Difference between revisions of "Noise"
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* Peter Krapp, ''Noise Channels: Glitch and Error in Digital Culture'', University of Minnesota Press, 2011. [http://monoskop.org/log/?p=4169] | * Peter Krapp, ''Noise Channels: Glitch and Error in Digital Culture'', University of Minnesota Press, 2011. [http://monoskop.org/log/?p=4169] | ||
* Joseph Nechvatal, ''[http://monoskop.org/log/?p=2701 Immersion Into Noise]'', Open Humanities Press, 2011. | * Joseph Nechvatal, ''[http://monoskop.org/log/?p=2701 Immersion Into Noise]'', Open Humanities Press, 2011. | ||
| − | * Hillel Schwartz, ''Making Noise: From Babel to the Big Bang and Beyond'', Zone Books, 2011. | + | * Hillel Schwartz, ''Making Noise: From Babel to the Big Bang and Beyond'', Zone Books, 2011, 912+349 pp, [http://www.zonebooks.org/pdf/schwartz_endnotes.pdf Endnotes]. Reviews: [http://academiccommons.columbia.edu/download/fedora_content/download/ac:177728/CONTENT/CM93_Mattern_REVISED.pdf Mattern] (2012), [http://salomevoegelin.net/public_html/salomevoegelin.net/hillel_schwartz.html Voegelin] (2012), [http://inceusa.org/BookReviews/60_5-Sept-Oct2012/Cheenne.pdf Chéenne] (2012), [http://www.realtimearts.net/article/issue112/10922 Tofts] (2012), [http://www.interferencejournal.com/articles/noise/making-noise-and-reading-noise Parmar] (2013), [http://www.academia.edu/5442929 Hagood] (2013), [http://dandelionjournal.org/index.php/dandelion/article/viewFile/90/134 Pellicer] (2013), [http://muse.jhu.edu/journals/journal_of_social_history/v047/47.4.holmes.html Holmes] (2014), [http://muse.jhu.edu/journals/technology_and_culture/v055/55.2.morton.html Morton] (2014), [http://lareviewofbooks.org/review/say-making-sense-noise English] (2014). [http://www.zonebooks.org/titles/SCHW_MAK.html] [http://continuo-docs.tumblr.com/post/98215251112/hillel-schwartz-making-noise-from-babel-to-the] |
* Michael Goddard, Benjamin Halligan, Paul Hegarty (eds.), ''Reverberations: The Philosophy, Aesthetics and Politics of Noise'', Bloomsbury, 2012, 304 pp. | * Michael Goddard, Benjamin Halligan, Paul Hegarty (eds.), ''Reverberations: The Philosophy, Aesthetics and Politics of Noise'', Bloomsbury, 2012, 304 pp. | ||
* David Novak, ''Japanoise: Music at the Edge of Circulation'', Duke University Press, 2013, 304 pp. | * David Novak, ''Japanoise: Music at the Edge of Circulation'', Duke University Press, 2013, 304 pp. | ||
Revision as of 14:35, 26 November 2014
Contents
Pages
- Peter Ablinger
- Clausthome
- Eleonora Oreggia
- John Hegre
- Cat Hope
- Ryan Jordan
- Jonathan Kemp
- Melle Kromhout
- Alexander Lebedev
- Lasse Marhaug
- Mattin
- Minóy
- Narkoleptik
- Noise=Noise
- Alberto Novello
- Rubén Patiño
- Alejandra Pérez Núñez
- Horacio Pollard
- PolyFøkt
- Luigi Russolo
- Helge Sten
- Jean Tinguely
- Yasunao Tone
- Marco Vanoppen
- Inigo Wilkins
Bibliography
Luigi Russolo, The Art of Noises, 1916. Download (IT, EN, ES, DE, FR, RU).
Jacques Attali, Noise: The Political Economy of Music, 1977-. Download (FR, EN).
Monographs
- Luigi Russolo, L’Arte dei rumori, Milan: Edizione Futuriste di Poesia, 1916, 92 pp. (in Italian). The manifesto was first published on 11 March 1913.
- The Art of Noises, trans. Robert Filliou, Something Else Press, 1967. Manifesto only.
- The Art of Noises, trans. Barclay Brown, New York: Pendragon, 1987, 87 pp.
- "El arte de los ruidos. Manifiesto Futurista", Sin Titulo 3 (1996), UCLM, pp 8-15. (in Spanish). Manifesto only.
- Die Geräuschkunst, trans. Justin Winkler and Albert Mayr, Basel: Akroama, 1999. (in German)
- L’Art des bruits. Manifeste futuriste, 2003; 4th ed., 2013. (in French). Manifesto only.
- Iskusstvo shumov [Искусство шумов]. (in Russian). The manifesto only.
- Jacques Attali, Bruits: essai sur l’economie politique de la musique, Presses Universitaires de France, 1977; 2001. (in French)
- Noise: The Political Economy of Music, trans. Brian Massumi, Manchester University Press, 1985, 179 pp.
- Douglas Kahn, Noise, Water, Meat: A History of Sound in the Arts, MIT Press, 1999, 455 pp.
- Craig Dworkin, "The Politics of Noise", in Reading the Illegible, Evanston: Northwestern University Press, 2003.
- Paul Hegarty, Noise/Music: A History, Bloomsbury, 2007, 232 pp.
- Karin Bijsterveld, Mechanical Sound: Technology, Culture, and Public Problems of Noise in the Twentieth Century, MIT Press, 2008, 350 pp.
- Mattin, Anthony Iles (eds.), Noise & Capitalism, Arteleku Audiolab, and San Sebastián: Donostia, 2009.
- Cat Hope, "Cultural terrorism and anti-music: Noise music and its impact on experimental music in Australia", in Experimental Music: Audio Explorations in Australia, ed. Gail Priest, UNSW Press, 2009, pp 57-74.
- Caleb Kelly, Cracked Media: The Sound of Malfunction, MIT Press, 2009. [1]
- Thomas Bey William Bailey, Micro Bionic: Radical Electronic Music & Sound Art in the 21st Century, Creation Books, 2009; 2nd ed., Belsona Books, 2012, 418 pp.
- Salomé Voegelin, Listening to Noise and Silence: Towards a Philosophy of Sound Art, Continuum, 2010, 256 pp.
- George Prochnik, In Pursuit of Silence: Listening for Meaning in a World of Noise, Doubleday, 2010, 352 pp.
- Mark Nunes (ed.), Error: Glitch, Noise, and Jam in New Media Cultures, Continuum, 2010, 288 pp. [2]
- Peter Krapp, Noise Channels: Glitch and Error in Digital Culture, University of Minnesota Press, 2011. [3]
- Joseph Nechvatal, Immersion Into Noise, Open Humanities Press, 2011.
- Hillel Schwartz, Making Noise: From Babel to the Big Bang and Beyond, Zone Books, 2011, 912+349 pp, Endnotes. Reviews: Mattern (2012), Voegelin (2012), Chéenne (2012), Tofts (2012), Parmar (2013), Hagood (2013), Pellicer (2013), Holmes (2014), Morton (2014), English (2014). [4] [5]
- Michael Goddard, Benjamin Halligan, Paul Hegarty (eds.), Reverberations: The Philosophy, Aesthetics and Politics of Noise, Bloomsbury, 2012, 304 pp.
- David Novak, Japanoise: Music at the Edge of Circulation, Duke University Press, 2013, 304 pp.
- Greg Hainge, Noise Matters: Towards an Ontology of Noise, Bloomsbury, 2013, 240 pp. [6]
- Michael Goddard, Benjamin Halligan, Nicola Spelman (eds.), Resonances: Noise and Contemporary Music, Bloomsbury, 2013, 288 pp. [7]
- Josh Epstein, Sublime Noise: Musical Culture and the Modernist Writer, Johns Hopkins University Press, 2014, 384 pp. Based on the dissertation (2008).
Journal issues
- Interference 3: "Noise", 2013.
Essays (selection)
- Max Neuhaus, "BANG, BOOooom, ThumP, EEEK, tinkle", New York Times, 6 Dec 1974, p 39.
- Aden Evens, "Sound and Noise", chapter 1 in Evens, Sound Ideas: Music, Machines, and Experience, University of Minnesota Press, 2005, pp 1-23.
Resources
- Noise Identities, a research blog by Melle Kromhout.
See also
