Difference between revisions of "Sianne Ngai"

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|birth_date = {{birth date|1971|10|3|mf=y}}
 
|birth_date = {{birth date|1971|10|3|mf=y}}
 
|birth_place = Washington, D.C., United States
 
|birth_place = Washington, D.C., United States
|web = [[Aaaaarg::http://aaaaarg.fail/maker/53106da5334fe07269202167|Aaaaarg]], [[Wikipedia::https://en.wikipedia.org/wiki/Sianne_Ngai|Wikipedia]], [[Academia.edu::http://www.academia.edu/Documents/in/Sianne_Ngai|Academia.edu]], [[OpenLibrary::http://openlibrary.org/authors/OL1393425A/|Open Library]]
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|web = [[Aaaaarg::http://aaaaarg.fail/maker/53106da5334fe07269202167|Aaaaarg]], [[Wikipedia::https://en.wikipedia.org/wiki/Sianne_Ngai|Wikipedia]], [[Academiaedu::http://www.academia.edu/Documents/in/Sianne_Ngai|Academia.edu]], [[OpenLibrary::http://openlibrary.org/authors/OL1393425A/|Open Library]]
 
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'''Sianne Ngai''' (1971) is an American cultural theorist, literary critic, and feminist scholar. Her work is most broadly concerned with the analysis of aesthetic forms and judgments specific to capitalism. She is Professor of English at University of Chicago (since 2017). Previously, she was Professor of English at University of Stanford (2000-2007, 2011-2017). Ngai earned her B.A. and M.F.A. from Brown University, Providence, in 1993 and 1995, her PhD. from Harvard in 2000, and an honorary Doctorate of Philosophy in Humanities from the University of Copenhagen in 2015.
 
'''Sianne Ngai''' (1971) is an American cultural theorist, literary critic, and feminist scholar. Her work is most broadly concerned with the analysis of aesthetic forms and judgments specific to capitalism. She is Professor of English at University of Chicago (since 2017). Previously, she was Professor of English at University of Stanford (2000-2007, 2011-2017). Ngai earned her B.A. and M.F.A. from Brown University, Providence, in 1993 and 1995, her PhD. from Harvard in 2000, and an honorary Doctorate of Philosophy in Humanities from the University of Copenhagen in 2015.
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* ''[https://monoskop.org/log/?p=11547 Our Aesthetic Categories: Zany, Cute, Interesting]'', Harvard University Press, 2012, 344 pp.
 
* ''[https://monoskop.org/log/?p=11547 Our Aesthetic Categories: Zany, Cute, Interesting]'', Harvard University Press, 2012, 344 pp.
  
; Essays
+
; Book chapters, papers
* "Black Venus, Blonde Venus", in ''Bad Modernisms'', eds. Douglas Mao and Rebecca Walkowitz, Durham: Duke University Press, 2006. [https://read.dukeupress.edu/books/book/1040/chapter-abstract/149930/Black-Venus-Blonde-Venus?redirectedFrom=fulltext]
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* [http://pmc.iath.virginia.edu/text-only/issue.100/10.2ngai.txt "Stuplimity: Shock and Boredom in Twentieth-Century Aesthetics"], ''Postmodern Culture'' 10:2, Jan 2000. [https://muse.jhu.edu/article/27722]
 +
* [http://sci-hub.tw/10.1215/10407391-12-2-1 "Bad Timing (A Sequel), Paranoia, Feminism, and Poetry"], ''differences'' 12:2, Summer 2001, pp 1-46.
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* [http://sci-hub.tw/10.1215/02705346-16-2_47-177 "Jealous Schoolgirls, Single White Females, and Other Bad Examples: Rethinking Gender and Envy"], ''Camera Obscura'' 16:2, 2001, pp 177-228. [https://muse.jhu.edu/article/7972/summary]
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* [http://sci-hub.tw/http://www.jstor.org/stable/20686123 "Moody Subjects/Projectile Objects: Anxiety and Intellectual Displacement in Hitchcock, Heidegger, and Melville"], ''Qui Parle'' 12(2): "Poetics of New Meaning", Spring/Summer 2001, pp 15-55.
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* "Raw Matter: A Poetics of Disgust", in ''Telling It Slant: Avant-garde Poetics of the 1990s'', eds. Mark Wallace and Steven Marks, Tuscaloosa: University of Alabama Press, 2002.
 
* [http://sci-hub.tw/10.1215/00029831-74-3-571 "‘A Foul Lump Started Making Promises in My Voice’: Race, Affect, and the Animated Subject"], ''American Literature'' 74:3, Sep 2002, pp 571-601.
 
* [http://sci-hub.tw/10.1215/00029831-74-3-571 "‘A Foul Lump Started Making Promises in My Voice’: Race, Affect, and the Animated Subject"], ''American Literature'' 74:3, Sep 2002, pp 571-601.
 
* [http://sci-hub.tw/10.1086/444516 "The Cuteness of the Avant-Garde"], ''Critical Inquiry'' 31:4, Summer 2005, pp 811-847.
 
* [http://sci-hub.tw/10.1086/444516 "The Cuteness of the Avant-Garde"], ''Critical Inquiry'' 31:4, Summer 2005, pp 811-847.
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* [http://sci-hub.tw/http://www.jstor.org/stable/40003529 "Competitiveness: from ‘Sula to Tyra’"], ''Women's Studies Quarterly'' 34(3/4): "Envy", Fall-Winter 2006, pp 107-139.
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* "Black Venus, Blonde Venus", in ''Bad Modernisms'', eds. Douglas Mao and Rebecca Walkowitz, Durham: Duke University Press, 2006. [https://read.dukeupress.edu/books/book/1040/chapter-abstract/149930/Black-Venus-Blonde-Venus?redirectedFrom=fulltext]
 
* [http://sci-hub.tw/10.1086/592544 "Merely Interesting"], ''Critical Inquiry'' 34:4, Summer 2008, pp 777-817.
 
* [http://sci-hub.tw/10.1086/592544 "Merely Interesting"], ''Critical Inquiry'' 34:4, Summer 2008, pp 777-817.
 +
* [https://www.academia.edu/20328274 "Network Aesthetics: Juliana Spahr’s ''The Transformation'' and Bruno Latour’s ''Reassembling the Social''"], in ''American Literature's Aesthetic Dimensions'', eds. Cindy Weinstein and Christopher Looby, Columbia University Press, 2014.
 
* [http://sci-hub.tw/10.1215/10642684-2818648 "Visceral Abstractions"], ''GLQ: A Journal of Lesbian and Gay Studies'' 21:1, Jan 2015, pp 33-63.
 
* [http://sci-hub.tw/10.1215/10642684-2818648 "Visceral Abstractions"], ''GLQ: A Journal of Lesbian and Gay Studies'' 21:1, Jan 2015, pp 33-63.
 
* with Lauren Berlant, [http://sci-hub.tw/10.1086/689666 "Comedy Has Issues"], ''Critical Inquiry'' 43(2): "Comedy: An Issue", Winter 2017, pp 233-249.
 
* with Lauren Berlant, [http://sci-hub.tw/10.1086/689666 "Comedy Has Issues"], ''Critical Inquiry'' 43(2): "Comedy: An Issue", Winter 2017, pp 233-249.
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==Interviews==
 
==Interviews==
 +
* Adam Jasper, [https://www.academia.edu/18895742/ "Our Aesthetic Categories: An Interview with Sianne Ngai"], ''Cabinet'' 43: "Forensics", Fall 2011, pp 44-51.
 +
* Matthew McQuillan, Matthew Clements, [https://www.academia.edu/18895075 "Interview Conducted with Sianne Ngai"], in ''Bottom Natures'', London, 2015.
 
* Mikkel Bolt Rasmussen, Devika Sharma, [https://tidsskrift.dk/kok/article/view/25048 "Kritikk ens fortsættelse: Interview med Sianne Ngai"], ''Kultur & Klasse'' 122, 2016, pp 5-20. {{da}}
 
* Mikkel Bolt Rasmussen, Devika Sharma, [https://tidsskrift.dk/kok/article/view/25048 "Kritikk ens fortsættelse: Interview med Sianne Ngai"], ''Kultur & Klasse'' 122, 2016, pp 5-20. {{da}}
 
** [http://politicsslashletters.org/critiques-persistence/ "Critique’s Persistence: An Interview with Sianne Ngai"], ''Politics / Letters'', 27 Feb 2017.
 
** [http://politicsslashletters.org/critiques-persistence/ "Critique’s Persistence: An Interview with Sianne Ngai"], ''Politics / Letters'', 27 Feb 2017.
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==Literature==
 
==Literature==
 
* McKenzie Wark, [https://www.versobooks.com/blogs/3291-our-aesthetics "Our Aesthetics"], ''Verso Blog'', 27 Jun 2017.
 
* McKenzie Wark, [https://www.versobooks.com/blogs/3291-our-aesthetics "Our Aesthetics"], ''Verso Blog'', 27 Jun 2017.
 +
* "Sianne Ngai (b. 1971)", in ''The Norton Anthology of Theory and Criticism'', 3rd ed., ed. Vincent B. Leitch, et al., New York: W.W. Norton, 2018.
  
 
==Links==
 
==Links==
 
* [https://english.uchicago.edu/sianne-ngai Profile on U Chicago]
 
* [https://english.uchicago.edu/sianne-ngai Profile on U Chicago]
 +
* [https://chicago.academia.edu/SianneNgai Academia.edu]

Revision as of 14:34, 20 August 2019


Sianne Ngai
Born October 3, 1971(1971-10-03)
Washington, D.C., United States
Web Aaaaarg, Wikipedia, Academia.edu, Open Library

Sianne Ngai (1971) is an American cultural theorist, literary critic, and feminist scholar. Her work is most broadly concerned with the analysis of aesthetic forms and judgments specific to capitalism. She is Professor of English at University of Chicago (since 2017). Previously, she was Professor of English at University of Stanford (2000-2007, 2011-2017). Ngai earned her B.A. and M.F.A. from Brown University, Providence, in 1993 and 1995, her PhD. from Harvard in 2000, and an honorary Doctorate of Philosophy in Humanities from the University of Copenhagen in 2015.

Her first book, Ugly Feelings (2005, Harvard UP) investigates the aesthetics and politics of non-prestigious, non-cathartic negative emotions—envy and irritation as opposed to anger and fear. Her second book, Our Aesthetic Categories: Zany, Cute, Interesting (2012, Harvard UP), argues for the contemporary centrality of three everyday, vernacular aesthetic categories, treating them with the same philosophical seriousness as others have treated the beautiful and sublime.

Works

Scholarly work

Books
Book chapters, papers

Poetry

  • My Novel, Buffalo: Leave Books, 1994, 27 pp.
  • Discredit, Providence, RI: Burning Deck, 1997.
  • TelepromptER*, Elmwood, CT: Potes and Poets Press, 1998, [22] pp.
  • Criteria, Oakland: O Books, 1998, 79 pp.

Interviews

Literature

  • McKenzie Wark, "Our Aesthetics", Verso Blog, 27 Jun 2017.
  • "Sianne Ngai (b. 1971)", in The Norton Anthology of Theory and Criticism, 3rd ed., ed. Vincent B. Leitch, et al., New York: W.W. Norton, 2018.

Links