Difference between revisions of "Remake/Exhibition/Work 6 / A. Prior, D. Strang / Distributed Presence"

From Monoskop
Jump to navigation Jump to search
(Created page with "* '''Distributed Presence''' <br> Artists: Andrew Prior (UK), David Strang (UK) <br> Cooperation: Miroslav Tóth (SK) <br> Original artwork: Orthogenesis by Jozef Malovec <br> <b...")
 
Line 1: Line 1:
* '''Distributed Presence''' <br>
+
'''Distributed Presence''' <br>
Artists: Andrew Prior (UK), David Strang (UK) <br>
+
Artists: [[Andrew Prior]] (UK), [[David Strang]] (UK) <br>
Cooperation: Miroslav Tóth (SK) <br>
+
Collaboration: [[Miroslav Tóth]] (SK)  
Original artwork: Orthogenesis by Jozef Malovec <br>
+
 
<br>
+
Distributed presence is an installation that turns back to composer [[Jozef Malovec]] and highlights the “golden age” of the Slovak electroacoustic music in 1960s and 70s. Malovec together with a sound engineer [[Peter Janík]] created in [[Experimental Studio in Slovak Radio]] the timeless electroacoustic composition ''Orthogenesis'' (1966) in which he used stochastic principle for organising musical material.
Distributed presence is an installation that turns back to composer Jozef Malovec and highlights the 'golden age‘ of the Slovak electroacoustic music in 1960s and 70s. Malovec together with a sound engineer Peter Janik created in Experimental Studio in Slovak Radio the timeless electroacoustic composition Orthogenesis (1966) in which he used stochastic principle for organising musical material. <br> 
+
 
This interactive sound and image installation brings together presence and tele-presence, to explore and re-work composition of a seminal Slovakian artist Jozef Malovec. It combines motion-tracking control of this material through granular synthesis within the gallery, with DJing processes of mixing, looping, slicing and manipulation online (thus ‘WebJaying’).
+
This interactive sound and image installation brings together presence and tele-presence, to explore and re-work composition of a seminal Slovak artist Jozef Malovec. It combines motion-tracking control of this material through granular synthesis within the gallery, with DJing processes of mixing, looping, slicing and manipulation online (thus “WebJaying”). Within the gallery space, the use of motion tracking replaces the time domain of these archival materials with a spatial dimension, encouraging a sense of exploration and physical interaction. The sounds produced in the gallery are streamed online through use of a downloadable MaxMSP application, and in turn this application allows people to mix and manipulate material, in response to these sounds, the results of which are then streamed back into the gallery space to produce a distributed collaborative response to the sounds of the archival material.
Within the gallery space, the use of motion tracking replaces the time domain of these archival materials with a spatial dimension, encouraging a sense of exploration and physical interaction. The sounds produced in the gallery are streamed online through use of a downloadable MaxMSP application, and in turn this application allows people to mix and manipulate material, in response to these sounds, the results of which are then streamed back into the gallery space to produce a distributed collaborative response to the sounds of the archival material. <br>
+
 
<br>
 
<br>
 
 
Technické požiadavky: <br>
 
Technické požiadavky: <br>
 
2x plátno na obojstrannú projekciu <br>
 
2x plátno na obojstrannú projekciu <br>
Line 16: Line 14:
 
1x KINECT <br>
 
1x KINECT <br>
 
1x web-kamera <br>
 
1x web-kamera <br>
 +
 +
 +
Part of the [[Remake]] exhibition.
 +
 +
http://exhibition.remakeme.eu/?p=125

Revision as of 11:00, 13 March 2012

Distributed Presence
Artists: Andrew Prior (UK), David Strang (UK)
Collaboration: Miroslav Tóth (SK)

Distributed presence is an installation that turns back to composer Jozef Malovec and highlights the “golden age” of the Slovak electroacoustic music in 1960s and 70s. Malovec together with a sound engineer Peter Janík created in Experimental Studio in Slovak Radio the timeless electroacoustic composition Orthogenesis (1966) in which he used stochastic principle for organising musical material.

This interactive sound and image installation brings together presence and tele-presence, to explore and re-work composition of a seminal Slovak artist Jozef Malovec. It combines motion-tracking control of this material through granular synthesis within the gallery, with DJing processes of mixing, looping, slicing and manipulation online (thus “WebJaying”). Within the gallery space, the use of motion tracking replaces the time domain of these archival materials with a spatial dimension, encouraging a sense of exploration and physical interaction. The sounds produced in the gallery are streamed online through use of a downloadable MaxMSP application, and in turn this application allows people to mix and manipulate material, in response to these sounds, the results of which are then streamed back into the gallery space to produce a distributed collaborative response to the sounds of the archival material.

Technické požiadavky:
2x plátno na obojstrannú projekciu
2x projektor
2x väčšie páry aktívnych reproboxov (Two  pairs of active monitors; large enough to impress)
2x počítač MAC s programom max5; ideálne s OSX 10.6.4, oba pripojené na internet (nie WIFI)
1x KINECT
1x web-kamera


Part of the Remake exhibition.

http://exhibition.remakeme.eu/?p=125