Difference between revisions of "Photography"

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* A. Scharf, ''Pioneers of photography: An album of pictures and words'', New York: Harry N. Abrams, 1976, [[Media:Scharf_Aaron_Pioneers_of_Photography_1976.pdf|PDF]].
 
* A. Scharf, ''Pioneers of photography: An album of pictures and words'', New York: Harry N. Abrams, 1976, [[Media:Scharf_Aaron_Pioneers_of_Photography_1976.pdf|PDF]].
 
* Peter Galassi, ''Before Photography. Painting and the Invention of Photography'', New York: Museum of Modern Art, 1981.
 
* Peter Galassi, ''Before Photography. Painting and the Invention of Photography'', New York: Museum of Modern Art, 1981.
 +
* Naomi Rosenblum, ''A World History of Photography'', New York: Abbeville, 1984; revised edition, 1989.
 
* Heinz K. Henisch and Bridget A. Henisch, ''The Painted Photograph, 1839-1914: Origins, Techniques, Aspirations'', Pennsylvania State University, 1996.
 
* Heinz K. Henisch and Bridget A. Henisch, ''The Painted Photograph, 1839-1914: Origins, Techniques, Aspirations'', Pennsylvania State University, 1996.
 
* Clément Chéroux, ''[http://monoskop.org/log/?p=8682 Fautographie. Petite histoire de l’erreur photographique]'', Crisnée: Yellow Now, 2003, 183 pp. {{fr}}
 
* Clément Chéroux, ''[http://monoskop.org/log/?p=8682 Fautographie. Petite histoire de l’erreur photographique]'', Crisnée: Yellow Now, 2003, 183 pp. {{fr}}

Revision as of 20:22, 2 August 2015

View from the Window at Le Gras is the oldest surviving camera photograph. Created by Nicéphore Niépce in 1826 or 1827 at Saint-Loup-de-Varennes, it shows parts of the buildings and surrounding countryside of his estate, Le Gras, seen from a high window, made using a camera obscura. It was the result of an 8-hour exposure.
William Henry Fox Talbot, The Pencil of Nature, 1844, PDF. First photographic book, with 24 calotypes.
Eadweard Muybridge, Animal Locomotion, 11 vols., 1887, JPGs.
An inverted photograph from F. W. Dyson, A. S. Eddington, and C. Davidson, "A Determination of the Deflection of Light by the Sun's Gravitational Field, from Observations Made at the Total Eclipse of May 29, 1919", Phil. Trans. of the Royal Society of London (1920), p 332.
Portrait of Nahui Olin by Edward Weston, 1924.

Pages

Selected writings

Cover of Beaumont Newhall, Photography 1839–1937, New York: The Museum of Modern Art, 1937.
László Moholy-Nagy, Malerei, Fotografie, Film, 1925/27. Log.
Gyorgy Kepes, Language of Vision: Painting, Photography, Advertising-Design, 1944/1969, Log.

(in English unless noted)

Chronophotography
  • Eadweard Muybridge, Animal Locomotion, 11 vols., Philadelphia: University of Pennsylvania, 1887, 781 plates.
Avant-garde
Historisation
  • Beaumont Newhall, The History of Photography: From 1839 to the Present Day, New York: The Museum of Modern Art, 1949, 256 pp; 5th ed., 1982.
  • J. Cato, The story of the camera in Australia, Melbourne: Georgian House, 1955.
  • Aleksander Maciesza, Historia fotografii polskiej w latach 1839–1889, Plock: Towarzystwo Naukowe Płockie, 1972, 83 pp. (Polish)
  • A. Scharf, Pioneers of photography: An album of pictures and words, New York: Harry N. Abrams, 1976, PDF.
  • Peter Galassi, Before Photography. Painting and the Invention of Photography, New York: Museum of Modern Art, 1981.
  • Naomi Rosenblum, A World History of Photography, New York: Abbeville, 1984; revised edition, 1989.
  • Heinz K. Henisch and Bridget A. Henisch, The Painted Photograph, 1839-1914: Origins, Techniques, Aspirations, Pennsylvania State University, 1996.
  • Clément Chéroux, Fautographie. Petite histoire de l’erreur photographique, Crisnée: Yellow Now, 2003, 183 pp. (French)
  • P.C. Bunnell, Inside the Photograph: Writings on Twentieth-Century Photography, Aperture Foundation, 2006. [1]
  • Kaja Silverman, The Miracle of Analogy or The History of Photography, Part 1, Stanford: Stanford University Press, 2015. [2]
Theory and philosophy
La chambre claire: note sur la photographie, 1980, PDF, Log.
Other
Bibliographies

Resources

  • Object:Photo, MoMA's 1920s-30s photography collection, 2014.


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