Difference between revisions of "Template:Avant-garde and modernist magazines"

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[[Entretiens politiques et littéraires]] (1890-93), [[Volné směry]] (1897-1948), [[Mir iskusstva]] (1898-1904), [[Vesy]] (1904-09), [[Poesia]] (1905-09, 1920), [[Zolotoe runo]] (1906-10), [[The Mask]] (1908-29), [[Apollon]] (1909-17), [[Ukraïnska khata]] (1909-14), [[Der Sturm]] (1910-32), [[Thalia]] (1910-13), [[Rhythm]] (1911-13), [[Trudy i dni]] (1912), [[Simbolul]] (1912), [[The Glebe]] (1913-14), [[Ocharovannyi strannik]] (1913-16), [[Revolution]] (1913), [[Blast]] (1914-15), [[The Little Review]] (1914-29), [[Futuristy]] (1914), [[Zeit-Echo]] (1914-17), [[L'Élan]] (1915-16), [[291]] (1915-16), [[Orpheu]] (1915), [[MA]] (1916-25), [[SIC]] (1916-19), [[flamman]] (1916-21), [[The Blindman]] (1917), [[Nord-Sud]] (1917-18), [[De Stijl]] (1917-20, 1921-32), [[Dada (journal)|Dada]] (1917-21), [[Klingen]] (1917-20, 1942), [[391]] (1917-24), [[Modernisme et compréhension]] (1917), [[La Cité]] (1919-35), [[Aujourd'hui]] (1919), [[Exlex]] (1919-20), [[L'Esprit nouveau]] (1920-25), [[Orfeus]] (1920-21), [[Action]] (1920-22), [[Proverbe]] (1920-22), [[Ça ira]] (1920-23), [[Zenit]] (1921-26), [[Kinofon]] (1921-22), [[Jednodńuwka futurystuw]] (1921), [[Nowa sztuka]] (1921-22), [[Broom]] (1921-24), [[Život]] (1921-48), [[Creación]] (1921-24), [[Jar-Ptitza]] (1921-26), [[New York Dada]] (1921), [[Aventure]] (1921-22), [[Spolokhi]] (1921-23), [[Gargoyle]] (1921-22), [[Veshch/Gegenstand/Objet]] (1922), [[Kino-fot]] (1922-23), [[Le Coeur à barbe]] (1922), [[Die Form]] (1922, 1925-35), [[Ultra]] (1922), [[Út]] (1922-25), [[Dada-Jok]] (1922), [[Dada Tank]] (1922), [[Dada Jazz]] (1922), [[Mécano]] (1922-23), [[Contimporanul]] (1922-32), [[Zwrotnica]] (1922-23, 1926-27), [[Secession]] (1922-24), [[Gostinitsa dlya puteshestvuyuschih v prekrasnom]] (1922-24), [[Klaxon]] (1922-23), [[Akasztott Ember]] (1922-23), [[MSS]] (1922-23), [[Perevoz Dada]] (1922-49), [[L'Architecture vivante]] (1923-33), [[Merz]] (1923-32), [[LEF]] (1923-25), [[G]] (1923-26), [[The Next Call]] (1923-26), [[Russkoye iskusstvo]] (1923), [[Disk]] (1923-25), [[Egység]] (1923-24), [[Irradiador]] (1923), [[Surréalisme]] (1924), [[La Révolution surréaliste]] (1924-29), [[Blok]] (1924-26), [[Pásmo]] (1924-26), [[DAV]] (1924-37), [[Athena]] (1924-25), [[Punct]] (1924-25), [[75HP]] (1924), [[Le Tour de Babel]] (1925), [[Periszkop]] (1925-26), [[Integral]] (1925-28), [[Praesens]] (1926, 1930), [[Sovremennaya architektura]] (1926-30), [[Kritisk Revy]] (1926-28), [[L'Art cinématographique]] (1926-31), [[Dokumentum]] (1926-27), [[Novyi LEF]] (1927-29), [[i 10]] (1927-29), [[Nova generatsiia]] (1927-30), [[ReD]] (1927-31), [[Dźwignia]] (1927-28), [[Tank]] (1927-28), [[Close Up]] (1927-33), [[Horizont]] (1927-32), [[transition]] (1927-38), [[Discontinuité]] (1928), [[Munka]] (1928-39), [[Quosego]] (1928-29), [[Urmuz]] (1928), [[Unu]] (1928-32), [[Revista de Antropofagia]] (1928-29), [[50 u Evropi]] (1928-29), [[Documents]] (1929-30), [[L'Art Contemporain - Sztuka Współczesna]] (1929-30), [[Adam]] (1929-40), [[Art concret]] (1930), [[Alge]] (1930-31), [[Levá fronta]] (1930-33), [[Kvart]] (1930-37, 1945-49), [[Nová Bratislava]] (1931-32), [[Spektrum]] (1931-33), [[Nadrealizam danas i ovde]] (1931-32), [[Ulise]] (1932-33), [[Mouvement]] (1933), [[PLAN]] (1933-36), [[Karavan]] (1934-35), [[Ekran]] (1934), [[Axis]] (1935-37), [[Telehor]] (1936), [[aka]] (1937-38), [[Plastique]] (1937-39), [[Les Réverbères]] (1938-39).
+
[[Entretiens politiques et littéraires]] (1890-93), [[Volné směry]] (1897-1948), [[Mir iskusstva]] (1898-1904), [[Vesy]] (1904-09), [[Poesia]] (1905-09, 1920), [[Zolotoe runo]] (1906-10), [[The Mask]] (1908-29), [[Apollon]] (1909-17), [[Ukraïnska khata]] (1909-14), [[Der Sturm]] (1910-32), [[Thalia]] (1910-13), [[Rhythm]] (1911-13), [[Trudy i dni]] (1912), [[Simbolul]] (1912), [[The Glebe]] (1913-14), [[Ocharovannyi strannik]] (1913-16), [[Revolution]] (1913), [[Blast]] (1914-15), [[The Little Review]] (1914-29), [[Futuristy]] (1914), [[Zeit-Echo]] (1914-17), [[L'Élan]] (1915-16), [[291]] (1915-16), [[Orpheu]] (1915), [[MA]] (1916-25), [[SIC]] (1916-19), [[flamman]] (1916-21), [[The Blindman]] (1917), [[Nord-Sud]] (1917-18), [[De Stijl]] (1917-20, 1921-32), [[Dada (journal)|Dada]] (1917-21), [[Klingen]] (1917-20, 1942), [[391]] (1917-24), [[Modernisme et compréhension]] (1917), [[La Cité]] (1919-35), [[Aujourd'hui]] (1919), [[Exlex]] (1919-20), [[L'Esprit nouveau]] (1920-25), [[Orfeus]] (1920-21), [[Action]] (1920-22), [[Proverbe]] (1920-22), [[Ça ira]] (1920-23), [[Zenit]] (1921-26), [[Kinofon]] (1921-22), [[Jednodńuwka futurystuw]] (1921), [[Nowa sztuka]] (1921-22), [[Broom]] (1921-24), [[Život]] (1921-48), [[Creación]] (1921-24), [[Jar-Ptitza]] (1921-26), [[New York Dada]] (1921), [[Aventure]] (1921-22), [[Spolokhi]] (1921-23), [[Gargoyle]] (1921-22), [[Veshch/Gegenstand/Objet]] (1922), [[Kino-fot]] (1922-23), [[Le Coeur à barbe]] (1922), [[Die Form]] (1922, 1925-35), [[Ultra]] (1922), [[Út]] (1922-25), [[Dada-Jok]] (1922), [[Dada Tank]] (1922), [[Dada Jazz]] (1922), [[Mécano]] (1922-23), [[Contimporanul]] (1922-32), [[Zwrotnica]] (1922-23, 1926-27), [[Secession]] (1922-24), [[Gostinitsa dlya puteshestvuyuschih v prekrasnom]] (1922-24), [[Klaxon]] (1922-23), [[Akasztott Ember]] (1922-23), [[MSS]] (1922-23), [[Perevoz Dada]] (1922-49), [[Egység]] (1922-24),[[L'Architecture vivante]] (1923-33), [[Merz]] (1923-32), [[LEF]] (1923-25), [[G]] (1923-26), [[The Next Call]] (1923-26), [[Russkoye iskusstvo]] (1923), [[Disk]] (1923-25), [[Irradiador]] (1923), [[Surréalisme]] (1924), [[La Révolution surréaliste]] (1924-29), [[Blok]] (1924-26), [[Pásmo]] (1924-26), [[DAV]] (1924-37), [[Athena]] (1924-25), [[Punct]] (1924-25), [[75HP]] (1924), [[Le Tour de Babel]] (1925), [[Periszkop]] (1925-26), [[Integral]] (1925-28), [[Praesens]] (1926, 1930), [[Sovremennaya architektura]] (1926-30), [[Kritisk Revy]] (1926-28), [[L'Art cinématographique]] (1926-31), [[Dokumentum]] (1926-27), [[Novyi LEF]] (1927-29), [[i 10]] (1927-29), [[Nova generatsiia]] (1927-30), [[ReD]] (1927-31), [[Dźwignia]] (1927-28), [[Tank]] (1927-28), [[Close Up]] (1927-33), [[Horizont]] (1927-32), [[transition]] (1927-38), [[Discontinuité]] (1928), [[Munka]] (1928-39), [[Quosego]] (1928-29), [[Urmuz]] (1928), [[Unu]] (1928-32), [[Revista de Antropofagia]] (1928-29), [[50 u Evropi]] (1928-29), [[Documents]] (1929-30), [[L'Art Contemporain - Sztuka Współczesna]] (1929-30), [[Adam]] (1929-40), [[Art concret]] (1930), [[Alge]] (1930-31), [[Levá fronta]] (1930-33), [[Kvart]] (1930-37, 1945-49), [[Nová Bratislava]] (1931-32), [[Spektrum]] (1931-33), [[Nadrealizam danas i ovde]] (1931-32), [[Ulise]] (1932-33), [[Mouvement]] (1933), [[PLAN]] (1933-36), [[Karavan]] (1934-35), [[Ekran]] (1934), [[Axis]] (1935-37), [[Telehor]] (1936), [[aka]] (1937-38), [[Plastique]] (1937-39), [[Les Réverbères]] (1938-39).
 
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Revision as of 12:32, 10 August 2014

Avant-garde and modernist magazines

Entretiens politiques et littéraires (1890-93), Volné směry (1897-1948), Mir iskusstva (1898-1904), Vesy (1904-09), Poesia (1905-09, 1920), Zolotoe runo (1906-10), The Mask (1908-29), Apollon (1909-17), Ukraïnska khata (1909-14), Der Sturm (1910-32), Thalia (1910-13), Rhythm (1911-13), Trudy i dni (1912), Simbolul (1912), The Glebe (1913-14), Ocharovannyi strannik (1913-16), Revolution (1913), Blast (1914-15), The Little Review (1914-29), Futuristy (1914), Zeit-Echo (1914-17), L'Élan (1915-16), 291 (1915-16), Orpheu (1915), MA (1916-25), SIC (1916-19), flamman (1916-21), The Blindman (1917), Nord-Sud (1917-18), De Stijl (1917-20, 1921-32), Dada (1917-21), Klingen (1917-20, 1942), 391 (1917-24), Modernisme et compréhension (1917), La Cité (1919-35), Aujourd'hui (1919), Exlex (1919-20), L'Esprit nouveau (1920-25), Orfeus (1920-21), Action (1920-22), Proverbe (1920-22), Ça ira (1920-23), Zenit (1921-26), Kinofon (1921-22), Jednodńuwka futurystuw (1921), Nowa sztuka (1921-22), Broom (1921-24), Život (1921-48), Creación (1921-24), Jar-Ptitza (1921-26), New York Dada (1921), Aventure (1921-22), Spolokhi (1921-23), Gargoyle (1921-22), Veshch/Gegenstand/Objet (1922), Kino-fot (1922-23), Le Coeur à barbe (1922), Die Form (1922, 1925-35), Ultra (1922), Út (1922-25), Dada-Jok (1922), Dada Tank (1922), Dada Jazz (1922), Mécano (1922-23), Contimporanul (1922-32), Zwrotnica (1922-23, 1926-27), Secession (1922-24), Gostinitsa dlya puteshestvuyuschih v prekrasnom (1922-24), Klaxon (1922-23), Akasztott Ember (1922-23), MSS (1922-23), Perevoz Dada (1922-49), Egység (1922-24),L'Architecture vivante (1923-33), Merz (1923-32), LEF (1923-25), G (1923-26), The Next Call (1923-26), Russkoye iskusstvo (1923), Disk (1923-25), Irradiador (1923), Surréalisme (1924), La Révolution surréaliste (1924-29), Blok (1924-26), Pásmo (1924-26), DAV (1924-37), Athena (1924-25), Punct (1924-25), 75HP (1924), Le Tour de Babel (1925), Periszkop (1925-26), Integral (1925-28), Praesens (1926, 1930), Sovremennaya architektura (1926-30), Kritisk Revy (1926-28), L'Art cinématographique (1926-31), Dokumentum (1926-27), Novyi LEF (1927-29), i 10 (1927-29), Nova generatsiia (1927-30), ReD (1927-31), Dźwignia (1927-28), Tank (1927-28), Close Up (1927-33), Horizont (1927-32), transition (1927-38), Discontinuité (1928), Munka (1928-39), Quosego (1928-29), Urmuz (1928), Unu (1928-32), Revista de Antropofagia (1928-29), 50 u Evropi (1928-29), Documents (1929-30), L'Art Contemporain - Sztuka Współczesna (1929-30), Adam (1929-40), Art concret (1930), Alge (1930-31), Levá fronta (1930-33), Kvart (1930-37, 1945-49), Nová Bratislava (1931-32), Spektrum (1931-33), Nadrealizam danas i ovde (1931-32), Ulise (1932-33), Mouvement (1933), PLAN (1933-36), Karavan (1934-35), Ekran (1934), Axis (1935-37), Telehor (1936), aka (1937-38), Plastique (1937-39), Les Réverbères (1938-39).