Orthogonal

conceived as an international forum, orthogonal aims at introducing the bulgarian cultural public to a number of selected artists and theoreticians, who work in the field of non-objective art. apart from an exhibition of artifacts the event offers a programme of open lectures and screenings which deal with contemporary and historical issues of this yet little known in bulgaria art movement. nonsofia's ambition is that this forum becomes a regular art festival which will expand in the future and remain permanently on the bulgarian cultural agenda.

exhibitions

orthogonal12

orthogonal12 poster by georgi dimitrov

18 october – 18 november 2012 at the red house centre for culture and debate, sofia

participants

andrás wolsky (hu)
angela thomas (ch)
barna benedek (hu)
bruno haas (de)
dóra maurer (hu)
erich schmid (ch)
georgi dimitrov (bg)
georgi yanakiev (bg)
guido winkler (nl)
josé heerkens (nl)
maria chakarova (bg)
nikolay diulgheroff (bg/it)
richard van der aa (nz)
tibor gáyor (hu)

(Source)

orthogonal14

orthogonal14 poster by georgi dimitrov

9 october – 7 november 2014 at the red house centre for culture and debate, sofia

participants

anna-maria bogner (at)
arjan janssen (nl)
bob bonies (nl)
bruno haas (de)
georgi dimitrov (bg)
guillaume millet (fr)
krasimira stikar (bg)
maria chakarova (bg)
max bill (ch)
simon ingram (nz)
theodore markoglou (gr)
yorgos vourlidas (gr)

(Source)

resources

• orthogonal.bg

publications

orthogonal12, 2013, ISBN 9786199008812 PDF (6 mb)

orthogonal14, 2015, ISBN 9786199008843, PDF (3 mb)

	Art exhibitions and events
Second Spring Exhibition of OBMOKhU (Moscow, 1920-21), Congress of International Progressive Artists (Düsseldorf, 1922), Congress of the Constructivists and Dadaists (Weimar, 1922), First Russian Art Exhibition (Berlin, 1922), New Art Exhibition (Vilnius, 1923), Zenit Exhibition (Belgrade, 1924), Contimporanul Exhibition (Bucharest, 1924), Machine-Age Exposition (New York, 1927), a.r. International Collection of Modern Art (Łódź, 1931), New Tendencies (Zagreb, 1961-73), The Responsive Eye (New York, 1965), 9 Evenings: Theatre and Engineering (New York, 1966), Cybernetic Serendipity (London, 1968), Live In Your Head: When Attitudes Become Form (Bern, 1969), Information (New York, 1970), Software - Information Technology: Its New Meaning for Art (New York, 1970), Documenta 5 (Kassel, 1972), Pictures (New York, 1977), Biennial of Dissent (Venice, 1977), Les Immatériaux (Paris, 1985), Magiciens de la Terre (Paris, 1989), Hybrid Workspace (Kassel, 1997)