Difference between revisions of "Peru"
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; Literature | ; Literature | ||
| − | * ''The | + | * Max Hernández-Calvo, José-Carlos Mariátegui, Jorge Villacorta (eds.), ''El mañana fue hoy. 21 años de videocreación y arte electrónico en el Perú / The Future Was Now. 21 Years of Video Art and Electronic art in Peru'', Lima: Alta Tecnología Andina, 2018, 594 pp. [http://ata.org.pe/wp-content/uploads/2020/04/El-ma%C3%B1ana-fue-hoy.pdf Excerpt]. [http://ata.org.pe/2019/03/08/el-manana-fue-hoy-21-anos-de-videocreacion-y-arte-electronico-en-el-peru/] {{es}}/{{en}} |
| − | ** '' | + | * ''Redes de vanguardia: Amauta y América Latina, 1926-1930'', eds. Beverly Adams and Natalia Majluf, Madrid: Museo Nacional Centro de Arte Reina Sofía, Austin: Blanton Museum of Art, and Lima: MALI, 2019, 352 pp. Exh. catalogue. [https://www.museoreinasofia.es/publicaciones/redes-vanguardia] {{es}} |
| + | ** ''The Avant-garde Networks of ''Amauta'': Argentina, Mexico, and Peru in the 1920s'', Madrid: Museo Nacional Centro de Arte Reina Sofía, Austin: Blanton Museum of Art, and Lima: MALI, 2019, 352 pp. [https://www.museoreinasofia.es/en/publicaciones/avant-garde-networks-amauta] {{en}} | ||
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{{Countries}} | {{Countries}} | ||
Revision as of 14:13, 29 September 2020
- Avant-garde
- Literature
- Max Hernández-Calvo, José-Carlos Mariátegui, Jorge Villacorta (eds.), El mañana fue hoy. 21 años de videocreación y arte electrónico en el Perú / The Future Was Now. 21 Years of Video Art and Electronic art in Peru, Lima: Alta Tecnología Andina, 2018, 594 pp. Excerpt. [1] (Spanish)/(English)
- Redes de vanguardia: Amauta y América Latina, 1926-1930, eds. Beverly Adams and Natalia Majluf, Madrid: Museo Nacional Centro de Arte Reina Sofía, Austin: Blanton Museum of Art, and Lima: MALI, 2019, 352 pp. Exh. catalogue. [2] (Spanish)
- The Avant-garde Networks of Amauta: Argentina, Mexico, and Peru in the 1920s, Madrid: Museo Nacional Centro de Arte Reina Sofía, Austin: Blanton Museum of Art, and Lima: MALI, 2019, 352 pp. [3] (English)
| Countries avant-garde, modernism, experimental art, media culture, social practice |
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Albania, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Central and Eastern Europe, Chile, China, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, India, Indonesia, Iran, Ireland, Italy, Japan, Kazakhstan, Kosova, Latvia, Lebanon, Lithuania, Luxembourg, Malta, Mexico, Moldova, Montenegro, Morocco, Netherlands, North Macedonia, Norway, Pakistan, Peru, Poland, Portugal, Romania, Russia, Serbia, Spain, Slovenia, Slovakia, South Korea, Sweden, Switzerland, Turkey, Ukraine, United Kingdom, United States | ||
