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Revision as of 19:51, 5 May 2016
Contents
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“In 2021, Networks of Care offered a platform at the nGbK enabling an exchange of ideas and information between practitioners and experts concerning strategies for dealing with artistic estates, private and public archives, or idle documentation volumes. The present contributions reflect—in their theoretical analyses and also partly fleeting or historical thoughts, notes, and reflections and through their polyphony and contradictoriness—the fact that practices of preserving and discarding are always also political and must be understood principally as unfinished processes of continuous selecting, deciding, translating, transferring, actualizing, and transforming. The publication concludes with a preliminary interim result and a proposal for next steps regarding these structural and cultural-political challenges.”
With contributions by Dušan Barok, Nanne Buurman, Amalia Calderòn, Mela Dávila Freire, Annet Dekker, Lukas Fuchsgruber, Michael Hiltbrunner, Megan Hoetger, Bettina Knaup, Christin Lahr, Anne Luther, Katalin Krasznahorkei, Laurence Rassel, Peter Rehberg, Elske Rosenfeld, Friederike Schäfer, Anna Schäffler, Olga Schubert, Cornelia Sollfrank, Ingrid Wagner, and Mark Waugh.
Publisher neue Gesellschaft für bildende Kunst (nGbK), Berlin, May 2022
ISBN 9783938515952
178 pages
MARCH, journal of art and strategy (2020–)
“MARCH embraces publishing as an act of protest to address the critical social and political issues of our time. MARCH emerges at a moment of deepening institutional crisis and is intent on advancing new forms of publication, critique, and public action. We are a partisan publication: we initiate, articulate, advance, and defend prefigurative ideas about what art is, could and should be. We believe in the latent potential critique carries to transform our art worlds, our institutions, our means of expression and experimentation, and ourselves. We are con-temporary, with and in our time—an archive of the present and proposition towards the future—where our ideas, actions and form embodies this insurrection.
MARCH features an annual print edition alongside an active online platform commissioning essays, interviews, and experimental critical writing with a global perspective. ”
Edited by Sarrita Hunn, James McAnally, et al.
Interview with editors: Mela Dávila Freire (A*Desk, 2021, EN/ES/CA).
Issues, features:
Dispatches (2020)
Issue 1 (2020-2021)
Issue 2: Black Ecologies (ed. Imani Jacqueline Brown, 2021-2022)
Publishing as Protocol (eds. with Constant and Vessel, 2021-2023)
Conversations on Sound and Power (ed. Sonic Insurgency Research Group, 2021-2022)
Multidirectional Memory (2022-)
“Piazza virtuale by the group of artists known as Van Gogh TV was not only the biggest art project ever to appear on television, but from a contemporary point of view the project was also a forerunner of today’s social media. The ground-breaking event that took place during the 100 days of documenta IX in 1992 was an early experiment with entirely user-created content. This is the first book-length study of this largely forgotten experiment: it documents the radicality of Piazza virtuale‘s approach, the novel programme ideas and the technical innovations. It also allows, via QR codes, direct access to videos from the show, which until now have been inaccessible.”
Publisher transcript, Bielefeld, December 2021
Media Studies series, 96
Creative Commons BY-NC-SA 4.0 license
ISBN 3837660664, 9783837660661
231 pages
Charlotte Johannesson. Take Me to Another World (2021) [EN, ES]
“A key figure of Swedish counterculture and the creator of the first digital arts laboratory in Nordic countries, Charlotte Johannesson has worked primarily with two tools: the artisan technology of the loom and digital IT programming technology, exploring and throwing into relief the connections, both conceptual and methodological, that exist between the two.
Charlotte Johannesson. Take Me to Another World renders an account of the meticulous research process around colour and line that the artist executes in her textile and digital practice. It also spotlights the contribution of Danish writer and artist Amalie Smith, who set up a dialogue between Johannesson’s career and her own present-tense narrative. Furthermore, the publication incorporates an interview conducted with the artist in 2012, re-edited and translated for this occasion.”
Publisher Museo Reina Sofía, Madrid, 2021
Creative Commons BY-NC-ND 4.0 License
ISBN 9788480266246, 8480266244
172 pages
wikitex
<wikitex refresh dpi="144"> \section*{Education} \begin{itemize} \item M.A. Media Design and Communication: Networked Media, Piet Zwart Institute, Willem de Kooning Academy, Rotterdam University, Netherlands, 2010--2012. \item M.A. Information Technologies, Faculty of Economic Informatics, Economic University of Bratislava, Slovakia, 1997--2002. \begin{itemize} \item \textit{Dissertation:} Electronic Business (Online Market in the Mirror of Chaos Theory). \end{itemize} \item Mass Media Communication, Faculty of Mass Media Communication, University of Cyril and Method in Trnava, Slovakia, 1999--2001. \end{itemize} </wikitex>
<wikitex> Let $Q$ be any finite set, and $\mathcal B=2^Q$ be the collection of the subsets of $Q$. Let $f:\mathcal B\rightarrow \mathbb R$ be a function assigning real numbers to the subsets of $Q$ and suppose $f$ satisfies the following conditions:
- (i) $f(A)\ge 0$ for all $A\subseteq Q$, $f(\emptyset)=0$,
- (ii) $f$ is monotone, i.e. if $A\subseteq B\subseteq Q$ then $f(A)\le f(B)$,
- (iii) $f$ is submodular, i.e. if $A$ and $B$ are different subsets of $Q$ then
$$f(A)+f(B)\ge f(A\cap B) + f(A\cup B).\eqno{(2)}$$
</wikitex>
<wikitex> <math>\frac{1}{\displaystyle1+\frac{1}{\displaystyle 1+\sqrt{5}}}</math> </wikitex>
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<lua who="Sandbox"> function hello(s)
return string.format("Hello, %s!", s)
end
print(hello(who)) </lua>
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"I should also say that I don’t see any contradictions at all between music and noise. Most so-called noises that have been used in the film have not been reproduced by means of noise instruments, but rather have been reproduced by musical means by real musical instruments.
The harmonium has played a huge role in this business: we can produce the sound of a dynamo-motor, taking, for example, an interval of a semitone in the low register.
The sound of the flight of an aeroplane..
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