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“In 2021, Networks of Care offered a platform at the nGbK enabling an exchange of ideas and information between practitioners and experts concerning strategies for dealing with artistic estates, private and public archives, or idle documentation volumes. The present contributions reflect—in their theoretical analyses and also partly fleeting or historical thoughts, notes, and reflections and through their polyphony and contradictoriness—the fact that practices of preserving and discarding are always also political and must be understood principally as unfinished processes of continuous selecting, deciding, translating, transferring, actualizing, and transforming. The publication concludes with a preliminary interim result and a proposal for next steps regarding these structural and cultural-political challenges.”
With contributions by Dušan Barok, Nanne Buurman, Amalia Calderòn, Mela Dávila Freire, Annet Dekker, Lukas Fuchsgruber, Michael Hiltbrunner, Megan Hoetger, Bettina Knaup, Christin Lahr, Anne Luther, Katalin Krasznahorkei, Laurence Rassel, Peter Rehberg, Elske Rosenfeld, Friederike Schäfer, Anna Schäffler, Olga Schubert, Cornelia Sollfrank, Ingrid Wagner, and Mark Waugh.
Publisher neue Gesellschaft für bildende Kunst (nGbK), Berlin, May 2022
ISBN 9783938515952
178 pages
MARCH, journal of art and strategy (2020–)
“MARCH embraces publishing as an act of protest to address the critical social and political issues of our time. MARCH emerges at a moment of deepening institutional crisis and is intent on advancing new forms of publication, critique, and public action. We are a partisan publication: we initiate, articulate, advance, and defend prefigurative ideas about what art is, could and should be. We believe in the latent potential critique carries to transform our art worlds, our institutions, our means of expression and experimentation, and ourselves. We are con-temporary, with and in our time—an archive of the present and proposition towards the future—where our ideas, actions and form embodies this insurrection.
MARCH features an annual print edition alongside an active online platform commissioning essays, interviews, and experimental critical writing with a global perspective. ”
Edited by Sarrita Hunn, James McAnally, et al.
Interview with editors: Mela Dávila Freire (A*Desk, 2021, EN/ES/CA).
Issues, features:
Dispatches (2020)
Issue 1 (2020-2021)
Issue 2: Black Ecologies (ed. Imani Jacqueline Brown, 2021-2022)
Publishing as Protocol (eds. with Constant and Vessel, 2021-2023)
Conversations on Sound and Power (ed. Sonic Insurgency Research Group, 2021-2022)
Multidirectional Memory (2022-)
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<wikitex refresh dpi="144"> \section*{Education} \begin{itemize} \item M.A. Media Design and Communication: Networked Media, Piet Zwart Institute, Willem de Kooning Academy, Rotterdam University, Netherlands, 2010--2012. \item M.A. Information Technologies, Faculty of Economic Informatics, Economic University of Bratislava, Slovakia, 1997--2002. \begin{itemize} \item \textit{Dissertation:} Electronic Business (Online Market in the Mirror of Chaos Theory). \end{itemize} \item Mass Media Communication, Faculty of Mass Media Communication, University of Cyril and Method in Trnava, Slovakia, 1999--2001. \end{itemize} </wikitex>
<wikitex> Let $Q$ be any finite set, and $\mathcal B=2^Q$ be the collection of the subsets of $Q$. Let $f:\mathcal B\rightarrow \mathbb R$ be a function assigning real numbers to the subsets of $Q$ and suppose $f$ satisfies the following conditions:
- (i) $f(A)\ge 0$ for all $A\subseteq Q$, $f(\emptyset)=0$,
- (ii) $f$ is monotone, i.e. if $A\subseteq B\subseteq Q$ then $f(A)\le f(B)$,
- (iii) $f$ is submodular, i.e. if $A$ and $B$ are different subsets of $Q$ then
$$f(A)+f(B)\ge f(A\cap B) + f(A\cup B).\eqno{(2)}$$
</wikitex>
<wikitex> <math>\frac{1}{\displaystyle1+\frac{1}{\displaystyle 1+\sqrt{5}}}</math> </wikitex>
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"I should also say that I don’t see any contradictions at all between music and noise. Most so-called noises that have been used in the film have not been reproduced by means of noise instruments, but rather have been reproduced by musical means by real musical instruments.
The harmonium has played a huge role in this business: we can produce the sound of a dynamo-motor, taking, for example, an interval of a semitone in the low register.
The sound of the flight of an aeroplane..
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