Difference between revisions of "Sergei Tretyakov"
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** [http://eipcp.net/transversal/0910/raunig/en "Changing the Production Apparatus: Anti-Universalist Concepts of Intelligentsia in the early Soviet Union"], trans. Aileen Derieg, ''transversal'' 9 (2010). {{en}} | ** [http://eipcp.net/transversal/0910/raunig/en "Changing the Production Apparatus: Anti-Universalist Concepts of Intelligentsia in the early Soviet Union"], trans. Aileen Derieg, ''transversal'' 9 (2010). {{en}} | ||
** [http://eipcp.net/transversal/0910/raunig/es "Transformar el aparato de producción. La concepción de una intelectualidad antiuniversalista en la temprana Unión Soviética"], trans. Marcelo Expósito, ''transversal'' 9 (2010). {{es}} | ** [http://eipcp.net/transversal/0910/raunig/es "Transformar el aparato de producción. La concepción de una intelectualidad antiuniversalista en la temprana Unión Soviética"], trans. Marcelo Expósito, ''transversal'' 9 (2010). {{es}} | ||
| + | * Devin Fore, [http://www.museoreinasofia.es/sites/default/files/revista/pdf/carta2.pdf#page=72 "Conquistar al tiempo"], trans. Jaime Blasco, ''Carta'' 2, Madrid: Museo Reina Sofia, 2011, pp 70-74. {{es}} | ||
| + | * Maria Gough, [http://www.museoreinasofia.es/sites/default/files/revista/pdf/carta2.pdf#page=77 "Sergei Tretiakov, fotógrafo de hechos"], trans. Jaime Blasco, ''Carta'' 2, Madrid: Museo Reina Sofia, 2011, pp 75-77. {{es}} | ||
| + | * Девин фор, [http://scholar.princeton.edu/sites/default/files/dfore/files/fore_tretiakov_fakt.pdf "Сергей Третьяков: Факт"], in ''Русские формалисты. Формы и структуры: Антология российского модернизма'', Том 2, 2016, pp 203-218. {{ru}} | ||
| + | * Devin Fore, ''All the Graphs: Soviet Factography and the Emergence of Modernist Documentary'', University of Chicago Press, forthcoming 2016. Situates the multi-media work of [[Sergei Tretiakov]] within the material culture of the early Soviet period. | ||
| − | [[Category:Futurism | + | [[Category:Futurism]] [[Category:Productivism]] {{DEFAULTSORT:Tretyakov, Sergei}} |
| − | [[Category:Productivism | ||
Revision as of 21:15, 10 December 2016
 Photo by Alexander Rodchenko, 1928. | |
| Born |
June 20, 1892 Goldingen, Courland Governorate, Russian Empire (now Kuldīga, Latvia) |
|---|---|
| Died |
September 10, 1937 (aged 45) Moscow, Soviet Union |
| Web | Wikipedia |
Sergei Mikhailovich Tretyakov (Сергей Михайлович Третьяков; 1892–1937) was a Russian writer, playwright and poet-futurist.
Works
- co-editor, Novyi LEF, Moscow/Petrograd: Gosizdat, 1927-28. (Russian)
- Tretyakov, et al., Peta: Pervyy sbornik [Пета: Первый сборник], Moscow: Kn-vo Peta, 1916, 48 pp. (Russian)
- Tretyakov, et al., Buka russkoy literatury [Бука русской литературы], Moscow: TsIT, 1923. (Russian)
- Itogo [Итого], Moscow: Gosizdat, 1924. Collection of poems; cover by Rodchenko. (Russian)
- Rechenik. Stikhi [Речевик. Стихи], Moscow: GIZ, 1929. Collection of poems; cover by Rodchenko. (Russian)
Literature
- Maria Gough, "Radical Tourism. Sergei Tretyakov at the Communist Lighthouse", October 118 (Fall 2006), pp 159-178. (English)
- Gerald Raunig, "Den Produktionsapparat verändern. Anti-universalistische Intellektuellen-Konzepte in der frühen Sowjetunion", transversal 9 (2010). (German)
- "Changing the Production Apparatus: Anti-Universalist Concepts of Intelligentsia in the early Soviet Union", trans. Aileen Derieg, transversal 9 (2010). (English)
- "Transformar el aparato de producción. La concepción de una intelectualidad antiuniversalista en la temprana Unión Soviética", trans. Marcelo Expósito, transversal 9 (2010). (Spanish)
- Devin Fore, "Conquistar al tiempo", trans. Jaime Blasco, Carta 2, Madrid: Museo Reina Sofia, 2011, pp 70-74. (Spanish)
- Maria Gough, "Sergei Tretiakov, fotógrafo de hechos", trans. Jaime Blasco, Carta 2, Madrid: Museo Reina Sofia, 2011, pp 75-77. (Spanish)
- Девин фор, "Сергей Третьяков: Факт", in Русские формалисты. Формы и структуры: Антология российского модернизма, Том 2, 2016, pp 203-218. (Russian)
- Devin Fore, All the Graphs: Soviet Factography and the Emergence of Modernist Documentary, University of Chicago Press, forthcoming 2016. Situates the multi-media work of Sergei Tretiakov within the material culture of the early Soviet period.
