Slovenia

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Cities

Ljubljana, Maribor.

Predecessors

  • 1920, first wave of Slovenian avant-garde artists (The poet Anton Podbevšek develops his program along anarchist proletcult lines for the journal Rdeči pilot).
  • 1921-28 Avant-garde activities in Slovenia are linked to the reviews Svetokre (1921), Rdeči pilot (Red Pilot) (1922); Ljubljanski zvon (Ljubljana Bell), Novi oder (New Stage) (1924), and Tank (1927-28), published by Ferdo Delak in Ljubljana and edited by Avgust Černigoj and Ferdo Delak - two issues were published, third banned
  • 1921, Černigoj and Delak introduce Constructivist art to Ljubljana.
  • 1924, Ljubljana, constructivist art experiments of Avgust Černigoj.

Artist groups

Arts and engineering groups and collectives in CEE#Slovenia

Computer and computer-aided art

Sergej Pavlin

Experimental film

Festivals and exhibitions
Literature
  • Ana Janevski (ed.): As Soon as I Open My Eyes I See a Film. Experiment in the Art of Yugoslavia in the 1960s and 1970s, Museum of Modern Art, Warsaw, 2010. With essays by Ana Janevski (on experimental art and film in Yugoslavia), Stevan Vuković (on political upheaval in 1968 in Belgrade), and Łukasz Ronduda (on contacts between Yugoslav and Polish artists in the 1970s). [1] Interview with Ana Janevski, June 2011
  • Kino-Integral: Prispevki k zgodovini slovenskega eksperimentalnega filma. [2]
  • Andrew J Horton, "Avant-garde Film and Video in Slovenia" Central European Review (September 1999) [3] (English)

Video art

Artists
Chronology

http://www.videodokument.org/cronology.htm

Collections
  • Artservis Collection, [4]
Literature
  • Videodokument. Video art in Slovenia 1969-1998, SCCA Ljubljana. Catalogue, book of essays, CD-ROM, 2001. [5]
  • Marina Grzinic, "Video Art in Slovenia and in the Territory of Ex-Yugoslavia (Toward an Electronic Art Media Theory in Eastern Europe)", Mute Jan 1997. [6]
  • "Video from Slovenia", [7]
  • Barbara Borčić, "Video Art from Conceptualism to Postmodernism". [8]
  • Marijan Susovski, "Video u Jugoslaviji", Spot, no. 10, Zagreb 1977.
  • Raša Todosijević, Video, Videosfera: video/društvo/umetnost ("The Video: Videosphere: video/society/art"), Studentski izdavački centar, ed. Mihailo Ristić, Belgrade 1986.
  • Zemira Alajbegović and Igor Španjol, "In the tehnological grip of a television station: an interview with Miha Vipotnik", in: Videodokument: Video Art in Slovenia 1969-1998, ed. Barbara Borčić, SCC – Ljubljana, Ljubljana, 1999.
  • Igor Španjol, "An artistic evening: television presentation and production of art video", in: Videodokument: Video Art in Slovenia 1969-1998, ed. Barbara Borčić, SCCA-Ljubljana, Ljubljana, 1999.
  • Dušan Mandić, "ŠKUC-Forumova video produkcija", Ekran, no. 1-2, Ljubljana, 1984
  • Ana Fratnik, "Locality in the global medium: Video art in Slovenia". Diploma thesis, 2010. (Slovenian) [9]
  • http://www.videospotting.org/eng/texts
Resources
  • Videodokument, database of video art in Slovenia 1969-1998, [10]
  • DIVA Station archive of SCCA-Ljubljana, [11]
  • Internet Portfolio, by SCCA-Ljubljana, *1996 [12]

Art history and art theory

Tomaž Brejc, Barbara Borčić, Marina Gržinić

Literature

  • Dubravka Djuric and Misko Suvakovic (eds.), Impossible Histories: Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991, MIT Press, 2003. [13]
  • Irina Subotić, "Avant-Garde Tendencies in Yugoslavia", Art Journal, Vol. 49, No. 1, From Leningrad to Ljubljana: The Suppressed Avant-Gardes of East-Central and Eastern Europe during the Early Twentieth Century (Spring, 1990), pp. 21-27. Published by: College Art Association. [14]

Resources


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