Difference between revisions of "Sub Voce"

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The first large-scale exhibition of Hungarian video installations organised by [[Soros Center for Contemporary Arts Budapest|Soros Foundation Fine Art Documentation Center]] in [[1991]] at [[Mucsarnok]] in [[Budapest]]. Included an open call procedure for selection of the exhibited works also providing financial support for productions. This procedural shift illustrated an unusually transparent process for Hungary at that time. Simultaneously with this show, ''Imago, Fin de siecle in Dutch Contemporary Art'', a Dutch touring exhibition of video installations was exhibited in the same venue. The works of this high tech exhibition clearly demonstrated the differences between the established scenes in the Netherlands contrasting with the Hungarian situation, providing a strong impetus for future Hungarian video art production.
 
The first large-scale exhibition of Hungarian video installations organised by [[Soros Center for Contemporary Arts Budapest|Soros Foundation Fine Art Documentation Center]] in [[1991]] at [[Mucsarnok]] in [[Budapest]]. Included an open call procedure for selection of the exhibited works also providing financial support for productions. This procedural shift illustrated an unusually transparent process for Hungary at that time. Simultaneously with this show, ''Imago, Fin de siecle in Dutch Contemporary Art'', a Dutch touring exhibition of video installations was exhibited in the same venue. The works of this high tech exhibition clearly demonstrated the differences between the established scenes in the Netherlands contrasting with the Hungarian situation, providing a strong impetus for future Hungarian video art production.
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See also: [[Hungary#Video_art]]
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[[Category:Video]]

Revision as of 18:55, 23 December 2011

The first large-scale exhibition of Hungarian video installations organised by Soros Foundation Fine Art Documentation Center in 1991 at Mucsarnok in Budapest. Included an open call procedure for selection of the exhibited works also providing financial support for productions. This procedural shift illustrated an unusually transparent process for Hungary at that time. Simultaneously with this show, Imago, Fin de siecle in Dutch Contemporary Art, a Dutch touring exhibition of video installations was exhibited in the same venue. The works of this high tech exhibition clearly demonstrated the differences between the established scenes in the Netherlands contrasting with the Hungarian situation, providing a strong impetus for future Hungarian video art production.


See also: Hungary#Video_art