Difference between revisions of "Roland Kuit"

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Research and sound design include: [http://rolandkuit.com/Kyma.htm Kyma - Pacarana], [http://rolandkuit.com/Buchla.html Buchla 200], Max/MSP, SCOPE SDK6 Xite, Modular IV, Xite-1, NMG2, Nord Modular, KLC MS-20, Fortran IV, Voltage-control studio (BEA 5) Institute of Sonology, ARP2600.  
 
Research and sound design include: [http://rolandkuit.com/Kyma.htm Kyma - Pacarana], [http://rolandkuit.com/Buchla.html Buchla 200], Max/MSP, SCOPE SDK6 Xite, Modular IV, Xite-1, NMG2, Nord Modular, KLC MS-20, Fortran IV, Voltage-control studio (BEA 5) Institute of Sonology, ARP2600.  
  
Trained by Gottfried Michael Koenig, Jaap Vink, Werner Kaegi, Paul Berg and Stan Tempelaars at the Institute of Sonology Utrecht. Kuit uses algorithmic and stochastic approaches in which speciffic decisions are included for the musician(s). At the IRCAM in Paris, Kuit experienced new ways in acoustic composition and research of physical modeling in spectral music. Earlier he had accomplished a virtual string quartet with use of analogue synthesis. Kuit composes for modular synthesizer systems, computer and acoustic instruments in collaboration with electronic means and expansion of sound and sound directions. Emerging the overlaps between research, music, sound art and space. This present day, Kuit is researching chaotic systems and the creation and definition of sound at atomic levels. Kuit is considered a pioneer of the art form generally referred to as “sound installation” and teached this at the Vrije Academie Den Haag in the 90's. Kuit introduced audio art to the installation space, a metamorphosis from the traditional speaker boxes into 'sonic spaces'.  
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Trained by Gottfried Michael Koenig, Jaap Vink, Werner Kaegi, Paul Berg and Stan Tempelaars at the Institute of Sonology Utrecht. Kuit uses algorithmic and stochastic approaches in which speciffic decisions are included for the musician(s). At the IRCAM in Paris, Kuit experienced new ways in acoustic composition and research of physical modeling in spectral music. Earlier he had accomplished a virtual string quartet with use of analogue synthesis. Kuit composes for modular synthesizer systems, computer and acoustic instruments in collaboration with electronic means and expansion of sound and sound directions. Emerging the overlaps between research, music, sound art and space. This present day, Kuit is researching chaotic systems and the creation and definition of sound at atomic levels. Kuit is considered a pioneer of the art form generally referred to as “sound installation” and teached this at the Vrije Academie Den Haag in the 90's. Kuit introduced audio art to the installation area, a metamorphosis from the traditional speaker boxes into 'sonic spaces'.  
  
 
Lectures: concepts, composition and sound design at the De Montfort University, School of Computing, Napier University, EMS Stockholm, Lindbladstudion Göteborg, Sonus Factory Rome, Centre for Electronic Music Amsterdam, SAE Rotterdam, Conservatory Groningen, the University for media London, Vrije Academie Den Haag, Klanklaboratorium, Koorenhuis Den Haag, Instituut voor Sonologie Utrecht.  
 
Lectures: concepts, composition and sound design at the De Montfort University, School of Computing, Napier University, EMS Stockholm, Lindbladstudion Göteborg, Sonus Factory Rome, Centre for Electronic Music Amsterdam, SAE Rotterdam, Conservatory Groningen, the University for media London, Vrije Academie Den Haag, Klanklaboratorium, Koorenhuis Den Haag, Instituut voor Sonologie Utrecht.  

Revision as of 13:39, 7 June 2018

Roland Emile Kuit is a composer, sonic artist, author and lecturer in the field of sound design, electroacoustic music and audio art. His output spans composition through sonic art, sound-architectural installations, collaborations with experimental artists, designers and scientists and acousmatic performances.

Research and sound design include: Kyma - Pacarana, Buchla 200, Max/MSP, SCOPE SDK6 Xite, Modular IV, Xite-1, NMG2, Nord Modular, KLC MS-20, Fortran IV, Voltage-control studio (BEA 5) Institute of Sonology, ARP2600.

Trained by Gottfried Michael Koenig, Jaap Vink, Werner Kaegi, Paul Berg and Stan Tempelaars at the Institute of Sonology Utrecht. Kuit uses algorithmic and stochastic approaches in which speciffic decisions are included for the musician(s). At the IRCAM in Paris, Kuit experienced new ways in acoustic composition and research of physical modeling in spectral music. Earlier he had accomplished a virtual string quartet with use of analogue synthesis. Kuit composes for modular synthesizer systems, computer and acoustic instruments in collaboration with electronic means and expansion of sound and sound directions. Emerging the overlaps between research, music, sound art and space. This present day, Kuit is researching chaotic systems and the creation and definition of sound at atomic levels. Kuit is considered a pioneer of the art form generally referred to as “sound installation” and teached this at the Vrije Academie Den Haag in the 90's. Kuit introduced audio art to the installation area, a metamorphosis from the traditional speaker boxes into 'sonic spaces'.

Lectures: concepts, composition and sound design at the De Montfort University, School of Computing, Napier University, EMS Stockholm, Lindbladstudion Göteborg, Sonus Factory Rome, Centre for Electronic Music Amsterdam, SAE Rotterdam, Conservatory Groningen, the University for media London, Vrije Academie Den Haag, Klanklaboratorium, Koorenhuis Den Haag, Instituut voor Sonologie Utrecht.

Honors/memberships: International Contemporary Art Exhibition Yerevan Armenia 2018, featured composer at Donemus, NASA's OSIRUS REx mission to Bennu, Associate Member Art Research Center/A.R.C.Group, Nomination Art Basel Miami 2015 collectors opening, Society for Electro Acoustic Music in Sweden (SEAMS), VEMS Stockholm, Composers Circle, New York City Electroacoustic Music Society (NYCEMS), Electronic Music Foundation(EMF), Société des musiciens Extraordinaires(SME)

Roland Kuit performes on festivals, galleries and musea in Europe, United States of America and Asia. Collaborated in different disciplines with artist as: Tomas Rajlich-paintings, Marcel Prins-sculptures, Karin Schomaker-visuals, Masumi Nagasawa-harp, Mischa Kuball-light and the FAMA Quartet. Available at Donemus Publishing House of Dutch Contem-porary Classical Music. First Dutch Electroacoustic music composer with music, sonic art and sound research into space by NASA's mission OSIRIS-REx launched 2016.09.08 reaching the astroid Bennu December 2018.

Works
  • SoundLab I. The Electronic Studio, Donemus, 2010; rev., 2014. [1]
  • SoundLab II. Architectures for Philosophers, Donemus, 2012; rev., 2014. [2]
  • Laboratory of Patching. Illustrated Compendium of Modular Synthesis, Donemus, 2012; rev., 2014. [3]
  • Modular strategies in shaping reflections and space, Donemus, 2013. [4] [5]
  • To be ON to be OFF, that's the SWITCH, Donemus, 2014. [6] [7]
  • more
Links