Difference between revisions of "Radio art"

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==Literature==
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==Broadcasts==
* Heidi Grundmann, Elisabeth Zimmermann Reinhard Braun, Dieter Daniels, Andreas Hirsch, Anne Thurmann-Jajes, ed. Re-Inventing Radio: Aspects of Radio as Art. 2008. [http://media.lbg.ac.at/en/content.php?iMenuID=98]
 
  
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* [http://somewhere.org/ New American Radio], a weekly national series, 1987-1998. NAR commissioned and distributed over 300 original works: conceptual new drama, associational documentary, language explorations, sonic meditations, environmental compositions, musical explorations and works that pioneer new dimensions in acoustic space. Produced by Helen Thorington and Regine Beyer.
  
{{Media art}}
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* [http://rwm.macba.cat/ Ràdio Web MACBA], a radiophonic project from the MACBA website that explores the possibilities of the internet and radio as spaces of synthesis and exhibition.
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* [http://theradius.us/ Radius], Radius is an experimental radio broadcast platform based in Chicago, IL, USA.
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* [http://wavefarm.org/ Wave Farm Radio], Wave Farm Radio encompasses many radio streams available at wavefarm.org/listen and the Wave Farm Radio App. WGXC 90.7-FM: Radio for Open Ears is a full-power, non-commercial, listener-supported station in New York’s Upper Hudson Valley operating out of studios in Hudson and the Wave Farm Study Center in Acra. Standing Wave Radio is an online stream dedicated to experimental sound and transmission art. Site-specific and interactive installations by artists sonify Wave Farm’s 29-acre property and feature live online audio streams. Wave Farm's Transmit Partners program is a growing network of like-minded organizations and individuals around the globe. [https://doi.org/10.1525/res.2022.3.3.268 History].
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* [https://radioart.zone/ Radio Art Zone], 100-day radio art station for Esch2022. Artistic directors: Sarah Washington & Knut Aufermann.
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==Artists, events, initiatives==
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<div class="dpl" style="-moz-column-count:3; -webkit-column-count:3; column-count:3;">
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<DynamicPageList>
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category            = Radio art
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ordermethod          = sortkey
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order                = ascending
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</DynamicPageList>
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</div>
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==Publications==
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* Rudolf Arnheim, ''Rundfunk als Hörkunst'', manuscript, [1933]; Carl Hanser, 1979; new ed., exp., as ''Rundfunk als Hörkunst, und weitere Aufsätze'', Frankfurt am Main: Suhrkamp, 2001. [http://www.suhrkamp.de/buecher/rundfunk_als_hoerkunst-rudolf_arnheim_29154.html Publisher]. {{de}}
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** ''[http://monoskop.org/log/?p=5475 Radio: An Art of Sound]'', trans. Margaret Ludwig and Herbert Read, London: Faber and Faber, 1936; New York: Arno Press, 1971, 287 pp.
 +
 
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* Mark Ensign Cory, ''The Emergence of an Acoustical Art Form: An Analysis of the German Experimental Hörspiel of the 1960s'', University of Nebraska, 1974.
 +
 
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* Willem de Ridder, William Levy, ''Radio Art'', Amsterdam: Galerie A, 1980, 12 pp. [https://www.multiples.nl/willem-de-ridder-william-levy-radio-art/]
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 +
* Robert Hawes, ''Radio Art'', London: Green Wood, 1991.
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* ''Musicworks'' 53: Special Issue: "Radio-Phonics and Other-Phonies" (Summer 1992), ed. Dan Lander. With CD. [http://www.discogs.com/Various-Musicworks-53-Radiophonics-And-Other-Phonies/release/871788]
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* Neil Strauss, Dave Mandl (eds.), ''[[Media:Strauss Neil Mandl Dave eds Radiotexte 1993.pdf|Radiotext(e)]]'', Autonomedia, 1993, 350 pp, [https://archive.org/details/radiotexte0000unse IA]. ''Semiotext(e)'', #16, Volume VI, issue 1. [http://www.akpress.org/radiotexte.html Publisher].
 +
 
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* Daina Augaitis, Dan Lander (eds.), ''Radio Rethink: Art, Sound and Transmission'', Banff Centre Press, 1994, 194 pp.
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* ''Selected Survey of Radio Art in Canada 1967–1992'', Banff: Walter Phillips Gallery, and Banff Centre for the Arts, 1994.
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* Allen S. Weiss, ''Phantasmatic Radio'', Duke University Press, 1995, 144 pp.
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* ''TDR: The Drama Review'' 40(3): Special Issue on Experimental Sound and Radio (Autumn 1996). [http://www.jstor.org/stable/i248004]
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* Heidi Grundmann, Robert Adrian, [http://www.kunstradio.at/TEXTS/manifesto.html "Toward a Definition of Radio Art"], 1998. Manifesto; written on the occasion of ImmersiveSound/kunst in der stadt II/ Bregenz 1998.
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* [http://cec.sonus.ca/econtact/Radiophonic/ ''eContact!'' 2.3: Radiophonique / Radiophonic], 1999.
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* Allen S. Weiss (ed.), ''[http://monoskop.org/log/?p=656 Experimental Sound and Radio]'', MIT Press, 2000, 188 pp.
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* Kersten Glandien, "Art on air: a profile of new radio art", in ''[http://monoskop.org/log/?p=625 Music, Electronic Media, and Culture]'', ed. Simon Emmerson, 2000, pp 167-193.
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* [http://cec.sonus.ca/econtact/5_3/index.html ''eContact!'' 5.3: "NAISA — New Adventures in Sound Art"], 2002. {{en}}/{{fr}}
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* Tetsuo Kogawa, Annmarie Chandler, Norie Neumark, [[Media:Kogawa Tetsuo Chandler Annmarie Neumark Norie 2005 Mini-FM Performing Microscopic Distance.pdf|"Mini-FM: Performing Microscopic Distance (An E-Mail Interview with Tetsuo Kogawa)"]], in ''At a Distance: Precursors to Art and Activism on the Internet'', eds. Annmarie Chandler and Norie Neumark, MIT Press, 2005, pp 190-209.
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* Michal Murin, [http://ro.ecu.edu.au/cgi/viewcontent.cgi?article=1010&context=csound "Radio Art - A Slovak perspective"], trans. Alexander Avenarius, in ''Sound Scripts: Proceedings of the Inaugural Totally Huge New Music Festival Conference 2005'', eds. Cat Hope and Jonathan Marshall, Edith Cowan University, 2006, pp 66-73.
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* Michal Rataj, ''[http://monoskop.org/log/?p=511 Elektroakustická hudba a vybrané koncepty radioartu: Problematika vymezování tvůrčích pozic v prostředí akustických uměníz pohledu domácí scény radioartu]'', Prague: Kant, 2007. {{cz}} [http://edicedisk.amu.cz/cs/edice-disk/mala-rada/michal-rataj-elektroakusticka-hudba-a-vybrane-koncepty-radioartu]
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** ''[http://monoskop.org/log/?p=511 Electroacoustic Music and Selected Concepts of Radio Art]'', PFAU: Saarbrücken, 2010, 100 pp.
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* Heidi Grundmann, Elisabeth Zimmermann, Reinhard Braun, Dieter Daniels, Andreas Hirsch, Anne Thurmann-Jajes (eds.), ''Re-Inventing Radio: Aspects of Radio as Art'', Frankfurt am Main: Revolver, 2008, 541 pp. [http://www.gbv.de/dms/weimar/toc/569937752_toc.pdf TOC]. Reviews: [https://mediarep.org/bitstream/handle/doc/7163/MEDREZ_2009_4_459_Thiermann_.pdf Thiermann] (MedienWissenschaft), [https://www.academia.edu/5856298 Cameron].
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** Dieter Daniels, [[Media:Daniels Dieter 2008 Inventing and Re-Inventing Radio.pdf|"Inventing and Re-Inventing Radio"]], pp 27-47.
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** Wolfgang Hagen, [[Media:Hagen_Wolfgang_2008_Alternating_Currents_and_Ether_Two_Paradigms_of_Radio_Development.pdf|"Alternating Currents and Ether: Two Paradigms of Radio Development: U.S. vs. Europe"]], pp 53-62.
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** Doreen Mende, [[Media:Mende_Doreen_2008_Radio_as_Exhibition_Space.pdf|"Radio as Exhibition Space"]], pp 149-159. [https://www.academia.edu/12810637]
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** Johannes Auer, [https://www.netzliteratur.net/auer/Netliteratur_and_Radio.pdf "Net Literature and Radio: A Work-in-Progress Report"], pp 359-374.
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* Helen Thorington, [http://www2.tate.org.uk/intermediaart/radio_art_text.shtm "Radio, Art, Life: New Contexts"], London: Tate, May 2008.
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* Tetsuo Kogawa, [http://anarchy.translocal.jp/radioart/20080710AcousticSpaceIssue_7.html "A Radioart Manifesto"], ''Acoustic Space'' 7, 2008. {{en}}
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* Virginia Madsen, [http://books.google.com/books?id=ZOQqDz0Snm4C&pg=PT168 "Written in air: Experiments in radio"], in ''Experimental Music: Audio Explorations in Australia'', ed. Gail Priest, UNSW Press, 2009, pp 154-174.
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* Galen Joseph-Hunter, Penny Duff, Maria Papadomanolaki (eds.), ''Transmission Arts: Artists & Airwaves'', PAJ Publications, with free103point9, 2011, 169 pp. [https://wavefarm.org/ta/about Project website]. [https://cris.brighton.ac.uk/ws/portalfiles/portal/484190/Transmission_Arts_Book_Cover.pdf Cover]. [https://wavefarm.org/wf/archive/ah1hz2]  [https://muse.jhu.edu/article/315500/pdf] [https://data.wavefarm.org/2007/07/08.transmissionworks.pdf]. Review: [https://sci-hub.st/10.1162/LEON_r_00392 Barber] (Leonardo).
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* José Iges (ed.), ''Ars sonora, 25 años: una experiencia de arte sonoro en radio'', Madrid: Autor, 2012. {{es}}
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* ''[http://seismograf.org/fokus/radio Seismograf/DMT: Radio Radio Radio]'', Sep 2013. {{da}}
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* Lukáš Jiřička, ''Dobyvatelé akustických scén. Od radioartu k hudebnímu divadlu (Goebbels, Neuwirth, Ammer, Oehring)'', Prague: NAMU, 2015, 416 pp. [https://namu.cz/dobyvatele-akustickych-scen-od-radioartu-k-hudebnimu-divadlu-goebbels-neuwirth-ammer-oehring] {{cz}}
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* Tetsuo Kogawa, アキバと手の思考 [Think with Hands], ed. Hideki Take (武秀樹), Tokyo: Serika Shobo (せりか書房), 2016, 370 pp. Review: [http://www.ele-king.net/review/book/005190/ 三田格] (Ele-King). {{jp}}
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** ''Radio-art'', trans. Pali Meursault, Paris: UV Éditions, 2019, 305 pp. Selection of Kogawa's texts, which retrace his journey as a sound artist, radio activist and theorist; with essays by Elizabeth Zimmermann and John Duncan. [http://uveditions.com/wp-content/uploads/2019/01/Tetsuo-Kogawa_radio-art_sommaire.pdf TOC], [https://www.palimeursault.net/Tetsuo%20Kogawa%20experience%20in%20radio.pdf Introduction] (EN). [http://uveditions.com/tetsuo-kogawa-radio-art/ Publisher]. [https://utopos.jp/books/]. Review: [https://journals.openedition.org/volume/7362 Stera] (Volume). {{fr}}
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* Knut Aufermann, Helen Hahmann, Sarah Washington, Ralf Wendt (eds.), ''Radio Revolten: 30 Days of Radio Art'', Leipzig: Spector Books, 2019, 356 pp. [https://spectorbooks.com/book/radio-revolten Publisher]. Review: [https://doi.org/10.1525/res.2020.1.3.331 Mallozzi] (Resonance).
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* Anne Thurmann-Jajes, et al. (eds.), ''[http://libgen.rs/book/index.php?md5=CA2C4F489A06240A4539A406F8744B83 Radio as Art: Concepts, Spaces, Practices]'', Bielefeld: transcript, 2019, 312 pp. [https://www.transcript-verlag.de/media/pdf/7d/e3/4d/ts3617_1.pdf Excerpt], [https://www.degruyter.com/document/doi/10.1515/9783839436172/html#contents TOC]. [https://www.transcript-publishing.com/978-3-8376-3617-8/ Publisher]. [http://cup.columbia.edu/book/radio-as-art/9783837636178 Distributor]. Review: [https://journals.uc.edu/index.php/fogs/article/view/4262/3271 Brown] (focus on German Stud).
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* Helen Thorington, [[Media:Thorington Helen 2021 The Making of American Radio Art.pdf|"The Making of American Radio Art"]], ''PAJ: A Journal of Performance and Art'' 43:1, Jan 2021, pp 30-44. [https://doi.org/10.1162/pajj_a_00545]
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* Jacki Apple, [[Media:Apple Jacki 2021 American Radio Art 1985-1995 New Narrative and Media Strategies.pdf|"American Radio Art 1985-1995: New Narrative and Media Strategies"]], ''PAJ: A Journal of Performance and Art'' 43:1, Jan 2021, pp 45-65. [https://doi.org/10.1162/pajj_a_00546]
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* Sarah Washington (ed.), ''Radio Art Zone'', Berlin: Hatje Cantz, 2023, 236 pp. Texts by Jasmina Al-Qaisi, Knut Aufermann, Ed Baxter, Frauke Berg, Élodie Brochier, Irina Gheorghe, Lucinda Guy, Elaine W. Ho, Catherine Kontz, Caroline Kraabel, Felix Kubin, Marold Langer-Philippsen, Liquid Penguin Ensemble, Heidi Neilson, Buttress O'Kneel, Tomáš Procházka, Ralf Schreiber, Nichola Scrutton, Sisters Akousmatica, Erwin Stache, Ralf Wendt, Daniel R. Wilson. [https://radioart.zone/ Event]. [https://www.hatjecantz.com/products/65229-radio-art-zone Publisher]. Review: [https://leonardo.info/review/2023/12/radio-art-zone Leahy] (Leonardo).
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==Links==
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* [http://blog.wfmu.org/freeform/2005/10/from_the_wfmu_n.html "Stations with a far-out format"], 1969.
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* [http://anarchy.translocal.jp/radioart/1990IRAF.html The first International Festival of Radio Art], Dublin, 12-18 Aug 1990.
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* [http://web.archive.org/web/20051207002929/http://www.swr.de/swr2/sendungen/ars-acustica/archiv/index.html SWR2 Ars Acustica archive]
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==See also==
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[[Sound art]], [[Net radio]], [[Community radio]]
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{{Sound and Music}}

Latest revision as of 15:42, 24 March 2024

Broadcasts[edit]

  • New American Radio, a weekly national series, 1987-1998. NAR commissioned and distributed over 300 original works: conceptual new drama, associational documentary, language explorations, sonic meditations, environmental compositions, musical explorations and works that pioneer new dimensions in acoustic space. Produced by Helen Thorington and Regine Beyer.
  • Ràdio Web MACBA, a radiophonic project from the MACBA website that explores the possibilities of the internet and radio as spaces of synthesis and exhibition.
  • Radius, Radius is an experimental radio broadcast platform based in Chicago, IL, USA.
  • Wave Farm Radio, Wave Farm Radio encompasses many radio streams available at wavefarm.org/listen and the Wave Farm Radio App. WGXC 90.7-FM: Radio for Open Ears is a full-power, non-commercial, listener-supported station in New York’s Upper Hudson Valley operating out of studios in Hudson and the Wave Farm Study Center in Acra. Standing Wave Radio is an online stream dedicated to experimental sound and transmission art. Site-specific and interactive installations by artists sonify Wave Farm’s 29-acre property and feature live online audio streams. Wave Farm's Transmit Partners program is a growing network of like-minded organizations and individuals around the globe. History.
  • Radio Art Zone, 100-day radio art station for Esch2022. Artistic directors: Sarah Washington & Knut Aufermann.

Artists, events, initiatives[edit]

Publications[edit]

  • Rudolf Arnheim, Rundfunk als Hörkunst, manuscript, [1933]; Carl Hanser, 1979; new ed., exp., as Rundfunk als Hörkunst, und weitere Aufsätze, Frankfurt am Main: Suhrkamp, 2001. Publisher. (German)
    • Radio: An Art of Sound, trans. Margaret Ludwig and Herbert Read, London: Faber and Faber, 1936; New York: Arno Press, 1971, 287 pp.
  • Mark Ensign Cory, The Emergence of an Acoustical Art Form: An Analysis of the German Experimental Hörspiel of the 1960s, University of Nebraska, 1974.
  • Willem de Ridder, William Levy, Radio Art, Amsterdam: Galerie A, 1980, 12 pp. [1]
  • Robert Hawes, Radio Art, London: Green Wood, 1991.
  • Musicworks 53: Special Issue: "Radio-Phonics and Other-Phonies" (Summer 1992), ed. Dan Lander. With CD. [2]
  • Neil Strauss, Dave Mandl (eds.), Radiotext(e), Autonomedia, 1993, 350 pp, IA. Semiotext(e), #16, Volume VI, issue 1. Publisher.
  • Daina Augaitis, Dan Lander (eds.), Radio Rethink: Art, Sound and Transmission, Banff Centre Press, 1994, 194 pp.
  • Selected Survey of Radio Art in Canada 1967–1992, Banff: Walter Phillips Gallery, and Banff Centre for the Arts, 1994.
  • Allen S. Weiss, Phantasmatic Radio, Duke University Press, 1995, 144 pp.
  • TDR: The Drama Review 40(3): Special Issue on Experimental Sound and Radio (Autumn 1996). [3]
  • Michal Murin, "Radio Art - A Slovak perspective", trans. Alexander Avenarius, in Sound Scripts: Proceedings of the Inaugural Totally Huge New Music Festival Conference 2005, eds. Cat Hope and Jonathan Marshall, Edith Cowan University, 2006, pp 66-73.
  • Galen Joseph-Hunter, Penny Duff, Maria Papadomanolaki (eds.), Transmission Arts: Artists & Airwaves, PAJ Publications, with free103point9, 2011, 169 pp. Project website. Cover. [6] [7] [8]. Review: Barber (Leonardo).
  • José Iges (ed.), Ars sonora, 25 años: una experiencia de arte sonoro en radio, Madrid: Autor, 2012. (Spanish)
  • Lukáš Jiřička, Dobyvatelé akustických scén. Od radioartu k hudebnímu divadlu (Goebbels, Neuwirth, Ammer, Oehring), Prague: NAMU, 2015, 416 pp. [9] (Czech)
  • Tetsuo Kogawa, アキバと手の思考 [Think with Hands], ed. Hideki Take (武秀樹), Tokyo: Serika Shobo (せりか書房), 2016, 370 pp. Review: 三田格 (Ele-King). (Japanese)
    • Radio-art, trans. Pali Meursault, Paris: UV Éditions, 2019, 305 pp. Selection of Kogawa's texts, which retrace his journey as a sound artist, radio activist and theorist; with essays by Elizabeth Zimmermann and John Duncan. TOC, Introduction (EN). Publisher. [10]. Review: Stera (Volume). (French)
  • Knut Aufermann, Helen Hahmann, Sarah Washington, Ralf Wendt (eds.), Radio Revolten: 30 Days of Radio Art, Leipzig: Spector Books, 2019, 356 pp. Publisher. Review: Mallozzi (Resonance).
  • Sarah Washington (ed.), Radio Art Zone, Berlin: Hatje Cantz, 2023, 236 pp. Texts by Jasmina Al-Qaisi, Knut Aufermann, Ed Baxter, Frauke Berg, Élodie Brochier, Irina Gheorghe, Lucinda Guy, Elaine W. Ho, Catherine Kontz, Caroline Kraabel, Felix Kubin, Marold Langer-Philippsen, Liquid Penguin Ensemble, Heidi Neilson, Buttress O'Kneel, Tomáš Procházka, Ralf Schreiber, Nichola Scrutton, Sisters Akousmatica, Erwin Stache, Ralf Wendt, Daniel R. Wilson. Event. Publisher. Review: Leahy (Leonardo).

Links[edit]

See also[edit]

Sound art, Net radio, Community radio