Difference between revisions of "Post-internet art"

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* [http://www.bitforms.com/exhibitions/stone-sky-over-thingworld Stone Sky Over Thingworld], Bitforms Gallery, New York City, 2 Jun-29 Jul 2011. Works by Michelle Ceja, Brenna Murphy, Jon Rafman, Artie Vierkant. Curated by Claudia Hart. "The relatedness of style and discourse [of these artists] emerges from ... their educations, the function of the Internet as a system of distribution and communication, – and ultimately, their shared attitudes and digital strategies."
 
* [http://www.bitforms.com/exhibitions/stone-sky-over-thingworld Stone Sky Over Thingworld], Bitforms Gallery, New York City, 2 Jun-29 Jul 2011. Works by Michelle Ceja, Brenna Murphy, Jon Rafman, Artie Vierkant. Curated by Claudia Hart. "The relatedness of style and discourse [of these artists] emerges from ... their educations, the function of the Internet as a system of distribution and communication, – and ultimately, their shared attitudes and digital strategies."
 
* [http://showroommama.nl/en/projects/7/Land-Art-For-A-New-Generation/ Land Art For A New Generation], Showroom MAMA, Rotterdam, 18 Jun-7 Aug 2011. Works by Aram Bartholl, Artie Vierkant, Coralie Vogelaar & Teun Castelein, Dennis de Bel, Jeremy Wood, JODI, Juliette Bonneviot, Kari Altmann, Constant Dullaart. "The starting point for the project is the fact that the analog and digital are now so closely interwoven. ... The exhibition centers on a generation of artists dealing with themes such as (digital) decay and the continuous processing of vast amounts of information. They all share an interest in the creation of new databases at the interface of the physical object and immaterial digital culture."  
 
* [http://showroommama.nl/en/projects/7/Land-Art-For-A-New-Generation/ Land Art For A New Generation], Showroom MAMA, Rotterdam, 18 Jun-7 Aug 2011. Works by Aram Bartholl, Artie Vierkant, Coralie Vogelaar & Teun Castelein, Dennis de Bel, Jeremy Wood, JODI, Juliette Bonneviot, Kari Altmann, Constant Dullaart. "The starting point for the project is the fact that the analog and digital are now so closely interwoven. ... The exhibition centers on a generation of artists dealing with themes such as (digital) decay and the continuous processing of vast amounts of information. They all share an interest in the creation of new databases at the interface of the physical object and immaterial digital culture."  
* [http://www.tanyaleighton.com/index.php?pageId=420 Grouped Show], Tanya Leighton Gallery, Berlin, 16 Jul-20 Aug 2011. Works by Nicolas Ceccaldi, Aleksandra Domanovic, Yngve Holen, Keller/Kosmas, Oliver Laric, Marlie Mul, Timur Si-Qin. Selected by Robert O. Fitzpatrick. "The artists have worked together to place their work atop of, directly aside, or obtrusively in front of one another. ... These 'object hybrids' confront how the status quo methodology for curating group exhibitions (via fixed positions in physical display) is confronted by near-instantaneous peer-to-peer sharing of image, text, media and knowledge content between artists." Reviews: [http://www.tanyaleighton.com/p/p000420/GROUPED_SHOW_artforum_August_2011.pdf McGarry] (Artforum), [http://www.tanyaleighton.com/p/p000420/Artforum_summer_2013.pdf Sanchez] (Artforum).
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* {{a|GroupedShow}} [http://www.tanyaleighton.com/index.php?pageId=420 Grouped Show], Tanya Leighton Gallery, Berlin, 16 Jul-20 Aug 2011. Works by Nicolas Ceccaldi, Aleksandra Domanovic, Yngve Holen, Keller/Kosmas, Oliver Laric, Marlie Mul, Timur Si-Qin. Selected by Robert O. Fitzpatrick. "The artists have worked together to place their work atop of, directly aside, or obtrusively in front of one another. ... These 'object hybrids' confront how the status quo methodology for curating group exhibitions (via fixed positions in physical display) is confronted by near-instantaneous peer-to-peer sharing of image, text, media and knowledge content between artists." Reviews: [http://www.tanyaleighton.com/p/p000420/GROUPED_SHOW_artforum_August_2011.pdf McGarry] (Artforum), [http://www.tanyaleighton.com/p/p000420/Artforum_summer_2013.pdf Sanchez] (Artforum).
 
* [http://yau.com.mx/exhibitions/rat-piss-virus-give-it-me Rat Piss Virus Give It To Me], Yautepec Gallery, Mexico City, 21 Jul-20 Aug 2011. Works by Justin Bochek, Rachel De Joode, Dosha Devastation, Cédric Fargues, Radamés "Juni" Figueroa, Parker Ito, Jeffrey Joyal, Martin Kohout, Duncan Malashock, Carlos Laszlo, Ilia Ovechkin, Artie Vierkant. Curated by Gerardo Contreras.  
 
* [http://yau.com.mx/exhibitions/rat-piss-virus-give-it-me Rat Piss Virus Give It To Me], Yautepec Gallery, Mexico City, 21 Jul-20 Aug 2011. Works by Justin Bochek, Rachel De Joode, Dosha Devastation, Cédric Fargues, Radamés "Juni" Figueroa, Parker Ito, Jeffrey Joyal, Martin Kohout, Duncan Malashock, Carlos Laszlo, Ilia Ovechkin, Artie Vierkant. Curated by Gerardo Contreras.  
 
* [http://www.johanberggren.com/chris-coy-parker-ito-jon-rafman-ben-schumacher-artie-vierkant/ New Jpegs], Johan Berggren Gallery, Malmö, 23 Jul-20 Aug 2011. Works by Chris Coy, Parker Ito, Jon Rafman, Ben Schumacher, Artie Vierkant. Curated by Parker Ito. "For this generation [of image-makers] traditional boundaries between object, action, and documentation has fully dissolved, leading to a set of working methods that can be seen as truly post-medium. ... The works exist equally as objects in gallery space and images in circulation." [http://web.archive.org/web/20111015035221/http://newjpegs.net/] [http://nunopatricio.net/New-Jpegs-1]
 
* [http://www.johanberggren.com/chris-coy-parker-ito-jon-rafman-ben-schumacher-artie-vierkant/ New Jpegs], Johan Berggren Gallery, Malmö, 23 Jul-20 Aug 2011. Works by Chris Coy, Parker Ito, Jon Rafman, Ben Schumacher, Artie Vierkant. Curated by Parker Ito. "For this generation [of image-makers] traditional boundaries between object, action, and documentation has fully dissolved, leading to a set of working methods that can be seen as truly post-medium. ... The works exist equally as objects in gallery space and images in circulation." [http://web.archive.org/web/20111015035221/http://newjpegs.net/] [http://nunopatricio.net/New-Jpegs-1]
* [http://nimk.nl/eng/the-greater-cloud The Greater Cloud], NIMk, Amsterdam, 10 Dec 2011-5 Feb 2012. Works by Marjolijn Dijkman, Martijn Hendriks, David Horvitz, Marisa Olson, Jon Rafman, Alexandre Singh, Ryan Trecartin, Artie Vierkant, Lance Wakeling, Pablo Larios, Pamela Rozenkranz. Curated by Petra Heck, Aleksandra Domanovic, Oliver Laric, and Katja Novitskova. "A show in which the Internet as a platform, medium or subject matter functions as a source of inspiration for artists and influences their artistic practice." Review: [http://aaaan.net/post-internet-art/ Dekker] [http://academia.edu/6551541 (NL)].
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* {{a|GreaterCloud}} [http://nimk.nl/eng/the-greater-cloud The Greater Cloud], NIMk, Amsterdam, 10 Dec 2011-5 Feb 2012. Works by Marjolijn Dijkman, Martijn Hendriks, David Horvitz, Marisa Olson, Jon Rafman, Alexandre Singh, Ryan Trecartin, Artie Vierkant, Lance Wakeling, Pablo Larios, Pamela Rozenkranz. Curated by Petra Heck, Aleksandra Domanovic, Oliver Laric, and Katja Novitskova. "A show in which the Internet as a platform, medium or subject matter functions as a source of inspiration for artists and influences their artistic practice." Review: [http://aaaan.net/post-internet-art/ Dekker] [http://academia.edu/6551541 (NL)].
  
 
====2012====
 
====2012====
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====2014====
 
====2014====
* {{a|ArtPostInternet}} [http://post-inter.net Art Post-Internet], Ullens Center for Contemporary Art, Beijing, 1 Mar-11 May 2014. Works by Aids-3D, Kari Altmann, Cory Arcangel, Alisa Baremboym, Bernadette Corporation, Dara Birnbaum, Juliette Bonneviot, Nicolas Ceccaldi, Tyler Coburn, Petra Cortright, Simon Denny, Aleksandra Domanović, Harm van den Dorpel, Ed Fornieles, Calla Henkel and Max Pitegoff, Joel Holmberg, GCC, Josh Kline, Oliver Laric, LuckyPDF, Tobias Madison and Emanuel Rossetti, Marlie Mul, Katja Novitskova, Marisa Olson, Jaakko Pallasvuo, Aude Pariset, Seth Price, Jon Rafman, Jon Rafman and Rosa Aiello, Rachel Reupke, Bunny Rogers, Hannah Sawtell, Ben Schumacher, Timur Si-Qin, Hito Steyerl, Artie Vierkant, Lance Wakeling, Andrew Norman Wilson, Jordan Wolfson. Curated by Karen Archey and Robin Peckham. [http://post-inter.net Catalogue]. [http://www.artandeducation.net/videos/robin-peckham-tracing-the-post-internet-a-case-study-in-curatorial-process/ Video presentation]. Reviews: [http://www.aqnb.com/2014/03/03/life-after-internet-concerning-art-post-internet-in-beijing/ Folks] (AQNB), [http://www.widewalls.ch/post-internet-group-show-ucca-beijing/ Nastasijevic] (Widewalls).
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* {{a|ArtPostInternet}} [http://post-inter.net Art Post-Internet], Ullens Center for Contemporary Art, Beijing, 1 Mar-11 May 2014. Works by Aids-3D, Kari Altmann, Cory Arcangel, Alisa Baremboym, Bernadette Corporation, Dara Birnbaum, Juliette Bonneviot, Nicolas Ceccaldi, Tyler Coburn, Petra Cortright, Simon Denny, Aleksandra Domanović, Harm van den Dorpel, Ed Fornieles, Calla Henkel and Max Pitegoff, Joel Holmberg, GCC, Josh Kline, Oliver Laric, LuckyPDF, Tobias Madison and Emanuel Rossetti, Marlie Mul, Katja Novitskova, Marisa Olson, Jaakko Pallasvuo, Aude Pariset, Seth Price, Jon Rafman, Jon Rafman and Rosa Aiello, Rachel Reupke, Bunny Rogers, Hannah Sawtell, Ben Schumacher, Timur Si-Qin, Hito Steyerl, Artie Vierkant, Lance Wakeling, Andrew Norman Wilson, Jordan Wolfson. Curated by Karen Archey and Robin Peckham. [http://post-inter.net Catalogue]. [http://ucca.org.cn/wp-content/uploads/2014/07/PAI_booklet_en.pdf Booklet]. [http://www.artandeducation.net/videos/robin-peckham-tracing-the-post-internet-a-case-study-in-curatorial-process/ Video presentation]. Reviews: [http://www.aqnb.com/2014/03/03/life-after-internet-concerning-art-post-internet-in-beijing/ Folks] (AQNB), [http://www.widewalls.ch/post-internet-group-show-ucca-beijing/ Nastasijevic] (Widewalls).
 
* {{a|Traucum}} [http://www.parcsaintleger.fr/index2.php?p=3839 Traucum], Parc Saint Léger, Pougues-les-Eaux, 13 Sep-17 Oct 2014. Works by Xavier Antin, Kévin Bray, Erik Bünger, Ann Craven, Aleksandra Domanović, Jennifer  Fréville, Dominique Gilliot, Jémérie Gindre, Jack Goldstein, Alexis Guillier, William E. Jones, Michael Jones McKean, Mark Leckey, Christophe Lemaitre & Aurélien Mole, Marc-Antoine Mathieu, Louise Hervé & Chloé Maillet, Ceel Mogami de Haas, Maya Palma, Aude Pariset, Pierre Paulin, Elodie Pong, Jon Rafman, Manon Recordon, Sébastien Rémy, Soraya Rhofir, Rita Sobral Campos, Pacôme Thiellement, Stephen Willats. Curated by Céline Poulin. [http://www.parcsaintleger.fr/psl/downloads/DP-Traucum-LD.pdf Catalogue]. Review: [http://www.zerodeux.fr/reviews/traucum/ Luquet-Gad] (02).
 
* {{a|Traucum}} [http://www.parcsaintleger.fr/index2.php?p=3839 Traucum], Parc Saint Léger, Pougues-les-Eaux, 13 Sep-17 Oct 2014. Works by Xavier Antin, Kévin Bray, Erik Bünger, Ann Craven, Aleksandra Domanović, Jennifer  Fréville, Dominique Gilliot, Jémérie Gindre, Jack Goldstein, Alexis Guillier, William E. Jones, Michael Jones McKean, Mark Leckey, Christophe Lemaitre & Aurélien Mole, Marc-Antoine Mathieu, Louise Hervé & Chloé Maillet, Ceel Mogami de Haas, Maya Palma, Aude Pariset, Pierre Paulin, Elodie Pong, Jon Rafman, Manon Recordon, Sébastien Rémy, Soraya Rhofir, Rita Sobral Campos, Pacôme Thiellement, Stephen Willats. Curated by Céline Poulin. [http://www.parcsaintleger.fr/psl/downloads/DP-Traucum-LD.pdf Catalogue]. Review: [http://www.zerodeux.fr/reviews/traucum/ Luquet-Gad] (02).
 
* [http://private.artmuseum.pl/en Private Settings: Art After the Internet], Museum of Modern Art, Warsaw, 25 Sep 2014-4 Jan 2015. Works by Sarah Abu Abdallah and Joey L. DeFrancesco, Korakrit Arunanondchai, Ed Atkins, Trisha Baga and Jessie Stead, Darja Bajagic, Nicolas Ceccaldi, Jennifer Chan, CUSS Group, Czosnek Studio, Jesse Darling, DIS, Harm van den Dorpel, Loretta Fahrenholz, Daniel Keller, Ada Karczmarczyk, Jason Loebs, Piotr Łakomy, Metahaven, Takeshi Murata, Yuri Pattison, Hannah Perry, Jon Rafman, Bunny Rogers, Pamela Rosenkranz, Gregor Różański, Ryan Trecartin, Ned Vena. Curated by Natalia Sielewicz. [http://artmuseum.pl/en/wystawy/ustawienia-prywatnosci]
 
* [http://private.artmuseum.pl/en Private Settings: Art After the Internet], Museum of Modern Art, Warsaw, 25 Sep 2014-4 Jan 2015. Works by Sarah Abu Abdallah and Joey L. DeFrancesco, Korakrit Arunanondchai, Ed Atkins, Trisha Baga and Jessie Stead, Darja Bajagic, Nicolas Ceccaldi, Jennifer Chan, CUSS Group, Czosnek Studio, Jesse Darling, DIS, Harm van den Dorpel, Loretta Fahrenholz, Daniel Keller, Ada Karczmarczyk, Jason Loebs, Piotr Łakomy, Metahaven, Takeshi Murata, Yuri Pattison, Hannah Perry, Jon Rafman, Bunny Rogers, Pamela Rosenkranz, Gregor Różański, Ryan Trecartin, Ned Vena. Curated by Natalia Sielewicz. [http://artmuseum.pl/en/wystawy/ustawienia-prywatnosci]
* [http://xpo.studio/project/hike-hack-hic-et-nunc/ Hike, Hack / Hic et Nunc], XPO, Paris, 9 Oct-26 Nov 2014. Works by  Pierre Clément, Guillaume Collignon, Manuel Fernandez, Hunter Jonakin, Jill Magid, Paul Souviron, Penelope Umbrico, Clement Valla, Kevin Zucker. Curated by Non Printing Character (Alexis Jakubowicz and Jean-Brice Moutout). Review: [http://artillerymag.com/hike-hack-hic-et-nunc/ Nechvatal] (Artillery Mag).  
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* [http://xpo.studio/project/hike-hack-hic-et-nunc/ Hike, Hack / Hic et Nunc], XPO, Paris, 9 Oct-26 Nov 2014. Works by  Pierre Clément, Guillaume Collignon, Manuel Fernandez, Hunter Jonakin, Jill Magid, Paul Souviron, Penelope Umbrico, Clement Valla, Kevin Zucker. Curated by Non Printing Character (Alexis Jakubowicz and Jean-Brice Moutout). Review: [http://artillerymag.com/hike-hack-hic-et-nunc/ Nechvatal] (Artillery Mag).
  
 
====2015====
 
====2015====
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====2016====
 
====2016====
* [http://www.whitechapelgallery.org/exhibitions/electronicsuperhighway/ Electronic Superhighway (2016-1966): From Experiments in Art and Technology to Art After the Internet], Whitechapel Gallery, London, 29 Jan-15 May 2016. Curated by Omar Kholeif. Review: [http://www.metamute.org/editorial/articles/eleven-pro-tips-art-plus-internet Fuller] (Mute).
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* [http://www.whitechapelgallery.org/exhibitions/electronicsuperhighway/ Electronic Superhighway (2016-1966): From Experiments in Art and Technology to Art After the Internet], Whitechapel Gallery, London, 29 Jan-15 May 2016. Curated by Omar Kholeif. Reviews: [http://www.metamute.org/editorial/articles/eleven-pro-tips-art-plus-internet Fuller] (Mute), [https://www.academia.edu/30792639/ Meixnerová] (Iluminace, CZ).
* [http://bb9.berlinbiennale.de/ 9th Berlin Biennale for Contemporary Art: The Present in Drag], Kunstwerke and other venues in Berlin, 4 Jun-8 Sep 2016. Works by ca [http://bb9.berlinbiennale.de/participants/ 50 artists]. Curated by DIS (Lauren Boyle, Solomon Chase, Marco Roso, David Toro). Reviews: [https://news.artnet.com/market/review-9-berlin-biennale-2016-510497 Perlson] (Artnet), [http://www.art-agenda.com/reviews/%E2%80%9Cthe-present-in-drag%E2%80%9D-9th-berlin-biennale/ Edmonson] (Art Agenda), [http://www.aqnb.com/2016/06/10/berlin-biennale-2016-reviewed/ Langham] (Aqnb), [https://www.frieze.com/article/9th-berlin-biennale-contemporary-art Archey] (Frieze), [https://www.theguardian.com/artanddesign/2016/jun/13/berlin-biennale-exhibition-review-new-york-fashion-collective-dis-art Farago] (Guardian), [http://moussemagazine.it/9-berlin-biennale-bb9-2016/ Casavecchia] (Mousse), [http://www.kunstkritikk.com/kritikk/not-disturbing-enough/ Petersson] (Kunstkritikk), [http://magazynszum.pl/krytyka/lepszego-swiata-nie-bedzie-9-berlin-biennale Plinta] (Szum), [http://artalk.cz/2016/06/23/bb9-jako-zrcadlo-aktualniho-stavu-soucasneho-umeni/ Čech] (Artalk), [http://www.flashartonline.com/2016/06/the-present-in-drag-9th-berlin-biennale/ Elderton] (Flash Art), [https://www.apollo-magazine.com/this-years-berlin-biennale-should-get-rid-of-the-art/ Duncan] (Apollo), [https://www.artsy.net/article/artsy-editorial-dis-s-berlin-biennale-isn-t-a-lolhouse-or-a-fashion-spread-it-s-charting-art-s-future Forbes] (Artsy), [http://hyperallergic.com/306932/the-9th-berlin-biennale-a-vast-obsolescent-pageant-of-irrelevance/ Batycka] (Hyperallergic),[http://artfcity.com/2016/06/28/the-berlin-biennale-an-act-of-passive-compliance/ Vaughan] (Artfagcity), [http://artalk.cz/2016/06/30/bb9-kralovstvi-kvalitniho-obrazu/ Lukáčová] (Artalk), [http://www.ibraaz.org/reviews/103 Maier-Rothe] (Ibraaz), [http://theartnewspaper.com/comment/reviews/exhibitions/dis-affecting-mostafa-heddaya-on-the-ninth-berlin-biennale/ Heddaya] (Art Newspaper), [https://ocula.com/magazine/reports/berlin-s-belated-biennale-a-response-to-the-respon/favourite/ Salemy] (Ocula).
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* {{a|bb9}} [http://bb9.berlinbiennale.de/ 9th Berlin Biennale for Contemporary Art: The Present in Drag], Kunstwerke and other venues in Berlin, 4 Jun-8 Sep 2016. Works by ca [http://bb9.berlinbiennale.de/participants/ 50 artists]. Curated by DIS (Lauren Boyle, Solomon Chase, Marco Roso, David Toro). Reviews: [https://news.artnet.com/market/review-9-berlin-biennale-2016-510497 Perlson] (Artnet), [http://www.art-agenda.com/reviews/%E2%80%9Cthe-present-in-drag%E2%80%9D-9th-berlin-biennale/ Edmonson] (Art Agenda), [http://www.aqnb.com/2016/06/10/berlin-biennale-2016-reviewed/ Langham] (Aqnb), [https://www.frieze.com/article/9th-berlin-biennale-contemporary-art Archey] (Frieze), [https://www.theguardian.com/artanddesign/2016/jun/13/berlin-biennale-exhibition-review-new-york-fashion-collective-dis-art Farago] (Guardian), [http://moussemagazine.it/9-berlin-biennale-bb9-2016/ Casavecchia] (Mousse), [http://www.kunstkritikk.com/kritikk/not-disturbing-enough/ Petersson] (Kunstkritikk), [http://magazynszum.pl/krytyka/lepszego-swiata-nie-bedzie-9-berlin-biennale Plinta] (Szum), [http://artalk.cz/2016/06/23/bb9-jako-zrcadlo-aktualniho-stavu-soucasneho-umeni/ Čech] (Artalk), [http://www.flashartonline.com/2016/06/the-present-in-drag-9th-berlin-biennale/ Elderton] (Flash Art), [https://www.apollo-magazine.com/this-years-berlin-biennale-should-get-rid-of-the-art/ Duncan] (Apollo), [https://www.artsy.net/article/artsy-editorial-dis-s-berlin-biennale-isn-t-a-lolhouse-or-a-fashion-spread-it-s-charting-art-s-future Forbes] (Artsy), [http://hyperallergic.com/306932/the-9th-berlin-biennale-a-vast-obsolescent-pageant-of-irrelevance/ Batycka] (Hyperallergic),[http://artfcity.com/2016/06/28/the-berlin-biennale-an-act-of-passive-compliance/ Vaughan] (Artfagcity), [http://artalk.cz/2016/06/30/bb9-kralovstvi-kvalitniho-obrazu/ Lukáčová] (Artalk), [http://www.ibraaz.org/reviews/103 Maier-Rothe] (Ibraaz), [http://theartnewspaper.com/comment/reviews/exhibitions/dis-affecting-mostafa-heddaya-on-the-ninth-berlin-biennale/ Heddaya] (Art Newspaper), [https://ocula.com/magazine/reports/berlin-s-belated-biennale-a-response-to-the-respon/favourite/ Salemy] (Ocula), [http://www.conceptualfinearts.com/cfa/2016/06/07/berlin-biennale-2016-last-goodbye-to-the-prematurely-dead-post-internet-label/ Bisello] (CFA), [http://www.contemporaryartstavanger.no/dis-moralia-reflections-digitally-damaged-life/ Kleinmichel] (CAS), [http://www.e-flux.com/journal/75/67158/obscure-sorrows-thoughts-around-the-9th-berlin-biennale/ Öğüt] (e-flux), [http://wdwreview.org/desks/can-the-cultural-logic-of-the-digital-era-be-exhibited/ Pinto] (WDW), [http://www.metropolism.com/nl/opinion/29012_emancipatory_mimesis Franke] (Metropolis M), [https://www.colta.ru/articles/raznoglasiya/11537 Shental] (Colta, RU).
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====2017====
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* [http://www.kiasma.fi/en/exhibitions-events/ars-17/ Ars17: Hello World! Art After the Internet], Museum of Contemporary Art Kiasma, Helsinki, 31 Mar 2017-14 Jan 2018.
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* [http://www.galeriecharlot.com/en/expo/137/Archeonauts Archéonauts], Galerie Charlot, Paris, 27 Apr-4 Jun 2017. Curated by Valentina Peri. Review: [https://hyperallergic.com/379345/post-internet-artists-crack-open-our-technological-past/ Nechvatal] (Hyperallergic).
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====2018====
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* [https://mcachicago.org/Exhibitions/2018/I-Was-Raised-On-The-Internet I Was Raised on the Internet], Museum of Contemporary Art, Chicago, 23 Jun-14 Oct 2018. [https://mcachicago.org/Publications/Websites/I-Was-Raised-On-The-Internet Online section]. [https://mcachicago.org/Media-I-Was-Raised-On-The-Internet Media]. Reviews: [https://www.wsj.com/articles/i-was-raised-on-the-internet-review-binary-reactions-to-the-digital-world-1537009200 Kelly] (WSJ), [https://www.theartnewspaper.com/preview/from-y2k-to-tor-how-artists-have-used-and-made-sense-of-the-internet-over-the-past-two-decades Morris] (Art Newspaper).
 
</div>
 
</div>
  
 
===Discussions===
 
===Discussions===
* [http://dld-conference.com/events/ways-beyond-the-internet Ways Beyond the Internet], panel discussion, DLD (Digital Life Design) conference, Munich, 23 Jan 2012. Moderated by Hans Ulrich Obrist, speakers: Ed Fornieles, Nik Kosmas, Karen Archey, Jon Nash, Oliver Laric, Cory Arcangel, Rafael Rozendaal. [http://dld-conference.com/videos/lt75A8vZwdI Video documentation].
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* [http://dld-conference.com/events/ways-beyond-the-internet Ways Beyond the Internet], panel discussion, DLD (Digital Life Design) conference, Munich, 23 Jan 2012. Moderated by Hans Ulrich Obrist, speakers: Ed Fornieles, Nik Kosmas, Karen Archey, Jon Nash, Oliver Laric, Cory Arcangel, Rafael Rozendaal. [http://dld-conference.com/videos/lt75A8vZwdI Video documentation]. [https://static1.squarespace.com/static/51a6747de4b06440a162a5eb/t/51eee036e4b008f85ce83935/1374609462590/KA_REPLACEME_Draftlayout.pdf Archey's diary of events].
 
* [http://www.ica.org.uk/whats-on/post-net-aesthetics Post-Net Aesthetics], Institute of Contemporary Arts, London, 17 Oct 2013. Moderated by Karen Archey, speakers: Harm van den Dorpel, Rozsa Farkas, Ben Vickers, Josephine Berry Slater. [http://livestream.com/accounts/5745227/events/2464307 Video documentation].
 
* [http://www.ica.org.uk/whats-on/post-net-aesthetics Post-Net Aesthetics], Institute of Contemporary Arts, London, 17 Oct 2013. Moderated by Karen Archey, speakers: Harm van den Dorpel, Rozsa Farkas, Ben Vickers, Josephine Berry Slater. [http://livestream.com/accounts/5745227/events/2464307 Video documentation].
 
* [http://artalk.cz/2014/05/26/28-5-2014-martin-kohout-richard-nikl-palo-fabus-david-korinek-ja-bych-ty-post-internety-zakazala/ Já bych ty postinternety zakázala], panel discussion, Veletržní palác, Prague, 28 May 2014. Organised by KIV Gallery, moderated by Martina Poliačková and Lumír Nikl, speakers: Martin Kohout, Richard Nikl, Palo Fabuš, David Kořínek. Review: [http://a2larm.cz/2014/06/o-postinternetovem-umeni/ Stejskalová] (A2larm).
 
* [http://artalk.cz/2014/05/26/28-5-2014-martin-kohout-richard-nikl-palo-fabus-david-korinek-ja-bych-ty-post-internety-zakazala/ Já bych ty postinternety zakázala], panel discussion, Veletržní palác, Prague, 28 May 2014. Organised by KIV Gallery, moderated by Martina Poliačková and Lumír Nikl, speakers: Martin Kohout, Richard Nikl, Palo Fabuš, David Kořínek. Review: [http://a2larm.cz/2014/06/o-postinternetovem-umeni/ Stejskalová] (A2larm).
 
* [http://lunch-bytes.com/events/past/lunch-bytes-36/ Lunch Bytes Conference], Haus der Kulturen der Welt, Berlin, 20-21 Mar 2015. [http://youtube.com/watch?v=h7u_3KlST28 Video documentation of closing panel discussion].
 
* [http://lunch-bytes.com/events/past/lunch-bytes-36/ Lunch Bytes Conference], Haus der Kulturen der Welt, Berlin, 20-21 Mar 2015. [http://youtube.com/watch?v=h7u_3KlST28 Video documentation of closing panel discussion].
 +
* [http://imal.org/en/exhibition/layers/debate Ways Beyond the Post-Internet], iMAL, Brussels, 20 Apr 2018. Moderated by Josephine Bosma, speakers: Yves Bernard, Peter Beyls, Constant Dullaart, Valérie Hasson-Benillouche, Hampus Lindwall, Fabio Paris, Domenico Quaranta, and Carlo Zanni.
  
 
==Publications==
 
==Publications==
Line 65: Line 72:
 
[[Image:Novitskova_Katja_ed_Post_Internet_Survival_Guide_2010.jpg|thumb|200px|Katja Novitskova, ''Post Internet Survival Guide 2010'', 2011.]]
 
[[Image:Novitskova_Katja_ed_Post_Internet_Survival_Guide_2010.jpg|thumb|200px|Katja Novitskova, ''Post Internet Survival Guide 2010'', 2011.]]
 
[[Image:McHugh_Gene_Post_Internet.jpg|thumb|200px|Gene McGugh, ''Post Internet'', 2011, [http://www.lulu.com/items/volume_71/11017000/11017976/1/print/McHugh_Post_Internet_LINK_ed_2011.pdf PDF], [http://monoskop.org/log/?p=2677 Log].]]
 
[[Image:McHugh_Gene_Post_Internet.jpg|thumb|200px|Gene McGugh, ''Post Internet'', 2011, [http://www.lulu.com/items/volume_71/11017000/11017976/1/print/McHugh_Post_Internet_LINK_ed_2011.pdf PDF], [http://monoskop.org/log/?p=2677 Log].]]
[[Image:Kholeif_Omar_ed_You_Are_Here_Art_After_the_Internet.jpg|thumb|200px|Omar Kholeif (ed.), ''You Are Here: Art After the Internet'', 2014, [http://aaaaarg.fail/ref/ec73962a698b4f63d0e49007e0647c2b#0.01 ARG].]]
+
[[Image:Kholeif_Omar_ed_You_Are_Here_Art_After_the_Internet.jpg|thumb|200px|Omar Kholeif (ed.), ''You Are Here: Art After the Internet'', 2014, [https://aaaaarg.fail/thing/5486e768334fe05b4da8e094 ARG].]]
 
[[Image:Cornell_Lauren_Halter_Ed_eds_Mass_Effect_Art_and_the_Internet_in_the_Twenty-First_Century.jpg|thumb|200px|Lauren Cornell, Ed Halter (eds.), ''Mass Effect: Art and the Internet in the Twenty-First Century'', 2015, [http://aaaaarg.fail/ref/21ede68580d3bafbf719f67f3c375b83#0.01 ARG].]]
 
[[Image:Cornell_Lauren_Halter_Ed_eds_Mass_Effect_Art_and_the_Internet_in_the_Twenty-First_Century.jpg|thumb|200px|Lauren Cornell, Ed Halter (eds.), ''Mass Effect: Art and the Internet in the Twenty-First Century'', 2015, [http://aaaaarg.fail/ref/21ede68580d3bafbf719f67f3c375b83#0.01 ARG].]]
* Katja Novitskova (ed.), ''Post Internet Survival Guide 2010'', Berlin: Revolver, 2011, 272 pp. [http://katjanovi.net/postinternetsurvivalguide.html] [http://worldcat.org/oclc/775443254]
+
* Katja Novitskova (ed.), ''Post Internet Survival Guide 2010'', Berlin: Revolver, 2011, 272 pp. [http://katjanovi.net/postinternetsurvivalguide.html Editor], [http://worldcat.org/oclc/775443254 Worldcat].
 
* Gene McGugh, ''[http://monoskop.org/log/?p=2677 Post Internet: Notes on the Internet and Art]'', Brescia: Link Editions, 2011. Collected posts from the blog ''[http://122909a.com 122909a.com]'', Dec 2009-Sep 2010.
 
* Gene McGugh, ''[http://monoskop.org/log/?p=2677 Post Internet: Notes on the Internet and Art]'', Brescia: Link Editions, 2011. Collected posts from the blog ''[http://122909a.com 122909a.com]'', Dec 2009-Sep 2010.
* Omar Kholeif (ed.), ''[http://aaaaarg.fail/ref/ec73962a698b4f63d0e49007e0647c2b#0.01 You Are Here: Art After the Internet]'', Manchester: Cornerhouse Books, 2014. [http://www.cornerhousepublications.org/bookstore/product/you-are-here-art-after-the-internet Publisher], [http://homemcr.org/article/cornerhouse-and-space-release-major-publication-exploring-art-after-the-internet/ Co-publisher]. Reviews: [http://www.aqnb.com/2014/05/07/you-are-here-art-after-the-internet-reviewed/ Swift] (AQNB), [http://artreview.com/reviews/september_2014_book_review_you_are_here/ Sumpter] (ArtReview).
+
* Omar Kholeif (ed.), ''[https://aaaaarg.fail/thing/5486e768334fe05b4da8e094 You Are Here: Art After the Internet]'', Manchester: Cornerhouse Books, and London: SPACE, Apr 2014, 256 pp. [http://www.cornerhousepublications.org/bookstore/product/you-are-here-art-after-the-internet Publisher], [http://homemcr.org/article/cornerhouse-and-space-release-major-publication-exploring-art-after-the-internet/ Co-publisher]. Reviews: [http://www.aqnb.com/2014/05/07/you-are-here-art-after-the-internet-reviewed/ Swift] (AQNB), [http://artreview.com/reviews/september_2014_book_review_you_are_here/ Sumpter] (ArtReview), [http://www.academia.edu/14898581/ Mutlu] (J Curatorial Studies).
* Lauren Cornell, Ed Halter (eds.), ''[http://aaaaarg.fail/ref/21ede68580d3bafbf719f67f3c375b83#0.01 Mass Effect: Art and the Internet in the Twenty-First Century]'', MIT Press, 2015, 528 pp. Anthology. [http://mitpress.mit.edu/books/mass-effect]
+
* Melanie Bühler (ed.), ''No Internet, No Art: A Lunch Bytes Anthology'', Eindhoven: Onomatopee, Sep 2015, 351+[63] pp; 2nd ed., 2018. [https://www.onomatopee.net/project/no-internet-no-art/#publication Publisher], [http://www.lunch-bytes.com/publication/ Editor]. [http://booksfromthefuture.tumblr.com/post/132529385132/no-internet-no-art-a-lunch-bytes-anthology]. Reviews: [https://www.aqnb.com/2016/03/10/a-lunch-bytes-anthology-no-internet-no-art-reviewed/ Kay] (AQNB), [http://networkcultures.org/postdigital/2015/12/10/no-internet-no-art/ Roestenburg] (INC).
 +
* Lauren Cornell, Ed Halter (eds.), ''[http://library.memoryoftheworld.org/#/book/13527226-da7e-4ca1-93e2-7bf834c3dcbc Mass Effect: Art and the Internet in the Twenty-First Century]'', MIT Press, Oct 2015, 528 pp. Anthology. [http://mitpress.mit.edu/books/mass-effect Publisher]. Review: [https://www.leonardo.info/review/2016/12/review-of-mass-effect-art-and-the-internet-in-the-twenty-first-century Galati] (Leonardo).
 +
* Melissa Gronlund, ''[https://aaaaarg.fail/thing/5b22807b9ff37c19f0622bde Contemporary Art and Digital Culture]'', Routledge, Dec 2016, 220 pp. [https://www.routledge.com/Contemporary-Art-and-Digital-Culture/Gronlund/p/book/9781138936447 Publisher].
  
===Magazines===
+
===Magazines, Journals===
* ''[http://dismagazine.com/issues/ DIS Magazine]'', New York, 2010ff.
+
* ''[http://dismagazine.com/issues/ DIS Magazine]'', 8 issues, eds. Lauren Boyle, Solomon Chase, Marco Roso, and David Toro, New York, 2010-2014.
 
* ''[http://monoskop.org/log/?p=3490 Pool''], 2011.
 
* ''[http://monoskop.org/log/?p=3490 Pool''], 2011.
* [http://issuu.com/zerodeux/docs/revue02numero70 ''Zérodeux'' 70: Pre->Post-Internet], ed. Patrice Joly, Nantes: Association Zoo galerie, Summer 2014. Essay by Benoît Lamy de la Chapelle; interviews with Artie Vierkant, Tobias Madison, features on Ed Atkins, Neïl Beloufa. [http://www.zerodeux.fr/dossiers/de-lart-post-internet/] {{fr}}/{{en}}
+
* [[Media:Zerodeux_70_Pre-Post-Internet_2014.pdf|''Zérodeux'' 70: Pre->Post-Internet]], ed. Patrice Joly, Nantes: Association Zoo galerie, Summer 2014. Essay by Benoît Lamy de la Chapelle; interviews with Artie Vierkant, Tobias Madison, features on Ed Atkins, Neïl Beloufa. [http://www.zerodeux.fr/dossiers/de-lart-post-internet/] {{fr}}/{{en}}
* ''Elephant'' 23: "What is Post-Internet Art?", Frame Publishers, Summer 2015. [http://www.elephantmag.com/elephant-23/]
+
* ''Elephant'' 23: "What is Post-Internet Art?", Frame Publishers, Summer 2015. [https://elephant.art/product/elephant-23-summer-2015/] [https://elephant.art/?s=post-internet]
 +
* ''Kunstforum'' 242: "Postdigital 1: Allgegenwart und Unsichtbarkeit eines Phänomens", 2016. [https://www.kunstforum.de/band/2016-242/] {{de}}
 +
* [http://www.flashart.cz/casopis/41/ ''Flash Art CZ/SK'' 42: "Postinternet"], ed. Lýdia Pribišová, Prague, Dec 2016-Feb 2017. {{cz}},{{sk}}
  
 
===Essays, Book chapters===
 
===Essays, Book chapters===
 
* Marisa Olson, [http://www.albany.edu/faculty/dgoodwin/shared_resources/WordsWithoutPictures.pdf#page=284 "Lost Not Found: The Circulation of Images in Digital Visual Culture"] [18 Sep 2008], in ''Words Without Pictures'', ed. Alex Klein, Los Angeles: LACMA, 2009, pp 274-284, [http://web.archive.org/web/20080924184457/http://www.wordswithoutpictures.org/main.html?id=276 HTML], [https://s3.amazonaws.com/arena-attachments/244548/b8c1a5acd8d1176411565eec85d476ee.pdf PDF]. On surf clubs and film montage.  
 
* Marisa Olson, [http://www.albany.edu/faculty/dgoodwin/shared_resources/WordsWithoutPictures.pdf#page=284 "Lost Not Found: The Circulation of Images in Digital Visual Culture"] [18 Sep 2008], in ''Words Without Pictures'', ed. Alex Klein, Los Angeles: LACMA, 2009, pp 274-284, [http://web.archive.org/web/20080924184457/http://www.wordswithoutpictures.org/main.html?id=276 HTML], [https://s3.amazonaws.com/arena-attachments/244548/b8c1a5acd8d1176411565eec85d476ee.pdf PDF]. On surf clubs and film montage.  
** [https://monoskop.org/images/8/88/Olson_Marisa_Arte_postinternet.pdf#page=10 "Perdido, no encontrado: la circulación de imágenes en la cultura visual digital"], trans. Paloma Checa-Gismero, in Olson, ''Arte postinternet'', México: ESAY - Escuela Superior de Arte de Yucatán, 2014, pp 9-18. {{es}}
+
** [https://monoskop.org/images/8/88/Olson_Marisa_Arte_postinternet.pdf#page=10 "Perdido, no encontrado: la circulación de imágenes en la cultura visual digital"], trans. Paloma Checa-Gismero, in Olson, ''Arte postinternet'', Mérida, MX: Cocom, 2014, pp 9-18. {{es}}
 
* Artie Vierkant, [http://jstchillin.org/artie/vierkant.html "The Image-Object Post Internet"], ''Jst Chillin' '', Dec 2010.
 
* Artie Vierkant, [http://jstchillin.org/artie/vierkant.html "The Image-Object Post Internet"], ''Jst Chillin' '', Dec 2010.
 
** [http://vvp.avu.cz/wp-content/uploads/2014/08/Sesit_17_2014_preklad.pdf "Objekt obrazu po internetu"], trans. Martin Micka, ''Sešit'' 17, Prague: VVP AVU, 2014, pp 98-119. {{cz}}
 
** [http://vvp.avu.cz/wp-content/uploads/2014/08/Sesit_17_2014_preklad.pdf "Objekt obrazu po internetu"], trans. Martin Micka, ''Sešit'' 17, Prague: VVP AVU, 2014, pp 98-119. {{cz}}
Line 87: Line 98:
 
** [http://unplace.org/sites/default/files/museus_sem_lugar.pdf#page=127 "Pós-internet: a arte depois da internet"], in ''Museus sem lugar: ensaios, manifestos e diálogos em rede'', eds. Helena Barranha, et al., Lisbon: Universidade Nova de Lisboa, 2015, pp 123-136. {{pt}}
 
** [http://unplace.org/sites/default/files/museus_sem_lugar.pdf#page=127 "Pós-internet: a arte depois da internet"], in ''Museus sem lugar: ensaios, manifestos e diálogos em rede'', eds. Helena Barranha, et al., Lisbon: Universidade Nova de Lisboa, 2015, pp 123-136. {{pt}}
 
* Jennifer Chan, [http://archive.org/stream/rachel_de_joode_real_things_2012/rachel-de-joode-real-things-2012#page/n59/mode/2up "Stacking and Leaning: The Seduction of The Found in <Postinternet> Contemporary Sculpture"], in ''“Real Things” Rachel de Joode'', Dallas, TX: Oliver Francis Gallery, 2012, pp 60-74. [http://academia.edu/5535358/]
 
* Jennifer Chan, [http://archive.org/stream/rachel_de_joode_real_things_2012/rachel-de-joode-real-things-2012#page/n59/mode/2up "Stacking and Leaning: The Seduction of The Found in <Postinternet> Contemporary Sculpture"], in ''“Real Things” Rachel de Joode'', Dallas, TX: Oliver Francis Gallery, 2012, pp 60-74. [http://academia.edu/5535358/]
* "Postinternet Art", ch in ''Art and the Internet'', ed. Phoebe Adler, et al., London: Black Dog, 2013. [http://swbplus.bsz-bw.de/bsz413854574inh.pdf TOC], [http://worldcat.org/oclc/807025141].
+
* "Postinternet Art", ch in ''Art and the Internet'', ed. Phoebe Adler, et al., London: Black Dog, 2013, pp 116-169. [http://swbplus.bsz-bw.de/bsz413854574inh.pdf TOC], [http://worldcat.org/oclc/807025141].
 
* Michael Connor, [http://rhizome.org/editorial/2013/nov/1/postinternet/ "What's Postinternet Got to do with Net Art?"], ''Rhizome'', 1 Nov 2013.
 
* Michael Connor, [http://rhizome.org/editorial/2013/nov/1/postinternet/ "What's Postinternet Got to do with Net Art?"], ''Rhizome'', 1 Nov 2013.
 +
* Brian Droitcour, [http://www.artinamericamagazine.com/news-features/magazine/the-perils-of-post-internet-art/ "The Perils of Post-Internet Art"], ''Art in America'', Nov 2014. Based on blog post, [https://culturetwo.wordpress.com/2014/03/31/why-i-hate-post-internet-art/ "Why I Hate Post-Internet Art"], 3 Mar 2014.
 +
* Domenico Quaranta, [http://web.archive.org/web/20160817193949/http://domenicoquaranta.com/archives/2806 "#post-internet"], ''Flash Art'' 305 (Mar-Apr 2014), p 28. {{it}}
 +
* Stella Rieck, [http://dare.uva.nl/document/544397 ''Shifting Relationships towards Commerce in Net Art, Post-Internet Art and Post-Digital Art''], 27 Jun 2014, 57 pp. Master's thesis. [http://www.scriptiesonline.uba.uva.nl/498589]
 
* Scott Reyburn, [http://www.nytimes.com/2014/09/29/arts/international/post-internet-art-waits-its-turn.html "Post-Internet Art Waits Its Turn"], ''New York Times'', 26 Sep 2014. [http://www.facebook.com/simchowitz/posts/10154630052780293]
 
* Scott Reyburn, [http://www.nytimes.com/2014/09/29/arts/international/post-internet-art-waits-its-turn.html "Post-Internet Art Waits Its Turn"], ''New York Times'', 26 Sep 2014. [http://www.facebook.com/simchowitz/posts/10154630052780293]
* Melissa Gronlund, [http://www.afterall.org/journal/issue.37/from-narcissism-to-the-dialogic_identity-in-art-after-the-internet "From Narcissism to the Dialogic: Identity in Art after the Internet"], ''Afterall'' 37 (Autumn/Winter 2014).
+
* Melissa Gronlund, [http://www.afterall.org/journal/issue.37/from-narcissism-to-the-dialogic_identity-in-art-after-the-internet "From Narcissism to the Dialogic: Identity in Art after the Internet"], ''Afterall'' 37, Autumn/Winter 2014, pp 4-13.
* Stella Rieck, [http://dare.uva.nl/document/544397 ''Shifting Relationships towards Commerce in Net Art, Post-Internet Art and Post-Digital Art''], 27 Jun 2014, 57 pp. Master's thesis. [http://www.scriptiesonline.uba.uva.nl/498589]
+
* Václav Magid, [http://www.advojka.cz/archiv/2014/24/aura-postinternetoveho-umeni "Aura postinternetového umění. Umělecká kritika masové kultury a zbožní estetiky"], ''A2'' 24, Prague, 19 Nov 2014. {{cz}}
* Václav Magid, [http://www.advojka.cz/archiv/2014/24/aura-postinternetoveho-umeni "Aura postinternetového umění. Umělecká kritika masové kultury a zbožní estetiky"], ''A2'' 24, Prague, 2014. {{cz}}
 
 
* Václav Magid, [http://vvp.avu.cz/wp-content/uploads/2014/08/Sesit_17_2014_Magid.pdf "Ozvěny špatného smíchu. Postinternetové umění a kulturní průmysl"], ''Sešit'' 17, Prague: VVP AVU, 2014, pp 66-96. {{cz}}
 
* Václav Magid, [http://vvp.avu.cz/wp-content/uploads/2014/08/Sesit_17_2014_Magid.pdf "Ozvěny špatného smíchu. Postinternetové umění a kulturní průmysl"], ''Sešit'' 17, Prague: VVP AVU, 2014, pp 66-96. {{cz}}
* Brian Droitcour, [http://www.artinamericamagazine.com/news-features/magazine/the-perils-of-post-internet-art/ "The Perils of Post-Internet Art"], ''Art in America'', Nov 2014. Based on blog post, [https://culturetwo.wordpress.com/2014/03/31/why-i-hate-post-internet-art/ "Why I Hate Post-Internet Art"], 3 Mar 2014.
+
* Domenico Quaranta, [http://domenicoquaranta.com/public/TEXTS/2015_Situating_Post_Internet.pdf "Situating Post Internet"], in ''Media Art: Towards a New Definition of Arts in the Age of Technology'', ed. Valentino Catricalà, Pistoia: Gli Ori, 2015; repr. in ''Renewable Futures: Art, Science and Society in the Post-Media Age'', eds. Rasa Smite, Raitis Smits, and Armin Medosch, Riga: RIXC, and Liepaja: MPLab of Liepaja University, 2017.  
* Domenico Quaranta, [http://domenicoquaranta.com/archives/2806 "#post-internet"], ''Flash Art'' 305 (Mar-Apr 2014), p 28. {{it}}
 
* Domenico Quaranta, [http://academia.edu/11562376 "Situating Post Internet"], in ''Media Art: Towards a New Definition of Arts in the Age of Technology'', ed. Valentino Catricalà, Pistoia: Gli Ori, 2015.
 
 
* Morgan Quaintance, [http://www.artmonthly.co.uk/magazine/site/article/right-shift-by-morgan-quaintance-june-2015 "Right Shift"], ''Art Monthly'' 387 (Jun 2015).
 
* Morgan Quaintance, [http://www.artmonthly.co.uk/magazine/site/article/right-shift-by-morgan-quaintance-june-2015 "Right Shift"], ''Art Monthly'' 387 (Jun 2015).
* Richard Grayson, [http://ensemble.va.com.au/Grayson/texts/Post-Internet.html "An Internet of Things: Post Internet Art"], ''Broadsheet'' 44:1, CACSA, 2015, pp 75-78, [http://www.cacsa.org.au/Wordpress/yoo_bigeasy_demo_package_wp/wp-content/uploads/Broadsheet/2015/BS_44_1_Grayson.pdf PDF].
+
* Richard Grayson, [http://web.archive.org/web/20160318001424/ensemble.va.com.au/Grayson/texts/Post-Internet.html "An Internet of Things: Post Internet Art"], ''Broadsheet'' 44:1, CACSA, 2015, pp 75-78, [http://web.archive.org/web/20160319171842/http://www.cacsa.org.au/Wordpress/yoo_bigeasy_demo_package_wp/wp-content/uploads/Broadsheet/2015/BS_44_1_Grayson.pdf PDF].
* Paolo Magagnoli, "Digital Utopia in the Post-Internet Age", ch 4 in Magagnoli, ''Documents of Utopia: The Politics of Experimental Documentary'', Columbia University Press, 2015, pp 123-160. [http://books.google.com/books?id=2XapBgAAQBAJ&pg=PA123]
+
* Paolo Magagnoli, [https://slowrotation.memoryoftheworld.org/Paolo%20Magagnoli/Documents%20of%20Utopia_%20The%20Politics%20o%20%284361%29/Documents%20of%20Utopia_%20The%20Politi%20-%20Paolo%20Magagnoli.pdf#page=132 "Digital Utopia in the Post-Internet Age"], ch 4 in Magagnoli, ''Documents of Utopia: The Politics of Experimental Documentary'', Columbia University Press, 2015, pp 123-160.  
* Stefan Heidenreich, [http://www.e-flux.com/journal/freeportism-as-style-and-ideology-part-i-post-internet-and-speculative-realism/ "Freeportism as Style and Ideology: Post-Internet and Speculative Realism, Part I"], ''e-flux'' 71 (Mar 2016).
+
* Stefan Heidenreich, [http://www.e-flux.com/journal/71/60521/ "Freeportism as Style and Ideology: Post-Internet and Speculative Realism, Part I"], ''e-flux'' 71, Mar 2016; [https://www.e-flux.com/journal/73/60471/ Part II], ''e-flux'', May 2016.
 +
* Anselm Franke, Ana Teixeira Pinto, [http://onlineopen.org/post-political-post-critical-post-internet "Post-Political, Post-Critical, Post-Internet: Why Can't Leftists Be More Like Fascists?"], ''Open!'', 8 Sep 2016.
  
 
===Surveys===
 
===Surveys===
* [http://video.frieze.com/film/beginnings-ends/ "Beginnings + Ends"], ''Frieze'', Nov-Dec 2013.
+
* [https://frieze.com/article/beginnings-ends "Beginnings + Ends"], ''Frieze'' 159, Nov-Dec 2013, pp 125-131, [[Media:Post-internet art Frieze_2013.pdf|PDF]]. [https://frieze.com/media/beginnings-ends Video].
 
* Andreas Schlaegel, [http://www.kunstkritikk.no/artikler/post-internet-art-criticism-survey/?d=no "Post-Internet Art Criticism Survey"], ''Kunstkritikk'', 24 Apr 2015.
 
* Andreas Schlaegel, [http://www.kunstkritikk.no/artikler/post-internet-art-criticism-survey/?d=no "Post-Internet Art Criticism Survey"], ''Kunstkritikk'', 24 Apr 2015.
 
* [[Veronika Sellnerová]], [http://after-post.blogspot.com/ "Reflexe českého post-internetového umění"], 2016. {{cz}}
 
* [[Veronika Sellnerová]], [http://after-post.blogspot.com/ "Reflexe českého post-internetového umění"], 2016. {{cz}}
  
 
===Dissertations===
 
===Dissertations===
 +
* Petr Hošek, ''[https://is.cuni.cz/webapps/zzp/download/120161061 Post internetové umění v galerijní praxi]'', Prague: Charles University, 2014, 71 pp. Master's thesis. {{cz}}
 
* Veronika Sellnerová, ''[https://is.muni.cz/th/428187/ff_b/Bakalarska_diplomova_prace.pdf Reflexe českého post-internetového umění]'', Brno: Masaryk University, 2016, 52 pp. Bachelor's thesis. {{cz}}
 
* Veronika Sellnerová, ''[https://is.muni.cz/th/428187/ff_b/Bakalarska_diplomova_prace.pdf Reflexe českého post-internetového umění]'', Brno: Masaryk University, 2016, 52 pp. Bachelor's thesis. {{cz}}
 
* Petra Mačingová, ''[https://is.muni.cz/th/383809/ff_m/diplomova_macingova.pdf Objekt post internet]'', Brno: Masaryk University, 2016, 63 pp. Master's thesis {{cz}}
 
* Petra Mačingová, ''[https://is.muni.cz/th/383809/ff_m/diplomova_macingova.pdf Objekt post internet]'', Brno: Masaryk University, 2016, 63 pp. Master's thesis {{cz}}
Line 119: Line 132:
  
 
==See also==
 
==See also==
[[Surf clubs]], [[Net art]]
+
* [[Surf clubs]], [[Net art]]
 +
* [https://docs.google.com/forms/d/e/1FAIpQLSdh0uHs0fR9_AjMx2PIKDl0Bhf6QKg2VA7R0VbxTvTPj-1G6A/viewform Post-Internet Sound], a crowdsourced database of sound and music works started by Holly Herndon & Jennifer Walshe in 2015.
  
  
 
{{Art}}
 
{{Art}}

Revision as of 11:16, 17 January 2020

Artists

Oliver Laric (AT-DE), Aleksandra Domanović (SR-SL-AT-DE), Katja Novitskova (EE-NL), Jon Rafman (CA), Timur Si-Qin (DE), Cory Arcangel (US), Marisa Olson (US), Petra Cortright (US), Ryan Trecartin (US), Artie Vierkant (US), AIDS 3D (US-DE), Harm van den Dorpel (NL), Simon Denny (NZ-DE), Amalia Ulman (AR-UK-US), Anne de Vries (NL), Yngve Holen (DE) ...

Events

Exhibitions & catalogues

Selected group exhibitions featuring works of three or more artists.

2009

  • Image Search, P·P·O·W, New York City, 25 Jun-31 Jul 2009. Works by 13 artists: Aids-3D, Colleen Asper, Aleksandra Domanovic, Christoph Draeger, Daniel Everett, Oliver Laric, Jason Lazarus, Abigail Lloyd, Lucky Dragons, Jill Magid, James Shaeffer, Suzanne Treister, Conrad Ventur. Curated by Jamie Sterns. "Presents the work of artists who use the internet as the primary source for reference and research in their image-making process."

2010

  • Surfing Club, Plug.in, Basel, 26 Mar-30 May 2010; Espace Multimédia Gantner, Bourogne, 9 May-3 Jul 2010. Works by Aids-3D, John Michael Boling, Petra Cortright, Aleksandra Domanovic, Harm van den Dorpel, Joel Holmberg, Oliver Laric, Marisa Olson, Guthrie Lonergan, Paul Slocum & Nasty Nets, Spirit Surfers, Loshadka. Curated by Raffael Dörig. "Works by a new generation of artists working with and within the internet." Booklet. Video report.
  • Exhibition One, Chrystal Gallery & Gentili Apri, Berlin, 6-7 Oct 2010. Works by Kari Altmann, Charles Broskoski, Lindsay Lawson, Billy Rennekamp, Maxwell Simmer, Harm Van Den Dorpel. Curated by Timur Si-Qin. "Extracting a parallel instance of the work as a three-dimensional representation of geometric data, Exhibition One offers an opportunity to present an alternate framework that posits the questions: Where does an artwork stop and its documentation begin? What is the function of a prospective image that is decisively not-a-model?" [1]
  • Free, New Museum, New York City, 20 Oct 2010-23 Jan 2011. Works by 22 artists: Liz Deschenes, Aleksandra Domanovic, Lizzie Fitch, Martijn Hendriks, Joel Holmberg, David Horvitz, Lars Laumann, Andrea Longacre-White, Kristin Lucas, Jill Magid, Takeshi Murata, Hanne Mugaas, Rashaad Newsome, Lisa Oppenheim, Trevor Paglen, Seth Price, Ryan Trecartin and David Karp, Jon Rafman, Clunie Reid, Amanda Ross-Ho, Alexandre Singh, Harm van den Dorpel. Curated by Lauren Cornell. "“Free” explores how the internet has fundamentally changed our landscape of information and our notion of public space. ... The artist Seth Price's essay “Dispersion” serves as touchstone for this exhibition." Interview with curator (Hyperallergic). Review: Rosenberg (NYT). [2] [3]

2011

  • Post Internet Survival Guide, Future Gallery/Gentili Apri, Berlin, 28 Jan-6 Feb 2011. Works by Lorenzo Bernet & Yannic Joray, Sam Hammocks, Martin Kohout, Oliver Laric, Gene McHugh, Christian Oldham, Aude Pariset, Tabor Robak, Timur Si-Qin, Micah Shippa, Kate Steciew, Damon Zucconi. Curated by Katja Novitskova and Michael Ruiz. [4] [5]
  • Stone Sky Over Thingworld, Bitforms Gallery, New York City, 2 Jun-29 Jul 2011. Works by Michelle Ceja, Brenna Murphy, Jon Rafman, Artie Vierkant. Curated by Claudia Hart. "The relatedness of style and discourse [of these artists] emerges from ... their educations, the function of the Internet as a system of distribution and communication, – and ultimately, their shared attitudes and digital strategies."
  • Land Art For A New Generation, Showroom MAMA, Rotterdam, 18 Jun-7 Aug 2011. Works by Aram Bartholl, Artie Vierkant, Coralie Vogelaar & Teun Castelein, Dennis de Bel, Jeremy Wood, JODI, Juliette Bonneviot, Kari Altmann, Constant Dullaart. "The starting point for the project is the fact that the analog and digital are now so closely interwoven. ... The exhibition centers on a generation of artists dealing with themes such as (digital) decay and the continuous processing of vast amounts of information. They all share an interest in the creation of new databases at the interface of the physical object and immaterial digital culture."
  • Grouped Show, Tanya Leighton Gallery, Berlin, 16 Jul-20 Aug 2011. Works by Nicolas Ceccaldi, Aleksandra Domanovic, Yngve Holen, Keller/Kosmas, Oliver Laric, Marlie Mul, Timur Si-Qin. Selected by Robert O. Fitzpatrick. "The artists have worked together to place their work atop of, directly aside, or obtrusively in front of one another. ... These 'object hybrids' confront how the status quo methodology for curating group exhibitions (via fixed positions in physical display) is confronted by near-instantaneous peer-to-peer sharing of image, text, media and knowledge content between artists." Reviews: McGarry (Artforum), Sanchez (Artforum).
  • Rat Piss Virus Give It To Me, Yautepec Gallery, Mexico City, 21 Jul-20 Aug 2011. Works by Justin Bochek, Rachel De Joode, Dosha Devastation, Cédric Fargues, Radamés "Juni" Figueroa, Parker Ito, Jeffrey Joyal, Martin Kohout, Duncan Malashock, Carlos Laszlo, Ilia Ovechkin, Artie Vierkant. Curated by Gerardo Contreras.
  • New Jpegs, Johan Berggren Gallery, Malmö, 23 Jul-20 Aug 2011. Works by Chris Coy, Parker Ito, Jon Rafman, Ben Schumacher, Artie Vierkant. Curated by Parker Ito. "For this generation [of image-makers] traditional boundaries between object, action, and documentation has fully dissolved, leading to a set of working methods that can be seen as truly post-medium. ... The works exist equally as objects in gallery space and images in circulation." [6] [7]
  • The Greater Cloud, NIMk, Amsterdam, 10 Dec 2011-5 Feb 2012. Works by Marjolijn Dijkman, Martijn Hendriks, David Horvitz, Marisa Olson, Jon Rafman, Alexandre Singh, Ryan Trecartin, Artie Vierkant, Lance Wakeling, Pablo Larios, Pamela Rozenkranz. Curated by Petra Heck, Aleksandra Domanovic, Oliver Laric, and Katja Novitskova. "A show in which the Internet as a platform, medium or subject matter functions as a source of inspiration for artists and influences their artistic practice." Review: Dekker (NL).

2012

  • Image Object, Foxy Production, New York City, 1 Jun-20 Jul 2012. Works by Andrea Longacre-White, Travess Smalley, Kate Steciw, Artie Vierkant. "The exhibition considers the relationship between images and objects in the age of digital media. ... With visual content transposed and modified across digital platforms, notions of what an artwork can be are in flux, not unlike the way personal identities are shape-shifting across social networks."
  • Remainder, Hillary Crisp, London, 14 Jun-14 Jul 2012. Works by Neïl Beloufa, Steve Bishop, Sofia Hultén, Iman Issa, Toril Johannessen, Luke Stettner, Artie Vierkant. Curated by Alex Ross. [8]
  • Net Narrative, Carlos/Ishikawa, London, 13 Sep-20 Oct 2012. Works by Iain Ball, Ed Fornieles, Marlie Mul, Katja Novitskova, Ben Vickers, Holly White, Artie Vierkant. Curated by Harry Burke. Publication.

2014

  • Art Post-Internet, Ullens Center for Contemporary Art, Beijing, 1 Mar-11 May 2014. Works by Aids-3D, Kari Altmann, Cory Arcangel, Alisa Baremboym, Bernadette Corporation, Dara Birnbaum, Juliette Bonneviot, Nicolas Ceccaldi, Tyler Coburn, Petra Cortright, Simon Denny, Aleksandra Domanović, Harm van den Dorpel, Ed Fornieles, Calla Henkel and Max Pitegoff, Joel Holmberg, GCC, Josh Kline, Oliver Laric, LuckyPDF, Tobias Madison and Emanuel Rossetti, Marlie Mul, Katja Novitskova, Marisa Olson, Jaakko Pallasvuo, Aude Pariset, Seth Price, Jon Rafman, Jon Rafman and Rosa Aiello, Rachel Reupke, Bunny Rogers, Hannah Sawtell, Ben Schumacher, Timur Si-Qin, Hito Steyerl, Artie Vierkant, Lance Wakeling, Andrew Norman Wilson, Jordan Wolfson. Curated by Karen Archey and Robin Peckham. Catalogue. Booklet. Video presentation. Reviews: Folks (AQNB), Nastasijevic (Widewalls).
  • Traucum, Parc Saint Léger, Pougues-les-Eaux, 13 Sep-17 Oct 2014. Works by Xavier Antin, Kévin Bray, Erik Bünger, Ann Craven, Aleksandra Domanović, Jennifer Fréville, Dominique Gilliot, Jémérie Gindre, Jack Goldstein, Alexis Guillier, William E. Jones, Michael Jones McKean, Mark Leckey, Christophe Lemaitre & Aurélien Mole, Marc-Antoine Mathieu, Louise Hervé & Chloé Maillet, Ceel Mogami de Haas, Maya Palma, Aude Pariset, Pierre Paulin, Elodie Pong, Jon Rafman, Manon Recordon, Sébastien Rémy, Soraya Rhofir, Rita Sobral Campos, Pacôme Thiellement, Stephen Willats. Curated by Céline Poulin. Catalogue. Review: Luquet-Gad (02).
  • Private Settings: Art After the Internet, Museum of Modern Art, Warsaw, 25 Sep 2014-4 Jan 2015. Works by Sarah Abu Abdallah and Joey L. DeFrancesco, Korakrit Arunanondchai, Ed Atkins, Trisha Baga and Jessie Stead, Darja Bajagic, Nicolas Ceccaldi, Jennifer Chan, CUSS Group, Czosnek Studio, Jesse Darling, DIS, Harm van den Dorpel, Loretta Fahrenholz, Daniel Keller, Ada Karczmarczyk, Jason Loebs, Piotr Łakomy, Metahaven, Takeshi Murata, Yuri Pattison, Hannah Perry, Jon Rafman, Bunny Rogers, Pamela Rosenkranz, Gregor Różański, Ryan Trecartin, Ned Vena. Curated by Natalia Sielewicz. [9]
  • Hike, Hack / Hic et Nunc, XPO, Paris, 9 Oct-26 Nov 2014. Works by Pierre Clément, Guillaume Collignon, Manuel Fernandez, Hunter Jonakin, Jill Magid, Paul Souviron, Penelope Umbrico, Clement Valla, Kevin Zucker. Curated by Non Printing Character (Alexis Jakubowicz and Jean-Brice Moutout). Review: Nechvatal (Artillery Mag).

2015

  • Les Oracles, XPO, Paris, 12 Feb-4 Apr 2015. Works by Julieta Aranda, Juliette Bonneviot, Caroline Delieutraz, Aleksandra Domanovic, Jeanette Hayes, Kristin Lucas, Brenna Murphy, Katja Novitskova, Katie Torn, Saya Woolfalk. Curated by Marisa Olson. "The ten artists either respond directly to classic science fiction works or more broadly explore the iconography and pop cultural mythologies they convey and inhabit." Catalogue. Interview with curator (DIS).
  • Surround Audience: New Museum Triennial, New Museum, New York City, 25 Feb-24 May 2015. Works by 51 artists: Nadim Abbas, Lawrence Abu Hamdan, niv Acosta, Njideka Akunyili Crosby, Sophia Al-Maria, Ketuta Alexi-Meskhishvili, Ed Atkins, Olga Balema, Frank Benson, Sascha Braunig, Antoine Catala, Aslı Çavuşoğlu, José León Cerrillo, Onejoon CHE, Tania Pérez Córdova, Verena Dengler, DIS, Aleksandra Domanović, Casey Jane Ellison, Exterritory, Geumhyung Jeong, Ane Graff, Guan Xiao, Shadi Habib Allah, Eloise Hawser, Lena Henke, Lisa Holzer, Juliana Huxtable, Renaud Jerez, K-HOLE, Shreyas Karle, Kiluanji Kia Henda, Josh Kline, Eva Koťátková, Donna Kukama, Firenze Lai, Oliver Laric, Li Liao, Rachel Lord, Basim Magdy, Nicholas Mangan, Ashland Mines, Shelly Nadashi, Eduardo Navarro, Steve Roggenbuck, Avery K. Singer, Daniel Steegmann Mangrané, Martine Syms, Lisa Tan, Luke Willis Thompson, Peter Wächtler. Curated by Lauren Cornell and Ryan Trecartin. Reviews: Pulitzer (Artforum), Weiner (Art Agenda), Gilbert (Bomb), Viveros-Fauné (Village Voice), Wilson (Daily Serving), Scott (New Yorker), Wolin (TimeOut NY), Hendricks (Huffpost). Video report, Photographs.
  • Concentrations 59: Mirror Stage—Visualizing the Self After the Internet, Dallas Museum of Art, Dallas, 10 Apr-6 Dec 2015. Series of solo shows by Ed Atkins, Trisha Baga, Antoine Catala, Aleksandra Domanović, Jon Rafman, Jacolby Satterwhite, Hito Steyerl, Ryan Trecartin. Curated by Gabriel Ritter. "Examines the changing understanding and representation of the self via digital technology and the Internet." Booklet.
  • Generation Smart, NTK Gallery, Prague, 13 May-13 Jun 2015. Works by Kryštof Ambrůz, Filip Dvořák, Jakub Geltner, Katarína Hládeková, Ondřej Homola, Martin Kohout, Martin Kolarov, Adéla Korbičková, David Krňanský, Ladislav Kyllar, Martin Lukáč, Kristýna Lutzová, Black Media, Andrea Mikysková, Richard Nikl, Olbram Pavlíček, Julius Reichel, The Rodina, Lucie Rosenfeldová, Barbora Švehláková, Ladislav Tejml, Nik Timková. Curated by David Kořínek a Milan Mikuláštík. Review: Jindrová (A2).
  • Inflected Objects #1: Abstraction - Rising Automated Reasoning, Istituto Svizzero, Milan, 15 May-13 Jun 2015. Works by Philippe Decrauzat, Harm van den Dorpel, Katharina Fengler, Femke Herregraven, Lars Holdhus, Pierre Lumineau, Jenna Sutela and Sophie Jung. Curated by Melanie Bühler and Valerio Mannucci. Photos.
  • Return of the Object & The Disorder of Things, Kvalitář Gallery, Prague, 11 Sep-6 Nov 2015. Works by Annabelle Arlie, Iain Ball, Delong, Constant Dullaart, Tereza Fišerová – Evžen Šimera, Martin Kohout, Martin Kolarov – Filip Dvořák, Kristýna Lutzová, Štěpán Marko, Richard Nikl – Jan Brož, Nik Timková – Jakub Hošek, Magdaléna Vojteková, Ted Whitaker. Curated by Václav Janoščík.
  • Ocean of Images: New Photography 2015`, Museum of Modern Art, New York, 7 Nov 2015-20 Mar 2016. Works by 19 artists and collectives from 14 countries: Ilit Azoulay, Zbyněk Baladrán, Lucas Blalock, Edson Chagas, Natalie Czech, DIS, Katharina Gaenssler, David Hartt, Mishka Henner, David Horvitz, John Houck, Yuki Kimura, Anouk Kruithof, Basim Magdy, Katja Novitskova, Marina Pinsky, Lele Saveri, Indrė Šerpytytė, Lieko Shiga. Organised by Quentin Bajac, Roxana Marcoci, and Lucy Gallun. "Probing the effects of an image-based post-Internet reality, the exhibition examines various ways of experiencing the world: through images that are born digitally, made with scanners or lenses in the studio or the real world, presented as still or moving pictures, distributed as zines, morphed into three-dimensional objects, or remixed online. Its title refers to the Internet as a vortex of images, a site of piracy, and a system of networks." Reviews: NYT, Woodward (WSJ], Wolukau-Wanambwa (Aperture). Interview with curator. [10]

2016

2017

2018

Discussions

Publications

See also catalogues above.

Books

Katja Novitskova, Post Internet Survival Guide 2010, 2011.
Gene McGugh, Post Internet, 2011, PDF, Log.
Omar Kholeif (ed.), You Are Here: Art After the Internet, 2014, ARG.
Lauren Cornell, Ed Halter (eds.), Mass Effect: Art and the Internet in the Twenty-First Century, 2015, ARG.

Magazines, Journals

  • DIS Magazine, 8 issues, eds. Lauren Boyle, Solomon Chase, Marco Roso, and David Toro, New York, 2010-2014.
  • Pool, 2011.
  • Zérodeux 70: Pre->Post-Internet, ed. Patrice Joly, Nantes: Association Zoo galerie, Summer 2014. Essay by Benoît Lamy de la Chapelle; interviews with Artie Vierkant, Tobias Madison, features on Ed Atkins, Neïl Beloufa. [12] (French)/(English)
  • Elephant 23: "What is Post-Internet Art?", Frame Publishers, Summer 2015. [13] [14]
  • Kunstforum 242: "Postdigital 1: Allgegenwart und Unsichtbarkeit eines Phänomens", 2016. [15] (German)
  • Flash Art CZ/SK 42: "Postinternet", ed. Lýdia Pribišová, Prague, Dec 2016-Feb 2017. (Czech),(Slovak)

Essays, Book chapters

Surveys

Dissertations

Primary references

  • Surf clubs
  • VVORK blog, eds. Aleksandra Domanovic, Christoph Priglinger, Georg Schnitzer, and Oliver Laric, Vienna, 2006-12.
  • DIS Magazine, eds. DIS (Lauren Boyle, Solomon Chase, Marco Roso, David Toro), New York, 2010-.
  • The New Aesthetic blog, ed. James Bridle, London, May 2011-.
  • Seth Price, Dispersion, New York, 2002/2008.

See also


Visual art

Styles and movementsHistoriansWritersMuseumsCare1990sEast Central EuropeReference.
Art and culture, Contents, Index, About.