Difference between revisions of "Periszkop"
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| − | [[Image:Tzara by Tihanyi.jpg|thumb| | + | [[Image:Tzara by Tihanyi.jpg|thumb|200px|A portrait of [[Tristan Tzara]] by Lajos Tihanyi, 1926. [http://www.mng.hu/en/collections/allando/178/oldal:16/103 MNG Budapest].]] |
| − | '''Periszkop: A havi szemle új tipusa''' [Periscope] was a Romanian-Hungarian avant-garde art journal. Five issues were published from Arad, Romania, in 1925-1926. ''Periszkop'' was edited by [[György Szántó]]. [[Árpád Szélpál]] served as the Budapest editor, [[Zoltán Fábry]] was covering Slovakia. [[István Pál]] worked as its artistic director. The journal published reproductions of works by many international authors, including [[László Moholy-Nagy]], [[Pablo Picasso]], [[Marc Chagal]], [[Alexander Archipenko]], or [[Sándor Bortnyik]]. | + | '''Periszkop: A havi szemle új tipusa''' [Periscope] was a Romanian-Hungarian avant-garde art journal. Five issues were published in Hungarian language from Arad, Romania, in 1925-1926. ''Periszkop'' was edited by [[György Szántó]]. [[Árpád Szélpál]] served as the Budapest editor, [[Zoltán Fábry]] was covering Slovakia. [[István Pál]] worked as its artistic director. The journal published reproductions of works by many international authors, including [[László Moholy-Nagy]], [[Pablo Picasso]], [[Marc Chagal]], [[Alexander Archipenko]], or [[Sándor Bortnyik]]. |
==Issues== | ==Issues== | ||
| − | {| class=" | + | {| class="imgtable" |
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[[Image:Periszkop_1_Mar_1925.jpg|thumb|185px|''Periszkóp'' 1 (March 1925), 40 pages. [[Media:Periszkop_1_Mar_1925.pdf|Download]].]] | [[Image:Periszkop_1_Mar_1925.jpg|thumb|185px|''Periszkóp'' 1 (March 1925), 40 pages. [[Media:Periszkop_1_Mar_1925.pdf|Download]].]] | ||
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[[Image:Periszkop_2_Apr_1925.jpg|thumb|185px|''Periszkóp'' 2 (April 1925), 40 pages. [[Media:Periszkop_2_Apr_1925.pdf|Download]].]] | [[Image:Periszkop_2_Apr_1925.jpg|thumb|185px|''Periszkóp'' 2 (April 1925), 40 pages. [[Media:Periszkop_2_Apr_1925.pdf|Download]].]] | ||
|} | |} | ||
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| + | * [http://digitalgallery.nypl.org/nypldigital/dgtitle_tree.cfm?level=1&title_id=1055089 Scans in NYPL Digital Library] (1-2, as of 1/2016 not available anymore) | ||
==See also== | ==See also== | ||
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* [[Hungary#Avant-garde]] | * [[Hungary#Avant-garde]] | ||
| − | == | + | ==Links== |
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* [http://www.palamart.hu/index.php?option=com_content&view=article&id=79%3Akassak-si-ma-revistele-de-avangarda-din-ungaria&catid=8%3Aroman-nyelv&Itemid=7&lang=fr List of Hungarian Magazines] | * [http://www.palamart.hu/index.php?option=com_content&view=article&id=79%3Akassak-si-ma-revistele-de-avangarda-din-ungaria&catid=8%3Aroman-nyelv&Itemid=7&lang=fr List of Hungarian Magazines] | ||
| − | * [http://hu.wikipedia.org/wiki/Periszkop_(foly%C3%B3irat) | + | * [http://hu.wikipedia.org/wiki/Periszkop_(foly%C3%B3irat) Periszkop at Hungarian Wikipedia] |
| − | {{Avant-garde | + | {{Avant-garde and modernist magazines}} |
Revision as of 20:21, 21 May 2016
Periszkop: A havi szemle új tipusa [Periscope] was a Romanian-Hungarian avant-garde art journal. Five issues were published in Hungarian language from Arad, Romania, in 1925-1926. Periszkop was edited by György Szántó. Árpád Szélpál served as the Budapest editor, Zoltán Fábry was covering Slovakia. István Pál worked as its artistic director. The journal published reproductions of works by many international authors, including László Moholy-Nagy, Pablo Picasso, Marc Chagal, Alexander Archipenko, or Sándor Bortnyik.
Issues
 Periszkóp 1 (March 1925), 40 pages. Download. |
 Periszkóp 2 (April 1925), 40 pages. Download. |
- Scans in NYPL Digital Library (1-2, as of 1/2016 not available anymore)
See also
Links
| Avant-garde and modernist magazines | ||
|---|---|---|
|
Poesia (1905-09, 1920), Der Sturm (1910-32), Blast (1914-15), The Egoist (1914-19), The Little Review (1914-29), 291 (1915-16), MA (1916-25), De Stijl (1917-20, 1921-32), Dada (1917-21), Noi (1917-25), 391 (1917-24), Zenit (1921-26), Broom (1921-24), Veshch/Gegenstand/Objet (1922), Die Form (1922, 1925-35), Contimporanul (1922-32), Secession (1922-24), Klaxon (1922-23), Merz (1923-32), LEF (1923-25), G (1923-26), Irradiador (1923), Sovremennaya architektura (1926-30), Novyi LEF (1927-29), ReD (1927-31), Close Up (1927-33), transition (1927-38). | ||
| Full list | ||
|---|---|---|
|
Entretiens politiques et littéraires (1890-93), Moderní revue (1894-1925), Volné směry (1897-1948), Mir iskusstva (1898-1904), Vesy (1904-09), Poesia (1905-09, 1920), Zolotoe runo (1906-10), The Mask (1908-29), Apollon (1909-17), Ukraïnska khata (1909-14), Der Sturm (1910-32), Thalia (1910-13), Rhythm (1911-13), Trudy i dni (1912), Simbolul (1912), The Glebe (1913-14), Ocharovannyi strannik (1913-16), Revolution (1913), Blast (1914-15), The Little Review (1914-29), Futuristy (1914), Zeit-Echo (1914-17), The Egoist (1914-19), L'Élan (1915-16), 291 (1915-16), Orpheu (1915), La Balza futurista (1915), MA (1916-25), SIC (1916-19), flamman (1916-21), The Blindman (1917), Nord-Sud (1917-18), De Stijl (1917-20, 1921-32), Dada (1917-21), Klingen (1917-20, 1942), Noi (1917-25), 391 (1917-24), Modernisme et compréhension (1917), Anarkhiia (1917-18), Iskusstvo kommuny (1918-19), Formiści (1919-21), S4N (1919-25), La Cité (1919-35), Aujourd'hui (1919), Exlex (1919-20), L'Esprit nouveau (1920-25), Orfeus (1920-21), Action (1920-22), Proverbe (1920-22), Ça ira (1920-23), Zenit (1921-26), Kinofon (1921-22), Het Overzicht (1921-25), Jednodńuwka futurystuw (1921), Nowa sztuka (1921-22), Broom (1921-24), Život (1921-48), Creación (1921-24), Jar-Ptitza (1921-26), New York Dada (1921), Aventure (1921-22), Spolokhi (1921-23), Gargoyle (1921-22), Veshch/Gegenstand/Objet (1922), Kino-fot (1922-23), Le Coeur à barbe (1922), Die Form (1922, 1925-35), 7 Arts (1922-28), Manomètre (1922-28), Ultra (1922), Út (1922-25), Dada-Jok (1922), Dada Tank (1922), Dada Jazz (1922), Mécano (1922-23), Contimporanul (1922-32), Zwrotnica (1922-23, 1926-27), Secession (1922-24), Stavba (1922-38), Gostinitsa dlya puteshestvuyuschih v prekrasnom (1922-24), Putevi (1922-24), Klaxon (1922-23), Akasztott Ember (1922-23), MSS (1922-23), Perevoz Dada (1922-49), Egység (1922-24), L'Architecture vivante (1923-33), Merz (1923-32), LEF (1923-25), G (1923-26), The Next Call (1923-26), Russkoye iskusstvo (1923), Disk (1923-25), Irradiador (1923), Surréalisme (1924), Almanach Nowej Sztuki (1924-25), La Révolution surréaliste (1924-29), Blok (1924-26), Pásmo (1924-26), DAV (1924-37), Bulletin de l'Effort moderne (1924-27), ABC (1924-28), CAP (1924-28), Athena (1924-25), Punct (1924-25), 75HP (1924), Le Tour de Babel (1925), Periszkop (1925-26), Integral (1925-28), Praesens (1926, 1930), Sovremennaya architektura (1926-30), bauhaus (1926-31), Das neue Frankfurt (1926-31), L'Art cinématographique (1926-31), Dokumentum (1926-27), Kritisk Revy (1926-28), Novyi LEF (1927-29), i 10 (1927-29), Nova generatsiia (1927-30), ReD (1927-31), Dźwignia (1927-28), Tank (1927-28), Close Up (1927-33), Horizont (1927-32), transition (1927-38), Discontinuité (1928), Munka (1928-39), Quosego (1928-29), Urmuz (1928), Unu (1928-32), Revista de Antropofagia (1928-29), 50 u Evropi (1928-29), Documents (1929-30), L'Art Contemporain - Sztuka Współczesna (1929-30), Adam (1929-40), Art concret (1930), Zvěrokruh (1930), Alge (1930-31), Le Surréalisme au service de la révolution (1930-33), Levá fronta (1930-33), Kvart (1930-37, 1945-49), Nová Bratislava (1931-32), Linja (1931-33), Spektrum (1931-33), Nadrealizam danas i ovde (1931-32), Ulise (1932-33), Die neue Stadt (1932-33), Mouvement (1933), PLAN (1933-36), Karavan (1934-35), Ekran (1934), Axis (1935-37), Acéphale (1936-39), Telehor (1936), aka (1937-38), Plastique (1937-39), Plus (1938-39), Les Réverbères (1938-39). | ||
