Difference between revisions of "Novi Sad"
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'''Media''': [[kuda.read]] (*2004). | '''Media''': [[kuda.read]] (*2004). | ||
| − | '''Art workers''': [[Aleksandar Davić]], [[Andrej Tisma]] (1952), [[Branka Ćurčić]], [[Branka Milicić-Davić]], [[Branka Tisma]], [[Dragan Živančević]], [[Jovan Trkulja]] (1973), [[Kristian Lukic]], [[Vladan Joler]], [[Vladimir Radišić]] (1976), [[Zoran Pantelić]] (1966). | + | '''Art workers''': [[Aleksandar Davić]], [[Andrej Tisma]] (1952), [[Branka Ćurčić]], [[Branka Milicić-Davić]], [[Branka Tisma]], [[Dragan Živančević]], [[Gordana Nikolić]], [[Jovan Trkulja]] (1973), [[Kristian Lukic]], [[Vladan Joler]], [[Vladimir Radišić]] (1976), [[Zoran Pantelić]] (1966). |
; Publications | ; Publications | ||
Revision as of 03:52, 15 January 2012
Initiatives: Apsolutno (*1993), kuda.org (*2000), Napon, p.RT (*1996), BAZA (*1996).
Festivals: Videomedeja (*1996).
Past events: Media Art Practice Collection exhibition (2010), The Wonderful World of irational.org: Tools, Techniques and Events 1996-2006 exhibition, Play Cultures exhibition and conference (2007), The Continuous Art Class (2005), Trans_european Picnic (2004), World-Information.Org (2003), Crossing Over video mini-festival (1998).
Spaces: kuda.org center for new media (*2000).
Past spaces: Cyberns media lab (*1997).
Media: kuda.read (*2004).
Art workers: Aleksandar Davić, Andrej Tisma (1952), Branka Ćurčić, Branka Milicić-Davić, Branka Tisma, Dragan Živančević, Gordana Nikolić, Jovan Trkulja (1973), Kristian Lukic, Vladan Joler, Vladimir Radišić (1976), Zoran Pantelić (1966).
- Publications
- Miško Šuvaković, "Neoavangarda, konceptualna umetnost i krize socijalističkog modernizma". [1]
| Cities alternative base |
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Amsterdam, Bergen, Berlin, Bratislava, Budapest, Kyiv, London, New York City, Oslo, Paris, Prague, Rotterdam, Seoul, Tokyo, Vienna, Warsaw, Zagreb | ||
