Difference between revisions of "Sensory ethnography"

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In recent years, sensory ethnography has emerged in response to the way that anthropology has represented its human subjects in media, primarily through film. This new discipline, which has its roots in field recordings, sound art and ethnographic films, tries to develop a way of approaching anthropology's social concerns, maintaining its methodological imperative to clearly and accurately represent its subjects, while at the same time acknowledging that the audience for such research also makes up part of the meaning that it creates. In short, sensory ethnography is an attempt to resolve the subjective, artistic approaches needed to make effective and engaging work out of empirical data, at the same time as accurately representing its observations. [http://www.cafeoto.co.uk/wire-salon-in-the-realm-of-the-senses-sensory-ethnography.shtm (source)]
 
In recent years, sensory ethnography has emerged in response to the way that anthropology has represented its human subjects in media, primarily through film. This new discipline, which has its roots in field recordings, sound art and ethnographic films, tries to develop a way of approaching anthropology's social concerns, maintaining its methodological imperative to clearly and accurately represent its subjects, while at the same time acknowledging that the audience for such research also makes up part of the meaning that it creates. In short, sensory ethnography is an attempt to resolve the subjective, artistic approaches needed to make effective and engaging work out of empirical data, at the same time as accurately representing its observations. [http://www.cafeoto.co.uk/wire-salon-in-the-realm-of-the-senses-sensory-ethnography.shtm (source)]
  
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<blockquote>"The practice of making nonfiction work which goes under the names media anthropology or sensory ethnography is based on the understanding that human meaning does not emerge only from language; it engages with the ways in which our sensory experience is pre-or non-linguistic, and part of our bodily being in the world. It takes advantage of the fact that our cognitive awareness – conscious as well as unconscious – consists of multiple strands of signification, woven of shifting fragments of imagery, sensation and malleable memory. Works of sensory media are capable of echoing or reflecting or embodying these kinds of multiple simultaneous strands of signification." (Ernst Karel, [http://earroom.wordpress.com/2013/02/14/ernst-karel/ interviewed at ''Earroom''])</blockquote>
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<blockquote>"The practice of making nonfiction work which goes under the names media anthropology or sensory ethnography is based on the understanding that human meaning does not emerge only from language; it engages with the ways in which our sensory experience is pre-or non-linguistic, and part of our bodily being in the world. It takes advantage of the fact that our cognitive awareness – conscious as well as unconscious – consists of multiple strands of signification, woven of shifting fragments of imagery, sensation and malleable memory. Works of sensory media are capable of echoing or reflecting or embodying these kinds of multiple simultaneous strands of signification." (Ernst Karel, [http://earroom.wordpress.com/2013/02/14/ernst-karel/ interviewed in ''Earroom''])</blockquote>
  
 
==Pages==
 
==Pages==
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==Literature==
 
==Literature==
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* Sarah Pink, ''Doing Sensory Ethnography, ''SAGE'', 2009.
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; Monographs
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* Alex Rhys-Taylor, ''[http://eprints.gold.ac.uk/3226/1/SOC_thesis_Rhys-Taylor_2011.pdf Coming to our senses: a multi-sensory ethnography of class and multiculture in East London]''. PhD thesis, Goldsmiths, London, 2010.
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* Lucien Castaing-Taylor (ed.), ''Visualizing Theory'', University of California Press, 1994. {{en}}
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* Dennis Lim, "[http://www.nytimes.com/2012/09/02/movies/harvard-filmmakers-messy-world.html?_r=2&pagewanted=all& The Merger of Academia and Art House: Harvard Filmmakers’ Messy World]", ''The New York Times'', 31 August 2012.
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* Anna Grimshaw, ''[http://libgen.rs/book/index.php?md5=acfbe35130dd4444996be267e39b2fd6 The Ethnographer’s Eye: Ways of Seeing in Modern Anthropology]'', Cambridge University Press, 2001. {{en}}
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* ''[http://sensatejournal.com/ Sensate: A Journal for Experiments in Critical Media Practice]'', 2012-.
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* François Laplantine, ''Le social et le sensible: introduction à une anthropologie modale'', Paris: Téraèdre, 2005, 220 pp. [http://www.teraedre.fr/product.php?id_product=36] {{fr}}
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** ''[http://monoskop.org/log/?p=14767 The Life of the Senses: Introduction to a Modal Anthropology]'', trans. Jamie Furniss, intro. David Howes, 2015, xviii+152 pp. {{en}}
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* David MacDougall, ''[http://libgen.rs/book/index.php?md5=331D76EDF7C82675AAB51E8510CD56F5 The Corporeal Image: Film, Ethnography and the Senses]'', Princeton University Press, 2005, 328 pp. {{en}}
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* Sarah Pink, ''[http://libgen.rs/book/index.php?md5=20F258F5EA79C18FEF5B9B6A3126001B The Future of Visual Anthropology: Engaging the Senses]'', Routledge, 2006. {{en}}
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* Sarah Pink, ''[http://libgen.rs/book/index.php?md5=3BFC58F689F4CCACF70D9B08901FFA2D Doing Sensory Ethnography]'', Sage, 2009. {{en}}
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* Michael Bull, Jon P. Mitchell (eds.), ''Ritual, Performance and the Senses'', London: Bloomsbury, 2015, 224 pp. [http://www.bloomsbury.com/uk/ritual-performance-and-the-senses-9780857854735/] {{en}}
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; Journals
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* ''[http://sensatejournal.com/ Sensate: A Journal for Experiments in Critical Media Practice]'', since 2012. {{en}}
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; Papers and articles
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* Sarah Pink, [[Media:Pink_Sarah_2008_Mobilising_Visual_Ethnography.pdf|"Mobilising Visual Ethnography: Making Routes, Making Place and Making Images"]], ''Forum Qualitative Sozialforschung / Forum: Qualitative Social Research'' 9:3 (Sep 2008). {{en}}
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* Sarah Pink, with responses by David Howes, [[Media:Pink_Sarah_2010_The_Future_of_Sensory_Anthropology_The_Anthropology_of_the_Senses.pdf|"The Future of Sensory Anthropology/The Anthropology of the Senses"]], ''Social Anthropology'' 18:3 (2010), pp 331-340. {{en}}
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* Sarah Pink, "Sensory Digital Photography: Re-thinking Moving and the Image", ''Visual Studies'' 26:1 (2011), pp 4-13. {{en}}
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* Tim Ingold, [[Media:Ingold_Tim_2011_Worlds_of_Sense_and_Sensing_the_World.pdf|"Worlds of Sense and Sensing the World: A Response to Sarah Pink and David Howes"]], ''Social Anthropology/Anthropologie Sociale'' 19:3 (2011), pp 313-317. {{en}}
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* Dennis Lim, "[http://www.nytimes.com/2012/09/02/movies/harvard-filmmakers-messy-world.html?_r=2&pagewanted=all& The Merger of Academia and Art House: Harvard Filmmakers’ Messy World]", ''The New York Times'', 31 August 2012. {{en}}
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 +
; Theses
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* Alex Rhys-Taylor, ''[http://eprints.gold.ac.uk/3226/1/SOC_thesis_Rhys-Taylor_2011.pdf Coming to Our Senses: A Multi-Sensory Ethnography of Class and Multiculture in East London]'', Goldsmiths, London, 2010. PhD dissertation. {{en}}
  
 
==See also==
 
==See also==
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* [[Sound art]], [[Field recording]]
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[[Anthropology]], [[Field recording]]
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{{Media art and culture}}
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{{Humanities}}
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__NOTOC__
 

Revision as of 10:54, 5 March 2021

In recent years, sensory ethnography has emerged in response to the way that anthropology has represented its human subjects in media, primarily through film. This new discipline, which has its roots in field recordings, sound art and ethnographic films, tries to develop a way of approaching anthropology's social concerns, maintaining its methodological imperative to clearly and accurately represent its subjects, while at the same time acknowledging that the audience for such research also makes up part of the meaning that it creates. In short, sensory ethnography is an attempt to resolve the subjective, artistic approaches needed to make effective and engaging work out of empirical data, at the same time as accurately representing its observations. (source)

"The practice of making nonfiction work which goes under the names media anthropology or sensory ethnography is based on the understanding that human meaning does not emerge only from language; it engages with the ways in which our sensory experience is pre-or non-linguistic, and part of our bodily being in the world. It takes advantage of the fact that our cognitive awareness – conscious as well as unconscious – consists of multiple strands of signification, woven of shifting fragments of imagery, sensation and malleable memory. Works of sensory media are capable of echoing or reflecting or embodying these kinds of multiple simultaneous strands of signification." (Ernst Karel, interviewed in Earroom)

Pages

Events

Literature

Monographs
Journals
Papers and articles
Theses

See also

Anthropology, Field recording


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