Difference between revisions of "Radio art"

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==Broadcasts==
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* [http://somewhere.org/ New American Radio], a weekly national series, 1987-1998. NAR commissioned and distributed over 300 original works: conceptual new drama, associational documentary, language explorations, sonic meditations, environmental compositions, musical explorations and works that pioneer new dimensions in acoustic space. Produced by Helen Thorington and Regine Beyer.
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* [http://rwm.macba.cat/ Ràdio Web MACBA], a radiophonic project from the MACBA website that explores the possibilities of the internet and radio as spaces of synthesis and exhibition.
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* [http://theradius.us/ Radius], Radius is an experimental radio broadcast platform based in Chicago, IL, USA.
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* [http://wavefarm.org/ Wave Farm Radio], Wave Farm Radio encompasses many radio streams available at wavefarm.org/listen and the Wave Farm Radio App. WGXC 90.7-FM: Radio for Open Ears is a full-power, non-commercial, listener-supported station in New York’s Upper Hudson Valley operating out of studios in Hudson and the Wave Farm Study Center in Acra. Standing Wave Radio is an online stream dedicated to experimental sound and transmission art. Site-specific and interactive installations by artists sonify Wave Farm’s 29-acre property and feature live online audio streams. Wave Farm's Transmit Partners program is a growing network of like-minded organizations and individuals around the globe.
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==Literature==
 
==Literature==
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* Rudolf Arnheim, ''Rundfunk als Hörkunst'', manuscript, [1933]; Carl Hanser, 1979; new ed., exp., as ''Rundfunk als Hörkunst, und weitere Aufsätze'', Frankfurt am Main: Suhrkamp, 2001. {{de}} [http://www.suhrkamp.de/buecher/rundfunk_als_hoerkunst-rudolf_arnheim_29154.html]
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** ''[http://monoskop.org/log/?p=5475 Radio: An Art of Sound]'', trans. Margaret Ludwig and Herbert Read, London: Faber and Faber, 1936; New York: Arno Press, 1971, 287 pp.
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* Mark Ensign Cory, ''The Emergence of an Acoustical Art Form: An Analysis of the German Experimental Hörspiel of the 1960s'', University of Nebraska, 1974.
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* Willem de Ridder, William Levy, ''Radio Art'', Amsterdam: Galerie A, 1980, 12 pp. [https://www.multiples.nl/willem-de-ridder-william-levy-radio-art/]
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* Robert Hawes, ''Radio Art'', London: Green Wood, 1991.
 
* ''Musicworks'' 53: Special Issue: "Radio-Phonics and Other-Phonies" (Summer 1992), ed. Dan Lander. With CD. [http://www.discogs.com/Various-Musicworks-53-Radiophonics-And-Other-Phonies/release/871788]
 
* ''Musicworks'' 53: Special Issue: "Radio-Phonics and Other-Phonies" (Summer 1992), ed. Dan Lander. With CD. [http://www.discogs.com/Various-Musicworks-53-Radiophonics-And-Other-Phonies/release/871788]
 
* Neil Strauss, Dave Mandl (eds.), ''Radiotext(e)'', Autonomedia, 1993. [http://www.akpress.org/radiotexte.html]
 
* Neil Strauss, Dave Mandl (eds.), ''Radiotext(e)'', Autonomedia, 1993. [http://www.akpress.org/radiotexte.html]
 
* Daina Augaitis, Dan Lander (eds.), ''Radio Rethink: Art, Sound and Transmission'', Banff Centre Press, 1994, 194 pp.
 
* Daina Augaitis, Dan Lander (eds.), ''Radio Rethink: Art, Sound and Transmission'', Banff Centre Press, 1994, 194 pp.
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* ''Selected Survey of Radio Art in Canada 1967–1992'', Banff: Walter Phillips Gallery, and Banff Centre for the Arts, 1994.
 
* Allen S. Weiss, ''Phantasmatic Radio'', Duke University Press, 1995, 144 pp.
 
* Allen S. Weiss, ''Phantasmatic Radio'', Duke University Press, 1995, 144 pp.
 
* ''TDR: The Drama Review'' 40(3): Special Issue on Experimental Sound and Radio (Autumn 1996). [http://www.jstor.org/stable/i248004]
 
* ''TDR: The Drama Review'' 40(3): Special Issue on Experimental Sound and Radio (Autumn 1996). [http://www.jstor.org/stable/i248004]
 
* [http://cec.sonus.ca/econtact/Radiophonic/ ''eContact!'' 2.3: Radiophonique / Radiophonic], 1999.
 
* [http://cec.sonus.ca/econtact/Radiophonic/ ''eContact!'' 2.3: Radiophonique / Radiophonic], 1999.
 
* Allen S. Weiss (ed.), ''[http://monoskop.org/log/?p=656 Experimental Sound and Radio]'', MIT Press, 2000, 188 pp.
 
* Allen S. Weiss (ed.), ''[http://monoskop.org/log/?p=656 Experimental Sound and Radio]'', MIT Press, 2000, 188 pp.
* Heidi Grundmann, Elisabeth Zimmermann Reinhard Braun, Dieter Daniels, Andreas Hirsch, Anne Thurmann-Jajes, ed. Re-Inventing Radio: Aspects of Radio as Art. 2008. [http://media.lbg.ac.at/en/content.php?iMenuID=98]
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* Kersten Glandien, "Art on air: a profile of new radio art", in ''[http://monoskop.org/log/?p=625 Music, Electronic Media, and Culture]'', ed. Simon Emmerson, 2000, pp 167-193.
* [http://monoskop.org/log/?tag=radioart Publications on radio art on Monoskop/log]
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* [http://cec.sonus.ca/econtact/5_3/index.html ''eContact!'' 5.3: "NAISA — New Adventures in Sound Art"], 2002. (in English/French)
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* Michal Murin, [http://ro.ecu.edu.au/cgi/viewcontent.cgi?article=1010&context=csound "Radio Art - A Slovak perspective"], trans. Alexander Avenarius, in ''Sound Scripts: Proceedings of the Inaugural Totally Huge New Music Festival Conference 2005'', eds. Cat Hope and Jonathan Marshall, Edith Cowan University, 2006, pp 66-73.
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* Michal Rataj, ''[http://monoskop.org/log/?p=511 Elektroakustická hudba a vybrané koncepty radioartu: Problematika vymezování tvůrčích pozic v prostředí akustických uměníz pohledu domácí scény radioartu]'', Prague: Kant, 2007. {{cz}} [http://edicedisk.amu.cz/cs/edice-disk/mala-rada/michal-rataj-elektroakusticka-hudba-a-vybrane-koncepty-radioartu]
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** ''[http://monoskop.org/log/?p=511 Electroacoustic Music and Selected Concepts of Radio Art]'', PFAU: Saarbrücken, 2010, 100 pp.
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* Heidi Grundmann, Elisabeth Zimmermann, Reinhard Braun, Dieter Daniels, Andreas Hirsch, Anne Thurmann-Jajes (eds.), ''Re-Inventing Radio: Aspects of Radio as Art'', Frankfurt am Main: Revolver, 2008, 541 pp. [http://www.gbv.de/dms/weimar/toc/569937752_toc.pdf TOC]. Reviews: [https://mediarep.org/bitstream/handle/doc/7163/MEDREZ_2009_4_459_Thiermann_.pdf Thiermann] (MedienWissenschaft), [https://www.academia.edu/5856298 Cameron].
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** Dieter Daniels, [[Media:Daniels Dieter 2008 Inventing and Re-Inventing Radio.pdf|"Inventing and Re-Inventing Radio"]], pp 27-47.
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** Wolfgang Hagen, [[Media:Hagen_Wolfgang_2008_Alternating_Currents_and_Ether_Two_Paradigms_of_Radio_Development.pdf|"Alternating Currents and Ether: Two Paradigms of Radio Development: U.S. vs. Europe"]], pp 53-62.
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** Doreen Mende, [[Media:Mende_Doreen_2008_Radio_as_Exhibition_Space.pdf|"Radio as Exhibition Space"]], pp 149-159. [https://www.academia.edu/12810637]
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** Johannes Auer, [https://www.netzliteratur.net/auer/Netliteratur_and_Radio.pdf "Net Literature and Radio: A Work-in-Progress Report"], pp 359-374.
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* Virginia Madsen, [http://books.google.com/books?id=ZOQqDz0Snm4C&pg=PT168 "Written in air: Experiments in radio"], in ''Experimental Music: Audio Explorations in Australia'', ed. Gail Priest, UNSW Press, 2009, pp 154-174.
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* José Iges (ed.), ''Ars sonora, 25 años: una experiencia de arte sonoro en radio'', Madrid: Autor, 2012. {{es}}
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* ''[http://seismograf.org/fokus/radio Seismograf/DMT: Radio Radio Radio]'', Sep 2013. {{da}}
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==Artists, events, initiatives==
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<div class="dpl" style="-moz-column-count:5; -webkit-column-count:5; column-count:5;">
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<DynamicPageList>
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category            = Radio art
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ordermethod          = sortkey
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order                = ascending
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</DynamicPageList>
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</div>
  
==External links==
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==Links==
 
* [http://blog.wfmu.org/freeform/2005/10/from_the_wfmu_n.html "Stations with a far-out format"], 1969.
 
* [http://blog.wfmu.org/freeform/2005/10/from_the_wfmu_n.html "Stations with a far-out format"], 1969.
  
 
==See also==
 
==See also==
[[Sound art]], [[Streaming media]]
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[[Sound art]], [[Net radio]]
  
  
{{Media art and culture}}
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{{Sound and Music}}
__NOTOC__
 

Revision as of 13:14, 22 November 2019

Broadcasts

  • New American Radio, a weekly national series, 1987-1998. NAR commissioned and distributed over 300 original works: conceptual new drama, associational documentary, language explorations, sonic meditations, environmental compositions, musical explorations and works that pioneer new dimensions in acoustic space. Produced by Helen Thorington and Regine Beyer.
  • Ràdio Web MACBA, a radiophonic project from the MACBA website that explores the possibilities of the internet and radio as spaces of synthesis and exhibition.
  • Radius, Radius is an experimental radio broadcast platform based in Chicago, IL, USA.
  • Wave Farm Radio, Wave Farm Radio encompasses many radio streams available at wavefarm.org/listen and the Wave Farm Radio App. WGXC 90.7-FM: Radio for Open Ears is a full-power, non-commercial, listener-supported station in New York’s Upper Hudson Valley operating out of studios in Hudson and the Wave Farm Study Center in Acra. Standing Wave Radio is an online stream dedicated to experimental sound and transmission art. Site-specific and interactive installations by artists sonify Wave Farm’s 29-acre property and feature live online audio streams. Wave Farm's Transmit Partners program is a growing network of like-minded organizations and individuals around the globe.

Literature

Artists, events, initiatives

Links

See also

Sound art, Net radio


Sound and Music
communities of practice

Music magazines, Radio art, Pirate radio, Community radio, Electroacoustic music, Computer music, Sound art, Field recording, Noise, Cassette culture, Max/MSP, Pure Data, SuperCollider, Net radio, Live coding, Writers. Art and culture, Contents, Index, About.