Difference between revisions of "Ostranenie"
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| + | ''For the festival see [[Ostranenie (festival)]].'' | ||
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; Literature | ; Literature | ||
| − | * Annie van den Oever (ed.), ''Ostrannenie. On 'Strangeness' and the Moving Image: The History,Reception, and Relevance of a Concept'' , Amsterdam: Amsterdam University Press, 2010, 278 pp. [http:// | + | * Frank Kessler, [http://www.montage-av.de/pdf/052_1996/05_2_Frank_Kessler_Ostranenie.pdf "Ostranenie. Zum Verfremdungsbegriff von Formalismus und Neoformalismus"], ''montage a/v'', 5/2/1996, pp 51-65. {{de}} |
| + | * Annie van den Oever (ed.), ''[http://monoskop.org/log/?p=16906 Ostrannenie. On 'Strangeness' and the Moving Image: The History, Reception, and Relevance of a Concept]'', Amsterdam: Amsterdam University Press, 2010, 278 pp. [http://en.aup.nl/books/9789048507955-ostrannenie.html]. Reviews: [http://www.rug.nl/research/arts-in-society/_afbeeldingen/ostranneniereview.pdf Cox], [http://www.academia.edu/2281571 Spiegel], [http://sci-hub.tw/10.1080/17411548.2014.973703 Peden]. | ||
; See also | ; See also | ||
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| − | {{ | + | {{Humanities}} |
Revision as of 12:30, 22 October 2019
For the festival see Ostranenie (festival).
- Literature
- Frank Kessler, "Ostranenie. Zum Verfremdungsbegriff von Formalismus und Neoformalismus", montage a/v, 5/2/1996, pp 51-65. (German)
- Annie van den Oever (ed.), Ostrannenie. On 'Strangeness' and the Moving Image: The History, Reception, and Relevance of a Concept, Amsterdam: Amsterdam University Press, 2010, 278 pp. [1]. Reviews: Cox, Spiegel, Peden.
- See also
