Difference between revisions of "Polish Radio Experimental Studio"

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'''Polish Radio Experimental Studio''' at [[Warszawa]] was founded in October [[1957]] by [[Jozef Patkowski]] who conducted the Studio till 1985.
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[[Image:Krzysztof Penderecki and Eugeniusz Rudnik in PRES photo Andrzej Zborski.jpg|thumb|350px|[[Krzysztof Penderecki]] and [[Eugeniusz Rudnik]] in PRES. Photo: Andrzej Zborski.]]
  
More then 200 autonomous compositions produced. Several hundreds titles for film, theatre, TV, radio and various exhibi¬tions came out from the Studio.  
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'''Polish Radio Experimental Studio''' at [[Warszawa]] was founded in October 1957 by [[Józef Patkowski]] who conducted the Studio until 1985.
  
In the 60s the main persons of Polish electro-acoustic music were [[Krzysztof Penderecki]], [[Boguslaw Schaeffer]], [[Wlodzimierz Kotonski]], [[Andrzej Dobrowolski]], [[Zbigniew Wiszniewski]], [[Tomasz Sikorski]]. In the 70s new generation: [[Krzysztof Knittel]], [[Elzbieta Sikora]], [[Andrzej Biezan]], [[Pawel Szymanski]], [[Andrzej Dutkiewicz]], [[Ryszard Szeremeta]] and others. The 80s and 90s that's [[Marek Choloniewski]], [[Jan Oleszkowicz]], [[Barbara Zawadzka]] and [[Anna Zawadzka]], [[Jaroslaw Kapuscinski]], [[Edward Sielicki]], [[Magdalena Dlugosz]], [[Jacek Grudzien]] and others. Last but not least one must mention of two tonmeisters (sound engineers) [[Eugeniusz Rudnik]] and [[Bohdan Mazurek]] who while assisting many composers became composers as well.
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{{TOC limit|3}}
  
; Events
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Thanks to state-of-the-art technology and two qualified, experienced engineers, the Studio could meet the needs of composers representing various backgrounds, encouraging research into tape music in particular. Nevertheless, the Studio was not devoted exclusively to producing independent electroacoustic pieces, but was also used to create musical »illustrations« for movies, radio and television. In fact, creating incidental music, as well as what today we would call sound designing for various media, was officially one of the Studio’s main tasks. More then 200 autonomous compositions produced. Several hundreds titles for film, theatre, TV, radio and various exhibitions came out from the Studio.  
* "PRES Revisited: Lecture/ Presentation/ Concerts", [[NK]], [[Berlin]], 13 December 2011. [http://www.nkprojekt.de/pres-revisited-concerts/]
 
  
; Literature
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The Studio was a space for meetings between engineers, such as [[Eugeniusz Rudnik]], Bohdan Mazurek, [[Barbara Okoń-Makowska]], Wojciech Makowski, [[Ewa Guziołek-Tubelewicz]], Tadeusz Sudnik, Krzysztof Szlifirski and the composers. Among the members of the latter we should note: [[Włodzimierz Kotoński]], [[Krzysztof Penderecki]], [[Bogusław Schaeffer]], [[Elżbieta Sikora]], Krzysztof Knittel, Hugh Davies, [[Arne Nordheim]], Kare Kolberg, [[Lejaren Hiller]], Roland Kayn and [[Dubravko Detoni]].
* ''Studio eksperyment: Leksykon. Zbiór tekstów'', Warsaw: The Bęc Zmiana Foundation, 2012. (Polish) [http://www.eksperyment-manual.pl/] [http://issuu.com/beczmiana/docs/eksperyment]
 
  
; See also
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Subsequently, the Studio was expected to develop into an interdisciplinary institute of new media. The members of the PRES continually attempted to spread and promote new forms of music, organizing lectures, producing series of radio broadcasts and publishing papers on the subject. It became a laboratory also for visual artists and designers such as [[Oskar Hansen|Oskar]] and Zofia Hansen]], [[Krzysztof Wodiczko]], [[Kazimierz Urbański]] and [[Józef Robakowski]]. [https://zkm.de/en/exhibition/2018/07/durch-den-schalldichten-vorhang-das-experimentalstudio-des-polnischen-rundfunks]
* [[Poland#Electroacoustic_music]]
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== Events ==
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* [https://www.nkprojekt.de/pres-revisited-concerts/ PRES Revisited: Lecture/ Presentation/ Concerts], [[NK]], Berlin, 13 Dec 2011.
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* [http://web.archive.org/web/20170929010235/http://msl.org.pl/en/eventsms/events/pres-the-conference,2428.html PRES: the Conference], Muzeum Sztuki in Łódź, 13-14 Oct 2017. [https://culture.pl/en/article/conference-on-the-polish-radio-experimental-studio]
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* [https://zkm.de/en/exhibition/2018/07/durch-den-schalldichten-vorhang-das-experimentalstudio-des-polnischen-rundfunks Through the Soundproof Curtain. The Polish Radio Experimental Studio], ZKM | Center for Art and Media, Karlsruhe, 14 Jul 2018 – 06 Jan 2019. [https://msl.org.pl/through-the-soundproof-curtain-the-polish-radio-experimental-studio-1/]
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== Literature ==
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* Monika Pasiecznik, [http://soundexchange.eu/#poland_en?id=1 "A History of Electroacoustic Music in Poland from the Perspective of the Polish Radio Experimental Studio 1957-1990"], in ''Anthology of Experimental Music Cultures in Central and Eastern Europe 1950-2010'', eds. Carsten Seiffarth, Carsten Stabenow, and Golo Föllmer, Saarbrücken: PFAU, 2012. {{en}}/[http://soundexchange.eu/#poland_de?id=1 {{de}}]/[http://soundexchange.eu/#poland_pl?id=1 {{pl}}]
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* ''Studio eksperyment: Leksykon. Zbiór tekstów'', Warsaw: The Bęc Zmiana Foundation, 2012. (Polish) [http://www.eksperyment-manual.pl/] [http://issuu.com/beczmiana/docs/eksperyment] [http://www.eksperyment-manual.pl/index.php?/english-texts/ (English texts)]
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* Magdalena Moskalewicz, Daniel Muzyczuk (eds.), [https://post.moma.org/polish-radio-experimental-studio-a-close-look/ "Polish Radio Experimental Studio: A Close Look"], ''post'', New York: MoMA, Dec 2013. Special section. {{en}}
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* ''Ultra Sounds: The Sonic Art of Polish Radio Experimental Studio'', ed. David Crowley, Heidelberg: Kehrer,  and Karlsruhe: ZKM Center for Art and Media, 2019, 336 pp. [https://www.kehrerverlag.com/en/ultra-sounds-the-sonic-art-of-polish-radio-experimental-studio-978-3-86828-921-3 Publisher]. [https://zkm.de/de/publikation/ultra-sounds Publisher]. [https://culture.pl/en/work/ultra-sounds-the-sonic-art-of-polish-radio-experimental-studio-david-crowley-ed] [https://culture.pl/en/gallery/ultra-sounds-the-sonic-art-of-polish-radio-experimental-studio-image-gallery]. Reviews: [https://journals.openedition.org/critiquedart/68021 Christoffel] (Critique d'art), [https://mediarep.org/bitstream/handle/doc/20043/MEDREZ_2022_Sonderpublikation1_18-19_Abushenko-Crowley-Ultra-Sounds__.pdf?sequence=2 Abushenko] (MEDIENwissenschaft). {{en}}
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== See also ==
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* [[Poland#Electroacoustic music]]
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== Links ==
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* [http://www.youtube.com/watch?v=Ok6-g_mIstE& Studio Eksperymentalne Polskiego Radia (WFDiF)], video, fragment, 1 min.
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* https://post.moma.org/polish-radio-experimental-studio-a-galaxy-of-writings-prints-and-sound/
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* https://post.moma.org/magnetic-tape-as-instrument-a-rare-selection-of-electroacoustic-music-from-poland/
  
 
[[Category:Electroacoustic music]]
 
[[Category:Electroacoustic music]]

Latest revision as of 16:42, 21 October 2022

Krzysztof Penderecki and Eugeniusz Rudnik in PRES. Photo: Andrzej Zborski.

Polish Radio Experimental Studio at Warszawa was founded in October 1957 by Józef Patkowski who conducted the Studio until 1985.

Thanks to state-of-the-art technology and two qualified, experienced engineers, the Studio could meet the needs of composers representing various backgrounds, encouraging research into tape music in particular. Nevertheless, the Studio was not devoted exclusively to producing independent electroacoustic pieces, but was also used to create musical »illustrations« for movies, radio and television. In fact, creating incidental music, as well as what today we would call sound designing for various media, was officially one of the Studio’s main tasks. More then 200 autonomous compositions produced. Several hundreds titles for film, theatre, TV, radio and various exhibitions came out from the Studio.

The Studio was a space for meetings between engineers, such as Eugeniusz Rudnik, Bohdan Mazurek, Barbara Okoń-Makowska, Wojciech Makowski, Ewa Guziołek-Tubelewicz, Tadeusz Sudnik, Krzysztof Szlifirski and the composers. Among the members of the latter we should note: Włodzimierz Kotoński, Krzysztof Penderecki, Bogusław Schaeffer, Elżbieta Sikora, Krzysztof Knittel, Hugh Davies, Arne Nordheim, Kare Kolberg, Lejaren Hiller, Roland Kayn and Dubravko Detoni.

Subsequently, the Studio was expected to develop into an interdisciplinary institute of new media. The members of the PRES continually attempted to spread and promote new forms of music, organizing lectures, producing series of radio broadcasts and publishing papers on the subject. It became a laboratory also for visual artists and designers such as Oskar and Zofia Hansen]], Krzysztof Wodiczko, Kazimierz Urbański and Józef Robakowski. [1]

Events[edit]

Literature[edit]

See also[edit]

Links[edit]