Difference between revisions of "Sanja Iveković"
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Born in [[Zagreb]], where she graduated from The Academy of Fine Arts and had her first solo exhibition in 1970. Her art production has spanned a range of media such as photography, performance, video and installations. The point of departure of her work was (and has remained until today) her own person, her own life - and by putting this theme into a broader context - the situation of women in our time and society. On Croatian art scene she was the first women artist who called herself a feminist artist. She lectures at the Center for Women's Studies in Zagreb since its begining in 1994. She is a founder of [[Electra]] - The Women's Art Center Zagreb. | Born in [[Zagreb]], where she graduated from The Academy of Fine Arts and had her first solo exhibition in 1970. Her art production has spanned a range of media such as photography, performance, video and installations. The point of departure of her work was (and has remained until today) her own person, her own life - and by putting this theme into a broader context - the situation of women in our time and society. On Croatian art scene she was the first women artist who called herself a feminist artist. She lectures at the Center for Women's Studies in Zagreb since its begining in 1994. She is a founder of [[Electra]] - The Women's Art Center Zagreb. | ||
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| + | ; Catalogues | ||
| + | * Roxana Marcoci, ''[http://gen.lib.rus.ec/book/index.php?md5=3D689CF629DFAB6661EC588B918DA5D7 Sanja Ivekovic: Sweet Violence]'', New York: MoMA, 2011, 192 pp. | ||
; Interviews | ; Interviews | ||
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; Literature | ; Literature | ||
* Carol Kino, [http://www.nytimes.com/2011/12/25/arts/design/sanja-ivekovic-croatias-monumental-provocateur.html?_r=2&pagewanted=all "Croatia’s Monumental Provocateur"], ''New York Times'', Dec 2011. | * Carol Kino, [http://www.nytimes.com/2011/12/25/arts/design/sanja-ivekovic-croatias-monumental-provocateur.html?_r=2&pagewanted=all "Croatia’s Monumental Provocateur"], ''New York Times'', Dec 2011. | ||
| + | * Ruth Noack, ''[http://gen.lib.rus.ec/book/index.php?md5=FE8F74196A01FD8D24B5FE774B139DFD Sanja Iveković: "Triangle"]'', London: Afterall, 2013, 106 pp. | ||
; See also | ; See also | ||
Revision as of 10:43, 28 February 2017
 Sanja Iveković, 1975. Photo: Dalibor Martinis. | |
| Collections | MoMA 19, Generali 14, Kontakt 8, Reina Sofia 3, Stedelijk 1, Macba 1 |
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Sanja Iveković (1949, Zagreb) is a Croatian artist.
Born in Zagreb, where she graduated from The Academy of Fine Arts and had her first solo exhibition in 1970. Her art production has spanned a range of media such as photography, performance, video and installations. The point of departure of her work was (and has remained until today) her own person, her own life - and by putting this theme into a broader context - the situation of women in our time and society. On Croatian art scene she was the first women artist who called herself a feminist artist. She lectures at the Center for Women's Studies in Zagreb since its begining in 1994. She is a founder of Electra - The Women's Art Center Zagreb.
- Catalogues
- Roxana Marcoci, Sanja Ivekovic: Sweet Violence, New York: MoMA, 2011, 192 pp.
- Interviews
- Katarzyna Pabijanek, "'Women's House': Sanja Ivekovic Discusses Recent Projects (Interview)", ARTMargins, 20 Dec 2009.
- Literature
- Carol Kino, "Croatia’s Monumental Provocateur", New York Times, Dec 2011.
- Ruth Noack, Sanja Iveković: "Triangle", London: Afterall, 2013, 106 pp.
- See also
- Links
