Difference between revisions of "Olga Goriunova"

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{{Infobox artist
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|image = Olga_Goriunova.jpg
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|imagesize = 250px
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|birth_place = Ulan-Ude, Soviet Union (today Russia)
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|based_in = [[London]], United Kingdom
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|web = [[Academia.edu::https://royalholloway.academia.edu/OlgaGoriunova|Academia.edu]], [[Aaaaarg::http://aaaaarg.fail/maker/53107f21334fe07269206998|Aaaaarg]]
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'''Olga Goriunova''' (1977, Ulan-Ude, USSR) is a scholar and curator in the fields of digital media arts and cultures. She is a Senior Lecturer in the Media Arts Department, Royal Holloway, University of London.
 
'''Olga Goriunova''' (1977, Ulan-Ude, USSR) is a scholar and curator in the fields of digital media arts and cultures. She is a Senior Lecturer in the Media Arts Department, Royal Holloway, University of London.
  
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* with Chiara Bernardi, [http://www.academia.edu/2125760/ "Social Networking Sites"], in ''John Hopkins Guidebook to the Digital Humanities'', eds. Marie-Laure Ryan, Lori Emerson and Benjamin Robertson, Baltimore: The John Hopkins University Press, 2013.
 
* with Chiara Bernardi, [http://www.academia.edu/2125760/ "Social Networking Sites"], in ''John Hopkins Guidebook to the Digital Humanities'', eds. Marie-Laure Ryan, Lori Emerson and Benjamin Robertson, Baltimore: The John Hopkins University Press, 2013.
 
* [https://www.academia.edu/7220918/ "The Ragged Manifold of the Subject: Databaseness and the Generic in Curating YouTube"], in ''Media After Kittler'', eds. Eleni Ikoniadou and Scott Wilson, London: Rowan & Littlefield, 2015.
 
* [https://www.academia.edu/7220918/ "The Ragged Manifold of the Subject: Databaseness and the Generic in Curating YouTube"], in ''Media After Kittler'', eds. Eleni Ikoniadou and Scott Wilson, London: Rowan & Littlefield, 2015.
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* with Matthew Fuller, [https://monoskop.org/media/text/hoerl_burton_eds_2017_general_ecology/#cha-13 "Devastation"], in ''General Ecology: The New Ecological Paradigm'', eds. Erich Hörl and James Burton, Bloomsbury Academic, 2017.
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* "Technological Macrobiome: Media Art and Technology as Matter", in ''across & beyond: A transmediale Reader on Post-digital Practices, Concepts, and Institutions'', eds. Ryan Bishop, Kristoffer Gansing, Jussi Parikka, and Elvia Wilk, Berlin: Sternberg & Transmediale, 2017.
  
 
; Selected papers and essays
 
; Selected papers and essays
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* [http://www.zfmedienwissenschaft.de/heft/text/die-kraft-der-digitalen-%C3%A4sthetik "Die Kraft der digitalen Ästhetik. Über Meme, Hacking und Individuation"], ''Zeitschrift fur Medienwissenschaft'' 8: "Medienästhetik", eds. Erich Horl and Mark Hansen, Apr 2013. {{de}}
 
* [http://www.zfmedienwissenschaft.de/heft/text/die-kraft-der-digitalen-%C3%A4sthetik "Die Kraft der digitalen Ästhetik. Über Meme, Hacking und Individuation"], ''Zeitschrift fur Medienwissenschaft'' 8: "Medienästhetik", eds. Erich Horl and Mark Hansen, Apr 2013. {{de}}
 
** [https://tidsskrift.dk/nja/article/view/23055 "The force of digital aesthetics: on memes, hacking, and individuation"], ''Nordic Journal of Aesthetics'' 24:47, 2015.
 
** [https://tidsskrift.dk/nja/article/view/23055 "The force of digital aesthetics: on memes, hacking, and individuation"], ''Nordic Journal of Aesthetics'' 24:47, 2015.
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==Interviews==
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* Lisa Baldini, [https://rhizome.org/editorial/2010/nov/03/interview-with-olga-goriunova-curator-of-fun-with-/ "Interview with Olga Goriunova, Curator of Fun with Software"], ''Rhizome'', 3 Nov 2010.
  
 
==Links==
 
==Links==
 
* [http://visualsocialmedialab.org/core-team/olga-goriunova Profile on Visual Social Media Lab]
 
* [http://visualsocialmedialab.org/core-team/olga-goriunova Profile on Visual Social Media Lab]
* [https://royalholloway.academia.edu/OlgaGoriunova Academia.edu]
 
 
* [http://web.archive.org/web/20160223070428/http://www2.warwick.ac.uk/fac/cross_fac/cim/people/academic/olga-goriunova/ Profile on U Warwick] (archived)
 
* [http://web.archive.org/web/20160223070428/http://www2.warwick.ac.uk/fac/cross_fac/cim/people/academic/olga-goriunova/ Profile on U Warwick] (archived)
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* [http://www.leuphana.de/en/research-centers/cdc/digital-cultures-research-lab/members/fellows/olga-goriunova.html Profile on U Leuphana]
  
 
[[Category:Writers]] [[Category:Software studies]] [[Category:Software art]] {{DEFAULTSORT:Goriunova, Olga}}
 
[[Category:Writers]] [[Category:Software studies]] [[Category:Software art]] {{DEFAULTSORT:Goriunova, Olga}}

Revision as of 15:18, 20 October 2018

Born Ulan-Ude, Soviet Union (today Russia)
Lives in London, United Kingdom
Web Using "Academia.edu" as base chain is not permitted during the annotation process., Aaaaarg

Olga Goriunova (1977, Ulan-Ude, USSR) is a scholar and curator in the fields of digital media arts and cultures. She is a Senior Lecturer in the Media Arts Department, Royal Holloway, University of London.

She graduated in philology from the Moscow State University (1999). She completed her Ph.D. on "Art Platforms. The constitution of cultural and artistic currents on the Internet" in Media Lab, University of Art and Design Helsinki, on the concept of art platforms, with close attention to the questions of organizational aesthetics, autocreativity, collective, flexible and amateur production, network politics and valorization as playing out in the materiality of digital cultures.

She taught audiovisual arts, sociology of art and media theory in Moscow City University and Moscow State University of Humanities; in many educational media institutions in St. Petersburg (course on the history of media technologies and essentials of media theory "Media: history of expansion", 2000-2001 Pro Arte Institute); Almaty/Kazakhstan ("New Media Art Strategies" Programme, 2001 Center for Contemporary Art); Moldova and has lectured world-wide.

In 2001 she curated and moderated the round table discussion Copyright in the Age of Digital Reproduction, MediaForum, Moscow. She is a co-organizer of Readme software art festivals (Moscow 2002, Helsinki 2003, Aarhus 2004, Dortmund 2005); a co-organizer of software art repository Runme.org. From 2001 a member of Data Exchange Laboratory. In 2010, Goriunova organized an international exhibition Funware that was first shown in Arnolfini gallery in Bristol and which then traveled to the cultural organisations MU and Baltan, in Eindhoven in The Netherlands (November 2010 – January 2011).

She written and published on a broad range of topics in the areas of new media theory and art, literature in the digital age, history of philosophy of technology, aesthetics, social and critical theory, emphasizing questions at the intersection of digital materiality, aesthetics and organisation. Research interests include digital folklore, aesthetics of glitch, FLOSS (free, libre and open source software) and culture, online participatory platforms, 8-bit music and low tech aesthetics, sociology of artistic experiment and "male" literature, amongst others.

She lives in London.

Publications

Books
Books edited
Book chapters
Selected papers and essays

Interviews

Links