Difference between revisions of "Nora Sternfeld"

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** ''Curating as Anti-Racist Practice'', Espoo: Aalto University, 2019, 326 pp. {{en}}
 
** ''Curating as Anti-Racist Practice'', Espoo: Aalto University, 2019, 326 pp. {{en}}
 
* ''Das radikaldemokratische Museum'', Berlin: De Gruyter, 2018, 288 pp. Assembles twelve essays, published between 2012 and 2018, about the radical reconceptualisation of museums as contested public spaces. [https://www.degruyter.com/view/product/506834]. Reviews: [http://thirdtext.org/landau-sternfeldreview Landau] (Third Text), [https://www.hsozkult.de/publicationreview/id/reb-28134 Walz] (H-Soz-Kult), [https://www.springerin.at/2019/3/lektuere/idas-radikaldemokratische-museumi/ Chwatal] (Springerin), [https://www.kulturmanagement.net/Themen/Buchrezension-Das-radikaldemokratische-Museum,3978 Schopferer] (KM). {{de}}
 
* ''Das radikaldemokratische Museum'', Berlin: De Gruyter, 2018, 288 pp. Assembles twelve essays, published between 2012 and 2018, about the radical reconceptualisation of museums as contested public spaces. [https://www.degruyter.com/view/product/506834]. Reviews: [http://thirdtext.org/landau-sternfeldreview Landau] (Third Text), [https://www.hsozkult.de/publicationreview/id/reb-28134 Walz] (H-Soz-Kult), [https://www.springerin.at/2019/3/lektuere/idas-radikaldemokratische-museumi/ Chwatal] (Springerin), [https://www.kulturmanagement.net/Themen/Buchrezension-Das-radikaldemokratische-Museum,3978 Schopferer] (KM). {{de}}
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* editor, with Martina Griesser-Stermscheg and Luisa Ziaja, ''[https://monoskop.org/log/?p=22574 Sich mit Sammlungen anlegen. Gemeinsame Dinge und alternative Archive]'', Berlin: De Gruyter, 2020, 300 pp. {{de}}
 
* [https://kunsthochschule-kassel.academia.edu/NoraSternfeld more]
 
* [https://kunsthochschule-kassel.academia.edu/NoraSternfeld more]
  

Revision as of 18:28, 16 October 2020

Nora Sternfeld (1976, Vienna) is an educator and curator. She is a documenta Professor at the Kunsthochschule Kassel. She is a co-director of the ecm (educating/curating/managing) Master Programme in exhibition theory and practice at the University of Applied Arts Vienna. With Ines Garnitschnig, Renate Höllwart, and Elke Smodics, she is part of trafo.K, Office for Art, Education and Critical Knowledge Production in Vienna. With Irit Rogoff, Stefano Harney, Adrian Heathfield, Mao Mollona, and Louis Moreno, she is part of freethought, a platform for research, education, and production in London. She was a Professor of Curating and Mediating Art at Aalto University in Helsinki (2012-2018). She publishes on contemporary art, exhibition theory, education, politics of history, and anti-racism. (2019)

Publications

Links