Difference between revisions of "Sergei Eisenstein"

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** ''[[Media:Eisenstein_Sergio_El_sentido_del_cine.pdf|El sentido del cine]]'', trans. Norah Lacoste, 1958; 2nd ed., Buenos Aires: Siglo XXI, 1974. {{es}}
 
** ''[[Media:Eisenstein_Sergio_El_sentido_del_cine.pdf|El sentido del cine]]'', trans. Norah Lacoste, 1958; 2nd ed., Buenos Aires: Siglo XXI, 1974. {{es}}
 
** ''[[Media:Eisenstein_Sergei_O_sentido_do_filme.pdf|O sentido do filme]]'', trans. Teresa Ottoni, notes Jose Carlos Avelar, Rio de Janeiro: Jorge Zahar, 1990; 2002, 159 pp. {{br-pt}}
 
** ''[[Media:Eisenstein_Sergei_O_sentido_do_filme.pdf|O sentido do filme]]'', trans. Teresa Ottoni, notes Jose Carlos Avelar, Rio de Janeiro: Jorge Zahar, 1990; 2002, 159 pp. {{br-pt}}
 
 
* ''Ivan Grozny'' [Иван Грозный], Moscow: Goskinoizdat, 1944, 192 pp. {{ru}}
 
* ''Ivan Grozny'' [Иван Грозный], Moscow: Goskinoizdat, 1944, 192 pp. {{ru}}
 
** ''[http://gen.lib.rus.ec/book/index.php?md5=AC0CC6A072EEED5BE913A03687C2918A Ivan the Terrible]'', Faber, 1989. {{en}}
 
** ''[http://gen.lib.rus.ec/book/index.php?md5=AC0CC6A072EEED5BE913A03687C2918A Ivan the Terrible]'', Faber, 1989. {{en}}
 
 
* ''[[Media:Eisenstein_Sergei_Film_Form_Essays_in_Film_Theory_1977.pdf|Film Form: Essays in Film Theory]]'', ed. & trans. Jay Leyda, New York: Meridian, 1944; repr., New York: Hartcourt, 1977, 279 pp, [[Media:Eisenstein_Sergei_Film_Form_Essays_in_Film_Theory_1977.epub|EPUB]]. {{en}}
 
* ''[[Media:Eisenstein_Sergei_Film_Form_Essays_in_Film_Theory_1977.pdf|Film Form: Essays in Film Theory]]'', ed. & trans. Jay Leyda, New York: Meridian, 1944; repr., New York: Hartcourt, 1977, 279 pp, [[Media:Eisenstein_Sergei_Film_Form_Essays_in_Film_Theory_1977.epub|EPUB]]. {{en}}
 
 
* ''Kak ya stal rezhisserom'' [Как я стал режиссёром], Riga: Goskinoizdat, 1946, 340 pp; [http://lib.ru/CINEMA/kinolit/EJZENSHTEJN/s_kak_ya_stal_rezhisserom.txt repr. in] ''Izbrannye proizvedeniya, 5'', 1968. {{ru}}
 
* ''Kak ya stal rezhisserom'' [Как я стал режиссёром], Riga: Goskinoizdat, 1946, 340 pp; [http://lib.ru/CINEMA/kinolit/EJZENSHTEJN/s_kak_ya_stal_rezhisserom.txt repr. in] ''Izbrannye proizvedeniya, 5'', 1968. {{ru}}
 
* ''Izbrannye stati'' [Избранные статьи], Moscow: Iskusstvo, 1956, 456 pp. {{ru}}
 
* ''Izbrannye stati'' [Избранные статьи], Moscow: Iskusstvo, 1956, 456 pp. {{ru}}
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** ''La non-indifférente nature'', 2 vols., trans. Luda and Jean Schnitzer, preface Pascal Bonitzer (I) and François Albéra (II), Paris: Union générale d'éditions, 1975 & 1978, 444 & 377 pp. {{fr}}
 
** ''La non-indifférente nature'', 2 vols., trans. Luda and Jean Schnitzer, preface Pascal Bonitzer (I) and François Albéra (II), Paris: Union générale d'éditions, 1975 & 1978, 444 & 377 pp. {{fr}}
 
** ''[http://monoskop.org/log/?p=14731 Nonindifferent Nature]'', trans. Herbert Marshall, Cambridge University Press, 1987, xxv+428 pp, [[Media:Eisenstein_Sergei_Nonindifferent_Nature.pdf|PDF]]. {{en}}
 
** ''[http://monoskop.org/log/?p=14731 Nonindifferent Nature]'', trans. Herbert Marshall, Cambridge University Press, 1987, xxv+428 pp, [[Media:Eisenstein_Sergei_Nonindifferent_Nature.pdf|PDF]]. {{en}}
* ''Das dynamische Quadrat. Schriften zum Film'', eds. and trans. Oksana Bulgakowa & Dietmar Hochmuth, Leipzig: Reclam 1988, 1991, 411 pp. ''[http://de.potemkinpress.com/products/sme-das-dynamische-quadrat]'' {{de}}
+
* ''Das dynamische Quadrat. Schriften zum Film'', eds. and trans. Oksana Bulgakowa & Dietmar Hochmuth, Leipzig: Reclam 1988, 1991, 411 pp. [http://de.potemkinpress.com/products/sme-das-dynamische-quadrat] {{de}}
 
* ''[http://monoskop.org/log/?p=2046 Selected Works, 1: Writings, 1922-34]'', ed. & trans. Richard Taylor, London: British Film Institute, 1988, 343 pp. {{en}}
 
* ''[http://monoskop.org/log/?p=2046 Selected Works, 1: Writings, 1922-34]'', ed. & trans. Richard Taylor, London: British Film Institute, 1988, 343 pp. {{en}}
 
* ''[[Media:Eisenstein_Sergei_The_Psychology_of_Composition.pdf|The Psychology of Composition]]'', ed. & trans. Alan Upchurch, preface Jan Leyda, London: Methuen, 1988, 120 pp. {{en}}
 
* ''[[Media:Eisenstein_Sergei_The_Psychology_of_Composition.pdf|The Psychology of Composition]]'', ed. & trans. Alan Upchurch, preface Jan Leyda, London: Methuen, 1988, 120 pp. {{en}}

Revision as of 00:54, 24 August 2015


Boris Pasternak, Sergei Eisenstein, Vladimir Mayakovsky, Lilya Brik, 1924.
Born January 22, 1898(1898-01-22)
Riga, Governorate of Livonia, Russian Empire
Died February 11, 1948(1948-02-11) (aged 50)
Moscow, Soviet Union
Web Aaaaarg, Wikipedia, Using "Academia.edu" as property chain is not permitted during the annotation process., Open Library

Sergei Mikhailovich Eisenstein (Сергей Михайлович Эйзенштейн; 22 January 1898 – 11 February 1948) was a film director and film theorist, a pioneer in the theory and practice of montage.

The Film Sense, 1942/1957, PDF.
Film Form: Essays in Film Theory, 1944/1977, PDF, EPUB.
Selected Works, 1: Writings, 1922-34, 1988, Log, PDF.
Nonindifferent Nature, 1987, Log, PDF.

Writings

  • Film Essays and a Lecture, ed. Jay Leyda, foreword Grigori Kozintsev, New York: Praeger, 1970, 220 pp. (English)
  • Schriften, 4 vols., Munich: Hanser, 1974-84. (German)
  • Über mich und meine Filme, ed. Lilli Kaufmann, trans. Christiane Mückenberger, Lothar Fahlbusch and Lilli Kaufmann, Berlin: Henschelverlag, 1975. (German)
  • Eine nicht gleichmütige Natur, ed. Rosemarie Heise, trans. Regine Kühn, Berlin: Henschel, 1980. (German)
  • Yo. Ich selbst. Memoiren. 2 vols., Berlin: Henschel, 1984; 1988. (German)
  • Neravnodushnaya priroda [Неравнодушная природа], 2 vols., ed. N. Kleyman, Moscow: Ejzenshtejn-tsentr, 2004 & 2006, 687 & 624 pp. (Russian)
    • La non-indifférente nature, 2 vols., trans. Luda and Jean Schnitzer, preface Pascal Bonitzer (I) and François Albéra (II), Paris: Union générale d'éditions, 1975 & 1978, 444 & 377 pp. (French)
    • Nonindifferent Nature, trans. Herbert Marshall, Cambridge University Press, 1987, xxv+428 pp, PDF. (English)
  • Das dynamische Quadrat. Schriften zum Film, eds. and trans. Oksana Bulgakowa & Dietmar Hochmuth, Leipzig: Reclam 1988, 1991, 411 pp. [1] (German)
  • Selected Works, 1: Writings, 1922-34, ed. & trans. Richard Taylor, London: British Film Institute, 1988, 343 pp. (English)
  • The Psychology of Composition, ed. & trans. Alan Upchurch, preface Jan Leyda, London: Methuen, 1988, 120 pp. (English)
  • Beyond the Stars: The Memoirs of Sergei Eisenstein, trans. William Powell, Calcutta: Seagull Books, 1995, xxi+889 pp. (English)
  • Memuary, 1: Wie sag' ich's meinem Kinde? [Мемуары], ed., intro. & comm. N.I. Kleyman, Moscow: Trud, 1997, 432 pp. (Russian)
  • Memuary, 2: Автобиография; Обезьянья логика; Истинные пути изобретания; Профили [Мемуары], Moscow: Trud, 1997, 544 pp. (Russian)
  • The Eisenstein Reader, ed. Richard Taylor, trans. Richard Taylor and William Powell, London: British Film Institute, 1998, vii+211 pp. (English)
  • Eisenstein und Deutschland. Texte, Dokumente, Briefe, ed. Oksana Bulgakowa, Berlin: Henschel, 1998, 240 pp. (German)
  • Montazh [Монтаж: Монтаж аттракционов; За кадром; Четвёртое измерение в кино; Монтаж 1938; Вертикальный монтаж; Вкладыш], intro. R. Yurenev, Moscow: VGIK, 1998, 193 pp. (Russian)
  • Montazh [Монтаж], Moscow: Eyzenshteyn-tsentr, 2000, 592 pp. (Russian)
  • Metod [Метод], 2 vols., Moscow: Eyzenshteyn-tsentr, 2002, 495 & 688 pp. (Russian)
  • Problems of Film Direction, University Press of the Pacific, 2004. (English)
  • Eisenstein's texts in Russian

Literature

Links