Difference between revisions of "Post-digital aesthetics"

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* Danny Aldred, Emmanuelle Waeckerlé (eds.), ''Code—X – Paper, Ink, Pixel and Screen'', forew. Alessandro Ludovico, endnotes John Warwicker, Farnham: bookRoom press, 2015, 276 pp. [http://www.thebookroom.net/code-x-paper-ink-pixel-and-screen/] [http://silviolorusso.com/code-x/]
 
* Danny Aldred, Emmanuelle Waeckerlé (eds.), ''Code—X – Paper, Ink, Pixel and Screen'', forew. Alessandro Ludovico, endnotes John Warwicker, Farnham: bookRoom press, 2015, 276 pp. [http://www.thebookroom.net/code-x-paper-ink-pixel-and-screen/] [http://silviolorusso.com/code-x/]
 
* Scott Contreras-Koterbay, Łukasz Mirocha, ''[http://networkcultures.org/blog/publication/the-new-aesthetic-and-art-constellations-of-the-postdigital/ The New Aesthetic and Art: Constellations of the Postdigital]'', Amsterdam: Institute of Network Cultures, 2016, 280 pp.
 
* Scott Contreras-Koterbay, Łukasz Mirocha, ''[http://networkcultures.org/blog/publication/the-new-aesthetic-and-art-constellations-of-the-postdigital/ The New Aesthetic and Art: Constellations of the Postdigital]'', Amsterdam: Institute of Network Cultures, 2016, 280 pp.
 +
* Ryan Bishop, Kristoffer Gansing, Jussi Parikka, Elvia Wilk (eds.), ''across & beyond: A transmediale Reader on Post-digital Practices, Concepts, and Institutions'', Berlin: Sternberg & Transmediale, 2016. [https://transmediale.de/node/31206/ Introduction]. [https://transmediale.de/content/across-beyond]
  
 
; Journal issues and special sections
 
; Journal issues and special sections

Revision as of 14:49, 4 February 2017

Events

Alessandro Ludovico, Post-Digital Print, 2012, Log, PDF.
A Peer-Reviewed Journal About Post-Digital Research, 2014, Log, HTML.
Martin Conrads, Franziska Morlok (eds.), War postdigital besser?, 2014, Log, PDF.

Publications

Books
  • Robert Pepperell, Michael Punt, The Postdigital Membrane: Imagination, Technology and Desire, Bristol and Portland, OR: Intellect Books, 2000, 181 pp. [2]
  • Maurizio Bolognini, Postdigitale. Conversazioni sull'arte e le nuove tecnologie, Rome: Carocci, 2008, 120 pp. Excerpts. (Italian),(English)
  • Alessandro Ludovico, Post-Digital Print: The Mutation of Publishing Since 1894, Rotterdam: Creating 010, Hogeschool Rotterdam, and Eindhoven: Onomatopee, 2012, 192 pp.
    • Post-Digital Print. La mutazione dell’editoria dal 1894, Altamura: CaratteriMobili, 2014, 249 pp. [3] (Italian)
    • Post-Digital Print: la mutation de l'édition depuis 1894, Paris: B42, 2016. [4] (French)
  • Angela Geary, Paul Catanese, Post-Digital Printmaking: CNC, Traditional and Hybrid Techniques, New York: Bloomsbury, 2012, 160 pp. [5]
  • Martin Conrads, Franziska Morlok (eds.), War postdigital besser?, Berlin: Revolver Books, 2014, 144 pp. (German)/(English)
  • Jonathan Openshaw, Postdigital Artisans: Craftsmanship with a New Aesthetic in Fashion, Art, Design and Architecture, Amsterdam: Frame Publishers, 2015, 296 pp. [6]
  • David M. Berry, Michael Dieter (eds.) Postdigital Aesthetics: Art, Computation and Design, Palgrave Macmillan, 2015, 320 pp. [7]
  • Danny Aldred, Emmanuelle Waeckerlé (eds.), Code—X – Paper, Ink, Pixel and Screen, forew. Alessandro Ludovico, endnotes John Warwicker, Farnham: bookRoom press, 2015, 276 pp. [8] [9]
  • Scott Contreras-Koterbay, Łukasz Mirocha, The New Aesthetic and Art: Constellations of the Postdigital, Amsterdam: Institute of Network Cultures, 2016, 280 pp.
  • Ryan Bishop, Kristoffer Gansing, Jussi Parikka, Elvia Wilk (eds.), across & beyond: A transmediale Reader on Post-digital Practices, Concepts, and Institutions, Berlin: Sternberg & Transmediale, 2016. Introduction. [10]
Journal issues and special sections
Book chapters, Papers, Articles, Talks, Blog posts
Theses
List discussions

Resources

See also

Film labs, Cassette culture, Zine culture, Postmedia.