Difference between revisions of "Rhythm"

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==Literature==
 
==Literature==
* Faith Binckes, ''Modernism, Magazines, and the British avant-garde: Reading ''Rhythm'', 1910-1914'', Oxford University Press, 2010, 272 pp. [http://global.oup.com/academic/product/modernism-magazines-and-the-british-avant-garde-9780199252527]
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* Faith Binckes, ''[http://library.memoryoftheworld.org/b/OA1LmIl_urZFSfrvhgBkWvKRP3A7Y2waGvuGRmeO1R8e43tG Modernism, Magazines, and the British avant-garde: Reading ''Rhythm'', 1910-1914]'', Oxford University Press, 2010, 272 pp. [http://global.oup.com/academic/product/modernism-magazines-and-the-british-avant-garde-9780199252527]
  
 
==Links==
 
==Links==

Revision as of 11:47, 16 October 2017

Rhythm: Art Music Literature was founded as a quarterly magazine, published in London, with the first issue dated Summer, 1911. After four quarterly issues it became a monthly, until it ceased publication with the issue of March 1913. The principle editor from beginning to end was John Middleton Murry, assisted at the beginning by Michael T. H. Sadler and by John Duncan Fergusson, who acted as art editor for most of the short life of the magazine. Katherine Mansfield joined the staff with the first monthly issue, in June 1912, as an assistant editor, becoming co-editor in the issue of February 1913. Her stories and poems appeared regularly. This journal is especially important for its art and the theory of rhythm in the arts sketched out in its pages, which made it a major precursor of Vorticism. Many of the artists connected to Rhythm were later considered Vorticists. (Source)

Issues

Literature

Links


Avant-garde and modernist magazines

Poesia (1905-09, 1920), Der Sturm (1910-32), Blast (1914-15), The Egoist (1914-19), The Little Review (1914-29), 291 (1915-16), MA (1916-25), De Stijl (1917-20, 1921-32), Dada (1917-21), Noi (1917-25), 391 (1917-24), Zenit (1921-26), Broom (1921-24), Veshch/Gegenstand/Objet (1922), Die Form (1922, 1925-35), Contimporanul (1922-32), Secession (1922-24), Klaxon (1922-23), Merz (1923-32), LEF (1923-25), G (1923-26), Irradiador (1923), Sovremennaya architektura (1926-30), Novyi LEF (1927-29), ReD (1927-31), Close Up (1927-33), transition (1927-38).