music: Audio Explorations in Australia'', ed. Gail Priest, UNSW Press, 2009, pp 57-74.
 
* Cat Hope, [http://books.google.com/books?id=ZOQqDz0Snm4C&pg=PT71 "Cultural terrorism and anti-music: Noise music and its impact on experimental music in Australia"], in ''Experimental Music: Audio Explorations in Australia'', ed. Gail Priest, UNSW Press, 2009, pp 57-74.
* Caleb Kelly, ''Cracked Media: The Sound of Malfunction'', MIT Press, 2009. [http://monoskop.org/log/?p=566]
+
 
 +
* Caleb Kelly, ''[https://1lib.sk/book/864793/69d28c Cracked Media: The Sound of Malfunction]'', MIT Press, 2009, [http://monoskop.org/log/?p=566 Log].
 +
 
 
* Thomas Bey William Bailey, ''[http://monoskop.org/log/?p=8155 Micro Bionic: Radical Electronic Music & Sound Art in the 21st Century]'', Creation Books, 2009; 2nd ed., Belsona Books, 2012, 418 pp.
 
* Thomas Bey William Bailey, ''[http://monoskop.org/log/?p=8155 Micro Bionic: Radical Electronic Music & Sound Art in the 21st Century]'', Creation Books, 2009; 2nd ed., Belsona Books, 2012, 418 pp.
 +
 
* Salomé Voegelin, ''[http://monoskop.org/log/?p=6036 Listening to Noise and Silence: Towards a Philosophy of Sound Art]'', Continuum, 2010, 256 pp.
 
* Salomé Voegelin, ''[http://monoskop.org/log/?p=6036 Listening to Noise and Silence: Towards a Philosophy of Sound Art]'', Continuum, 2010, 256 pp.
 +
 
* George Prochnik, ''[http://monoskop.org/log/?p=2601 In Pursuit of Silence: Listening for Meaning in a World of Noise]'', Doubleday, 2010, 352 pp.
 
* George Prochnik, ''[http://monoskop.org/log/?p=2601 In Pursuit of Silence: Listening for Meaning in a World of Noise]'', Doubleday, 2010, 352 pp.
* Mark Nunes (ed.), ''Error: Glitch, Noise, and Jam in New Media Cultures'', Continuum, 2010, 288 pp. [http://monoskop.org/log/?p=2135]
+
 
* Peter Krapp, ''Noise Channels: Glitch and Error in Digital Culture'', University of Minnesota Press, 2011. [http://monoskop.org/log/?p=4169]
+
* Mark Nunes (ed.), ''[https://1lib.sk/book/1124289/8dc753 Error: Glitch, Noise, and Jam in New Media Cultures]'', Continuum, 2010, 288 pp, [http://monoskop.org/log/?p=2135 Log].
 +
 
 +
* Peter Krapp, ''[https://1lib.sk/book/1244379/9975f0 Noise Channels: Glitch and Error in Digital Culture]'', University of Minnesota Press, 2011, [http://monoskop.org/log/?p=4169 Log].
 +
 
 
* Joseph Nechvatal, ''[http://monoskop.org/log/?p=2701 Immersion Into Noise]'', Open Humanities Press, 2011.
 
* Joseph Nechvatal, ''[http://monoskop.org/log/?p=2701 Immersion Into Noise]'', Open Humanities Press, 2011.
 +
 
* Hillel Schwartz, ''Making Noise: From Babel to the Big Bang and Beyond'', Zone Books, 2011, 912+349 pp, [http://www.zonebooks.org/pdf/schwartz_endnotes.pdf Endnotes]. Reviews: [http://academiccommons.columbia.edu/download/fedora_content/download/ac:177728/CONTENT/CM93_Mattern_REVISED.pdf Mattern] (2012), [http://salomevoegelin.net/public_html/salomevoegelin.net/hillel_schwartz.html Voegelin] (2012), [http://inceusa.org/BookReviews/60_5-Sept-Oct2012/Cheenne.pdf Chéenne] (2012), [http://www.realtimearts.net/article/issue112/10922 Tofts] (2012), [http://www.interferencejournal.com/articles/noise/making-noise-and-reading-noise Parmar] (2013), [http://www.academia.edu/5442929 Hagood] (2013), [http://dandelionjournal.org/index.php/dandelion/article/viewFile/90/134 Pellicer] (2013), [http://muse.jhu.edu/journals/journal_of_social_history/v047/47.4.holmes.html Holmes] (2014), [http://muse.jhu.edu/journals/technology_and_culture/v055/55.2.morton.html Morton] (2014), [http://lareviewofbooks.org/review/say-making-sense-noise English] (2014). [http://www.zonebooks.org/titles/SCHW_MAK.html] [http://continuo-docs.tumblr.com/post/98215251112/hillel-schwartz-making-noise-from-babel-to-the]  
 
* Hillel Schwartz, ''Making Noise: From Babel to the Big Bang and Beyond'', Zone Books, 2011, 912+349 pp, [http://www.zonebooks.org/pdf/schwartz_endnotes.pdf Endnotes]. Reviews: [http://academiccommons.columbia.edu/download/fedora_content/download/ac:177728/CONTENT/CM93_Mattern_REVISED.pdf Mattern] (2012), [http://salomevoegelin.net/public_html/salomevoegelin.net/hillel_schwartz.html Voegelin] (2012), [http://inceusa.org/BookReviews/60_5-Sept-Oct2012/Cheenne.pdf Chéenne] (2012), [http://www.realtimearts.net/article/issue112/10922 Tofts] (2012), [http://www.interferencejournal.com/articles/noise/making-noise-and-reading-noise Parmar] (2013), [http://www.academia.edu/5442929 Hagood] (2013), [http://dandelionjournal.org/index.php/dandelion/article/viewFile/90/134 Pellicer] (2013), [http://muse.jhu.edu/journals/journal_of_social_history/v047/47.4.holmes.html Holmes] (2014), [http://muse.jhu.edu/journals/technology_and_culture/v055/55.2.morton.html Morton] (2014), [http://lareviewofbooks.org/review/say-making-sense-noise English] (2014). [http://www.zonebooks.org/titles/SCHW_MAK.html] [http://continuo-docs.tumblr.com/post/98215251112/hillel-schwartz-making-noise-from-babel-to-the]  
* Michael Goddard, Benjamin Halligan, Paul Hegarty (eds.), ''Reverberations: The Philosophy, Aesthetics and Politics of Noise'', Bloomsbury, 2012, 304 pp.
+
 
* eldritch Priest, ''Boring Formless Nonsense: Experimental Music and the Aesthetics of Failure'', Bloomsbury, Jan 2013. [http://www.bloomsbury.com/us/boring-formless-nonsense-9781441122131/], [http://xenopraxis.net/readings/priest_BFNch3.pdf Excerpt]. Reviews: [http://muse.jhu.edu/journals/symploke/v021/21.1-2.hainge.pdf Hainge] (2013), [http://review31.co.uk/article/view/169/this-is-all-bullshit-really Key] (2013), [http://neural.it/2013/09/eldritch-priest-boring-formless-nonsense-experimental-music-and-the-aesthetics-of-failure/ Neural] (2013), [http://andrewhugill.com/writings/BoringFormlessNonsense.pdf Hugill] (2015).
+
* Michael Goddard, Benjamin Halligan, Paul Hegarty (eds.), ''[https://1lib.sk/book/5066844/403c6b Reverberations: The Philosophy, Aesthetics and Politics of Noise]'', Bloomsbury, 2012, 304 pp.
* David Novak, ''Japanoise: Music at the Edge of Circulation'', Duke University Press, 2013, 304 pp.
+
 
* Greg Hainge, ''Noise Matters: Towards an Ontology of Noise'', Bloomsbury, 2013, 240 pp. [http://www.bloomsbury.com/us/noise-matters-9781441160461/]
+
* Eldritch Priest, ''[http://aaaaarg.fail/ref/056b47e6465bffdad66a124a2dd05dd8#0.01 Boring Formless Nonsense: Experimental Music and the Aesthetics of Failure]'', Bloomsbury, 2013. [http://www.bloomsbury.com/us/boring-formless-nonsense-9781441122131/], [http://xenopraxis.net/readings/priest_BFNch3.pdf Excerpt]. Reviews: [http://muse.jhu.edu/journals/symploke/v021/21.1-2.hainge.pdf Hainge] (2013), [http://review31.co.uk/article/view/169/this-is-all-bullshit-really Key] (2013), [http://neural.it/2013/09/eldritch-priest-boring-formless-nonsense-experimental-music-and-the-aesthetics-of-failure/ Neural] (2013), [http://andrewhugill.com/writings/BoringFormlessNonsense.pdf Hugill] (2015).
* Michael Goddard, Benjamin Halligan, Nicola Spelman (eds.), ''Resonances: Noise and Contemporary Music'', Bloomsbury, 2013, 288 pp. [http://www.bloomsbury.com/us/resonances-9781441110541/]
+
 
* Josh Epstein, ''[http://gen.lib.rus.ec/get?md5=d30cf5129b6d198d2c162812f1b4022c Sublime Noise: Musical Culture and the Modernist Writer]'', Johns Hopkins University Press, 2014, 384 pp. Based on the [http://etd.library.vanderbilt.edu/available/etd-10282008-094246/unrestricted/EpsteinDissertation.pdf dissertation] (2008).
+
* David Novak, ''[https://monoskop.org/log/?p=19433 Japanoise: Music at the Edge of Circulation]'', Duke University Press, 2013, x+292 pp.
 +
 
 +
* Greg Hainge, ''[https://aaaaarg.fail/thing/5f476fe99ff37c24152e81b6 Noise Matters: Towards an Ontology of Noise]'', Bloomsbury, 2013, 240 pp. [https://www.bloomsbury.com/uk/noise-matters-9781441160461/]
 +
 
 +
* Michael Goddard, Benjamin Halligan, Nicola Spelman (eds.), ''[http://library.memoryoftheworld.org/#/book/a48bc40f-41c8-4f09-953d-1a0913ee266e Resonances: Noise and Contemporary Music]'', Bloomsbury Academic, 2013, 288 pp, [http://libgen.rs/book/index.php?md5=47ee8ffdf3615da2c4fe91740b81e3de PDF].
 +
 
 +
* Josh Epstein, ''[http://libgen.rs/get?md5=d30cf5129b6d198d2c162812f1b4022c Sublime Noise: Musical Culture and the Modernist Writer]'', Johns Hopkins University Press, 2014, 384 pp. Based on the [http://etd.library.vanderbilt.edu/available/etd-10282008-094246/unrestricted/EpsteinDissertation.pdf dissertation] (2008).
 +
 
 +
* Cedrik Fermont, Dimitri della Faille, ''[https://independent.academia.edu/noiseinsoutheastasia Not Your World Music: Noise In South East Asia]'', Berlin: Syrphe, and Ottawa: Hushush, 2016, 276 pp. [http://words.hushush.com/]
 +
 
 +
* Jennifer Wallis (ed.), ''Fight Your Own War. Power Electronics And Noise Culture'', Headpress, 2016, 260 pp. [http://www.headpress.com/ShowProduct.aspx?ID=158]
 +
 
 +
* Inigo Wilkins, ''Irreversible Noise'', Urbanomic, 2017, 200 pp. [https://www.urbanomic.com/book/irreversible-noise/]
 +
 
 +
* ''Kerstin Ergenziner: Navigating Noise'', eds. Nathanja van Dijk, Kerstin Ergenzinger, Christian Kassung, and Sebastian Schwesinger, Cologne: Walther König, 2017, 304 pp. Text by African Noise Foundation, Lino Camprubí, Felix Gerloff, Paul Hegarty, Seth Horowitz, Tim Ingold, Eleni Ikoniadou, Brandon LaBelle, Thomas Laepple, Heike Catherina Mertens, Patricia Pisters, Wolfgang Schäffner, Martin Skrydstrup et al. [https://www.buchhandlung-walther-koenig.de/koenig2/index.php?mode=details&showcase=1&art=1573297] [http://a-tub.org/online/navigating-noise-publication/]
 +
 
 +
* Stephen Kennedy, ''[http://library.memoryoftheworld.org/#/book/35226455-3863-4ae3-baee-3d437852ac37 Future Sounds: The Temporality of Noise]'', Bloomsbury Academic, 2018, 167 pp.
 +
 
 +
* Cecile Malaspina, ''[https://aaaaarg.fail/thing/5b2e96809ff37c1c3f622bd5 An Epistemology of Noise: From Information Entropy to Normative Uncertainty]'', pref. Ray Brassier, Bloomsbury Academic, 2018, 256 pp. [https://www.bloomsbury.com/uk/an-epistemology-of-noise-9781350011786/]
 +
 
 +
* Aaron Zwintscher, ''[http://oapen.org/search?identifier=1004708 Noise Thinks the Anthropocene: An Experiment in Noise Poetics]'', Punctum Books, 2019, 162 pp. [http://dx.doi.org/10.21983/P3.0244.1.00]
 +
* Carolyn L. Kane, ''[http://library.oapen.org/handle/20.500.12657/22982 High-Tech Trash: Glitch, Noise, and Aesthetic Failure]'', University of California Press, 2019, 253 pp.
 +
* John Melillo, ''[https://aaaaarg.fail/thing/5fad41e19ff37c7c322e81d2 The Poetics of Noise from Dada to Punk]'', Bloomsbury, 2020.
  
 
===Magazines===
 
===Magazines===
* ''[http://spectrummagarchive.wordpress.com/ Spectrum: Ambient / Industrial / Experimental Music Culture Magazine]'', 5 issues, ed. Richard Stevenson, 1998-2001.
 
 
* ''Special Interests: Power Electronics Industrial Noise Experimental Avantgarde Ambient'', 9+ issues, since 2009?. [http://special-interests-magazine.tumblr.com/magazines] [http://www.special-interests.net/]  
 
* ''Special Interests: Power Electronics Industrial Noise Experimental Avantgarde Ambient'', 9+ issues, since 2009?. [http://special-interests-magazine.tumblr.com/magazines] [http://www.special-interests.net/]  
 
* ''As Loud As Possible: The Noise Culture Magazine'', 1 issue, ed. Steve Underwood, 2010, 166 pp. [http://www.facebook.com/pages/As-Loud-As-Possible-Magazine/152143641492213] [http://web.archive.org/web/20140722075232/http://www.asloudaspossible.org/current_issue.html] [http://idwalfisher.blogspot.com/2010/11/as-loud-as-possible-as-loud-as-possible.html]
 
* ''As Loud As Possible: The Noise Culture Magazine'', 1 issue, ed. Steve Underwood, 2010, 166 pp. [http://www.facebook.com/pages/As-Loud-As-Possible-Magazine/152143641492213] [http://web.archive.org/web/20140722075232/http://www.asloudaspossible.org/current_issue.html] [http://idwalfisher.blogspot.com/2010/11/as-loud-as-possible-as-loud-as-possible.html]
 
* ''Personal Best: Fanzine for Noise, Music and the Cosmic Soup'', 5+ issues, ed. Lasse Marhaug, Oslo: Marhaug Forlag, since Dec 2011, 100 pp per issue. [http://www.marhaugforlag.no/personalbest1.html]
 
* ''Personal Best: Fanzine for Noise, Music and the Cosmic Soup'', 5+ issues, ed. Lasse Marhaug, Oslo: Marhaug Forlag, since Dec 2011, 100 pp per issue. [http://www.marhaugforlag.no/personalbest1.html]
* ''Noise Receptor'', since 2014. [http://noisereceptor.wordpress.com/] [http://noisereceptor.bigcartel.com/] [http://www.facebook.com/pages/Noise-Receptor/154015661424872]
 
  
 
===Journal issues===
 
===Journal issues===
 +
* ''Verksted'' 4: "Sonic North", Oslo: Office for Contemporary Art Norway, 2005, 102 pp. [http://www.oca.no/publications/verksted/82-92495-03-7/]
 
* [http://www.interferencejournal.com/archive/noise ''Interference'' 3: "Noise"], 2013.
 
* [http://www.interferencejournal.com/archive/noise ''Interference'' 3: "Noise"], 2013.
  
===Essays (selection)===
+
===Selected essays===
 
* Max Neuhaus, [[Media:Neuhaus_Max_1974_BANG_BOOooom_ThumP_EEEK_tinkle.pdf|"BANG, BOOooom, ThumP, EEEK, tinkle"]], ''New York Times'', 6 Dec 1974, p 39.
 
* Max Neuhaus, [[Media:Neuhaus_Max_1974_BANG_BOOooom_ThumP_EEEK_tinkle.pdf|"BANG, BOOooom, ThumP, EEEK, tinkle"]], ''New York Times'', 6 Dec 1974, p 39.
 
* Aden Evens, "Sound and Noise", chapter 1 in Evens, ''[http://monoskop.org/log/?p=214 Sound Ideas: Music, Machines, and Experience]'', University of Minnesota Press, 2005, pp 1-23.
 
* Aden Evens, "Sound and Noise", chapter 1 in Evens, ''[http://monoskop.org/log/?p=214 Sound Ideas: Music, Machines, and Experience]'', University of Minnesota Press, 2005, pp 1-23.
Line 66: Line 124:
  
  
{{Art and culture}}
+
{{Sound and Music}}

Revision as of 10:38, 22 August 2021

Pages

Records

Publications

Luigi Russolo, The Art of Noises, 1916-, Log (IT, EN, ES, DE, FR, RU).
Jacques Attali, Noise: The Political Economy of Music, 1977-, Log (FR, EN).
David Novak, Japanoise: Music at the Edge of Circulation, 2013, Log, PDF.

Monographs

  • Luigi Russolo, L'Arte dei rumori, Milan: Edizioni Futuriste di Poesia, 1916, 92+[2] pp. The manifesto was first published in French and Italian on 11 March 1913. (Italian)
    • The Art of Noises, trans. Robert Filliou, Something Else Press, 1967. The manifesto only.
    • L'art des bruits, ed. & intro. Giovanni Lista, trans. Nina Sparta, postf. Pierre Henry, Lausanne: Editions l'Age d'Homme, and Paris: Centre de diffusion de l'édition, 1975, 164 pp; new ed., 2001, 164 pp. (French)
    • The Art of Noises, trans. Barclay Brown, New York: Pendragon, 1987, 87 pp.
    • "El arte de los ruidos. Manifiesto Futurista", Sin Titulo 3, 1996, UCLM, pp 8-15. The manifesto only. (Spanish)
    • El arte de los ruidos, trans. Olga and Leopoldo Alas, Cuenca: Centro de Creación Experimental, 1998, 93 pp; repr., Barcelona: Casimiro, 2020, 96 pp. (Spanish)
    • Die Geräuschkunst, trans. Justin Winkler and Albert Mayr, Basel: Akroama, 1999. (German)
    • Die Kunst der Geräusche, trans. Owig DasGupta, ed. & afterw. Johannes Ullmaier, Mainz: Schott, 2000, 111 pp; repr., 2005. With an audio CD. (German)
    • L’Art des bruits: manifeste futuriste, 1913, Paris: Allia, 2003, 38 pp; 2nd ed., 2006, 38 pp; 3rd ed., 2009, 38 pp; 4th ed., 2013, 44 pp; 6th ed., 2016, 44 pp. The manifesto only. (French)
    • Iskusstvo shumov [Искусство шумов], n.d. The manifesto only. (Russian)
    • Hälyjen taide, trans. Tanja Tiekso and Janne Löppönen, Helsinki: Tutkijaliitto, 2018, 99 pp. (Finnish)
  • Jacques Attali, Bruits: essai sur l’economie politique de la musique, Paris: Presses Universitaires de France, 1977, 301 pp; new ed., Paris: Fayard / PUF, 2001, 304 pp. (French)
    • Ruidos: ensayo sobre la economía política de la música, trans. José Martín Arancibia, Barcelona: Ruedo Ibérico, 1978, 303 pp. (Spanish)
    • Rumori: saggio sull'economia politica della musica, trans. Sergio Mancini, Milan: G. Mazzotta, 1978, 222 pp. (Italian)
    • Buka: ogled o ekonomiji muzike, forew. & trans. Eleonora Prohić, Belgrade: Vuk Karadžić, 1983, 204 pp; repr. as Buka: ogled o političkoj ekonomiji muzike, Belgrade: Krug, 2007, 238 pp. (Serbian)
    • Noise: The Political Economy of Music, forew. Fredric Jameson, trans. Brian Massumi, afterw. Susan McClary, Manchester: Manchester University Press, 1985, 179 pp.
    • Ruidos: ensayo sobre la economía política de la música, trans. Ana María Palos, México: Siglo XXI, 1995, 227 pp. (Spanish)
    • Zao yin: yin yue de zheng zhi jing ji xue [噪音: 音樂的政治經濟學], Taipei: Shi bao wen hua, 1995, 238 pp. (Chinese)
    • Zao yin: yin le de zheng zhi jing ji xue [噪音: 音乐的政治经济学], Shanghai: Shang hai ren min chu ban she, 2000, 211 pp; repr., Zheng zhou shi: he nan da xue chu ban she, 2017, 330 pp. (Chinese)
    • Gürültüden müziğe: müziğin ekonomi-politiği üzerine, trans. Gülüş Gülcügil Türkmen, ed. Işıl Özcan. Istanbul: Ayrıntı, 2005; 2nd ed., 2014. (Turkish)
    • Hrup: esej o politični ekonomiji glasbe, trans. Suzana Koncut, afterw. Mladen Dolar, Ljubljana: Maska, 2008, 167 pp. [1] (Slovenian)
    • Ongaku kahei zatsuon [音楽/貨幣/雑音], trans. Sadafumi Kanezuka, Tokyo: Misuzushobo, 2012, 306 pp. (Japanese)
  • Ulrich Holbein, Der belauschte Lärm, Frankfurt am Main: Suhrkamp, 1991, 209 pp. (German)
  • Alfred Birnbaum (ed.), n01se, Cambridge, UK: Kettle’s Yard, 2000, 118 pp. Catalogue.
  • Bart Kosko, Noise, Viking, 2006.
  • Mattin, Anthony Iles (eds.), Noise & Capitalism, Arteleku Audiolab, and San Sebastián: Donostia, 2009, 191 pp.
  • Jennifer Wallis (ed.), Fight Your Own War. Power Electronics And Noise Culture, Headpress, 2016, 260 pp. [7]
  • Inigo Wilkins, Irreversible Noise, Urbanomic, 2017, 200 pp. [8]
  • Kerstin Ergenziner: Navigating Noise, eds. Nathanja van Dijk, Kerstin Ergenzinger, Christian Kassung, and Sebastian Schwesinger, Cologne: Walther König, 2017, 304 pp. Text by African Noise Foundation, Lino Camprubí, Felix Gerloff, Paul Hegarty, Seth Horowitz, Tim Ingold, Eleni Ikoniadou, Brandon LaBelle, Thomas Laepple, Heike Catherina Mertens, Patricia Pisters, Wolfgang Schäffner, Martin Skrydstrup et al. [9] [10]

Magazines

  • Special Interests: Power Electronics Industrial Noise Experimental Avantgarde Ambient, 9+ issues, since 2009?. [13] [14]
  • As Loud As Possible: The Noise Culture Magazine, 1 issue, ed. Steve Underwood, 2010, 166 pp. [15] [16] [17]
  • Personal Best: Fanzine for Noise, Music and the Cosmic Soup, 5+ issues, ed. Lasse Marhaug, Oslo: Marhaug Forlag, since Dec 2011, 100 pp per issue. [18]

Journal issues

Selected essays

Resources

See also

Sound art


Sound and Music
communities of practice

Music magazines, Radio art, Pirate radio, Community radio, Electroacoustic music, Computer music, Sound art, Field recording, Noise, Cassette culture, Max/MSP, Pure Data, SuperCollider, Net radio, Live coding, Writers. Art and culture, Contents, Index, About.