Difference between revisions of "Slávo Krekovič"

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|birth_place = [[Bratislava]], [[Slovakia]]
 
|birth_place = [[Bratislava]], [[Slovakia]]
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|based_in = Bratislava, Slovakia
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|based_in = [[Bratislava]], [[Slovakia]]
 
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Born 1977. Studied musicology. After starting to publish [[3/4]] magazine about contemporary art and culture in 1999, co-founded [[Atrakt Art|Atrakt Art – Association for Advanced Arts and Culture]] in [[2000]]. Organizer and curator of series of sound and multimedia events, including [[Next]] festival of advanced music and [[Multiplace]] new media culture festival. Co-founder of the Mag.Net – international network of electronic culture publishers / magazines in [[2002]]. In [[2004]] co-founded cultural centre [[A4 - Zero Space]]. Producer of recordings of experimental music. In [[2004]] and [[2005]] produced [[EXtempore]] shows about experimental and electronic music for the Slovak Radio and the [[RadioART]] project. Author of numerous articles and papers about contemporary music, new media art and culture.
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'''Slávo Krekovič''' (1977, Bratislava) is a musician, sound artist, musicologist, contemporary music and new media art curator, cultural organiser and non-profit activist. He is an organiser and curator of experimental music and multimedia events, including the annual [[Next|NEXT Festival of Advanced Music]] (since 2000) and [[Multiplace|Multiplace: New Media Culture Network Festival]] (since 2002). He is Deputy Director and Music Curator at the independent cultural centre [[A4 - Zero Space|A4]] in Bratislava that he co-founded in 2004. He is editor-in-chief of the [[3/4|''3/4'' magazine]] (since 1999) and produces recordings of contemporary music through the [[Atrakt Art|Atrakt Art – Society for Advanced Arts and Culture]] that he co-founded in 2000.  
  
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Member of experimental music projects [[Etnoise Orchestra]], [[Uran Uran]], [[Voice Over Noise]], [[Frutti di Mare]], [[Kapela snů]], [[Shibuya Motors]] and [[Musica falsa et ficta]]. Lives in [[Bratislava]].
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Slávo Krekovič studied in Bratislava, Prague, Vienna, New York and The Hague and holds an MA and a PhD degree in musicology. In 2019 he graduated from the [[Institute_of_Sonology_KONCON_Hague|Institute of Sonology]] in [[The Hague]]. From 2013 through 2017, he was the Head of the [[MultiMedia FaVU VUT Brno|Multimedia Studio]] and Lecturer at the Faculty of Fine Arts (FaVU) of Brno University of Technology. In 2017, he was also teaching at Musicology Department at Comenius University in Bratislava.
  
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; Selected articles
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He regularly performs solo and as a member of various experimental music projects including [[Voice Over Noise]], [[Shibuya Motors]], VRITTI, [http://www.myspace.com/musicafalsaetficta Musica falsa et ficta], [http://www.myspace.com/kapelasnu Kapela snů], [http://feedthetiger.bandcamp.com Feed the Tiger], [http://www.youtube.com/watch?v=8eF1yQtIMTk Bolka/Krekovic], Etnoise Orchestra, Uran Uran and Frutti di Mare. From 2008 to 2011 he was a curatorial committee member of the biannual Melos-Ethos Festival of contemporary music in Bratislava.  He produced weekly broadcasts [[EXtempore|Ex Tempore]] about experimental and electronic music for the Slovak Radio and the [[RadioART|radioart.sk]] project. He has published articles and papers about contemporary music, sound art and media art in monographs and magazines internationally, including ''3/4, SME, Hudobný život, Slovenská hudba, Musiktexte, Skug, Springerin, HIS Voice, A2'' and ''Kapitál''. [https://krekovic.info/bio (2019)]
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* [http://soundexchange.eu/#slovakia_en?id=11 "Organized Sound and Experiments in Slovak Music"], in ''Anthology of Experimental Music Cultures in Central and Eastern Europe 1950-2010''.  (English) [http://soundexchange.eu/#slovakia_de?id=11 (German)] [http://soundexchange.eu/#slovakia_sk?id=11 (Slovak)]
 
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* with Pavel Sedlák, [http://www.literarky.cz/index_o.php?p=clanek&id=4059&rok=2007&cislo=31 "Má pojem nová média dnes ještě co říci?"], ''Literární noviny'' 31 (2007).  (Slovak/Czech)
 
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* [[Media:Krekovic_Slavo_2006_DIY-publishing_dot_sk.pdf|"DIY-publishing dot sk"]], in: [http://monoskop.org/log/?p=49 ''The Mag.net Reader: Experiences in Electronic Cultural Publishing''], edited by Miren Eraso, Alexandro Ludovico, and Slávo Krekovič, Arteleku-Diputación Foral de Gipuzkoa, 2006, pp 24-35. (English)
 
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* with [[Oliver Rehák]], "Audioturistika", ''3/4'' 17 (2004), pp. 64-69 (Slovak)
 
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* [http://www.iwm.at/publ-jvc/jc-14-06.pdf "New Media Culture. Internet as a Tool of Cultural Transformation in Central and Eastern Europe"], In ''Crossing Boundaries: From Syria to Slovakia'', edited by S. Jakelic and J. Varsoke, Vienna: IWM Junior Visiting Fellows' Conferences, Vol. 14 (2003). (English)
 
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* "Psychogeografia", ''3/4 revue'' 14 (2003) (Slovak)
 
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* "Warchalking & Wardriving", ''3/4 revue'' 15 (2003) (Slovak)
 
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* Peter Niklas Wilson, ''Hear And Now. Úvahy o improvizovanej hudbe''. Translated by Slavomír Krekovič. Bratislava: Hudobné centrum, 2002. ISBN 80-88884-35-7
 
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* [http://34.sk/text.php?text=3-12 "Nostalgia za budúcnosťou. Kybersvet, umenie a mysticizmus"], ''3/4 revue'' 2 (2001), pp. 46-51.  (Slovak)
 
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* "Net radio.. net.audio", ''Trištvrte revue'' 5-6 (2000) (Slovak)  
 
  
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; External links
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==Publications==
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* http://kraa.sk/?s=Slavo+Krekovic
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* "Net radio.. net.audio", ''Trištvrte revue'' 5-6, Bratislava: Atrakt Art, 2000. {{sk}}
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* http://atrakt.sk/
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* [https://34.sk/archiv/text.php?text=3-12 "Nostalgia za budúcnosťou. Kybersvet, umenie a mysticizmus"], ''3/4 revue'' 2, Bratislava: Atrakt Art, 2001, pp. 46-51. {{sk}}
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* http://krekovic.info
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* "Warchalking & Wardriving", ''3/4 revue'' 15, Bratislava: Atrakt Art, 2003. {{sk}}
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* "Psychogeografia", ''3/4 revue'' 14, Bratislava: Atrakt Art, 2003. {{sk}}
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* [http://www.iwm.at/publ-jvc/jc-14-06.pdf "New Media Culture: Internet as a Tool of Cultural Transformation in Central and Eastern Europe"], ''IWM Junior Visiting Fellows' Conferences'' 14(6): "Crossing Boundaries: From Syria to Slovakia", eds. S. Jakelic and J. Varsoke, Vienna, 2003. {{en}}
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* "Postmoderná zvuková geografia: miesto, nemiesto a genius loci v súčasnej hudbe", ''Slovenská hudba'' 29:2, 2003, pp 251-258. {{sk}}
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** "Post-modern Geography of Sound: Place, Non-place and 'Genius Loci' in Conceptual Music", in ''MAXIS 2003: Proceedings of the 2nd International Festival and Symposium of Sound and Experimental Music'', Sheffield: Sheffield Hallam University Press, and Leeds: University of Leeds, 2003, pp 67-72. {{en}}
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* with Oliver Rehák, "Audioturistika", ''3/4'' 17, Bratislava: Atrakt Art, 2004, pp 64-69. {{sk}}
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* "Hudobné myslenie súčasnosti – východiská konceptuálnych prístupov", ''Slovenská hudba'' 30:1-2, 2004, pp 167-173. [http://www.slovenskahudba.com/portfolio/1-22004-hudba-umenie-myslenie/] {{sk}}
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* "Slovensko verzus Európa – ohniská inovácie a vnímanie aktuálnosti v súčasnej hudbe", ''Slovenská hudba'' 30:4, 2004, pp 479-487. {{sk}}
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* "Miesto – pamäť – zvuk (zvuková psychogeografia)", in ''Revue pro dokumentární film'', Prague: JSAF, 2005, pp 313-318. [http://old.ji-hlava.cz/eshop-detail/4438/sbornik-do-iii-2005] {{sk}}
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* "Inovácia, tradícia a identita v súčasnej hudbe", ''Slovenská hudba'' 31:3-4, 2005, pp 243-249. [http://www.slovenskahudba.com/portfolio/3-42005-tradicia-inovacia-modernost/] {{sk}}
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* editor, with Miren Eraso and Alexandro Ludovico, [http://monoskop.org/log/?p=49 ''The Mag.net Reader: Experiences in Electronic Cultural Publishing''], San Sebastian: Arteleku-Diputación Foral de Gipuzkoa, 2006, 120 pp. {{en}}
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* [[Media:Krekovic_Slavo_2006_DIY-publishing_dot_sk.pdf|"DIY-publishing dot sk"]], in [http://monoskop.org/log/?p=49 ''The Mag.net Reader: Experiences in Electronic Cultural Publishing''], eds. Miren Eraso, Alexandro Ludovico, and Slávo Krekovič, San Sebastian: Arteleku-Diputación Foral de Gipuzkoa, 2006, pp 24-35. {{en}}
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* [https://www.springerin.at/en/2006/2/wird-google-sich-selbst-fressen/ "Will Google Eat Itself?"], ''Springerin'' 2, 2006. {{en}}
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** [https://www.springerin.at/2006/2/wird-google-sich-selbst-fressen/ "Wird Google sich selbst fressen?"], ''Springerin'' 2, 2006. {{de}}
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* "Zákutia hudobných alternatív", ‬''Domino fórum'' 15:30,‭ ‬2006,‭ p ‬19. {{sk}}
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* with Pavel Sedlák, [https://is.muni.cz/el/1421/podzim2008/IM001/um/LTN_-_Krekovic_Ma_pojem_nova_media_dnes_jeste_co_rici.htm "Má pojem nová média dnes ještě co říci?"], ''Literární noviny'' 31, Aug 2007, p 14. [http://www.literarky.cz/index_o.php?p=clanek&id=4059&rok=2007&cislo=31] {{sk}},{{cz}}
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* "Innovative Musik in der Slowakei nach 2000", ''MusikTexte: Zeitschrift für neue Musik'' 114, Aug 2007, pp 35-38. [https://musiktexte.de/MusikTexte-114/en] {{de}}
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* "Konceptuálne stratégie v súčasnej hudbe", ''Slovenská hudba'' 36:4, 2010, pp 341-388. [http://www.slovenskahudba.com/portfolio/042010-slovenska-hudba-navraty-a-podnety/] [http://www.elis.sk/index.php?page=shop.product_details&flypage=flypage.tpl&product_id=2269&category_id=74&option=com_virtuemart&Itemid=9&vmcchk=1&Itemid=9] {{sk}}
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* [http://www.soundexchange.eu/#slovakia_en?id=11 "Organized Sound and Experiments in Slovak Music"], in ''Sound Exchange: Anthology of Experimental Music Cultures in Central and Eastern Europe 1950-2010'', eds. Carsten Seiffarth, Carsten Stabenow, and Golo Föllmer, Saarbrücken: PFAU, 2012, [https://monoskop.org/log/?p=6479 Log]. [https://archive.fo/s4VQN] {{en}}
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** [http://www.soundexchange.eu/#slovakia_sk?id=11 "Organizovaný zvuk a experiment v slovenskej hudbe"], in ''Sound Exchange: Anthology of Experimental Music Cultures in Central and Eastern Europe 1950-2010'', eds. Carsten Seiffarth, Carsten Stabenow, and Golo Föllmer, Saarbrücken: PFAU, 2012. [https://archive.fo/ZmzBZ] {{sk}}
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** [http://www.soundexchange.eu/#slovakia_de?id=11 "Organisierter Klang und Experiment in der slowakischen Musik"], in ''Sound Exchange: Anthology of Experimental Music Cultures in Central and Eastern Europe 1950-2010'', eds. Carsten Seiffarth, Carsten Stabenow, and Golo Föllmer, Saarbrücken: PFAU, 2012. [https://archive.fo/pgawT] {{de}}
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* [https://www.academia.edu/27420846/ "Tracing Ruptures: Fifty Years of Organised Sound in Slovakia"], ''World New Music Magazine'' 23, 2013, pp 120-138. {{en}}
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* [https://34.sk/archiv/archiv.php Articles in ''3/4'' magazine]
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* [https://krekovic.info/writings More writings at Krekovic.info]
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; Translations
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* Peter Niklas Wilson, ''Hear And Now. Úvahy o improvizovanej hudbe'', Bratislava: Hudobné centrum, 2002. ISBN 80-88884-35-7. {{sk}}
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==Links==
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* [http://krekovic.info Personal website]
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* [https://krekovic.info/discography Music releases]
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* [https://vutbr.academia.edu/SlavoKrekovic Academia.edu]
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* [http://kraa.sk/?s=Slavo+Krekovic Music projects on Kraa.sk]
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* [http://atrakt.sk/ Atrakt Art]
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* http://www.rtvs.sk/televizia/program/detail/6035/umenie/archiv?date=22.04.2014

Revision as of 13:32, 12 July 2019

Born Bratislava, Slovakia
Lives in Bratislava, Slovakia

Slávo Krekovič (1977, Bratislava) is a musician, sound artist, musicologist, contemporary music and new media art curator, cultural organiser and non-profit activist. He is an organiser and curator of experimental music and multimedia events, including the annual NEXT Festival of Advanced Music (since 2000) and Multiplace: New Media Culture Network Festival (since 2002). He is Deputy Director and Music Curator at the independent cultural centre A4 in Bratislava that he co-founded in 2004. He is editor-in-chief of the 3/4 magazine (since 1999) and produces recordings of contemporary music through the Atrakt Art – Society for Advanced Arts and Culture that he co-founded in 2000.

Slávo Krekovič studied in Bratislava, Prague, Vienna, New York and The Hague and holds an MA and a PhD degree in musicology. In 2019 he graduated from the Institute of Sonology in The Hague. From 2013 through 2017, he was the Head of the Multimedia Studio and Lecturer at the Faculty of Fine Arts (FaVU) of Brno University of Technology. In 2017, he was also teaching at Musicology Department at Comenius University in Bratislava.

He regularly performs solo and as a member of various experimental music projects including Voice Over Noise, Shibuya Motors, VRITTI, Musica falsa et ficta, Kapela snů, Feed the Tiger, Bolka/Krekovic, Etnoise Orchestra, Uran Uran and Frutti di Mare. From 2008 to 2011 he was a curatorial committee member of the biannual Melos-Ethos Festival of contemporary music in Bratislava. He produced weekly broadcasts Ex Tempore about experimental and electronic music for the Slovak Radio and the radioart.sk project. He has published articles and papers about contemporary music, sound art and media art in monographs and magazines internationally, including 3/4, SME, Hudobný život, Slovenská hudba, Musiktexte, Skug, Springerin, HIS Voice, A2 and Kapitál. (2019)

Publications

Translations
  • Peter Niklas Wilson, Hear And Now. Úvahy o improvizovanej hudbe, Bratislava: Hudobné centrum, 2002. ISBN 80-88884-35-7. (Slovak)

Links

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