Sweden

Avant-garde

Exposition Internationale L'Art d'Aujourd'hui exhibition, Paris, December 1925. Exhibiting artists included Otto Carlsund, Waldemar Lorentzon, Vera Meyerson, Bengt Österblom, as well as other Scandinavian artists (Franciska Clausen, Ragnhild Keyser, Charlotte Wankel). [4]
Exhibition at the Galerie d'Art Contemporain, Paris, June 1926, with paintings by Carlsund, Clausen, Kaarbø and Keyser. [5]
Exhibition at the Galerie Aubier, Paris, March 1927, with works by Carlsund, Clausen and Kaarbø. [6]
Exhibition at the Galerie Mots et Images, May 1928, with works by Carlsund, Erik Olson and Christian Berg. [7]
The Avant-Gardes in the Nordic Countries 1925-1950: History, Culture and Aesthetics, University of Copenhagen, 3-5 October 2013.

Nordic Network of Avant-Garde Studies, research project started in 2004 with the aim to produce a series of four international conferences on Nordic avant-garde art, each to be followed by a book. The first was dedicated to analysis of the period 1900-25 and was held in Copenhagen in 2009 (with a volume published in 2012, see below); the second one (1925-50) is to be held again in Copenhagen, in October 2013.

Tania Ørum, Ping Huang, et al. (eds.), A Cultural History of the Avant-Garde in the Nordic Countries 1900-1925, Amsterdam/New York: Rodopi, 2012, 680 pp. ISBN 978-90-420-3620-8. [8], Preview, Review.
Ellef Prestsæter, "The Avant-Garde as Network. Interview with Tania Ørum", Kunstkritikk, 23 April 2012.

Erik Hedling, Mats Jönsson (eds.), Välfärdsbilder - svensk film utanför biografen, del 2, Stockholm: Mediehistoriskt arkiv, 2009. (in Swedish) [9]
Lars Gustaf Andersson, John Sundholm, Astrid Söderbergh Widding, A History of Swedish Experimental Film Culture: From Early Animation to Video Art, Stockholm: Mediehistoriskt arkiv, 2010. [10]

Jesper Olsson, "Kneaded Language: Concrete Poetry and New Media in the Swedish 1960s", Modernism/modernity, Volume 18, Number 2, April 2011, pp. 273-288.

Anders Ekström, Solveig Jülich, Pelle Snickars (eds.), 1897 – Mediehistorier kring Stockholmsutställningen, Stockholm: Mediehistoriskt arkiv, 2009. (in Swedish) [11]
Mats Jönsson, Pelle Snickars (eds.), Medier & politik – om arbetarrörelsens mediestrategier under 1900-talet, Stockholm: Mediehistoriskt arkiv, 2009. (in Swedish) [12]
Solveig Jülich, Patrik Lundell, Pelle Snickars (eds.), Mediernas kulturhistoria, Stockholm: Mediehistoriskt arkiv, 2009. (in Swedish) [13]
Björn Norberg, Jonatan Habib Engqvist, "The Nordic pioneers of New Media Art", Ars Hypermedia, 2009.
Jonas Harvard, Patrik Lundell (eds.), 1800-talets mediesystem, Stockholm: Mediehistoriskt arkiv, 2010. (in Swedish) [14]
Lars Björk, Jānis Krēsliņš, Matts Lindström (eds.), The Story of Storage I. Kompendium, Stockholm: Mediehistoriskt arkiv, 2010. (in Swedish) [15]
Johan Jarlbrink, Patrik Lundell (eds.), Från pressarkivet 1800-1899. En källsamling, Stockholm: Mediehistoriskt arkiv, 2012. (in Swedish) [16]
Anders Ekström, Solveig Jülich, Frans Lundgren, Per Wisselgren (eds.), History of Participatory Media: Politics and Publics, 1750-2000, Routledge, 2012. Contents

	Countries avant-garde, modernism, experimental art, media culture, social practice
Albania, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Central and Eastern Europe, Chile, China, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, India, Indonesia, Iran, Ireland, Italy, Japan, Kazakhstan, Kosova, Latvia, Lebanon, Lithuania, Luxembourg, Malta, Mexico, Moldova, Montenegro, Morocco, Netherlands, North Macedonia, Norway, Pakistan, Peru, Poland, Portugal, Romania, Russia, Serbia, Spain, Slovenia, Slovakia, South Korea, Sweden, Switzerland, Turkey, Ukraine, United Kingdom, United States