Difference between revisions of "Software art"
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| + | Also ''experimental software'', ''speculative software''. | ||
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==Events== | ==Events== | ||
* [[Software - Information Technology: Its New Meaning for Art]] exhibition, Jewish Museum, NYC, 16 September - 8 November 1970; later at the Smithsonian Institution, Washington, D.C., 16 December 1970 - 14 February 1971. Curated by [[Jack Burnham]]. | * [[Software - Information Technology: Its New Meaning for Art]] exhibition, Jewish Museum, NYC, 16 September - 8 November 1970; later at the Smithsonian Institution, Washington, D.C., 16 December 1970 - 14 February 1971. Curated by [[Jack Burnham]]. | ||
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== Bibliography == | == Bibliography == | ||
| + | [[Image:Goriunova_Olga_ed_Readme_100.jpg|thumb|258px|Olga Goriunova (ed.), ''Readme 100: Temporary Software Art Factory'', [http://monoskop.org/log/?p=8265 Download].]] | ||
; Books | ; Books | ||
* Olga Goriunova, Alexei Shulgin (eds.), ''Read_me 1.2'', Moscow, 2002. | * Olga Goriunova, Alexei Shulgin (eds.), ''Read_me 1.2'', Moscow, 2002. | ||
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; Book chapters, Papers, Articles | ; Book chapters, Papers, Articles | ||
| − | * Edward A. Shanken, [http://mitpress2.mit.edu/e-journals/LEA/ARTICLES/jack.html "The House that Jack Built | + | * Edward A. Shanken, [http://mitpress2.mit.edu/e-journals/LEA/ARTICLES/jack.html "The House that Jack Built: Jack Burnham's Concept of 'Software' as a Metaphor for Art"], ''Leonardo Electronic Almanac'' 6:10, 1998. |
| + | * Geoff Cox, Alex McLean, Adrian Ward, "[http://generative.net/papers/aesthetics/ The Aesthetics of Generative Code]", 2000. Paper delivered at the Generative Art 00 conference, Milan, 2000. [http://www.generativeart.com/on/cic/2000/ADEWARD.HTM] | ||
| + | * Tilman Baumgärtel, "[http://acoustic.space.re-lab.net/tilman.php Experimental Software]". Paper presented at the Art+Communication conference, Riga, 26 August 2000. | ||
* Florian Cramer, Ulrike Gabriel, "Software Art", in Andreas Broeckmann, Susanne Jaschko (eds.), ''DIY Media - Kunst und digitale Medien: Software - Partizipation - Distribution. Transmediale.01'', Berlin, 2001, pp 29–33. | * Florian Cramer, Ulrike Gabriel, "Software Art", in Andreas Broeckmann, Susanne Jaschko (eds.), ''DIY Media - Kunst und digitale Medien: Software - Partizipation - Distribution. Transmediale.01'', Berlin, 2001, pp 29–33. | ||
| + | * Tilman Baumgärtel, "[http://www.heise.de/tp/artikel/9/9908/1.html Experimentelle Software. Zu einigen neueren Computerprogrammen von Künstlern]", ''Telepolis'', 28 October 2001. (in German) | ||
* Florian Cramer, [http://cramer.pleintekst.nl/all/concept_notations_software_art/concepts_notations_software_art.pdf "Concepts, Notations, Software, Art"], 23 March 2002. [http://cramer.pleintekst.nl/all/concept_notations_software_art/concepts_notations_software_art.html] | * Florian Cramer, [http://cramer.pleintekst.nl/all/concept_notations_software_art/concepts_notations_software_art.pdf "Concepts, Notations, Software, Art"], 23 March 2002. [http://cramer.pleintekst.nl/all/concept_notations_software_art/concepts_notations_software_art.html] | ||
* Thor Magnusson, [http://www.ixi-software.net/thor/pa_lowres.pdf "Processor Art: Currents in the Process Oriented Works of Generative and Software Art"], 2002. | * Thor Magnusson, [http://www.ixi-software.net/thor/pa_lowres.pdf "Processor Art: Currents in the Process Oriented Works of Generative and Software Art"], 2002. | ||
* Ricardo Barreto, Paula Perissinotto, [http://www.file.org.br/the_culture_of_immanence.doc "The Culture of Immanence"], in ''Internet Art'', São Paulo: IMESP, 2002. | * Ricardo Barreto, Paula Perissinotto, [http://www.file.org.br/the_culture_of_immanence.doc "The Culture of Immanence"], in ''Internet Art'', São Paulo: IMESP, 2002. | ||
* Andreas Broegger, [http://www.artificial.dk/articles/software.htm "Software Art - an introduction"], Copenhagen, 24 September 2003. | * Andreas Broegger, [http://www.artificial.dk/articles/software.htm "Software Art - an introduction"], Copenhagen, 24 September 2003. | ||
| + | * Andreas Broeckmann, "[http://www.sarai.net/publications/readers/03-shaping-technologies/215_218_abroeckmann.pdf On Software as Art]", in ''Sarai Reader 2003: Shaping Technologies'', New Delhi 2003, pp 215-218. | ||
* Andreas Broeckmann, [http://web.archive.org/web/20040614202632/http://runtimeart.mi2.hr/TextAndreasBroeckmann "Runtime Art: Software, Art, Aesthetics"], 24 May 2004. | * Andreas Broeckmann, [http://web.archive.org/web/20040614202632/http://runtimeart.mi2.hr/TextAndreasBroeckmann "Runtime Art: Software, Art, Aesthetics"], 24 May 2004. | ||
* Josephine Bosma, [http://www.medienkunstnetz.de/themes/public_sphere_s/media_spaces/works/ "Constructing Media Spaces"], ''MediaArtNet'', 2004. | * Josephine Bosma, [http://www.medienkunstnetz.de/themes/public_sphere_s/media_spaces/works/ "Constructing Media Spaces"], ''MediaArtNet'', 2004. | ||
Revision as of 15:04, 17 October 2013
Also experimental software, speculative software.
Events
- Software - Information Technology: Its New Meaning for Art exhibition, Jewish Museum, NYC, 16 September - 8 November 1970; later at the Smithsonian Institution, Washington, D.C., 16 December 1970 - 14 February 1971. Curated by Jack Burnham.
- Transmediale 2001.
- Kontrollfelder - Programmieren als künstlerische Praxis exhibition, HMKV, Dortmund, 5 April - 5 May 2002. Curated by Andreas Broeckmann and Matthias Weiß.
- Readme festival. Four editions were held: Moscow, 2002; Helsinki, 2003; Aarhus, 2004; Dortmund, 2005. Conceived by Olga Goriunova and Alexei Shulgin.
- Generator exhibition, Spacex Gallery, May-June 2002; later toured the UK. Curated by Geoff Cox.
- CODeDOC online exhibition, Whitney Museum, New York, September 2002; Later as part of Ars Electronica Festival, 2003. Curated by Christiane Paul.
- I love you - computer_viren_hacker_kultur exhibition, Museum of Applied Art, Frankfurt/Main, May-June 2002; later as part of Transmediale festival, Berlin, 31 January-5 February 2003.
- Ars Electronica: CODE - The Language of our Time festival, Linz, September 2003.
Resources
- Runme, a software art repository. Launched in January 2003.
Artists, Theorists, Initiatives
- 0x00WE15E7
- Amy Alexander
- Burak Arikan
- Eric Butler
- Code31
- Geoff Cox
- Florian Cramer
- Annet Dekker
- Eleonora Oreggia
- Matthew Fuller
- Olga Goriunova
- GOTO10
- Graham Harwood
- I/O/D
- Jaromil
- Jodi
- Michael Kargl
- Chris King
- Golan Levin
- LISA
- Make Art
- Aymeric Mansoux
- Nancy Mauro-Flude
- Alex McLean
- Moddr
- Mongrel
- Netochka Nezvanova
- Julian Oliver
- OpenLab
- Radical Software Group
- Readme
- Rethread
- Runme.org
- Warren Sack
- Gordan Savičić
- Antoine Schmitt
- Alexei Shulgin
- Bengt Sjölén
- Winnie Soon
- Marloes de Valk
- Danja Vasiliev
- Adrian Ward
- Marius Watz
- Matsuko Yokokoji
- Simon Yuill
Bibliography
Olga Goriunova (ed.), Readme 100: Temporary Software Art Factory, Download.
- Books
- Olga Goriunova, Alexei Shulgin (eds.), Read_me 1.2, Moscow, 2002.
- Olga Goriunova, Alexei Shulgin (eds.), ReadMe 2.3 Reader: About Software Art, Helsinki: NIFCA, 2003.
- Olga Goriunova, Alexei Shulgin (eds.), Readme Edition 2004: Software Art and Cultures, Aarhus: University of Aarhus, 2004, 400 pp.
- Aymeric Mansoux, Marloes de Valk (eds.): FLOSS+Art, Poitiers: GOTO10, and London: Mute, 2008, 320 pp.
- Joasia Krysa (ed.), Curating Immateriality: The Work of the Curator in the Age of Network Systems, Autonomedia/I-DAT, 2006, 288 pp.
- Olga Goriunova (ed.), Readme 100: Temporary Software Art Factory, Dortmund: Hartware MedienKunstVerein, 2006.
- Geoff Cox, Antithesis: The Dialectics of Software Art, Aarhus University, 2010, 232 pp. Book version of a PhD thesis, 2006.
- Digital Artists’ Handbook, folly and GOTO10, 2009, 228 pp.
- Book chapters, Papers, Articles
- Edward A. Shanken, "The House that Jack Built: Jack Burnham's Concept of 'Software' as a Metaphor for Art", Leonardo Electronic Almanac 6:10, 1998.
- Geoff Cox, Alex McLean, Adrian Ward, "The Aesthetics of Generative Code", 2000. Paper delivered at the Generative Art 00 conference, Milan, 2000. [1]
- Tilman Baumgärtel, "Experimental Software". Paper presented at the Art+Communication conference, Riga, 26 August 2000.
- Florian Cramer, Ulrike Gabriel, "Software Art", in Andreas Broeckmann, Susanne Jaschko (eds.), DIY Media - Kunst und digitale Medien: Software - Partizipation - Distribution. Transmediale.01, Berlin, 2001, pp 29–33.
- Tilman Baumgärtel, "Experimentelle Software. Zu einigen neueren Computerprogrammen von Künstlern", Telepolis, 28 October 2001. (in German)
- Florian Cramer, "Concepts, Notations, Software, Art", 23 March 2002. [2]
- Thor Magnusson, "Processor Art: Currents in the Process Oriented Works of Generative and Software Art", 2002.
- Ricardo Barreto, Paula Perissinotto, "The Culture of Immanence", in Internet Art, São Paulo: IMESP, 2002.
- Andreas Broegger, "Software Art - an introduction", Copenhagen, 24 September 2003.
- Andreas Broeckmann, "On Software as Art", in Sarai Reader 2003: Shaping Technologies, New Delhi 2003, pp 215-218.
- Andreas Broeckmann, "Runtime Art: Software, Art, Aesthetics", 24 May 2004.
- Josephine Bosma, "Constructing Media Spaces", MediaArtNet, 2004.
- Peter Luining, "Read_Me 2004 review", crumb, 22 September 2004. An extensive review of the Run_Me software art conference/festival.
- Andreas Broeckmann, "Software Art Aesthetics", Mono, No. 1 (July 2007), Porto: FBAUP, pp 158-167.
- Geoff Cox, "Generator: The Value of Software Art", in Judith Rugg (ed.), Issues in Curating, Contemporary Art and Performance, Bristol: Intellect, 2007.
- Geoff Cox, "Software Art Has No History", for re:place conference, Berlin, 2007.
- Simon Yuill, "All Problems of Notation Will be Solved by the Masses", Mute, 23 May 2008.
See also
Software studies, Hacktivism, Net art, Code poetry, Live coding, FLOSS, Demoscene
- REDIRECT Template:Art and culture
