Difference between revisions of "Okwui Enwezor"

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Okwui Enwezor is a curator and writer who has organized numerous exhibitions on contemporary international art.
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'''Okwui Enwezor''' (23 October 1963 – 15 March 2019) was a Nigerian curator, art critic, writer, poet, and educator, specializing in art history. He lived in New York City and Munich.
  
 
==Publications==
 
==Publications==
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* editor, ''Nka: Journal of Contemporary African Art'', Durham, NC: Duke University Press, 1994-2019. [https://www.nkajournal.org/] [https://read.dukeupress.edu/nka] {{en}}
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* "Redrawing the Boundaries: Toward a New African Art Discourse", ''Nka: Journal of Contemporary African Art'' 1:1, Fall/Winter 1994, pp 3-7. [https://doi.org/10.1215/10757163-1-1-3] [https://muse.jhu.edu/article/422411/pdf] {{en}}
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* with Octavio Zaya, [https://archive.org/details/africph00bell/page/17/mode/1up "Colonial Imaginary, Tropes of Disruption: History, Culture, and Representation in the Works of African Photographers"], in ''In/sight: African Photographers, 1940 to the Present'', New York: Solomon R. Guggenheim Museum, 1996, pp 17-48. {{en}}
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* [https://archive.org/details/africph00bell/page/179/mode/1up "A Critical Presence: ''Drum'' Magazine in Context"], in ''In/sight: African Photographers, 1940 to the Present'', New York: Solomon R. Guggenheim Museum, 1996, pp 179-192. {{en}}
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* [http://sci-hub.st/10.1080/09528829708576684 "Reframing the Black Subject: Ideology and Fantasy in Contemporary South African Representation"], ''Third Text'' 40, 1997, pp 21-40. {{en}}
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* [[Media:Enwezor_Okwui_1999_Where_What_Who_When_A_Few_Notes_on_African_Conceptualism.pdf|"Where, What, Who, When: a Few Notes on 'African' Conceptualism"]], in ''Global Conceptualism: Points of Origin 1950-1980s'', eds. Jane Ferver, Luis Camnitzer and Rachel Weiss, New York: Queen's Museum of Art, 1999, pp 109-117. Catalogue essay. {{en}}
 
* [[Media:Enwezor_Okwui_1999_Where_What_Who_When_A_Few_Notes_on_African_Conceptualism.pdf|"Where, What, Who, When: a Few Notes on 'African' Conceptualism"]], in ''Global Conceptualism: Points of Origin 1950-1980s'', eds. Jane Ferver, Luis Camnitzer and Rachel Weiss, New York: Queen's Museum of Art, 1999, pp 109-117. Catalogue essay. {{en}}
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* [http://wikis.nyu.edu/download/attachments/14582266/enwezor.pdf "Postcolonial Constellation: Contemporary Art in a State of Permanent Transition"], ''Research in African Literatures'' 34:4 (Winter 2003), pp 57-82.
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* [http://www.darkmatterarchives.net/wp-content/uploads/2011/02/Enwezor.AuthorProd..pdf "The Artist as Producer in Times of Crisis"], 2004.
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* editor, with Olu Oguibe, ''Reading the Contemporary: African Art, from Theory to the Marketplace'', London: Institute of International Visual Arts (InIVA), 1999, 432 pp. [https://www.worldcat.org/oclc/492518609 TOC]. [https://archive.org/details/readingcontempor0000unse/]
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* [[Media:Enwezor_Okwui_2006_The_Uses_of_Afro-Pessimism.pdf|"The Uses of Afro-Pessimism"]], in Enwezor, ''New Positions in Contemporary African Photography'', Gottingen: Steidl, 2006.
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* [http://gen.lib.rus.ec/book/index.php?md5=8FD6EED1E0BDF851CCF16F2A8D7504B8 "History Lessons"], ''Artforum'' 46:1, New York, Sep 2007, pp 382ff.
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* "Lagos in the Culture of Twentieth-Century Modernity", in ''Century City: Art and Culture in the Modern Metropolis'', ed. Iwona Blazwick, London: Tate Gallery, 2001, pp 44-57. Catalogue essay. [https://www.scribd.com/document/207812082/ Excerpt]. {{en}}
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* [http://sites.duke.edu/vms565s_01_f2014/files/2014/08/enwezor2008.pdf "Archive Fever: Photography Between History and the Monument"], in ''Archive Fever: Uses of the Document in Contemporary Art'', New York: International Center of Photography, and Gottingen: Steidl, 2008, pp 10-51. From catalogue of an exhibition held at the International Center of Photography, New York, Jan. 18-May 4, 2008. [http://www.aaa.org.hk/Collection/Details/25600]
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* editor, with Terry Smith and Nancy Condee, ''[http://aaaaarg.fail/ref/4a163f7674ecce1f05793a76effa2f87#0.01 Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity]'', Duke University Press, 2008. {{en}}
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* editor, ''The Short Century: Independence and Liberation Movements in Africa 1945-1994'', Munich: Prestel, 2001, 496 pp. [http://www.mccoyspace.com/nyu/10_s/ideas/texts/week13-Enwezor-Short_Centruy.pdf Introduction], [[Media:Small_Irene_2001_The_Short_Century_Independence_and_Liberation_Movements_in_Africa_1945-1994_Chronology.pdf|Chronology]]. Exh. held at Museum Villa Stuck, Munich, Feb-Apr 2001; Martin-Gropius-Bau, Berlin, May-Jul 2001; Museum of Contemporary Art, Chicago, Sep-Dec 2001; [https://www.moma.org/calendar/exhibitions/4749 MoMA PS1], Feb-May 2002. Reviews: [https://sci-hub.st/10.2307/1514859 Jackson] (Afr Stud R), [https://sci-hub.st/10.1111/1467-8330.00329 Denzer] (Antipode). Exh. reviews: [https://sci-hub.st/10.1111/1467-8330.00330 Eze] (Antipode), [https://sci-hub.st/10.1111/1467-8330.00331 Demissie] (Antipode), [https://sci-hub.st/10.1525/aa.2002.104.4.1211 Beidelman] (Am Anthr). {{en}}
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* [http://www.corner-college.com/udb/cproQ219KFModernity_and_Postcolonial_Ambivalence_Okwui_Enwezor.pdf   "Modernity and Postcolonial Ambivalence"], in ''Altermodern: Tate Triennial'', London: Tate, 2009; [http://sci-hub.io/10.1215/00382876-2010-008 upd. version], ''South Atlantic Quarterly'' 109:3 (2010), pp 595-620. {{en}}
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** "O breve século: movimentos de independência e libertação na África, 1945-94: uma introdução", in ''Histórias afro-atlânticas, vol. 2: antologia'', eds. Adriano Pedrosa, Amanda Carneiro, André Mesquita, São Paulo: Museu de Arte de São Paulo (MASP), and Instituto Tomie Ohtake, 2018. Trans. of Enwezor's introduction. {{br-pt}}
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* Enwezor et al. (eds.), ''Documenta 11 Platform'', 5 vols., Kassel: Documenta, and Ostfildern-Ruit: Hatje Cantz, 2002-2003. Volumes: 1. "Democracy Unrealized", 2002, 411 pp; 2. "Experiments with Truth: Transitional Justice and the Processes of Truth and Reconciliation", 2002, 404 pp; 3. "Creolité and Creolization", 2003, 273 pp; 4. "Under Siege: Four African Cities, Freetown, Johannesburg, Kinshasa, Lagos", 454 pp; 5. "Exhibition", 2002, 620 pp. Review: [https://www.radicalphilosophy.com/article/a-new-world-art Martin] (Radical Phil). {{en}}
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** Enwezor, [[Media:Enwezor Okwui 2002 The Black Box.pdf|"The Black Box"]], in ''Documenta 11 Platform: Exhibition'', 2002, pp 44-55. {{en}}
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* ''[[Media:Enwezor_Okwui Grossausstellungen Mega Exhibitions 2002.pdf|Grossausstellungen und die Antinomien einer transnationalen globalen Form / Mega Exhibitions: Antinomies of a Transnational Global Form]]'', Munich: Fink, 2002, 59 pp. Lecture delivered at Humboldt University, Berlin, 4 Dec 2001.  {{de}}/{{en}}. English version repr. in ''Manifesta journal'' 2, Winter 2003/Spring 2004, pp 6-31.
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* [http://sci-hub.st/http://www.jstor.org/stable/4618328 "Postcolonial Constellation: Contemporary Art in a State of Permanent Transition"], ''Research in African Literatures'' 34:4, Winter 2003, pp 57-82; repr. in ''Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity'', eds. Enwezor et al., Durham, NC: Duke University Press, 2008. [http://www.oddweb.org/wp-content/uploads/2018/05/Enwezor-The-Postcolonial-Constellation.pdf] {{en}}
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* [http://sci-hub.st/10.1080/14434318.2004.11432730 "Documentary/Vérité: Bio-Politics, Human Rights and the Figure of “Truth” in Contemporary Art"], ''Australian and New Zealand Journal of Art'' 5(1): "Art & Ethics", 2004, pp 11-42; [[Media:Enwezor_Okwui_2004_2008_Documentary_Verite_Bio-Politics_Human_Rights_and_the_Figure_of_Truth_in_Contemporary_Art.pdf|repr. in]] ''The Green Room: Reconsidering the Documentary and Contemporary Art #1'', eds. Maria Lind and Hito Steyerl, Berlin: Sternberg, and Annandale-on-Hudson, NY: Center for Curatorial Studies and Hessel Museum of Art/Bard College, 2008, pp 62-102. {{en}}
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* [[Media:Enwezor_Okwui_2004_The_Artist_as_Producer_in_Times_of_Crisis.pdf|"The Artist as Producer in Times of Crisis"]], 2004. [http://www.lorelindeverhees.nl/index.php/work/the-artist-as-producer-ii/] {{en}}
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* ''Snap Judgments: New Positions in Contemporary African Photography'', Gottingen: Steidl, and New York: International Center of Photography, 2006, 383 pp. Catalogue; [https://www.icp.org/exhibitions/snap-judgements-new-positions-in-contemporary-african-photography exh.] held at the International Center of Photography, New York, 10 Mar-28 May 2006. [https://www.opendemocracy.net/en/africa_3730jsp/], [https://steidl.de/Buecher/Snap-Judgments-New-Positions-in-Contemporary-African-Photography-1217186155.html]. Exh. reviews: [https://www.nytimes.com/2006/03/17/arts/design/colorful-and-clashing-looking-at-africa.html Cotter] (NYT), [https://www.academia.edu/5758182/ Duran] (SECAC Rev). {{en}}
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** [[Media:Enwezor_Okwui_2006_The_Uses_of_Afro-Pessimism.pdf|"The Uses of Afro-Pessimism"]]. {{en}}
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* editor, ''The Unhomely: Phantom Scenes in Global Society'', Sevilla: Fundación Bienal Internacional de Arte Contemporáneo de Sevilla (BIACS), 2006, 335 pp. Catalogue. {{en}}
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* [[Media:Enwezor Okwui_2007_History_Lessons.pdf|"History Lessons"]], ''Artforum'' 46:1, New York, Sep 2007, pp 382ff. {{en}}
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* [https://monoskop.org/images/b/be/Stimson_Blake_Sholette_Gregory_eds_Collectivism_after_Modernism_The_Art_of_Social_Imagination_after_1945_2007.pdf#page=241 "The Production of Social Space as Artwork: Protocols of Community in the Work of Le Groupe Amos and Huit Facettes"], in ''[https://monoskop.org/log/?p=232 Collectivism After Modernism: The Art of Social Imagination After 1945]'', eds. Blake Stimson and Gregory Sholette, Minneapolis: University of Minnesota Press, 2007, pp 223-251. {{en}}
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* ''[[Media:Enwezor Okwui Archive Fever Uses of the Document in Contemporary Photography 2008.pdf|Archive Fever: Uses of the Document in Contemporary Photography]]'', New York: International Center of Photography, and Göttingen: Steidl, 2008, 264 pp. Catalogue; [https://www.icp.org/exhibitions/archive-fever-uses-of-the-document-in-contemporary-art exh.] held at the International Center of Photography, New York, 18 Jan-4 May 2008. [http://worldcat.org/oclc/213866952]. Exh.reviews: [https://www.mica.edu/Documents/FacultyBiographies/amor_articles/AF_April08_364-5.pdf Avgikos] (Artforum), [http://sci-hub.st/https://www.jstor.org/stable/40294612 Bastian] (Am Archivist), [http://www.nytimes.com/2008/01/18/arts/design/18arch.html Cotter] (NYT), [http://nymag.com/arts/art/reviews/44477/ Saltz] (NYMag), [https://www.academia.edu/244275 Swartz] (NYArts), [http://www.caareviews.org/reviews/1111 Maimon] (CAA), [https://www.erudit.org/culture/cv1057878/cv1071744/19484ac.pdf Pelizzari] (Ciel variable), [http://sci-hub.st/10.2752/175145208X373798 Bodinson] (Photo & Culture). {{en}}
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** [[Media:Enwezor_Okwui_2008_Archive_Fever_Photography_Between_History_and_the_Monument.pdf|"Archive Fever: Photography Between History and the Monument"]], pp 10-51. Lead essay. {{en}}
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* editor, with Terry Smith and Nancy Condee, ''[[Media:Smith Terry Enwezor Okwui Condee Nancy eds Antinomies of Art and Culture Modernity Postmodernity Contemporaneity 2008.pdf|Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity]]'', Durham, NC: Duke University Press, 2008, xviii+437 pp, [https://1lib.sk/book/11064618/d3c6ba EPUB]. {{en}}
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* with Chika Okeke-Agulu, ''Contemporary African Art Since 1980'', Bologna: Damiani, 2009, 366 pp. [http://www.athenaeum.nl/leesfragmenten/archief/2010/contemporary-african-art-since-1980/ Preface], [http://orientationtrip2011.files.wordpress.com/2010/08/text-contemporary-african-art-since-1980-by-okwui-enwezor-chika-okeke-agulu.pdf Chs 1-7]. {{en}}
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** "Situando a arte contemporânea Africana", in ''Africa africans: arte contemporânea'', São Paulo: Museu Afro Brasil, 2015. Trans. of Chapter 1 ("Situating Contemporary African Art"). {{br-pt}}
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* [[Media:Enwezor_Okwui_2009_Modernity_and_Postcolonial_Ambivalence.pdf|"Modernity and Postcolonial Ambivalence"]], in ''Altermodern: Tate Triennial'', London: Tate, 2009; [http://sci-hub.st/10.1215/00382876-2010-008 upd. version], ''South Atlantic Quarterly'' 109:3 (2010), pp 595-620. {{en}}
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* [[Media:Enwezor Okwui 2009 Reckoning with Empire.pdf|"Reckoning with Empire"]], ''Artforum'', Oct 2009, pp 175-177. On Michael Hardt and Antonio Negri. {{en}}
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* editor, ''Events of the Self: Portraiture and Social Identity: Contemporary African Photography from the Walther Collection'', Burlafingen: Walther Collection, and Göttingen: Steidl, 2010, 445 pp. Catalogue. {{en}}
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* editor, ''Intense Proximity: An Anthology of the Near and the Far. La Triennale 2012'', Paris: Centre national des arts plastiques: Artlys, 2012, 687 pp. Catalogue. {{en}}
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* editor, with Rory Bester, ''Rise and Fall of Apartheid: Photography and the Bureaucracy of Everyday Life'', Munich: Prestel, 2013, 543 pp. Catalogue. [https://issuu.com/haus_der_kunst/docs/apartheid.book Excerpt]. Review: [https://sci-hub.st/10.1162/AFAR_r_00188 Von Blum] (Afr Arts). {{en}}
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* editor, with Katy Siegel and Ulrich Wilmes, ''[https://aaaaarg.fail/thing/5c8bb0239ff37c6d8c622bd4 Postwar Art: Between the Pacific and the Atlantic 1945-1965]'', Munich: Haus der Kunst, and Prestel, 2016, 846 pp. Catalogue. [https://postwar.hausderkunst.de/en/ Exhibition website]. [https://postwar.hausderkunst.de/en/explore/documents/postwar-art-between-the-pacific-and-the-atlantic-19451965-catalogue] {{en}}
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** ''Postwar: Kunst zwischen Pazifik und Atlantik, 1945–1965'', Munich: Haus der Kunst & Prestel, 2016, 846 pp. [https://postwar.hausderkunst.de/explore/documents/postwar-kunst-zwischen-pazifik-und-atlantik-19451965-katalog] {{de}}
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* editor, ''Frank Bowling: Mappa Mundi'', Munich: Prestel, and Haus der Kunst, 2017, 286 pp. Catalogue. Review: [https://journals.openedition.org/critiquedart/36680?lang=en Zabunyan] (Critique d'art). {{en}}
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* editor, ''Sarah Sze: Centrifuge'', Cologne: Buchhandlung Walther König, 2018, 128 pp. Catalogue. {{en}}
  
 
==Interviews==
 
==Interviews==
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* Carol Becker, [http://vickyge.files.wordpress.com/2010/10/review-of-enwezors-catalogue.pdf#page=17 "Interview with Okwui Enwezor"], ''Art Journal'' 57:2 (Summer 1998), pp 101-107.
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* Carol Becker, [http://sci-hub.io/doi/10.2307/778179 "A Conversation with Okwui Enwezor"], ''Art Journal'' 61:2 (Summer 2002), pp 8-27.
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* Carol Becker, [https://sci-hub.st/10.1080/00043249.1998.10791882 "Interview with Okwui Enwezor"], ''Art Journal'' 57:2, Summer 1998, pp 101-107.
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* Carol Becker, [https://sci-hub.st/10.2307/778179 "A Conversation with Okwui Enwezor"], ''Art Journal'' 61:2, Summer 2002, pp 8-27.
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==Links==
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* [https://www.newmuseum.org/exhibitions/view/grief-and-grievance-art-and-mourning-in-america-1 Grief and Grievance: Art and Mourning in America], New Museum, 2021. An exhibition conceived by Okwui Enwezor. Review: [https://kunstkritikk.com/into-the-grief/ Ugelvig] (Kunstkritikk). Report from panel discussion: [https://kunstkritikk.com/okwui-enwezors-last-exhibition/ Rana] (Kunstkritikk).
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* Obituaries: [https://www.nytimes.com/2019/03/18/obituaries/okwui-enwezor-dead.html Jason Farago] (New York Times), [https://frieze.com/article/how-curator-okwui-enwezor-1963-2019-changed-course-art Jörg Heiser] (Frieze), [https://www.sfai.edu/uploads/about-sfai/SFAI_Okwui_Enwezor_Press_Release_final.pdf SFAI], [https://www.juliet-artmagazine.com/en/remembering-okwui-enwezor/ Juliet Art Magazine], [http://www.artnews.com/2019/03/15/okwui-enwezor-dead-55/ Andrew Russeth] (ARTnews), [https://www.culturetype.com/2019/03/16/okwui-enwezor-has-died-at-age-55-the-visionary-curator-broadened-the-geographic-scope-of-the-contemporary-art-world/ Victoria L. Valentine] (Culture Type), [http://www.thirdtext.org/bishop-enwezor Claire Bishop] (Third Text), [https://sci-hub.st/10.1162/octo_a_00375 Pamela M. Lee] (October), [https://www.e-flux.com/journal/98/260819/ Hito Steyerl, Coco Fusco, Raqs Media Collective, and Supercommunity] (e-flux), [https://theconversation.com/the-legacy-of-okwui-enwezor-the-curator-who-exhibited-africa-to-the-world-114311 Rory Bester] (The Conversation).
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[[Category:Art history]]  {{DEFAULTSORT:Enwezor, Okwui}}

Revision as of 00:36, 28 January 2023

Okwui Enwezor (23 October 1963 – 15 March 2019) was a Nigerian curator, art critic, writer, poet, and educator, specializing in art history. He lived in New York City and Munich.

Publications

  • editor, Nka: Journal of Contemporary African Art, Durham, NC: Duke University Press, 1994-2019. [1] [2] (English)
  • "Redrawing the Boundaries: Toward a New African Art Discourse", Nka: Journal of Contemporary African Art 1:1, Fall/Winter 1994, pp 3-7. [3] [4] (English)
  • editor, with Olu Oguibe, Reading the Contemporary: African Art, from Theory to the Marketplace, London: Institute of International Visual Arts (InIVA), 1999, 432 pp. TOC. [5]
  • "Lagos in the Culture of Twentieth-Century Modernity", in Century City: Art and Culture in the Modern Metropolis, ed. Iwona Blazwick, London: Tate Gallery, 2001, pp 44-57. Catalogue essay. Excerpt. (English)
  • editor, The Short Century: Independence and Liberation Movements in Africa 1945-1994, Munich: Prestel, 2001, 496 pp. Introduction, Chronology. Exh. held at Museum Villa Stuck, Munich, Feb-Apr 2001; Martin-Gropius-Bau, Berlin, May-Jul 2001; Museum of Contemporary Art, Chicago, Sep-Dec 2001; MoMA PS1, Feb-May 2002. Reviews: Jackson (Afr Stud R), Denzer (Antipode). Exh. reviews: Eze (Antipode), Demissie (Antipode), Beidelman (Am Anthr). (English)
    • "O breve século: movimentos de independência e libertação na África, 1945-94: uma introdução", in Histórias afro-atlânticas, vol. 2: antologia, eds. Adriano Pedrosa, Amanda Carneiro, André Mesquita, São Paulo: Museu de Arte de São Paulo (MASP), and Instituto Tomie Ohtake, 2018. Trans. of Enwezor's introduction. (Brazilian Portuguese)
  • Enwezor et al. (eds.), Documenta 11 Platform, 5 vols., Kassel: Documenta, and Ostfildern-Ruit: Hatje Cantz, 2002-2003. Volumes: 1. "Democracy Unrealized", 2002, 411 pp; 2. "Experiments with Truth: Transitional Justice and the Processes of Truth and Reconciliation", 2002, 404 pp; 3. "Creolité and Creolization", 2003, 273 pp; 4. "Under Siege: Four African Cities, Freetown, Johannesburg, Kinshasa, Lagos", 454 pp; 5. "Exhibition", 2002, 620 pp. Review: Martin (Radical Phil). (English)
    • Enwezor, "The Black Box", in Documenta 11 Platform: Exhibition, 2002, pp 44-55. (English)
  • Snap Judgments: New Positions in Contemporary African Photography, Gottingen: Steidl, and New York: International Center of Photography, 2006, 383 pp. Catalogue; exh. held at the International Center of Photography, New York, 10 Mar-28 May 2006. [8], [9]. Exh. reviews: Cotter (NYT), Duran (SECAC Rev). (English)
  • editor, The Unhomely: Phantom Scenes in Global Society, Sevilla: Fundación Bienal Internacional de Arte Contemporáneo de Sevilla (BIACS), 2006, 335 pp. Catalogue. (English)
  • with Chika Okeke-Agulu, Contemporary African Art Since 1980, Bologna: Damiani, 2009, 366 pp. Preface, Chs 1-7. (English)
    • "Situando a arte contemporânea Africana", in Africa africans: arte contemporânea, São Paulo: Museu Afro Brasil, 2015. Trans. of Chapter 1 ("Situating Contemporary African Art"). (Brazilian Portuguese)
  • editor, Events of the Self: Portraiture and Social Identity: Contemporary African Photography from the Walther Collection, Burlafingen: Walther Collection, and Göttingen: Steidl, 2010, 445 pp. Catalogue. (English)
  • editor, Intense Proximity: An Anthology of the Near and the Far. La Triennale 2012, Paris: Centre national des arts plastiques: Artlys, 2012, 687 pp. Catalogue. (English)
  • editor, with Rory Bester, Rise and Fall of Apartheid: Photography and the Bureaucracy of Everyday Life, Munich: Prestel, 2013, 543 pp. Catalogue. Excerpt. Review: Von Blum (Afr Arts). (English)
  • editor, Frank Bowling: Mappa Mundi, Munich: Prestel, and Haus der Kunst, 2017, 286 pp. Catalogue. Review: Zabunyan (Critique d'art). (English)
  • editor, Sarah Sze: Centrifuge, Cologne: Buchhandlung Walther König, 2018, 128 pp. Catalogue. (English)

Interviews

Links

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