Difference between revisions of "Sergei Eisenstein"
Jump to navigation
Jump to search
m (→Writings) |
|||
| Line 40: | Line 40: | ||
* ''Über mich und meine Filme'', ed. Lilli Kaufmann, trans. Christiane Mückenberger, Lothar Fahlbusch and Lilli Kaufmann, Berlin: Henschelverlag, 1975. {{de}} | * ''Über mich und meine Filme'', ed. Lilli Kaufmann, trans. Christiane Mückenberger, Lothar Fahlbusch and Lilli Kaufmann, Berlin: Henschelverlag, 1975. {{de}} | ||
* ''Eine nicht gleichmütige Natur'', ed. Rosemarie Heise, trans. Regine Kühn, Berlin: Henschel, 1980. {{de}} | * ''Eine nicht gleichmütige Natur'', ed. Rosemarie Heise, trans. Regine Kühn, Berlin: Henschel, 1980. {{de}} | ||
| − | * ''[http://archive.org/details/Yo.IchSelbst Yo. Ich selbst. Memoiren]'' | + | * ''[http://archive.org/details/Yo.IchSelbst Yo. Ich selbst. Memoiren]'', 2 vols., Berlin: Henschel, 1984; 1988. {{de}} |
* ''Neravnodushnaya priroda'' [Неравнодушная природа], 2 vols., ed. N. Kleyman, Moscow: Ejzenshtejn-tsentr, 2004 & 2006, 687 & 624 pp. {{ru}} | * ''Neravnodushnaya priroda'' [Неравнодушная природа], 2 vols., ed. N. Kleyman, Moscow: Ejzenshtejn-tsentr, 2004 & 2006, 687 & 624 pp. {{ru}} | ||
** ''La non-indifférente nature'', 2 vols., trans. Luda and Jean Schnitzer, preface Pascal Bonitzer (I) and François Albéra (II), Paris: Union générale d'éditions, 1975 & 1978, 444 & 377 pp. {{fr}} | ** ''La non-indifférente nature'', 2 vols., trans. Luda and Jean Schnitzer, preface Pascal Bonitzer (I) and François Albéra (II), Paris: Union générale d'éditions, 1975 & 1978, 444 & 377 pp. {{fr}} | ||
** ''[http://monoskop.org/log/?p=14731 Nonindifferent Nature]'', trans. Herbert Marshall, Cambridge University Press, 1987, xxv+428 pp, [[Media:Eisenstein_Sergei_Nonindifferent_Nature.pdf|PDF]]. {{en}} | ** ''[http://monoskop.org/log/?p=14731 Nonindifferent Nature]'', trans. Herbert Marshall, Cambridge University Press, 1987, xxv+428 pp, [[Media:Eisenstein_Sergei_Nonindifferent_Nature.pdf|PDF]]. {{en}} | ||
| − | * ''Das dynamische Quadrat. Schriften zum Film'', eds. | + | * ''Das dynamische Quadrat. Schriften zum Film'', eds. & trans. Oksana Bulgakowa and Dietmar Hochmuth, Leipzig: Reclam, 1988; 1991, 411 pp. [http://de.potemkinpress.com/products/sme-das-dynamische-quadrat] {{de}} |
* ''[http://monoskop.org/log/?p=2046 Selected Works, 1: Writings, 1922-34]'', ed. & trans. Richard Taylor, London: British Film Institute, 1988, 343 pp. {{en}} | * ''[http://monoskop.org/log/?p=2046 Selected Works, 1: Writings, 1922-34]'', ed. & trans. Richard Taylor, London: British Film Institute, 1988, 343 pp. {{en}} | ||
* ''[[Media:Eisenstein_Sergei_The_Psychology_of_Composition.pdf|The Psychology of Composition]]'', ed. & trans. Alan Upchurch, preface Jan Leyda, London: Methuen, 1988, 120 pp. {{en}} | * ''[[Media:Eisenstein_Sergei_The_Psychology_of_Composition.pdf|The Psychology of Composition]]'', ed. & trans. Alan Upchurch, preface Jan Leyda, London: Methuen, 1988, 120 pp. {{en}} | ||
| Line 53: | Line 53: | ||
* ''Eisenstein und Deutschland. Texte, Dokumente, Briefe'', ed. Oksana Bulgakowa, Berlin: Henschel, 1998, 240 pp. {{de}} | * ''Eisenstein und Deutschland. Texte, Dokumente, Briefe'', ed. Oksana Bulgakowa, Berlin: Henschel, 1998, 240 pp. {{de}} | ||
* ''Montazh'' [Монтаж: Монтаж аттракционов; За кадром; Четвёртое измерение в кино; Монтаж 1938; Вертикальный монтаж; Вкладыш], intro. R. Yurenev, Moscow: VGIK, 1998, 193 pp. {{ru}} | * ''Montazh'' [Монтаж: Монтаж аттракционов; За кадром; Четвёртое измерение в кино; Монтаж 1938; Вертикальный монтаж; Вкладыш], intro. R. Yurenev, Moscow: VGIK, 1998, 193 pp. {{ru}} | ||
| − | * ''Montazh'' [Монтаж], Moscow: | + | * ''Montazh'' [Монтаж], Moscow: Ejzenshtejn-tsentr, 2000, 592 pp. {{ru}} |
| − | * ''Metod'' [Метод], 2 vols., Moscow: | + | * ''Metod'' [Метод], 2 vols., Moscow: Ejzenshtejn-tsentr, 2002, 495 & 688 pp. {{ru}} |
| − | |||
* ''[http://gen.lib.rus.ec/book/index.php?md5=5d16bf6982e210ffac757730d52a62b6 Problems of Film Direction]'', University Press of the Pacific, 2004. {{en}} | * ''[http://gen.lib.rus.ec/book/index.php?md5=5d16bf6982e210ffac757730d52a62b6 Problems of Film Direction]'', University Press of the Pacific, 2004. {{en}} | ||
| + | * ''Metod'' [Метод], 4 vols., ed., trans. & comm. Oksana Bulgakowa, Berlin: PotemkinPress, 2009, 1660 pp. [http://de.potemkinpress.com/products/sergej-eisenstein-die-methode-herausgegeben-von-oksana-bulgakowa] {{ru}},{{de}},{{en}},{{fr}} | ||
| + | * ''Disney'', eds. & trans. Oksana Bulgakowa & Dietmar Hochmuth, Berlin: PotemkinPress, 2012, 202 pp. {{de}}, [http://de.potemkinpress.com/products/sergej-eisenstein-disney-herausgegeben-und-uebersetzt-von-oksana-bulgakowa-und-dietmar-Hochmuth] | ||
| + | ** ''Disney'', trans. Dustin Condren, Berlin: PotemkinPress, 2013, 180 pp.[http://us.potemkinpress.com/products/eisenstein-method-disney-edited-and-commented-by-oksana-bulgakowa-and-dietmar-Hochmuth] {{en}} | ||
| + | |||
| + | ; More | ||
* [http://lib.ru/CINEMA/kinolit/EJZENSHTEJN/ Eisenstein's texts in Russian] | * [http://lib.ru/CINEMA/kinolit/EJZENSHTEJN/ Eisenstein's texts in Russian] | ||
| − | |||
==Literature== | ==Literature== | ||
Revision as of 13:16, 24 August 2015
 Boris Pasternak, Sergei Eisenstein, Vladimir Mayakovsky, Lilya Brik, 1924. | |
| Born |
January 22, 1898 Riga, Governorate of Livonia, Russian Empire |
|---|---|
| Died |
February 11, 1948 (aged 50) Moscow, Soviet Union |
| Web | Aaaaarg, Wikipedia, Using "Academia.edu" as base chain is not permitted during the annotation process., Open Library |
Sergei Mikhailovich Eisenstein (Сергей Михайлович Эйзенштейн; 22 January 1898 – 11 February 1948) was a film director and film theorist, a pioneer in the theory and practice of montage.
The Film Sense, 1942/1957, PDF.
Writings
- The Film Sense, ed. & trans. Jay Leyda, New York: Hartcourt, 1942; New York: Meridian, 1957, 282 pp. (English)
- El sentido del cine, trans. Norah Lacoste, 1958; 2nd ed., Buenos Aires: Siglo XXI, 1974. (Spanish)
- O sentido do filme, trans. Teresa Ottoni, notes Jose Carlos Avelar, Rio de Janeiro: Jorge Zahar, 1990; 2002, 159 pp. (Brazilian Portuguese)
- Ivan Grozny [Иван Грозный], Moscow: Goskinoizdat, 1944, 192 pp. (Russian)
- Ivan the Terrible, Faber, 1989. (English)
- Film Form: Essays in Film Theory, ed. & trans. Jay Leyda, New York: Meridian, 1944; repr., New York: Hartcourt, 1977, 279 pp, EPUB. (English)
- Kak ya stal rezhisserom [Как я стал режиссёром], Riga: Goskinoizdat, 1946, 340 pp; repr. in Izbrannye proizvedeniya, 5, 1968. (Russian)
- Izbrannye stati [Избранные статьи], Moscow: Iskusstvo, 1956, 456 pp. (Russian)
- Notes of a Film Director, ed. R. Yurenev, Moscow: Foreign Languages Pub. House, 1959. (English)
- Динамический квадрат: Предложения в пользу новых пропорций экрана, выдвинутые в связи с вопросом о практической реализации «широкого» фильма // Вопросы киноискусства, Moscow: AN SSSR, 1960, 424 pp. (Russian)
- Ausgewählte Aufsätze, intro. R. Jurenew, trans. Lothar Fahlbusch, Berlin: Henschel, 1960. (German)
- Risunki / Dessins / Drawings, ed. L.A. Ilina, Moscow: Iskusstvo, 1961, 226 pp. (Russian)/(English)/(French)
- Izbrannye proizvedeniya [Избранные произведения], 6 vols., Moscow: Iskusstvo, 1964-71. (Russian)
- 1. Автобиографические записки разных лет, замыслы. Краткая летопись жизни и деятельности, фильмография, библиография, 1964, 696 pp.
- 2. Работы 1923—1940 гг.: цикл работ о монтаже, программа преподавания режиссуры во Всесоюзном государственном институте кинематографии, выступление на творческом совещании 1935 года; статьи и заметки разных лет; «Заявка Эйзенштейна, Пудовкина, Александрова» (Будущее звуковой фильмы"), перевод доклада на английском языке, «Монтаж 1938» и др. исследования, 1964, 566 pp.
- 3. Теоретические исследования 1945—1948 гг, 1964, 672 pp.
- 4. «Искусство мизансцены», 1966, 790 pp.
- 5. История и теория кино: «Проблема советского исторического фильма», «Диккенс, Гриффит и мы»; Критика и публицистика, 1968, 600 pp.
- 6. Киносценарии, 1971, 560 pp.
- Film Essays and a Lecture, ed. Jay Leyda, foreword Grigori Kozintsev, New York: Praeger, 1970, 220 pp. (English)
- Schriften, 4 vols., Munich: Hanser, 1974-84. (German)
- Über mich und meine Filme, ed. Lilli Kaufmann, trans. Christiane Mückenberger, Lothar Fahlbusch and Lilli Kaufmann, Berlin: Henschelverlag, 1975. (German)
- Eine nicht gleichmütige Natur, ed. Rosemarie Heise, trans. Regine Kühn, Berlin: Henschel, 1980. (German)
- Yo. Ich selbst. Memoiren, 2 vols., Berlin: Henschel, 1984; 1988. (German)
- Neravnodushnaya priroda [Неравнодушная природа], 2 vols., ed. N. Kleyman, Moscow: Ejzenshtejn-tsentr, 2004 & 2006, 687 & 624 pp. (Russian)
- La non-indifférente nature, 2 vols., trans. Luda and Jean Schnitzer, preface Pascal Bonitzer (I) and François Albéra (II), Paris: Union générale d'éditions, 1975 & 1978, 444 & 377 pp. (French)
- Nonindifferent Nature, trans. Herbert Marshall, Cambridge University Press, 1987, xxv+428 pp, PDF. (English)
- Das dynamische Quadrat. Schriften zum Film, eds. & trans. Oksana Bulgakowa and Dietmar Hochmuth, Leipzig: Reclam, 1988; 1991, 411 pp. [1] (German)
- Selected Works, 1: Writings, 1922-34, ed. & trans. Richard Taylor, London: British Film Institute, 1988, 343 pp. (English)
- The Psychology of Composition, ed. & trans. Alan Upchurch, preface Jan Leyda, London: Methuen, 1988, 120 pp. (English)
- Beyond the Stars: The Memoirs of Sergei Eisenstein, trans. William Powell, Calcutta: Seagull Books, 1995, xxi+889 pp. (English)
- Memuary, 1: Wie sag' ich's meinem Kinde? [Мемуары], ed., intro. & comm. N.I. Kleyman, Moscow: Trud, 1997, 432 pp. (Russian)
- Memuary, 2: Автобиография; Обезьянья логика; Истинные пути изобретания; Профили [Мемуары], Moscow: Trud, 1997, 544 pp. (Russian)
- The Eisenstein Reader, ed. Richard Taylor, trans. Richard Taylor and William Powell, London: British Film Institute, 1998, vii+211 pp. (English)
- Eisenstein und Deutschland. Texte, Dokumente, Briefe, ed. Oksana Bulgakowa, Berlin: Henschel, 1998, 240 pp. (German)
- Montazh [Монтаж: Монтаж аттракционов; За кадром; Четвёртое измерение в кино; Монтаж 1938; Вертикальный монтаж; Вкладыш], intro. R. Yurenev, Moscow: VGIK, 1998, 193 pp. (Russian)
- Montazh [Монтаж], Moscow: Ejzenshtejn-tsentr, 2000, 592 pp. (Russian)
- Metod [Метод], 2 vols., Moscow: Ejzenshtejn-tsentr, 2002, 495 & 688 pp. (Russian)
- Problems of Film Direction, University Press of the Pacific, 2004. (English)
- Metod [Метод], 4 vols., ed., trans. & comm. Oksana Bulgakowa, Berlin: PotemkinPress, 2009, 1660 pp. [2] (Russian),(German),(English),(French)
- Disney, eds. & trans. Oksana Bulgakowa & Dietmar Hochmuth, Berlin: PotemkinPress, 2012, 202 pp. (German), [3]
- Disney, trans. Dustin Condren, Berlin: PotemkinPress, 2013, 180 pp.[4] (English)
- More
Literature
- Marie Seton, Sergei M. Eisenstein: A Biography, Grove Press, 1960. (English)
- Lars Kleberg, Håkan Lövgren eds.), Eisenstein Revisited: A Collection of Essays, Stockholm: Almqvist & Wiksell, 1987, 145 pp. (English) [5]
- Oksana Bulgakowa, Sergej Eisenstein. Drei Utopien. Architekturentwürfe zur Filmtheorie, Berlin: PotemkinPress, 1996, 304 pp. [6] (German)
- Håkan Lövgren, Eisenstein's Labyrinth: Aspects of a Cinematic Synthesis of the Arts, Stockholm: Almqvist & Wiksell, 1996, 139 pp. (English) [7] [8]
- Oksana Bulgakowa, Sergej Eisenstein. Eine Biographie, Berlin: PotemkinPress, 1997, 304 pp. [9] (German)
- Sergei Eisenstein: A Biography, trans. Anne Dwyer, Berlin/San Francisco: PotemkinPress, 2001, xi+290 pp. [10] (English)
- Anne Nesbet, Savage Junctures: Sergei Eisenstein and the Shape of Thinking, I.B. Tauris, 2003. (English)
- Mike O'Mahony, Sergei Eisenstein, Reaktion Books, 2008. (English)
- Felix Lenz, Sergej Eisenstein: Montagezeit. Rhythmus, Formdramaturgie, Pathos, Munich: Fink, 2008. (German)
- Robert Robertson, Eisenstein on the Audiovisual: The Montage of Music, Image and Sound in Cinema I.B. Tauris, 2009, 304 pp. (English)
- Masha Salazkina, In Excess: Sergei Eisenstein's Mexico, 2009. (English)
