Difference between revisions of "Photography"

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[[Image:View_from_the_Window_at_Le_Gras,_Joseph_Nicéphore_Niépce.jpg|thumb|258px|''View from the Window at Le Gras'' is the oldest surviving camera photograph. Created by [[Nicéphore Niépce]] in 1826 or 1827 at Saint-Loup-de-Varennes, it shows parts of the buildings and surrounding countryside of his estate, Le Gras, seen from a high window, made using a camera obscura. It was the result of an 8-hour exposure.]]
 
[[Image:View_from_the_Window_at_Le_Gras,_Joseph_Nicéphore_Niépce.jpg|thumb|258px|''View from the Window at Le Gras'' is the oldest surviving camera photograph. Created by [[Nicéphore Niépce]] in 1826 or 1827 at Saint-Loup-de-Varennes, it shows parts of the buildings and surrounding countryside of his estate, Le Gras, seen from a high window, made using a camera obscura. It was the result of an 8-hour exposure.]]
−
[[Image:Cover_the_Pencil_of_Nature_1844.jpg|thumb|258px|William Henry Fox Talbot, ''The Pencil of Nature'', 1844, [[Media:Talbot_H_Fox_The_Pencil_of_Nature.pdf|PDF]]. First photographic book, with 24 calotypes.]]
 
 
[[Image:Dyson_Eddington_Davidson_1919_A_Determination_of_the_Deflection_of_Light_by_the_Sun's_Gravitational_Field_inverted.jpg|thumb|258px|An inverted photograph from F. W. Dyson, A. S. Eddington, and C. Davidson, "A Determination of the Deflection of Light by the Sun's Gravitational Field, from Observations Made at the Total Eclipse of May 29, 1919", ''Phil. Trans. of the Royal Society of London'' (1920), p 332.]]
 
[[Image:Dyson_Eddington_Davidson_1919_A_Determination_of_the_Deflection_of_Light_by_the_Sun's_Gravitational_Field_inverted.jpg|thumb|258px|An inverted photograph from F. W. Dyson, A. S. Eddington, and C. Davidson, "A Determination of the Deflection of Light by the Sun's Gravitational Field, from Observations Made at the Total Eclipse of May 29, 1919", ''Phil. Trans. of the Royal Society of London'' (1920), p 332.]]
 
[[Image:Nahui_Olin_by_Edward_Weston_1924.jpg|thumb|258px|Portrait of [[Nahui Olin]] by Edward Weston, 1924.]]
 
[[Image:Nahui_Olin_by_Edward_Weston_1924.jpg|thumb|258px|Portrait of [[Nahui Olin]] by Edward Weston, 1924.]]
 +
[[Image:Lange_Dorothea_1936_Migrant_Mother_Nipomo_California.jpg|thumb|258px|Dorothea Lange, ''Migrant Mother, Nipomo, California'', Mar 1936. Gelatin silver print. [http://hdl.loc.gov/loc.pnp/fsa.8b29516 LOC]. [http://www.loc.gov/rr/print/list/128_migm.html LOC] (series). [http://www.moma.org/collection/works/50989 MoMA]. [http://www.moma.org/collection/works/58627 MoMA] (version). [http://www.metmuseum.org/art/collection/search/284152 Met]. [http://americanhistory.si.edu/collections/search/object/nmah_1313354 SI]. [http://www.artic.edu/aic/collections/artwork-search/results/%22migrant+mother%22 Artic]. [http://www.getty.edu/art/collection/objects/125690 Getty]. [http://www.dia.org/object-info/f8ab5ff8-6615-428d-90a6-1e1ab17ff26e.aspx?position=52 DIA]. [http://www.sfmoma.org/artwork/71.71.10 SFMOMA]. [http://slam.org:8080/emuseum/view/objects/asitem/items$0040:57571 SLAM]. [http://collections.artsmia.org/art/4383/migrant-mother-nipomo-california-photographer-dorothea-lange MiA]. [https://www.brooklynmuseum.org/opencollection/objects/127819/ Brooklyn M]. [http://www.tate.org.uk/art/artworks/lange-migrant-mother-nipomo-california-p13115 Tate].]]
 
==Pages==
 
==Pages==
 
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<div class="dpl" style="-moz-column-count:3; -webkit-column-count:3; column-count:3;">
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==Selected publications==
 
==Selected publications==
−
[[Image:Moma_1937.jpg|thumb|258px|Beaumont Newhall, ''Photography 1839–1937'', 1937.]]
+
[[Image:Cover_the_Pencil_of_Nature_1844.jpg|thumb|258px|William Henry Fox Talbot, ''The Pencil of Nature'', 1844, [[Media:Talbot_H_Fox_The_Pencil_of_Nature.pdf|PDF]]. First photographic book, with 24 calotypes.]]
 +
[[Image:Muybridge_Eadweard_Animal_Locomotion_1.jpg|thumb|258px|Eadweard Muybridge, ''Animal Locomotion'', 11 vols., 1887, [http://www.muybridge.org JPGs].]]
 
[[Image:Moholy-Nagy_L_Malerei_Fotografie_Film.jpg|thumb|258px|László Moholy-Nagy, ''Malerei, Fotografie, Film'', 1925/27, [http://monoskop.org/log/?p=8914 Log].]]
 
[[Image:Moholy-Nagy_L_Malerei_Fotografie_Film.jpg|thumb|258px|László Moholy-Nagy, ''Malerei, Fotografie, Film'', 1925/27, [http://monoskop.org/log/?p=8914 Log].]]
−
[[Image:Roh_Franz_Tschichold_Jan_Foto-Auge_1929.jpg|thumb|258px|Franz Roh, Jan Tschichold, ''Foto-Auge'', 1929.]]
+
[[Image:Roh_Franz_Tschichold_Jan_Foto-Auge_1929.jpg|thumb|258px|Franz Roh, Jan Tschichold (eds.), ''Foto-Auge'', 1929, [https://monoskop.org/log/?p=21357 Log].]]
 
[[Image:Graeff_Werner_Es_kommt_der_neue_Fotograf_1929.jpg|thumb|258px|Werner Gräff, ''Es kommt der neue Fotograf!'', 1929.]]
 
[[Image:Graeff_Werner_Es_kommt_der_neue_Fotograf_1929.jpg|thumb|258px|Werner Gräff, ''Es kommt der neue Fotograf!'', 1929.]]
 
[[Image:Moholy-Nagy_Laszlo_Von_Material_zu_Architektur.jpg|thumb|258px|László Moholy-Nagy, ''Von Material zu Architektur'', 1929, [http://monoskop.org/log/?p=8788 Log].]]
 
[[Image:Moholy-Nagy_Laszlo_Von_Material_zu_Architektur.jpg|thumb|258px|László Moholy-Nagy, ''Von Material zu Architektur'', 1929, [http://monoskop.org/log/?p=8788 Log].]]
 +
[[Image:Photography_1839-1937_MoMA_1937.jpg|thumb|258px|''Photography 1839–1937'', MoMA, 1937, [[Media:Photography_1839-1937_MoMA_1937.pdf|PDF]].]]
 
[[Image:Kepes_Gyorgy_Language_of_Vision.jpg|thumb|258px|Gyorgy Kepes, ''Language of Vision: Painting, Photography, Advertising-Design'', 1944/69, [http://monoskop.org/log/?p=11143 Log].]]
 
[[Image:Kepes_Gyorgy_Language_of_Vision.jpg|thumb|258px|Gyorgy Kepes, ''Language of Vision: Painting, Photography, Advertising-Design'', 1944/69, [http://monoskop.org/log/?p=11143 Log].]]
 
===Chronophotography===
 
===Chronophotography===
−
[[Image:Muybridge_Eadweard_Animal_Locomotion_1.jpg|thumb|258px|Eadweard Muybridge, ''Animal Locomotion'', 11 vols., 1887, [http://www.muybridge.org JPGs].]]
 
 
* Eadweard Muybridge, ''[http://www.muybridge.org Animal Locomotion]'', 11 vols., Philadelphia: University of Pennsylvania, 1887, 781 plates. {{en}}
 
* Eadweard Muybridge, ''[http://www.muybridge.org Animal Locomotion]'', 11 vols., Philadelphia: University of Pennsylvania, 1887, 781 plates. {{en}}
  
 
===Avant-garde, Modernism===
 
===Avant-garde, Modernism===
−
* László Moholy-Nagy, ''[http://bibliothequekandinsky.centrepompidou.fr/imagesbk/RLPF727/M5050_X0031_LIV_RLPF0727.pdf Malerei, Fotografie, Film]'', Munich: Albert Langen, 1925, 115 pp; 2nd ed., 1927, 140 pp. Incl. [[Media:Moholy-Nagy_Laszlo_1927_Dynamik_der_Gross-Stadt.pdf|"Dynamik der Gross-Stadt"]], pp 116-129. {{de}}
+
* László Moholy-Nagy, ''[http://bibliothequekandinsky.centrepompidou.fr/imagesbk/RLPF727/M5050_X0031_LIV_RLPF0727.pdf Malerei, Fotografie, Film]'', Munich: Albert Langen (Bauhausbücher 8), 1925, 115 pp; 2nd ed., 1927, 140 pp. Incl. [[Media:Moholy-Nagy_Laszlo_1927_Dynamik_der_Gross-Stadt.pdf|"Dynamik der Gross-Stadt"]], pp 116-129. {{de}}
 
** ''[http://monoskop.org/log/?p=8914 Painting Photography Film]'', trans. Janet Seligman, London: Lund Humphries, 1969. {{en}}
 
** ''[http://monoskop.org/log/?p=8914 Painting Photography Film]'', trans. Janet Seligman, London: Lund Humphries, 1969. {{en}}
 
** [[Moholy-Nagy#Moholy1925|more translations]]
 
** [[Moholy-Nagy#Moholy1925|more translations]]
−
* Albert Renger-Patzsch, ''Die Welt ist schön. Einhundert photographische Aufnahmen'', Munich: Kurt Wolff, 1928; other ed., Munich: Einhorn, 1928. Photo book. [http://www.moma.org/interactives/objectphoto/publications/780.html] [http://www.tandfonline.com.sci-hub.io/doi/abs/10.1080/03087298.1997.10443828 Reception].
+
* Germaine Krull, ''[[Media:Krull_Germaine_Metal_1928_2003.pdf|Métal]]'', intro. Florent Fels, Paris: Librairie des Arts Décoratifs, 1928, [64] pp; new ed., Cologne: Ann und Jürgen Wilde, 2003. Photo book. {{fr}}
−
* August Sander, ''Antlitz der Zeit. Sechzig Aufnahmen Deutscher Menschen Des 20. Jahrhunderts'', Munich: Transmare, 1929. Photo book. [http://www.moma.org/interactives/objectphoto/publications/776.html] [http://josefchladek.com/book/august_sander_-_antlitz_der_zeit]
+
* Albert Renger-Patzsch, ''Die Welt ist schön. Einhundert photographische Aufnahmen'', Munich: Kurt Wolff, 1928; other ed., Munich: Einhorn, 1928. Photo book. [http://www.moma.org/interactives/objectphoto/publications/780.html] [http://www.tandfonline.com.sci-hub.tw/doi/abs/10.1080/03087298.1997.10443828 Reception].
−
* Franz Roh, Jan Tschichold, ''Foto-Auge: 76 Fotos der Zeit / Œil et photo: 76 photographies de notre temps / Photo-Eye: 76 Photos of the Period'', Stuttgart: Wedekind, 1929, 18+[76] pp. [http://www.moma.org/interactives/objectphoto/publications/767.html] [http://wiedler.ch/felix/books/story/680] [http://josefchladek.com/book/franz_roh_-_foto-auge_oeil_et_photo_photo-eye] [http://www.moma.org/interactives/objectphoto/assets/essays/GraeveIngelmann.pdf] {{de}}/{{fr}}/{{en}}
+
* August Sander, Alfred Döblin, ''Antlitz der Zeit. Sechzig Aufnahmen Deutscher Menschen Des 20. Jahrhunderts'', Munich: Transmare, 1929. Photo book. [http://www.moma.org/interactives/objectphoto/publications/776.html] [http://josefchladek.com/book/august_sander_-_antlitz_der_zeit]
−
* Werner Gräff, ''Es kommt der neue Fotograf!'', Berlin: H. Reckendorf, 1929. [http://www.moma.org/interactives/objectphoto/publications/769.html] {{de}}
+
* Gustaf Stotz, et al., ''Internationale Ausstellung des Deutschen Werkbunds Film und Foto'', Stuttgart: Deutscher Werkbund, 1929. {{de}}
−
* László Moholy-Nagy, ''[http://monoskop.org/log/?p=8788 Von Material zur Architektur]'', Munich: Albert Langen, Bauhausbücher 14, 1929, 241 pp; facsimile repr., Mainz and Berlin: Florian Kupferberg, 1968, 251 pp.  {{de}}
+
* Franz Roh, Jan Tschichold (eds.), ''[https://monoskop.org/log/?p=21357 Foto-Auge: 76 Fotos der Zeit / Œil et photo: 76 photographies de notre temps / Photo-Eye: 76 Photos of the Period]'', Stuttgart: Wedekind, 1929, 18+[76] pp; repr., Tübingen: Ernst Wasmuth, 1973. Published in conjunction with the ''Film und Foto'' exhibition. {{de}}/{{fr}}/{{en}}
 +
* Werner Gräff, ''Es kommt der neue Fotograf!'', Berlin: H. Reckendorf, 1929. Published in conjunction with the ''Film und Foto'' exhibition. [http://www.moma.org/interactives/objectphoto/publications/769.html] {{de}}
 +
* Hans Richter, Werner Gräff. ''Filmgegner von Heute—Filmfreunde von Morgen'', Berlin: Hermann Reckendorf, 1929. Published in conjunction with the ''Film und Foto'' exhibition. {{de}}
 +
* László Moholy-Nagy, ''[http://monoskop.org/log/?p=8788 Von Material zur Architektur]'', Munich: Albert Langen (Bauhausbücher 14), 1929, 241 pp; facsimile repr., Mainz and Berlin: Florian Kupferberg, 1968, 251 pp.  {{de}}
 
** ''The New Vision: From Material to Architecture'', trans. Daphne M. Hoffman, New York: Breuer Warren and Putnam, 1930; exp.rev.ed. as ''[http://monoskop.org/log/?p=8788 The New Vision and Abstract of an Artist]'', New York: George Wittenborn, 1947, 92 pp. {{en}}
 
** ''The New Vision: From Material to Architecture'', trans. Daphne M. Hoffman, New York: Breuer Warren and Putnam, 1930; exp.rev.ed. as ''[http://monoskop.org/log/?p=8788 The New Vision and Abstract of an Artist]'', New York: George Wittenborn, 1947, 92 pp. {{en}}
 
** [[Moholy-Nagy#Moholy1929|more translations]]
 
** [[Moholy-Nagy#Moholy1929|more translations]]
 +
* ''Aenne Biermann: 60 Fotos'', ed. & intro. Franz Roh, Berlin: Klinkhardt & Biermann, 1930. {{de}}
 
* Gyorgy Kepes, ''[http://monoskop.org/log/?p=11143 Language of Vision: Painting, Photography, Advertising-Design]'', intro. Siegfried Giedion and Samuel Ichiye Hayakawa, Chicago: Paul Theobald, 1944; rev.ed., Chicago: Paul Theobald, 1964. {{en}}
 
* Gyorgy Kepes, ''[http://monoskop.org/log/?p=11143 Language of Vision: Painting, Photography, Advertising-Design]'', intro. Siegfried Giedion and Samuel Ichiye Hayakawa, Chicago: Paul Theobald, 1944; rev.ed., Chicago: Paul Theobald, 1964. {{en}}
 
** [[Kepes#Kepes1944|translations]]
 
** [[Kepes#Kepes1944|translations]]
 +
* Jindřich Heisler, Jindřich Štyrský, ''Na jehlách techto dní'', Prague: Fr. Borový, 1945. {{cz}}
  
 
===Historisation===
 
===Historisation===
−
* Henry Hunt Snelling, ''The History and Practice of the Art of Photography'', New York: G.P. PUTNAM, 1849, [https://archive.org/details/ost-art-the_history_and_practice_of_the_art_of_p IA]. {{en}}  
+
* Henry Hunt Snelling, ''[https://archive.org/details/ost-art-the_history_and_practice_of_the_art_of_p  The History and Practice of the Art of Photography]'', New York: G.P. Putnam, 1849, [http://aaaaarg.fail/ref/21650948a3cead057d7056390f719790 ARG]. {{en}}  
  
−
* Georges Potonniée, ''Histoire de la découverte de la Photographie'', Paris: Paul Montel, 1925, [http://gallica.bnf.fr/ark:/12148/bpt6k6117287h.r=Histoire%20de%20la%20d%C3%A9couverte%20de%20la%20photographie PDF], [https://archive.org/details/HistoireDeLaDecouverteDeLaPhotographieParGeorgesPotonniee1925 IA]. {{fr}}
+
* Georges Potonniée, ''[http://gallica.bnf.fr/ark:/12148/bpt6k6117287h.r=Histoire%20de%20la%20d%C3%A9couverte%20de%20la%20photographie Histoire de la découverte de la photographie]'', Paris: Paul Montel, 1925, [https://archive.org/details/HistoireDeLaDecouverteDeLaPhotographieParGeorgesPotonniee1925 IA], [http://aaaaarg.fail/ref/ee5e6b58748364691f012450574a1d92 ARG]. {{fr}}
 
** ''The History of the Discovery of Photography'', trans. Edward Epstean, New York: Arno Press, 1973. {{en}}
 
** ''The History of the Discovery of Photography'', trans. Edward Epstean, New York: Arno Press, 1973. {{en}}
  
−
* Josef Maria Eder, ''Geschichte der Photographie'', 4th edition, vol. 1, [http://digi.ub.uni-heidelberg.de/diglit/eder1932bd1 PDF], and vol. 2, [http://digi.ub.uni-heidelberg.de/diglit/eder1932bd2 PDF], Halle (Saale): Verlag von Wilhelm Knapp, 1932. {{de}}
+
* Josef Maria Eder, ''Geschichte der Photographie'', [http://digi.ub.uni-heidelberg.de/diglit/eder1932bd1 vol. 1] & [http://digi.ub.uni-heidelberg.de/diglit/eder1932bd2 vol. 2], 4th ed., Halle (Saale): Wilhelm Knapp, 1932. {{de}}
−
** ''History of Photography'', trans. Edward Epstean, New York: Dover Publications, Inc., 1945; 1972, [https://archive.org/details/EderHistoryPhotography IA]. {{en}}
+
** ''[https://archive.org/details/EderHistoryPhotography History of Photography]'', trans. Edward Epstean, New York: Dover, 1945; 1972. {{en}}
  
−
* Lucia Moholy, ''A Hundred Years of Photography, 1839-1939'', Middlesex, England: Harmondsworth, 1939. {{en}}
+
* ''[[Media:Photography_1839-1937_MoMA_1937.pdf|Photography 1839-1937]]'', intro. Beaumont Newhall, New York: Museum of Modern Art, 1937. Catalogue for the [http://moma.org/calendar/exhibitions/2088?locale=en 1937 exhibition]. [http://www.moma.org/interactives/objectphoto/publications/777.html] {{en}}
  
−
* Joseph Solomon Friedman, ''History of Color Photography'', Boston: The American Photographic Publishing Company, 1944; 1945, [https://archive.org/details/ost-art-historyofcolorph00frierich IA]. {{en}}
+
* Lucia Moholy, ''A Hundred Years of Photography, 1839-1939'', Middlesex: Harmondsworth, 1939. {{en}}
  
−
* Beaumont Newhall, ''[http://monoskop.org/log/?p=11179 The History of Photography: From 1839 to the Present Day]'', New York: The Museum of Modern Art, 1949, 256 pp; 5th ed., 1982. {{en}}
+
* Joseph Solomon Friedman, ''[https://archive.org/details/ost-art-historyofcolorph00frierich History of Color Photography]'', Boston: American Photographic Publishing Company, 1944. {{en}}
 +
 
 +
* Beaumont Newhall, ''[http://monoskop.org/log/?p=11179 The History of Photography: From 1839 to the Present Day]'', New York: Museum of Modern Art, 1949, 256 pp; 5th ed., 1982. {{en}}
 
** [http://monoskop.org/log/?p=11179 ''Historia de la fotografia''], trans. Homero Alsina Thevenet, 2002. {{es}}
 
** [http://monoskop.org/log/?p=11179 ''Historia de la fotografia''], trans. Homero Alsina Thevenet, 2002. {{es}}
 +
 +
* Helmut Gernsheim with Alison Gernsheim, ''[https://archive.org/details/aa052-TheHistoryOfPhotography The History of Photography From the Earliest Use of the Camera Obscura in the Eleventh Century up to 1914]'', Oxford University Press, 1955; rev.ed., Thames & Hudson, 1969. {{en}}
  
 
* Helmut Gernsheim with Alison Gernsheim, ''L.J.M. Daguerre: The History of the Diorama and the Daguerreotype'', New York: Dover, 1968. {{en}}
 
* Helmut Gernsheim with Alison Gernsheim, ''L.J.M. Daguerre: The History of the Diorama and the Daguerreotype'', New York: Dover, 1968. {{en}}
  
−
* Helmut Gernsheim with Alison Gernsheim, ''The History of Photography From the Earliest Use of the Camera Obscura in the Eleventh Century up to 1914'', Oxford: Oxford University Press, 1955, [https://archive.org/details/aa052-TheHistoryOfPhotography IA]; rev. ed., Thames & Hudson, 1969. {{en}}
+
* Dawn Ades, ''Photomontage'', London: Thames & Hudson, 1976. {{en}}
 +
** ''[[Media:Ades_Dawn_Fotomontaje_2002.pdf|Fotomontaje]]'', Barcelona: Gustavo Gili, 2002. {{es}}
  
−
* Helmut Gernsheim, ''Creative photography. Aesthetic Trends. 1839-1960'', New York: Bonanza Books, 1962, [https://archive.org/details/creativePhotography IA]. {{en}}
+
* Aaron Scharf, ''[[Media:Scharf_Aaron_Pioneers_of_Photography_1976.pdf|Pioneers of Photography: An Album of Pictures and Words]]'', New York: Harry N. Abrams, 1976. {{en}}
  
−
* Aleksander Maciesza, ''[http://monoskop.org/log/?p=7950 Historia fotografii polskiej w latach 1839–1889]'', Plock: Towarzystwo Naukowe Płockie, 1972, 83 pp. {{pl}}
+
* John H. Hammond, ''The Camera Obscura: A Chronicle'', Bristol: Adam Hilger, 1981. {{en}}
  
−
* Robert M. Doty and Minor White, ''Photography in America'', New York: Published for the Whitney Museum of American Art [by] Random House, 1974. {{en}}
+
* Ian Jeffrey, ''Photography: A Concise History'', New York: Thames and Hudson, 1981. {{en}}
  
−
* Aaron Scharf, ''Pioneers of Photography: An Album of Pictures and Words'', New York: Harry N. Abrams, 1976, [[Media:Scharf_Aaron_Pioneers_of_Photography_1976.pdf|PDF]]. {{en}}
+
* Peter Galassi, ''[[Media:Galassi_Peter_Before_Photography_Painting_and_the_Invention_of_Photography_1981.pdf|Before Photography: Painting and the Invention of Photography]]'', New York: Museum of Modern Art, 1981, 151 pp. Catalogue for the [http://moma.org/calendar/exhibitions/2267?locale=en 1981 exhibition]. {{en}}
  
−
* Bruce Bernard and Margaret Donovan, ''Photodiscovery: masterworks of photography, 1840-1940'', New York: H.N. Abrams, 1980. {{en}}
+
* Jean-Luc Daval, ''Histoire d'un art: la photographie'', Genève: Skira, 1982, 268 pp. [https://www.erudit.org/culture/liberte1026896/liberte1032573/30505ac.pdf Review]. {{fr}}
 +
** ''Photography: History of an Art'', trans. R.F.M. Dexter, New York: Skira/Rizzoli, 1982. {{en}}
  
−
* John H. Hammond, ''The Camera Obscura: A Chronicle;; Bristol: Adam Hilger, Ltd., 1981. {{en}}
+
* Su Braden, ''[[Media:Braden_Su_Committing_Photography_1983.pdf|Committing Photography]]'', Pluto Press, 1983, 121 pp. {{en}}
  
−
* Ian Jeffrey, ''Photography: a concise history'', New York: Thames and Hudson, 1981. {{en}}
+
* Naomi Rosenblum, ''[[Media:Rosenblum_Naomi_A_World_History_of_Photography_3rd_ed_1997.pdf|A World History of Photography]]'', New York: Abbeville, 1984; rev.ed., 1989; 3rd ed., 1997. {{en}}
  
−
* Peter Galassi, ''Before Photography: Painting and the Invention of Photography'', New York: Museum of Modern Art, 1981, [[Media:Galassi_Peter_Before_Photography_Painting_and_the_Invention_of_Photography_1981.pdf|PDF]]. {{en}}
+
* John Pultz, ''[[Media:Pultz_John_Body_and_the_Lens_Photography_1839_to_the_Present_1995.pdf|The Body and the Lens: Photography 1839 to the Present]]'', New York: Harry N. Abrams, 1995. {{en}}
  
−
* Jean-Luc Daval, ''Histoire d’un art: la photographie'', Genève: Éditions d’art Albert Skira, 1982, 268 p. [https://www.erudit.org/culture/liberte1026896/liberte1032573/30505ac.pdf Review] {{fr}}
+
* Mike Weaver, Daniel Wolf, ''The Art of Photography, 1839-1989'', Yale University Press, 1989. {{en}}
−
** ''Photography, history of an art'', trans. R.F.M. Dexter, New York: Skira/Rizzoli, 1982. {{en}}
 
  
−
* Naomi Rosenblum, ''A World History of Photography'', New York: Abbeville, 1984; rev.ed., 1989; 3rd edition, 1997, [[Media:Rosenblum_Naomi_A_World_History_of_Photography_3rd_ed_1997.pdf|PDF]]. {{en}}
+
* Richard Bolton (ed.), ''Contest of Meaning: Critical Histories of Photography'', MIT Press, 1989, 432 pp. [http://mitpress.mit.edu/books/contest-meaning] {{en}}
  
−
* John Pultz, ''The Body and the Lens: Photography 1839 to the Present'', New York: Harry N. Abrams, 1995, [[Media:Pultz_John_Body_and_the_Lens_Photography_1839_to_the_Present_1995.pdf|PDF]]. {{en}}
+
* Pierre-Jean Amar, ''La photographie: histoire d'un art'', Paris: Edisud, 1993. {{fr}}
  
−
* C. Săvulescu, ''Cronologia ilustrată a Fotografiei din Romania. Perioada 1834-1916'', Bucarest: Asociaţia Artiştilor Fotografi, 1985. {{ro}}
+
* Eva Weber, ''Pioneers of Photography'', New York: Smithmark, 1995. {{en}}
  
−
* Mike Weaver and Daniel Wolf, ''The Art of photography, 1839-1989'', New Haven: Yale University Press, 1989. {{en}}
+
* Jeff Wall, "Marks of Indifference: Aspects of Photography in, or as, Conceptual Art", in ''Reconsidering the Object of Art'', eds. Ann Goldstein and Anne Rorimer, Los Angeles: Museum of Contemporary Art, 1995, pp 247-267; [[Media:Wall_Jeff_1995_2003_Marks_of_Indifference_Aspects_of_Photography_in_or_as_Conceptual_Art.pdf|repr. in]] ''The Last Picture Show: Artists Using Photography, 1960-1982'', Minneapolis: Walker Art Center, 2003, 32-44.
−
 
 
−
* Richard Bolton, ''The Contest of meaning: critical histories of photography'', Cambridge, Mass.: MIT Press, 1989. {{en}}
 
−
 
 
−
* Pierre-Jean Amar, ''La photographie, histoire d’un art'', Paris: Edisud, 1993. {{fr}}
 
−
 
 
−
* Eva Weber, ''Pioneers of photography'', New York: Smithmark, 1995. {{en}}
 
  
 
* Heinz K. Henisch, Bridget A. Henisch, ''The Painted Photograph, 1839-1914: Origins, Techniques, Aspirations'', Pennsylvania State University, 1996. {{en}}
 
* Heinz K. Henisch, Bridget A. Henisch, ''The Painted Photograph, 1839-1914: Origins, Techniques, Aspirations'', Pennsylvania State University, 1996. {{en}}
  
−
* Pierre-Jean Amar, ''Histoire de la photographie'', Paris: P.U.F., 1997. {{fr}}
+
* Pierre-Jean Amar, ''Histoire de la photographie'', Paris: PUF, 1997. {{fr}}
  
−
* Christian A. Peterson, ''After the photo-secession: American pictorial photography, 1910-1955'', [Minneapolis, Minn.]: Minneapolis Institute of Arts in association with W.W. Norton (New York), 1997. {{en}}
+
* Michel Frizot (ed.), ''A New History of Photography'', Cologne: Könemann, 1998. {{en}}
  
−
* Peter Stepan, ''Icons of photography: the 20th century'', Munich/ New York: Prestel, 1999. {{en}}
+
* Quentin Bajac, ''Tableaux vivants. Fantaisies photographiques victoriennes, 1840-1880'', Réunion des Musées Nationaux, 1999. Catalogue. {{fr}}
  
 
* Pierre-Jean Amar, ''Le photojournalisme'', Paris: Nathan-Université, 2000. {{fr}}
 
* Pierre-Jean Amar, ''Le photojournalisme'', Paris: Nathan-Université, 2000. {{fr}}
  
−
* Gray, Michael, Arthur Ollman, and Carol McCusker, ''First Photographs: William Henry Fox Talbot and the Birth of Photography'', New York: powerHouse Books, 2002. {{en}}
+
* Quentin Bajac, ''L'Image révélée: l'invention de la photographie'', Paris: Gallimard, 2001, 160 pp. [http://www.gallimard.fr/Catalogue/GALLIMARD/Decouvertes-Gallimard/Decouvertes-Gallimard/Arts/L-Image-revelee] {{fr}}
 +
 
 +
* Michael Gray, Arthur Ollman, Carol McCusker, ''First Photographs: William Henry Fox Talbot and the Birth of Photography'', New York: powerHouse Books, 2002. {{en}}
  
−
* Mary Warner Marien, ''Photography: a cultural history'', Upper River Saddle, N.J.: Prentice Hall, 2002. {{en}}
+
* Mary Warner Marien, ''Photography: A Cultural History'', Upper River Saddle, N.J.: Prentice Hall, 2002. {{en}}
  
 
* Clément Chéroux, ''[http://monoskop.org/log/?p=8682 Fautographie. Petite histoire de l'erreur photographique]'', Crisnée: Yellow Now, 2003, 183 pp. {{fr}}
 
* Clément Chéroux, ''[http://monoskop.org/log/?p=8682 Fautographie. Petite histoire de l'erreur photographique]'', Crisnée: Yellow Now, 2003, 183 pp. {{fr}}
  
−
* Martin Parr and Gerry Badger, ''The photobook: a history, vol. I'', London/New York: Phaidon, 2004. {{en}}
+
* Martin Parr, Gerry Badger, ''The Photobook: A History'', 2 vols., London/New York: Phaidon, 2004 & 2006. {{en}}
  
−
* Quentin Bajac, ''La photographie: l'époque moderne 1880-1960'', Paris: Gallimard-découvertes, 2005. {{fr}}
+
* Quentin Bajac, ''La photographie: l'époque moderne 1880-1960'', Paris: Gallimard, 2005. {{fr}}
  
−
* William Johnson, Mark Rice, Carla Williams, Therese Mulligan and David Wooters, ''A history of photography: from 1839 to the present'', Köln/ London: Taschen, 2005. {{en}}
+
* William Johnson, Mark Rice, Carla Williams, Therese Mulligan, David Wooters, ''A History of Photography: From 1839 to the Present'', Cologne/London: Taschen, 2005. {{en}}
  
 
* P.C. Bunnell, ''Inside the Photograph: Writings on Twentieth-Century Photography'', Aperture, 2006. [http://artandarchaeology.princeton.edu/research/faculty-bookshelf/inside-the-photograph] {{en}}
 
* P.C. Bunnell, ''Inside the Photograph: Writings on Twentieth-Century Photography'', Aperture, 2006. [http://artandarchaeology.princeton.edu/research/faculty-bookshelf/inside-the-photograph] {{en}}
  
−
* Martin Parr and Gerry Badger, ''The photobook: a history, vol. II'', London/New York: Phaidon, 2006. {{en}}
+
* Ute Eskildsen, Florian Ebner and Bettina Kaufmann, ''Street & Studio: An Urban History of Photography'', London: Tate, and New York: Harry N. Abrams, 2008. {{en}}
  
−
* Aurora Király (ed.), ''Fotografia în arta românească contemporană: tendinţe în România după 1989'',  Bucharest: Unarte, 2006, [http://libgen.io/book/index.php?md5=23BD677ADC2A4332EC69888B78BDE01A PDF], [https://archive.org/details/PhotographyInContemporaryArtTrendsInRomaniaAfter1989 IA]. {{ro}}
+
* Dominique de Font-Reaulx, ''[https://archive.org/details/aa106-TheDaguerreotype The Daguerreotype]'', Paris: Musee d'Orsay, 2008. Catalogue. {{en}}
  
−
* Quentin Bajac and Clément Chéroux, ''Collection photographs: a history of photography through the collections of the Centre Pompidou, Musée National d'Art Moderne'', Göttingen: Steidl / [Paris]: Centre Pompidou, 2007. {{en}}/{{fr}}
+
* Jorge Ribalta, ''[https://monoskop.org/log/?p=17317 Universal Archive: The Condition of the Document and the Modern Photographic Utopia]'', Barcelona: MACBA, 2008, 99 pp. Catalogue. {{en}},{{ca}},{{es}}
  
−
* Matthew S. Witkovsky, ''Foto: Modernity in Central Europe, 1918-1945'', intro. Peter Demetz, Washington, DC: National Gallery of Art, and London: Thames & Hudson, 2007, xxix+278 pp. {{en}}
+
* ''[[Media:The_Original_Copy_Photography_of_Sculpture_1839_to_Today_2010.pdf|The Original Copy: Photography of Sculpture, 1839 to Today]]'', ed. David Frankel, New York: Museum of Modern Art, 2010, 255 pp. Catalogue. {{en}}
  
−
* Ute Eskildsen, Florian Ebner and Bettina Kaufmann, ''Street & studio: an urban history of photography'', London: Tate Pub.; New York: Harry N. Abrams, 2008. {{en}}
+
* Daniel Girardin, Christian Pirker, Yaniv Benhamou, ''Controversies: A Legal and Ethical History of Photography'', Arles: Actes Sud, and Lausanne: Musée de l'Élysée, 2012. {{en}}
  
−
* Dominique de Font-Reaulx, ''The Daguerreotype'', Paris: Musee d'Orsay, 2008, [https://archive.org/details/aa106-TheDaguerreotype IA]. Based on the exhibition "Le daguerreotype francais, collection du musee d'Orsay at Musee d'Orsay", 27th May - 7th September 2008, curated by Dominique de Font-Reaulx. {{en}}
+
* Kaja Silverman, ''[http://monoskop.org/log/?p=16627 The Miracle of Analogy or The History of Photography, Part 1]'', Stanford University Press, 2015, 203 pp. {{en}}
  
−
* Françoise Heilbrun, ''A history of photography: the Musée d'Orsay collection, 1839-1925'', Paris: Flammarion, 2009. {{fr}}/{{en}}
+
* Owen Clayton, ''[http://library.memoryoftheworld.org/#/book/0599173c-884f-421d-8008-4f78b4dd9531 Literature and Photography in Transition, 1850-1915]'', Palgrave, 2015, [http://aaaaarg.fail/thing/586698c39ff37c253cb67a4c ARG]. {{en}}
  
−
* Todd Gustavson, ''Camera: A History of Photography from Daguerreotype to Digital'', New York: Sterling Publishing Co., 2009. {{en}}
+
* Mary Statzer (ed.), ''[http://library.memoryoftheworld.org/#/book/2a3ba3cb-7914-4466-9298-0416195672d9 The Photographic Object 1970]'', University of California Press, 2016, 256 pp, [http://aaaaarg.fail/thing/5ae5a4d79ff37c09d9622bd0 ARG]. [https://www.ucpress.edu/book.php?isbn=9780520281479] {{en}}  
  
−
* Václav Macek, ''The history of European photography, 1900-1938'', Bratislava: Central European House of Photography, 2010. {{en}}
+
* Nicoletta Leonardi, Simone Natale (eds.), ''[http://library.memoryoftheworld.org/#/book/3625378c-3495-4d6b-9df3-20c2a11e2301 Photography and Other Media in the Nineteenth Century]'', Pennsylvania State University Press, 2018, [https://aaaaarg.fail/thing/5c2cb6529ff37c7901622bc7 ARG]. {{en}}
  
−
* Hilde van Gelder and Helen Westgeest, ''Photography theory in historical perspective: case studies from contemporary art'', Chichester, West Sussex/ Malden, MA: Wiley-Blackwell, 2011. {{en}}
+
====Collection-based histories====
 +
* Quentin Bajac, Clément Chéroux, ''Collection Photographs: A History of Photography Through the Collections of the Centre Pompidou, Musée National d'Art Moderne'', Göttingen: Steidl / Paris: Centre Pompidou, 2007. Catalogue. {{en}}/{{fr}}
 +
* Françoise Heilbrun, ''A History of Photography: The Musée d'Orsay Collection, 1839-1925'', Paris: Flammarion, 2009. {{fr}}/{{en}}
 +
* ''[[Media:On_ne_se_souvient_que_des_photographies_2013.pdf|On ne se sou­vient que des pho­to­gra­phies]]'', Paris: Bétonsalon, 2013, [148] pp. [http://www.betonsalon.net/spip.php?article465] {{fr}}
  
−
* Jae Emerling, ''Photography: history and theory'', Abingdon, Oxon/ New York: Routledge, 2012. {{en}}
+
====Regional and national histories====
−
 
+
* Aleksander Maciesza, ''[http://monoskop.org/log/?p=7950 Historia fotografii polskiej w latach 1839–1889]'', Plock: Towarzystwo Naukowe Płockie, 1972, 83 pp. {{pl}}
−
* Daniel Girardin, Christian Pirker and Yaniv Benhamou, ''Controversies: a legal and ethical history of photography'', Arles, France: Actes Sud/ [Lausanne]: Musée de l'Élysée, 2012. {{en}}
+
* Robert M. Doty, Minor White, ''Photography in America'', New York: Random House, 1974. Catalogue. {{en}}
−
 
+
* Jonathan Green, ''American Photography: A Critical History 1945 to the Present'', New York: Harry N. Abrams, 1984. {{en}}
−
* Tanya Sheehan, ''Photography, History, Difference'', University Press of New England, 2014. {{en}}
+
* C. Săvulescu, ''Cronologia ilustrată a fotografiei din Romania. Perioada 1834-1916'', Bucharest: Asociaţia Artiştilor Fotografi, 1985. {{ro}}
−
 
+
* Vicki Goldberg, Robert Silberman, ''[[Media:Goldberg_Vicki_Silberman_Robert_American_Photography_A_Century_of_Images_1999.pdf|American Photography: A Century of Images]]'', Chronicle, 1999, [http://gen.lib.rus.ec/book/index.php?md5=B16F6B82DB0D45AB9E569114FAB1722D PDF], [https://archive.org/details/GoldbergVickiSilbermanRobertAmericanPhotographyACenturyOfImages1999 IA], [http://aaaaarg.fail/static/reader.htm?0=b16f6b82db0d45ab9e569114fab1722d-0 ARG]. {{en}}
−
* Kaja Silverman, ''[http://monoskop.org/log/?p=16627 The Miracle of Analogy or The History of Photography, Part 1]'', Stanford University Press, 2015, 203 pp. {{en}}
+
* Aurora Király (ed.), ''[https://archive.org/details/PhotographyInContemporaryArtTrendsInRomaniaAfter1989 Fotografia în arta românească contemporană: tendinţe în România după 1989]'', Bucharest: Unarte, 2006, [http://gen.lib.rus.ec/book/index.php?md5=23BD677ADC2A4332EC69888B78BDE01A PDF]. {{ro}}
 +
* Matthew S. Witkovsky, ''Foto: Modernity in Central Europe, 1918-1945'', intro. Peter Demetz, Washington, DC: National Gallery of Art, and London: Thames & Hudson, 2007, xxix+278 pp. Catalogue. {{en}}
 +
* Václav Macek, ''The History of European Photography, 1900-1938'', Bratislava: Central European House of Photography, 2010. {{en}}
 +
* Andrea Cuarterolo, ''[[Media:Cuarterolo_Andrea_De_la_foto_al_fotograma_Relaciones_entre_cine_y_fotografia_en_la_Argentina_1840-1933.pdf|De la foto al fotograma. Relaciones entre cine y fotografía en la Argentina, 1840-1933]]'', Montevideo: CDF, 2013, 260 pp. [http://academia.edu/2559302]. Review: [http://caiana.caia.org.ar/template/caiana.php?pag=books/book.php&obj=146&vol=4 Marrone] (2014). {{es}}
 +
* Walter Benn Michaels, ''[https://aaaaarg.fail/thing/56bfc75c9ff37c05f9f46ef0 The Beauty of a Social Problem: Photography, Autonomy, Economy]'', University of Chicago Press, 2015.
 +
* William Schaefer, ''[http://library.memoryoftheworld.org/#/book/ff26fffe-63f7-4c0a-9439-ec3e56663eb5 Shadow Modernism: Photography, Writing, and Space in Shanghai, 1925-1937]'', Duke University Press, 2017, 292 pp. {{en}}
 +
* Cristian Graure, ''Istoria Artei Fotografice din Banat între 1839 și 1918. Identități vizuale în era modernității'', Timișoara: Eurostampa, 2018, 436 pp. [https://www.academia.edu/36081932/Cristian_Graure_Istoria_Artei_Fotografice_din_Banat_intre_1839_si_1918_Identitati_vizuale_in_era_modernitatii_3] {{ro}}
  
 
===Theory and philosophy===
 
===Theory and philosophy===
Line 157: Line 173:
  
 
* Vilém Flusser, ''[http://monoskop.org/log/?p=77 Für eine Philosophie der Fotografie]'', European Photography, 1983, 58 pp; 1989; 1997; 2006. {{de}}
 
* Vilém Flusser, ''[http://monoskop.org/log/?p=77 Für eine Philosophie der Fotografie]'', European Photography, 1983, 58 pp; 1989; 1997; 2006. {{de}}
−
** ''[[Media:Flusser_Vilem_Towards_a_Philosophy_of_Photography_1984.pdf|Towards A Philosophy of Photography]]'', ed. Derek Bennett, Göttingen: European Photography, 1984, 62 pp. {{en}}
+
** ''[http://monoskop.org/log/?p=77 Towards A Philosophy of Photography]'', ed. Derek Bennett, Göttingen: European Photography, 1984, 62 pp. {{en}}
 
** [[Flusser#Flusser1983|more translations]]
 
** [[Flusser#Flusser1983|more translations]]
  
Line 164: Line 180:
 
** [[Flusser#Flusser1985|more translations]]
 
** [[Flusser#Flusser1985|more translations]]
  
−
* Mark Haworth-Booth, ''Photography now'', London: Dirk Nishen Publishing in association with the Victoria & Albert Museum, [1989]. {{en}}
+
* [http://aaaaarg.fail/static/reader.htm?0=62054d040f878c7143efac368d7f4ac2-0 ''October'' 5: "Photography: A Special Issue"], New York: MIT Press, Summer 1978, 125 pp. With essays by Nadar, Rosalind Krauss, Hollis Frampton, Hubert Damisch, Craig Owens, Douglas Crimp, Jean Clair, and Thierry de Duve. {{en}}
  
−
* Eduardo Cadava, ''Words of Light: Theses on the Photography of History'', Princeton: Princeton University Press, 1997. {{en}}
+
* Eduardo Cadava, ''[[Media:Cadava_Eduardo_Words_of_Light_Theses_on_the_Photography_of_History_1997.pdf|Words of Light: Theses on the Photography of History]]'', Princeton University Press, 1997. {{en}}
−
 
 
−
* Quentin Bajac, ''Tableaux vivants. Fantaisies photographiques victoriennes, 1840-1880'', Réunion des Musées Nationaux, 1999. {{fr}}
 
−
 
 
−
* Quentin Bajac, ''L’Image révélée, l’invention de la photographie'', Paris: Gallimard-découvertes,  2001. {{fr}}
 
  
 
* David Green, Joanna Lowry (eds.), ''[http://monoskop.org/log/?p=6354 Stillness and Time: Photography and the Moving Image]'', Photoworks / Photoforum, 2005, 183 pp. {{en}}
 
* David Green, Joanna Lowry (eds.), ''[http://monoskop.org/log/?p=6354 Stillness and Time: Photography and the Moving Image]'', Photoworks / Photoforum, 2005, 183 pp. {{en}}
−
 
−
* Quentin Bajac and C. Chéroux, ''La subversion des images: surréalisme, photographie, film'', Paris: Éd. du Centre Pompidou, 2009. {{fr}}
 
  
 
* Jacques Derrida, [http://archive.org/details/JacquesDerridaCopyArchiveSignatureAConversationOnPhotography2010 ''Copy, Archive, Signature: A Conversation on Photography''], ed. Gerhard Richter, trans. Jeff Fort, Stanford University Press, 2010, 67 pp. {{en}}
 
* Jacques Derrida, [http://archive.org/details/JacquesDerridaCopyArchiveSignatureAConversationOnPhotography2010 ''Copy, Archive, Signature: A Conversation on Photography''], ed. Gerhard Richter, trans. Jeff Fort, Stanford University Press, 2010, 67 pp. {{en}}
Line 182: Line 192:
 
* François Laruelle, ''[http://monoskop.org/log/?p=6835 Photo-Fiction, a Non-Standard Aesthetics]'', trans. Drew S. Burk, Minneapolis, MN: Univocal, 2012, 85 pp. {{en}}
 
* François Laruelle, ''[http://monoskop.org/log/?p=6835 Photo-Fiction, a Non-Standard Aesthetics]'', trans. Drew S. Burk, Minneapolis, MN: Univocal, 2012, 85 pp. {{en}}
  
−
* Eduardo Cadava and Gabriela Nouzeilles (eds.), ''The Itinerant Languages of Photography'', Princeton: Princeton University Art Museum, 2013. {{en}}
+
* Shawn Michelle Smith, ''At the Edge of Sight: Photography and the Unseen'', Duke University Press, 2013, 312 pp. {{en}}
  
−
* Shawn Michelle Smith, ''At the edge of sight: photography and the unseen'', Durham: Duke University Press, 2013. {{en}}
+
* John Berger, ''Understanding a Photograph'', ed. & intro. Geoff Dyer, Aperture, 2013, 256 pp. Previously uncollected writings on photography. {{en}}
  
−
* John Berger, ''Understanding a Photograph'', ed. & intro. Geoff Dyer, Aperture, 2013, 256 pp. {{en}}
+
* Lisa Saltzman, ''[http://gen.lib.rus.ec/book/index.php?md5=17905da4d80dbd58d187109a4f8285ce Daguerreotypes: Fugitive Subjects, Contemporary Objects]'', University of Chicago Press, 2015. {{en}}
  
−
* Lisa Saltzman, ''Daguerreotypes: Fugitive Subjects, Contemporary Objects'', Chicago: University of Chicago Press, 2015, [http://libgen.io/book/index.php?md5=17905da4d80dbd58d187109a4f8285ce PDF]. {{en}}
+
* [https://app.koofr.net/content/links/022151a1-6cec-4303-9b0e-2736f4fe3fca/files/get/October%20158%202016.pdf?path=&force ''October'' 158], MIT Press, Fall 2016, 168 pp. {{en}}
 +
 
 +
* Cecilia Grönberg, ''Händelsehorisont || Event Horizon. Distribuerad fotografi'', Stockholm: OEI, 2016, 1012 pp. [https://gupea.ub.gu.se/handle/2077/47215 Introduction]. Dissertation from Valand Academy. [http://konst.gu.se/english/ArtMonitor/dissertations/cecilia-gronberg] {{sw}}
 +
 
 +
* Diarmuid Costello, ''[http://library.memoryoftheworld.org/#/book/ac5f5e03-02e2-4184-872a-ca202a7c64c5 On Photography: A Philosophical Inquiry]'', New York: Routledge, 2018, 166 pp. Review: [http://dx.doi.org/10.3202/caa.reviews.2018.206 Shobeiri] (CAA). {{en}}
 +
 
 +
* Robert Desjarlais, ''[http://library.memoryoftheworld.org/#/book/14fc5e3d-baaf-43ab-9db1-53529e19c017 The Blind Man: A Phantasmography]'', New York: Fordham University Press, 2018, 232 pp. {{en}}
  
 
===Other===
 
===Other===
−
* John Szarkowski, ''The Photographer's Eye'', New Yor: MoMA, 1966. {{en}}
+
* John Szarkowski, ''[http://gen.lib.rus.ec/book/index.php?md5=48FB56E80656FF6A732FDDDC69E56A52 The Photographer's Eye]'', New York: Museum of Modern Art, 1966; 1980; 2007. Based on the [http://moma.org/calendar/exhibitions/2567?locale=en 1964 exhibition]. {{en}}
 +
 
 +
* ''[[Media:Deconstruction_Reconstruction_The_Transformation_of_Photographic_Information_into_Metaphor_1980.pdf|Deconstruction/Reconstruction: The Transformation of Photographic Information into Metaphor]]'', ed. Shelley Rice, New York: The New Museum, 1980, 43 pp. Catalogue. [https://archive.newmuseum.org/exhibitions/28 Exhibition]. {{en}}
  
 
* Pierre Bonhomme, ''La Photographie à la croisée des chemins'', Paris: de la Manufacture, 1990. {{fr}}
 
* Pierre Bonhomme, ''La Photographie à la croisée des chemins'', Paris: de la Manufacture, 1990. {{fr}}
Line 206: Line 224:
  
 
* Louis Kaplan, ''[http://monoskop.org/log/?p=5673 The Strange Case of William Mumler, Spirit Photographer]'', University of Minnesota Press, 2008, 288 pp. {{en}}
 
* Louis Kaplan, ''[http://monoskop.org/log/?p=5673 The Strange Case of William Mumler, Spirit Photographer]'', University of Minnesota Press, 2008, 288 pp. {{en}}
 +
 +
* ''[[Media:Words Without Pictures LACMA 2009.pdf|Words Without Pictures]]'', ed. Alex Klein, Los Angeles: Los Angeles County Museum of Art (LACMA), 2009, 501 pp, [https://archive.org/details/alex-klein-and-charlotte-cotton-words-without-pictures-2009 IA]. {{en}}
  
 
* Pierre Bonhomme, ''L'art de la mer: anthologie de la photographie maritime depuis 1843'', Arthaud, 2009. {{fr}}
 
* Pierre Bonhomme, ''L'art de la mer: anthologie de la photographie maritime depuis 1843'', Arthaud, 2009. {{fr}}
  
−
* Mark Durden, ''Fifty Key Writers on Photography'', London: Routledge, 2013. {{en}}
+
* Mark Durden, ''Fifty Key Writers on Photography'', London: Routledge, 2013, [http://aaaaarg.fail/static/reader.htm?0=e29671d3f15dab6716e7fe7b6490383c-0 ARG]. {{en}}
  
 
* [http://monoskop.org/log/?tag=photography Publications on photography at Monoskop Log]
 
* [http://monoskop.org/log/?tag=photography Publications on photography at Monoskop Log]
Line 217: Line 237:
  
 
==Exhibitions online==
 
==Exhibitions online==
 +
* [https://www.moma.org/interactives/exhibitions/1999/fameafterphotography/ Fame After Photography], MoMA, 1999.
 
* [http://www.nga.gov/exhibitions/2007/foto/ Foto: Modernity in Central Europe, 1918-1945], NGA, 2007.
 
* [http://www.nga.gov/exhibitions/2007/foto/ Foto: Modernity in Central Europe, 1918-1945], NGA, 2007.
−
* [http://www.moma.org/interactives/objectphoto/#home Object:Photo], MoMA's 1920s-30s photography collection, 2014.
+
* [https://www.moma.org/interactives/exhibitions/2010/originalcopy/ The Original Copy: Photography of Sculpture, 1839 to Today], MoMA, 2010.
 +
* [http://www.moma.org/interactives/objectphoto/ Object:Photo], resource on MoMA's Thomas Walther Collection of 341 photographs from 1909-1949, 2014.
 +
 
 +
==Links==
 +
* [http://www.travislovell.com/History History in Images] by Travis Lovell, 2010.
  
  
 
{{Artists cultures}}
 
{{Artists cultures}}

Revision as of 21:52, 25 December 2019

View from the Window at Le Gras is the oldest surviving camera photograph. Created by Nicéphore Niépce in 1826 or 1827 at Saint-Loup-de-Varennes, it shows parts of the buildings and surrounding countryside of his estate, Le Gras, seen from a high window, made using a camera obscura. It was the result of an 8-hour exposure.
An inverted photograph from F. W. Dyson, A. S. Eddington, and C. Davidson, "A Determination of the Deflection of Light by the Sun's Gravitational Field, from Observations Made at the Total Eclipse of May 29, 1919", Phil. Trans. of the Royal Society of London (1920), p 332.
Portrait of Nahui Olin by Edward Weston, 1924.
Dorothea Lange, Migrant Mother, Nipomo, California, Mar 1936. Gelatin silver print. LOC. LOC (series). MoMA. MoMA (version). Met. SI. Artic. Getty. DIA. SFMOMA. SLAM. MiA. Brooklyn M. Tate.

Pages

Selected publications

William Henry Fox Talbot, The Pencil of Nature, 1844, PDF. First photographic book, with 24 calotypes.
Eadweard Muybridge, Animal Locomotion, 11 vols., 1887, JPGs.
László Moholy-Nagy, Malerei, Fotografie, Film, 1925/27, Log.
Franz Roh, Jan Tschichold (eds.), Foto-Auge, 1929, Log.
Werner Gräff, Es kommt der neue Fotograf!, 1929.
László Moholy-Nagy, Von Material zu Architektur, 1929, Log.
Photography 1839–1937, MoMA, 1937, PDF.
Gyorgy Kepes, Language of Vision: Painting, Photography, Advertising-Design, 1944/69, Log.

Chronophotography

  • Eadweard Muybridge, Animal Locomotion, 11 vols., Philadelphia: University of Pennsylvania, 1887, 781 plates. (English)

Avant-garde, Modernism

  • László Moholy-Nagy, Malerei, Fotografie, Film, Munich: Albert Langen (Bauhausbücher 8), 1925, 115 pp; 2nd ed., 1927, 140 pp. Incl. "Dynamik der Gross-Stadt", pp 116-129. (German)
  • Germaine Krull, Métal, intro. Florent Fels, Paris: Librairie des Arts Décoratifs, 1928, [64] pp; new ed., Cologne: Ann und Jürgen Wilde, 2003. Photo book. (French)
  • Albert Renger-Patzsch, Die Welt ist schön. Einhundert photographische Aufnahmen, Munich: Kurt Wolff, 1928; other ed., Munich: Einhorn, 1928. Photo book. [1] Reception.
  • August Sander, Alfred Döblin, Antlitz der Zeit. Sechzig Aufnahmen Deutscher Menschen Des 20. Jahrhunderts, Munich: Transmare, 1929. Photo book. [2] [3]
  • Gustaf Stotz, et al., Internationale Ausstellung des Deutschen Werkbunds Film und Foto, Stuttgart: Deutscher Werkbund, 1929. (German)
  • Franz Roh, Jan Tschichold (eds.), Foto-Auge: 76 Fotos der Zeit / Œil et photo: 76 photographies de notre temps / Photo-Eye: 76 Photos of the Period, Stuttgart: Wedekind, 1929, 18+[76] pp; repr., Tübingen: Ernst Wasmuth, 1973. Published in conjunction with the Film und Foto exhibition. (German)/(French)/(English)
  • Werner Gräff, Es kommt der neue Fotograf!, Berlin: H. Reckendorf, 1929. Published in conjunction with the Film und Foto exhibition. [4] (German)
  • Hans Richter, Werner Gräff. Filmgegner von Heute—Filmfreunde von Morgen, Berlin: Hermann Reckendorf, 1929. Published in conjunction with the Film und Foto exhibition. (German)
  • László Moholy-Nagy, Von Material zur Architektur, Munich: Albert Langen (Bauhausbücher 14), 1929, 241 pp; facsimile repr., Mainz and Berlin: Florian Kupferberg, 1968, 251 pp. (German)
  • Aenne Biermann: 60 Fotos, ed. & intro. Franz Roh, Berlin: Klinkhardt & Biermann, 1930. (German)
  • Gyorgy Kepes, Language of Vision: Painting, Photography, Advertising-Design, intro. Siegfried Giedion and Samuel Ichiye Hayakawa, Chicago: Paul Theobald, 1944; rev.ed., Chicago: Paul Theobald, 1964. (English)
  • Jindřich Heisler, Jindřich Štyrský, Na jehlách techto dní, Prague: Fr. Borový, 1945. (Czech)

Historisation

  • Josef Maria Eder, Geschichte der Photographie, vol. 1 & vol. 2, 4th ed., Halle (Saale): Wilhelm Knapp, 1932. (German)
  • Lucia Moholy, A Hundred Years of Photography, 1839-1939, Middlesex: Harmondsworth, 1939. (English)
  • Helmut Gernsheim with Alison Gernsheim, L.J.M. Daguerre: The History of the Diorama and the Daguerreotype, New York: Dover, 1968. (English)
  • Dawn Ades, Photomontage, London: Thames & Hudson, 1976. (English)
  • John H. Hammond, The Camera Obscura: A Chronicle, Bristol: Adam Hilger, 1981. (English)
  • Ian Jeffrey, Photography: A Concise History, New York: Thames and Hudson, 1981. (English)
  • Jean-Luc Daval, Histoire d'un art: la photographie, Genève: Skira, 1982, 268 pp. Review. (French)
    • Photography: History of an Art, trans. R.F.M. Dexter, New York: Skira/Rizzoli, 1982. (English)
  • Mike Weaver, Daniel Wolf, The Art of Photography, 1839-1989, Yale University Press, 1989. (English)
  • Richard Bolton (ed.), Contest of Meaning: Critical Histories of Photography, MIT Press, 1989, 432 pp. [6] (English)
  • Pierre-Jean Amar, La photographie: histoire d'un art, Paris: Edisud, 1993. (French)
  • Eva Weber, Pioneers of Photography, New York: Smithmark, 1995. (English)
  • Jeff Wall, "Marks of Indifference: Aspects of Photography in, or as, Conceptual Art", in Reconsidering the Object of Art, eds. Ann Goldstein and Anne Rorimer, Los Angeles: Museum of Contemporary Art, 1995, pp 247-267; repr. in The Last Picture Show: Artists Using Photography, 1960-1982, Minneapolis: Walker Art Center, 2003, 32-44.
  • Heinz K. Henisch, Bridget A. Henisch, The Painted Photograph, 1839-1914: Origins, Techniques, Aspirations, Pennsylvania State University, 1996. (English)
  • Pierre-Jean Amar, Histoire de la photographie, Paris: PUF, 1997. (French)
  • Michel Frizot (ed.), A New History of Photography, Cologne: Könemann, 1998. (English)
  • Quentin Bajac, Tableaux vivants. Fantaisies photographiques victoriennes, 1840-1880, Réunion des Musées Nationaux, 1999. Catalogue. (French)
  • Pierre-Jean Amar, Le photojournalisme, Paris: Nathan-Université, 2000. (French)
  • Quentin Bajac, L'Image révélée: l'invention de la photographie, Paris: Gallimard, 2001, 160 pp. [7] (French)
  • Michael Gray, Arthur Ollman, Carol McCusker, First Photographs: William Henry Fox Talbot and the Birth of Photography, New York: powerHouse Books, 2002. (English)
  • Mary Warner Marien, Photography: A Cultural History, Upper River Saddle, N.J.: Prentice Hall, 2002. (English)
  • Martin Parr, Gerry Badger, The Photobook: A History, 2 vols., London/New York: Phaidon, 2004 & 2006. (English)
  • Quentin Bajac, La photographie: l'époque moderne 1880-1960, Paris: Gallimard, 2005. (French)
  • William Johnson, Mark Rice, Carla Williams, Therese Mulligan, David Wooters, A History of Photography: From 1839 to the Present, Cologne/London: Taschen, 2005. (English)
  • P.C. Bunnell, Inside the Photograph: Writings on Twentieth-Century Photography, Aperture, 2006. [8] (English)
  • Ute Eskildsen, Florian Ebner and Bettina Kaufmann, Street & Studio: An Urban History of Photography, London: Tate, and New York: Harry N. Abrams, 2008. (English)
  • Dominique de Font-Reaulx, The Daguerreotype, Paris: Musee d'Orsay, 2008. Catalogue. (English)
  • Daniel Girardin, Christian Pirker, Yaniv Benhamou, Controversies: A Legal and Ethical History of Photography, Arles: Actes Sud, and Lausanne: Musée de l'Élysée, 2012. (English)

Collection-based histories

  • Quentin Bajac, Clément Chéroux, Collection Photographs: A History of Photography Through the Collections of the Centre Pompidou, Musée National d'Art Moderne, Göttingen: Steidl / Paris: Centre Pompidou, 2007. Catalogue. (English)/(French)
  • Françoise Heilbrun, A History of Photography: The Musée d'Orsay Collection, 1839-1925, Paris: Flammarion, 2009. (French)/(English)
  • On ne se sou­vient que des pho­to­gra­phies, Paris: Bétonsalon, 2013, [148] pp. [10] (French)

Regional and national histories

Theory and philosophy

  • Pierre Bourdieu, Un art moyen. Essais sur les usages sociaux de la photographie, 1965. (French)
La chambre claire: note sur la photographie, 1980, PDF, Log.
  • October 5: "Photography: A Special Issue", New York: MIT Press, Summer 1978, 125 pp. With essays by Nadar, Rosalind Krauss, Hollis Frampton, Hubert Damisch, Craig Owens, Douglas Crimp, Jean Clair, and Thierry de Duve. (English)
  • François Laruelle, The Concept of Non-Photography, Urbanomic/Sequence Press, 2011. (English)
  • Shawn Michelle Smith, At the Edge of Sight: Photography and the Unseen, Duke University Press, 2013, 312 pp. (English)
  • John Berger, Understanding a Photograph, ed. & intro. Geoff Dyer, Aperture, 2013, 256 pp. Previously uncollected writings on photography. (English)
  • Cecilia Grönberg, Händelsehorisont || Event Horizon. Distribuerad fotografi, Stockholm: OEI, 2016, 1012 pp. Introduction. Dissertation from Valand Academy. [13] (Swedish)

Other

  • Pierre Bonhomme, La Photographie à la croisée des chemins, Paris: de la Manufacture, 1990. (French)
  • George M. Craven, Object and Image, An Introduction to Photography New Jersey: Prentice Hall, Englewood Cliffs, 1990. (English)
  • Carol Armstrong, Scenes in a Library: Reading the Photograph in the Book, 1843–1875, Cambridge: MIT Press, 1998. (English)
  • Words Without Pictures, ed. Alex Klein, Los Angeles: Los Angeles County Museum of Art (LACMA), 2009, 501 pp, IA. (English)
  • Pierre Bonhomme, L'art de la mer: anthologie de la photographie maritime depuis 1843, Arthaud, 2009. (French)
  • Mark Durden, Fifty Key Writers on Photography, London: Routledge, 2013, ARG. (English)
Bibliographies

Exhibitions online

Links


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