Difference between revisions of "Photography"

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[[Image:View_from_the_Window_at_Le_Gras,_Joseph_Nicéphore_Niépce.jpg|thumb|258px|''View from the Window at Le Gras'' is the oldest surviving camera photograph. Created by [[Nicéphore Niépce]] in 1826 or 1827 at Saint-Loup-de-Varennes, it shows parts of the buildings and surrounding countryside of his estate, Le Gras, seen from a high window, made using a camera obscura. It was the result of an 8-hour exposure.]]
+
[[Image:View_from_the_Window_at_Le_Gras,_Joseph_Nicéphore_Niépce.jpg|thumb|350px|''View from the Window at Le Gras'' is the oldest surviving camera photograph. Created by [[Nicéphore Niépce]] in 1826 or 1827 at Saint-Loup-de-Varennes, it shows parts of the buildings and surrounding countryside of his estate, Le Gras, seen from a high window, made using a camera obscura. It was the result of an 8-hour exposure.]]
−
[[Image:Dyson_Eddington_Davidson_1919_A_Determination_of_the_Deflection_of_Light_by_the_Sun's_Gravitational_Field_inverted.jpg|thumb|258px|An inverted photograph from F. W. Dyson, A. S. Eddington, and C. Davidson, "A Determination of the Deflection of Light by the Sun's Gravitational Field, from Observations Made at the Total Eclipse of May 29, 1919", ''Phil. Trans. of the Royal Society of London'' (1920), p 332.]]
+
[[Image:Dyson_Eddington_Davidson_1919_A_Determination_of_the_Deflection_of_Light_by_the_Sun's_Gravitational_Field_inverted.jpg|thumb|350px|An inverted photograph from F. W. Dyson, A. S. Eddington, and C. Davidson, "A Determination of the Deflection of Light by the Sun's Gravitational Field, from Observations Made at the Total Eclipse of May 29, 1919", ''Phil. Trans. of the Royal Society of London'' (1920), p 332.]]
−
[[Image:Nahui_Olin_by_Edward_Weston_1924.jpg|thumb|258px|Portrait of [[Nahui Olin]] by Edward Weston, 1924.]]
+
[[Image:Nahui_Olin_by_Edward_Weston_1924.jpg|thumb|350px|Portrait of [[Nahui Olin]] by Edward Weston, 1924.]]
−
[[Image:Lange_Dorothea_1936_Migrant_Mother_Nipomo_California.jpg|thumb|258px|Dorothea Lange, ''Migrant Mother, Nipomo, California'', Mar 1936. Gelatin silver print. [http://hdl.loc.gov/loc.pnp/fsa.8b29516 LOC]. [http://www.loc.gov/rr/print/list/128_migm.html LOC] (series). [http://www.moma.org/collection/works/50989 MoMA]. [http://www.moma.org/collection/works/58627 MoMA] (version). [http://www.metmuseum.org/art/collection/search/284152 Met]. [http://americanhistory.si.edu/collections/search/object/nmah_1313354 SI]. [http://www.artic.edu/aic/collections/artwork-search/results/%22migrant+mother%22 Artic]. [http://www.getty.edu/art/collection/objects/125690 Getty]. [http://www.dia.org/object-info/f8ab5ff8-6615-428d-90a6-1e1ab17ff26e.aspx?position=52 DIA]. [http://www.sfmoma.org/artwork/71.71.10 SFMOMA]. [http://slam.org:8080/emuseum/view/objects/asitem/items$0040:57571 SLAM]. [http://collections.artsmia.org/art/4383/migrant-mother-nipomo-california-photographer-dorothea-lange MiA]. [https://www.brooklynmuseum.org/opencollection/objects/127819/ Brooklyn M]. [http://www.tate.org.uk/art/artworks/lange-migrant-mother-nipomo-california-p13115 Tate].]]
+
[[Image:Lange_Dorothea_1936_Migrant_Mother_Nipomo_California.jpg|thumb|350px|Dorothea Lange, ''Migrant Mother, Nipomo, California'', Mar 1936. Gelatin silver print. [http://hdl.loc.gov/loc.pnp/fsa.8b29516 LOC]. [http://www.loc.gov/rr/print/list/128_migm.html LOC] (series). [http://www.moma.org/collection/works/50989 MoMA]. [http://www.moma.org/collection/works/58627 MoMA] (version). [http://www.metmuseum.org/art/collection/search/284152 Met]. [http://americanhistory.si.edu/collections/search/object/nmah_1313354 SI]. [http://www.artic.edu/aic/collections/artwork-search/results/%22migrant+mother%22 Artic]. [http://www.getty.edu/art/collection/objects/125690 Getty]. [http://www.dia.org/object-info/f8ab5ff8-6615-428d-90a6-1e1ab17ff26e.aspx?position=52 DIA]. [http://www.sfmoma.org/artwork/71.71.10 SFMOMA]. [http://slam.org:8080/emuseum/view/objects/asitem/items$0040:57571 SLAM]. [http://collections.artsmia.org/art/4383/migrant-mother-nipomo-california-photographer-dorothea-lange MiA]. [https://www.brooklynmuseum.org/opencollection/objects/127819/ Brooklyn M]. [http://www.tate.org.uk/art/artworks/lange-migrant-mother-nipomo-california-p13115 Tate].]]
 
==Pages==
 
==Pages==
 
<div class="dpl" style="-moz-column-count:3; -webkit-column-count:3; column-count:3;">
 
<div class="dpl" style="-moz-column-count:3; -webkit-column-count:3; column-count:3;">
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==Selected publications==
 
==Selected publications==
−
[[Image:Cover_the_Pencil_of_Nature_1844.jpg|thumb|258px|William Henry Fox Talbot, ''The Pencil of Nature'', 1844, [[Media:Talbot_H_Fox_The_Pencil_of_Nature.pdf|PDF]]. First photographic book, with 24 calotypes.]]
+
[[Image:Cover_the_Pencil_of_Nature_1844.jpg|thumb|350px|William Henry Fox Talbot, ''The Pencil of Nature'', 1844, [[Media:Talbot_H_Fox_The_Pencil_of_Nature.pdf|PDF]]. First photographic book, with 24 calotypes.]]
−
[[Image:Muybridge_Eadweard_Animal_Locomotion_1.jpg|thumb|258px|Eadweard Muybridge, ''Animal Locomotion'', 11 vols., 1887, [http://www.muybridge.org JPGs].]]
+
[[Image:Muybridge_Eadweard_Animal_Locomotion_1.jpg|thumb|350px|Eadweard Muybridge, ''Animal Locomotion'', 11 vols., 1887, [http://www.muybridge.org JPGs].]]
−
[[Image:Moholy-Nagy_L_Malerei_Fotografie_Film.jpg|thumb|258px|László Moholy-Nagy, ''Malerei, Fotografie, Film'', 1925/27, [http://monoskop.org/log/?p=8914 Log].]]
+
[[Image:Moholy-Nagy_L_Malerei_Fotografie_Film.jpg|thumb|350px|László Moholy-Nagy, ''Malerei, Fotografie, Film'', 1925/27, [http://monoskop.org/log/?p=8914 Log].]]
−
[[Image:Roh_Franz_Tschichold_Jan_Foto-Auge_1929.jpg|thumb|258px|Franz Roh, Jan Tschichold (eds.), ''Foto-Auge'', 1929, [https://monoskop.org/log/?p=21357 Log].]]
+
[[Image:Roh_Franz_Tschichold_Jan_Foto-Auge_1929.jpg|thumb|350px|Franz Roh, Jan Tschichold (eds.), ''Foto-Auge'', 1929, [https://monoskop.org/log/?p=21357 Log].]]
−
[[Image:Graeff_Werner_Es_kommt_der_neue_Fotograf_1929.jpg|thumb|258px|Werner Gräff, ''Es kommt der neue Fotograf!'', 1929.]]
+
[[Image:Graeff_Werner_Es_kommt_der_neue_Fotograf_1929.jpg|thumb|350px|Werner Gräff, ''Es kommt der neue Fotograf!'', 1929.]]
−
[[Image:Moholy-Nagy_Laszlo_Von_Material_zu_Architektur.jpg|thumb|258px|László Moholy-Nagy, ''Von Material zu Architektur'', 1929, [http://monoskop.org/log/?p=8788 Log].]]
+
[[Image:Moholy-Nagy_Laszlo_Von_Material_zu_Architektur.jpg|thumb|350px|László Moholy-Nagy, ''Von Material zu Architektur'', 1929, [http://monoskop.org/log/?p=8788 Log].]]
−
[[Image:Photography_1839-1937_MoMA_1937.jpg|thumb|258px|''Photography 1839–1937'', MoMA, 1937, [[Media:Photography_1839-1937_MoMA_1937.pdf|PDF]].]]
+
[[Image:Photography_1839-1937_MoMA_1937.jpg|thumb|350px|''Photography 1839–1937'', MoMA, 1937, [[Media:Photography_1839-1937_MoMA_1937.pdf|PDF]].]]
−
[[Image:Kepes_Gyorgy_Language_of_Vision.jpg|thumb|258px|Gyorgy Kepes, ''Language of Vision: Painting, Photography, Advertising-Design'', 1944/69, [http://monoskop.org/log/?p=11143 Log].]]
+
[[Image:Kepes_Gyorgy_Language_of_Vision.jpg|thumb|350px|Gyorgy Kepes, ''Language of Vision: Painting, Photography, Advertising-Design'', 1944/69, [http://monoskop.org/log/?p=11143 Log].]]
 
===Chronophotography===
 
===Chronophotography===
 
* Eadweard Muybridge, ''[http://www.muybridge.org Animal Locomotion]'', 11 vols., Philadelphia: University of Pennsylvania, 1887, 781 plates. {{en}}
 
* Eadweard Muybridge, ''[http://www.muybridge.org Animal Locomotion]'', 11 vols., Philadelphia: University of Pennsylvania, 1887, 781 plates. {{en}}
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** [[Moholy-Nagy#Moholy1925|more translations]]
 
** [[Moholy-Nagy#Moholy1925|more translations]]
 
* Germaine Krull, ''[[Media:Krull_Germaine_Metal_1928_2003.pdf|Métal]]'', intro. Florent Fels, Paris: Librairie des Arts Décoratifs, 1928, [64] pp; new ed., Cologne: Ann und Jürgen Wilde, 2003. Photo book. {{fr}}
 
* Germaine Krull, ''[[Media:Krull_Germaine_Metal_1928_2003.pdf|Métal]]'', intro. Florent Fels, Paris: Librairie des Arts Décoratifs, 1928, [64] pp; new ed., Cologne: Ann und Jürgen Wilde, 2003. Photo book. {{fr}}
−
* Albert Renger-Patzsch, ''Die Welt ist schön. Einhundert photographische Aufnahmen'', Munich: Kurt Wolff, 1928; other ed., Munich: Einhorn, 1928. Photo book. [http://www.moma.org/interactives/objectphoto/publications/780.html] [http://www.tandfonline.com.sci-hub.tw/doi/abs/10.1080/03087298.1997.10443828 Reception].
+
* Albert Renger-Patzsch, ''Die Welt ist schön. Einhundert photographische Aufnahmen'', Munich: Kurt Wolff, 1928; other ed., Munich: Einhorn, 1928. Photo book. [http://www.moma.org/interactives/objectphoto/publications/780.html] [http://www.tandfonline.com.sci-hub.st/doi/abs/10.1080/03087298.1997.10443828 Reception].
 
* August Sander, Alfred Döblin, ''Antlitz der Zeit. Sechzig Aufnahmen Deutscher Menschen Des 20. Jahrhunderts'', Munich: Transmare, 1929. Photo book. [http://www.moma.org/interactives/objectphoto/publications/776.html] [http://josefchladek.com/book/august_sander_-_antlitz_der_zeit]
 
* August Sander, Alfred Döblin, ''Antlitz der Zeit. Sechzig Aufnahmen Deutscher Menschen Des 20. Jahrhunderts'', Munich: Transmare, 1929. Photo book. [http://www.moma.org/interactives/objectphoto/publications/776.html] [http://josefchladek.com/book/august_sander_-_antlitz_der_zeit]
 
* Gustaf Stotz, et al., ''Internationale Ausstellung des Deutschen Werkbunds Film und Foto'', Stuttgart: Deutscher Werkbund, 1929. {{de}}
 
* Gustaf Stotz, et al., ''Internationale Ausstellung des Deutschen Werkbunds Film und Foto'', Stuttgart: Deutscher Werkbund, 1929. {{de}}
Line 126: Line 126:
  
 
* Jorge Ribalta, ''[https://monoskop.org/log/?p=17317 Universal Archive: The Condition of the Document and the Modern Photographic Utopia]'', Barcelona: MACBA, 2008, 99 pp. Catalogue. {{en}},{{ca}},{{es}}
 
* Jorge Ribalta, ''[https://monoskop.org/log/?p=17317 Universal Archive: The Condition of the Document and the Modern Photographic Utopia]'', Barcelona: MACBA, 2008, 99 pp. Catalogue. {{en}},{{ca}},{{es}}
 +
 +
* ''[[Media:The_Original_Copy_Photography_of_Sculpture_1839_to_Today_2010.pdf|The Original Copy: Photography of Sculpture, 1839 to Today]]'', ed. David Frankel, New York: Museum of Modern Art, 2010, 255 pp. Catalogue. {{en}}
  
 
* Daniel Girardin, Christian Pirker, Yaniv Benhamou, ''Controversies: A Legal and Ethical History of Photography'', Arles: Actes Sud, and Lausanne: Musée de l'Élysée, 2012. {{en}}
 
* Daniel Girardin, Christian Pirker, Yaniv Benhamou, ''Controversies: A Legal and Ethical History of Photography'', Arles: Actes Sud, and Lausanne: Musée de l'Élysée, 2012. {{en}}
Line 136: Line 138:
  
 
* Nicoletta Leonardi, Simone Natale (eds.), ''[http://library.memoryoftheworld.org/#/book/3625378c-3495-4d6b-9df3-20c2a11e2301 Photography and Other Media in the Nineteenth Century]'', Pennsylvania State University Press, 2018, [https://aaaaarg.fail/thing/5c2cb6529ff37c7901622bc7 ARG]. {{en}}
 
* Nicoletta Leonardi, Simone Natale (eds.), ''[http://library.memoryoftheworld.org/#/book/3625378c-3495-4d6b-9df3-20c2a11e2301 Photography and Other Media in the Nineteenth Century]'', Pennsylvania State University Press, 2018, [https://aaaaarg.fail/thing/5c2cb6529ff37c7901622bc7 ARG]. {{en}}
 +
 +
* [[Media:October_172_Weimar_Photography_2020.pdf|''October'' 172: "Weimar Photography: Bauhaus, Cultural Difference, Exile: Part 1"]], MIT Press, Spring 2020. [https://www.mitpressjournals.org/toc/octo/-/172] {{en}}
  
 
====Collection-based histories====
 
====Collection-based histories====
Line 147: Line 151:
 
* Jonathan Green, ''American Photography: A Critical History 1945 to the Present'', New York: Harry N. Abrams, 1984. {{en}}
 
* Jonathan Green, ''American Photography: A Critical History 1945 to the Present'', New York: Harry N. Abrams, 1984. {{en}}
 
* C. Săvulescu, ''Cronologia ilustrată a fotografiei din Romania. Perioada 1834-1916'', Bucharest: Asociaţia Artiştilor Fotografi, 1985. {{ro}}
 
* C. Săvulescu, ''Cronologia ilustrată a fotografiei din Romania. Perioada 1834-1916'', Bucharest: Asociaţia Artiştilor Fotografi, 1985. {{ro}}
−
* Vicki Goldberg, Robert Silberman, ''[[Media:Goldberg_Vicki_Silberman_Robert_American_Photography_A_Century_of_Images_1999.pdf|American Photography: A Century of Images]]'', Chronicle, 1999, [http://gen.lib.rus.ec/book/index.php?md5=B16F6B82DB0D45AB9E569114FAB1722D PDF], [https://archive.org/details/GoldbergVickiSilbermanRobertAmericanPhotographyACenturyOfImages1999 IA], [http://aaaaarg.fail/static/reader.htm?0=b16f6b82db0d45ab9e569114fab1722d-0 ARG]. {{en}}
+
* Vicki Goldberg, Robert Silberman, ''[[Media:Goldberg_Vicki_Silberman_Robert_American_Photography_A_Century_of_Images_1999.pdf|American Photography: A Century of Images]]'', Chronicle, 1999, [http://libgen.rs/book/index.php?md5=B16F6B82DB0D45AB9E569114FAB1722D PDF], [https://archive.org/details/GoldbergVickiSilbermanRobertAmericanPhotographyACenturyOfImages1999 IA], [http://aaaaarg.fail/static/reader.htm?0=b16f6b82db0d45ab9e569114fab1722d-0 ARG]. {{en}}
−
* Aurora Király (ed.), ''[https://archive.org/details/PhotographyInContemporaryArtTrendsInRomaniaAfter1989 Fotografia în arta românească contemporană: tendinţe în România după 1989]'', Bucharest: Unarte, 2006, [http://gen.lib.rus.ec/book/index.php?md5=23BD677ADC2A4332EC69888B78BDE01A PDF]. {{ro}}
+
* Aurora Király (ed.), ''[https://archive.org/details/PhotographyInContemporaryArtTrendsInRomaniaAfter1989 Fotografia în arta românească contemporană: tendinţe în România după 1989]'', Bucharest: Unarte, 2006, [http://libgen.rs/book/index.php?md5=23BD677ADC2A4332EC69888B78BDE01A PDF]. {{ro}}
 
* Matthew S. Witkovsky, ''Foto: Modernity in Central Europe, 1918-1945'', intro. Peter Demetz, Washington, DC: National Gallery of Art, and London: Thames & Hudson, 2007, xxix+278 pp. Catalogue. {{en}}
 
* Matthew S. Witkovsky, ''Foto: Modernity in Central Europe, 1918-1945'', intro. Peter Demetz, Washington, DC: National Gallery of Art, and London: Thames & Hudson, 2007, xxix+278 pp. Catalogue. {{en}}
−
* ''[[Media:The_Original_Copy_Photography_of_Sculpture_1839_to_Today_2010.pdf|The Original Copy: Photography of Sculpture, 1839 to Today]]'', ed. David Frankel, New York: Museum of Modern Art, 2010, 255 pp. {{en}}
 
 
* Václav Macek, ''The History of European Photography, 1900-1938'', Bratislava: Central European House of Photography, 2010. {{en}}
 
* Václav Macek, ''The History of European Photography, 1900-1938'', Bratislava: Central European House of Photography, 2010. {{en}}
 
* Andrea Cuarterolo, ''[[Media:Cuarterolo_Andrea_De_la_foto_al_fotograma_Relaciones_entre_cine_y_fotografia_en_la_Argentina_1840-1933.pdf|De la foto al fotograma. Relaciones entre cine y fotografía en la Argentina, 1840-1933]]'', Montevideo: CDF, 2013, 260 pp. [http://academia.edu/2559302]. Review: [http://caiana.caia.org.ar/template/caiana.php?pag=books/book.php&obj=146&vol=4 Marrone] (2014). {{es}}
 
* Andrea Cuarterolo, ''[[Media:Cuarterolo_Andrea_De_la_foto_al_fotograma_Relaciones_entre_cine_y_fotografia_en_la_Argentina_1840-1933.pdf|De la foto al fotograma. Relaciones entre cine y fotografía en la Argentina, 1840-1933]]'', Montevideo: CDF, 2013, 260 pp. [http://academia.edu/2559302]. Review: [http://caiana.caia.org.ar/template/caiana.php?pag=books/book.php&obj=146&vol=4 Marrone] (2014). {{es}}
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** [[Sontag#Sontag1977|translations]]
 
** [[Sontag#Sontag1977|translations]]
  
−
[[Image:Barthes_Roland_La_chambre_claire.jpg|thumb|258px|''La chambre claire: note sur la photographie'', 1980, [[Media:Barthes_Roland_La_chambre_claire_Note_sur_la_photographie.pdf|PDF]], [http://monoskop.org/log/?p=6868 Log].]]
+
[[Image:Barthes_Roland_La_chambre_claire.jpg|thumb|350px|''La chambre claire: note sur la photographie'', 1980, [[Media:Barthes_Roland_La_chambre_claire_Note_sur_la_photographie.pdf|PDF]], [http://monoskop.org/log/?p=6868 Log].]]
 
* Roland Barthes, ''[http://monoskop.org/log/?p=6868 La chambre claire: note sur la photographie]'', Paris: Gallimard/Seuil, 1980, 194 pp. {{fr}}
 
* Roland Barthes, ''[http://monoskop.org/log/?p=6868 La chambre claire: note sur la photographie]'', Paris: Gallimard/Seuil, 1980, 194 pp. {{fr}}
 
** ''[http://monoskop.org/log/?p=6868 Camera Lucida: Reflections on Photography]'', trans. Richard Howard, Farrar, Straus and Giroux, 1982, 119 pp.  {{en}}
 
** ''[http://monoskop.org/log/?p=6868 Camera Lucida: Reflections on Photography]'', trans. Richard Howard, Farrar, Straus and Giroux, 1982, 119 pp.  {{en}}
Line 195: Line 198:
 
* John Berger, ''Understanding a Photograph'', ed. & intro. Geoff Dyer, Aperture, 2013, 256 pp. Previously uncollected writings on photography. {{en}}
 
* John Berger, ''Understanding a Photograph'', ed. & intro. Geoff Dyer, Aperture, 2013, 256 pp. Previously uncollected writings on photography. {{en}}
  
−
* Lisa Saltzman, ''[http://gen.lib.rus.ec/book/index.php?md5=17905da4d80dbd58d187109a4f8285ce Daguerreotypes: Fugitive Subjects, Contemporary Objects]'', University of Chicago Press, 2015. {{en}}
+
* Lisa Saltzman, ''[http://libgen.rs/book/index.php?md5=17905da4d80dbd58d187109a4f8285ce Daguerreotypes: Fugitive Subjects, Contemporary Objects]'', University of Chicago Press, 2015. {{en}}
  
 
* [https://app.koofr.net/content/links/022151a1-6cec-4303-9b0e-2736f4fe3fca/files/get/October%20158%202016.pdf?path=&force ''October'' 158], MIT Press, Fall 2016, 168 pp. {{en}}
 
* [https://app.koofr.net/content/links/022151a1-6cec-4303-9b0e-2736f4fe3fca/files/get/October%20158%202016.pdf?path=&force ''October'' 158], MIT Press, Fall 2016, 168 pp. {{en}}
Line 206: Line 209:
  
 
===Other===
 
===Other===
−
* John Szarkowski, ''[http://gen.lib.rus.ec/book/index.php?md5=48FB56E80656FF6A732FDDDC69E56A52 The Photographer's Eye]'', New York: Museum of Modern Art, 1966; 1980; 2007. Based on the [http://moma.org/calendar/exhibitions/2567?locale=en 1964 exhibition]. {{en}}
+
* John Szarkowski, ''[http://libgen.rs/book/index.php?md5=48FB56E80656FF6A732FDDDC69E56A52 The Photographer's Eye]'', New York: Museum of Modern Art, 1966; 1980; 2007. Based on the [http://moma.org/calendar/exhibitions/2567?locale=en 1964 exhibition]. {{en}}
  
 
* ''[[Media:Deconstruction_Reconstruction_The_Transformation_of_Photographic_Information_into_Metaphor_1980.pdf|Deconstruction/Reconstruction: The Transformation of Photographic Information into Metaphor]]'', ed. Shelley Rice, New York: The New Museum, 1980, 43 pp. Catalogue. [https://archive.newmuseum.org/exhibitions/28 Exhibition]. {{en}}
 
* ''[[Media:Deconstruction_Reconstruction_The_Transformation_of_Photographic_Information_into_Metaphor_1980.pdf|Deconstruction/Reconstruction: The Transformation of Photographic Information into Metaphor]]'', ed. Shelley Rice, New York: The New Museum, 1980, 43 pp. Catalogue. [https://archive.newmuseum.org/exhibitions/28 Exhibition]. {{en}}

Latest revision as of 01:05, 28 January 2023

View from the Window at Le Gras is the oldest surviving camera photograph. Created by Nicéphore Niépce in 1826 or 1827 at Saint-Loup-de-Varennes, it shows parts of the buildings and surrounding countryside of his estate, Le Gras, seen from a high window, made using a camera obscura. It was the result of an 8-hour exposure.
An inverted photograph from F. W. Dyson, A. S. Eddington, and C. Davidson, "A Determination of the Deflection of Light by the Sun's Gravitational Field, from Observations Made at the Total Eclipse of May 29, 1919", Phil. Trans. of the Royal Society of London (1920), p 332.
Portrait of Nahui Olin by Edward Weston, 1924.
Dorothea Lange, Migrant Mother, Nipomo, California, Mar 1936. Gelatin silver print. LOC. LOC (series). MoMA. MoMA (version). Met. SI. Artic. Getty. DIA. SFMOMA. SLAM. MiA. Brooklyn M. Tate.

Pages[edit]

Selected publications[edit]

William Henry Fox Talbot, The Pencil of Nature, 1844, PDF. First photographic book, with 24 calotypes.
Eadweard Muybridge, Animal Locomotion, 11 vols., 1887, JPGs.
László Moholy-Nagy, Malerei, Fotografie, Film, 1925/27, Log.
Franz Roh, Jan Tschichold (eds.), Foto-Auge, 1929, Log.
Werner Gräff, Es kommt der neue Fotograf!, 1929.
László Moholy-Nagy, Von Material zu Architektur, 1929, Log.
Photography 1839–1937, MoMA, 1937, PDF.
Gyorgy Kepes, Language of Vision: Painting, Photography, Advertising-Design, 1944/69, Log.

Chronophotography[edit]

  • Eadweard Muybridge, Animal Locomotion, 11 vols., Philadelphia: University of Pennsylvania, 1887, 781 plates. (English)

Avant-garde, Modernism[edit]

  • László Moholy-Nagy, Malerei, Fotografie, Film, Munich: Albert Langen (Bauhausbücher 8), 1925, 115 pp; 2nd ed., 1927, 140 pp. Incl. "Dynamik der Gross-Stadt", pp 116-129. (German)
  • Germaine Krull, Métal, intro. Florent Fels, Paris: Librairie des Arts Décoratifs, 1928, [64] pp; new ed., Cologne: Ann und Jürgen Wilde, 2003. Photo book. (French)
  • Albert Renger-Patzsch, Die Welt ist schön. Einhundert photographische Aufnahmen, Munich: Kurt Wolff, 1928; other ed., Munich: Einhorn, 1928. Photo book. [1] Reception.
  • August Sander, Alfred Döblin, Antlitz der Zeit. Sechzig Aufnahmen Deutscher Menschen Des 20. Jahrhunderts, Munich: Transmare, 1929. Photo book. [2] [3]
  • Gustaf Stotz, et al., Internationale Ausstellung des Deutschen Werkbunds Film und Foto, Stuttgart: Deutscher Werkbund, 1929. (German)
  • Franz Roh, Jan Tschichold (eds.), Foto-Auge: 76 Fotos der Zeit / Œil et photo: 76 photographies de notre temps / Photo-Eye: 76 Photos of the Period, Stuttgart: Wedekind, 1929, 18+[76] pp; repr., Tübingen: Ernst Wasmuth, 1973. Published in conjunction with the Film und Foto exhibition. (German)/(French)/(English)
  • Werner Gräff, Es kommt der neue Fotograf!, Berlin: H. Reckendorf, 1929. Published in conjunction with the Film und Foto exhibition. [4] (German)
  • Hans Richter, Werner Gräff. Filmgegner von Heute—Filmfreunde von Morgen, Berlin: Hermann Reckendorf, 1929. Published in conjunction with the Film und Foto exhibition. (German)
  • László Moholy-Nagy, Von Material zur Architektur, Munich: Albert Langen (Bauhausbücher 14), 1929, 241 pp; facsimile repr., Mainz and Berlin: Florian Kupferberg, 1968, 251 pp. (German)
  • Aenne Biermann: 60 Fotos, ed. & intro. Franz Roh, Berlin: Klinkhardt & Biermann, 1930. (German)
  • Gyorgy Kepes, Language of Vision: Painting, Photography, Advertising-Design, intro. Siegfried Giedion and Samuel Ichiye Hayakawa, Chicago: Paul Theobald, 1944; rev.ed., Chicago: Paul Theobald, 1964. (English)
  • Jindřich Heisler, Jindřich Štyrský, Na jehlách techto dní, Prague: Fr. Borový, 1945. (Czech)

Historisation[edit]

  • Josef Maria Eder, Geschichte der Photographie, vol. 1 & vol. 2, 4th ed., Halle (Saale): Wilhelm Knapp, 1932. (German)
  • Lucia Moholy, A Hundred Years of Photography, 1839-1939, Middlesex: Harmondsworth, 1939. (English)
  • Helmut Gernsheim with Alison Gernsheim, L.J.M. Daguerre: The History of the Diorama and the Daguerreotype, New York: Dover, 1968. (English)
  • Dawn Ades, Photomontage, London: Thames & Hudson, 1976. (English)
  • John H. Hammond, The Camera Obscura: A Chronicle, Bristol: Adam Hilger, 1981. (English)
  • Ian Jeffrey, Photography: A Concise History, New York: Thames and Hudson, 1981. (English)
  • Jean-Luc Daval, Histoire d'un art: la photographie, Genève: Skira, 1982, 268 pp. Review. (French)
    • Photography: History of an Art, trans. R.F.M. Dexter, New York: Skira/Rizzoli, 1982. (English)
  • Mike Weaver, Daniel Wolf, The Art of Photography, 1839-1989, Yale University Press, 1989. (English)
  • Richard Bolton (ed.), Contest of Meaning: Critical Histories of Photography, MIT Press, 1989, 432 pp. [6] (English)
  • Pierre-Jean Amar, La photographie: histoire d'un art, Paris: Edisud, 1993. (French)
  • Eva Weber, Pioneers of Photography, New York: Smithmark, 1995. (English)
  • Jeff Wall, "Marks of Indifference: Aspects of Photography in, or as, Conceptual Art", in Reconsidering the Object of Art, eds. Ann Goldstein and Anne Rorimer, Los Angeles: Museum of Contemporary Art, 1995, pp 247-267; repr. in The Last Picture Show: Artists Using Photography, 1960-1982, Minneapolis: Walker Art Center, 2003, 32-44.
  • Heinz K. Henisch, Bridget A. Henisch, The Painted Photograph, 1839-1914: Origins, Techniques, Aspirations, Pennsylvania State University, 1996. (English)
  • Pierre-Jean Amar, Histoire de la photographie, Paris: PUF, 1997. (French)
  • Michel Frizot (ed.), A New History of Photography, Cologne: Könemann, 1998. (English)
  • Quentin Bajac, Tableaux vivants. Fantaisies photographiques victoriennes, 1840-1880, Réunion des Musées Nationaux, 1999. Catalogue. (French)
  • Pierre-Jean Amar, Le photojournalisme, Paris: Nathan-Université, 2000. (French)
  • Quentin Bajac, L'Image révélée: l'invention de la photographie, Paris: Gallimard, 2001, 160 pp. [7] (French)
  • Michael Gray, Arthur Ollman, Carol McCusker, First Photographs: William Henry Fox Talbot and the Birth of Photography, New York: powerHouse Books, 2002. (English)
  • Mary Warner Marien, Photography: A Cultural History, Upper River Saddle, N.J.: Prentice Hall, 2002. (English)
  • Martin Parr, Gerry Badger, The Photobook: A History, 2 vols., London/New York: Phaidon, 2004 & 2006. (English)
  • Quentin Bajac, La photographie: l'époque moderne 1880-1960, Paris: Gallimard, 2005. (French)
  • William Johnson, Mark Rice, Carla Williams, Therese Mulligan, David Wooters, A History of Photography: From 1839 to the Present, Cologne/London: Taschen, 2005. (English)
  • P.C. Bunnell, Inside the Photograph: Writings on Twentieth-Century Photography, Aperture, 2006. [8] (English)
  • Ute Eskildsen, Florian Ebner and Bettina Kaufmann, Street & Studio: An Urban History of Photography, London: Tate, and New York: Harry N. Abrams, 2008. (English)
  • Dominique de Font-Reaulx, The Daguerreotype, Paris: Musee d'Orsay, 2008. Catalogue. (English)
  • Daniel Girardin, Christian Pirker, Yaniv Benhamou, Controversies: A Legal and Ethical History of Photography, Arles: Actes Sud, and Lausanne: Musée de l'Élysée, 2012. (English)

Collection-based histories[edit]

  • Quentin Bajac, Clément Chéroux, Collection Photographs: A History of Photography Through the Collections of the Centre Pompidou, Musée National d'Art Moderne, Göttingen: Steidl / Paris: Centre Pompidou, 2007. Catalogue. (English)/(French)
  • Françoise Heilbrun, A History of Photography: The Musée d'Orsay Collection, 1839-1925, Paris: Flammarion, 2009. (French)/(English)
  • On ne se sou­vient que des pho­to­gra­phies, Paris: Bétonsalon, 2013, [148] pp. [11] (French)

Regional and national histories[edit]

Theory and philosophy[edit]

  • Pierre Bourdieu, Un art moyen. Essais sur les usages sociaux de la photographie, 1965. (French)
La chambre claire: note sur la photographie, 1980, PDF, Log.
  • October 5: "Photography: A Special Issue", New York: MIT Press, Summer 1978, 125 pp. With essays by Nadar, Rosalind Krauss, Hollis Frampton, Hubert Damisch, Craig Owens, Douglas Crimp, Jean Clair, and Thierry de Duve. (English)
  • François Laruelle, The Concept of Non-Photography, Urbanomic/Sequence Press, 2011. (English)
  • Shawn Michelle Smith, At the Edge of Sight: Photography and the Unseen, Duke University Press, 2013, 312 pp. (English)
  • John Berger, Understanding a Photograph, ed. & intro. Geoff Dyer, Aperture, 2013, 256 pp. Previously uncollected writings on photography. (English)
  • Cecilia Grönberg, Händelsehorisont || Event Horizon. Distribuerad fotografi, Stockholm: OEI, 2016, 1012 pp. Introduction. Dissertation from Valand Academy. [14] (Swedish)

Other[edit]

  • Pierre Bonhomme, La Photographie à la croisée des chemins, Paris: de la Manufacture, 1990. (French)
  • George M. Craven, Object and Image, An Introduction to Photography New Jersey: Prentice Hall, Englewood Cliffs, 1990. (English)
  • Carol Armstrong, Scenes in a Library: Reading the Photograph in the Book, 1843–1875, Cambridge: MIT Press, 1998. (English)
  • Words Without Pictures, ed. Alex Klein, Los Angeles: Los Angeles County Museum of Art (LACMA), 2009, 501 pp, IA. (English)
  • Pierre Bonhomme, L'art de la mer: anthologie de la photographie maritime depuis 1843, Arthaud, 2009. (French)
  • Mark Durden, Fifty Key Writers on Photography, London: Routledge, 2013, ARG. (English)
Bibliographies

Exhibitions online[edit]

Links[edit]


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