https://monoskop.org/index.php?title=Template:Avant-garde_and_modernist_magazines&feed=atom&action=history
Template:Avant-garde and modernist magazines - Revision history
2024-03-28T20:04:50Z
Revision history for this page on the wiki
MediaWiki 1.33.0
https://monoskop.org/index.php?title=Template:Avant-garde_and_modernist_magazines&diff=120264&oldid=prev
Dusan at 21:20, 22 September 2023
2023-09-22T21:20:04Z
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<table class="diff diff-contentalign-left" data-mw="interface">
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<col class="diff-marker" />
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<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 21:20, 22 September 2023</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l17" >Line 17:</td>
<td colspan="2" class="diff-lineno">Line 17:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| colspan="3" align="center" class="tocpadding" | </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| colspan="3" align="center" class="tocpadding" | </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Entretiens politiques et littéraires]] (1890-93), [[Moderní revue]] (1894-1925), [[Volné směry]] (1897-1948), [[Mir iskusstva]] (1898-1904), [[Vesy]] (1904-09), [[Poesia]] (1905-09, 1920), [[Zolotoe runo]] (1906-10), [[The Mask]] (1908-29), [[Apollon]] (1909-17), [[Ukraïnska khata]] (1909-14), [[Der Sturm]] (1910-32), [[Thalia]] (1910-13), [[Rhythm]] (1911-13), [[Trudy i dni]] (1912), [[Simbolul]] (1912), [[The Glebe]] (1913-14), [[Ocharovannyi strannik]] (1913-16), [[Revolution]] (1913), [[Blast]] (1914-15), [[The Little Review]] (1914-29), [[Futuristy]] (1914), [[Zeit-Echo]] (1914-17), [[The Egoist]] (1914-19), [[L'Élan]] (1915-16), [[291]] (1915-16), [[Orpheu]] (1915), [[La Balza futurista]] (1915), [[MA]] (1916-25), [[SIC]] (1916-19), [[flamman]] (1916-21), [[The Blindman]] (1917), [[Nord-Sud]] (1917-18), [[De Stijl]] (1917-20, 1921-32), [[Dada (journal)|Dada]] (1917-21), [[Klingen]] (1917-20, 1942), [[Noi]] (1917-25), [[391]] (1917-24), [[Modernisme et compréhension]] (1917), [[Anarkhiia]] (1917-18), [[Iskusstvo kommuny]] (1918-19), [[Formiści]] (1919-21), [[S4N]] (1919-25), [[La Cité]] (1919-35), [[Aujourd'hui]] (1919), [[Exlex]] (1919-20), [[L'Esprit nouveau]] (1920-25), [[Orfeus]] (1920-21), [[Action]] (1920-22), [[Proverbe]] (1920-22), [[Ça ira]] (1920-23), [[Zenit]] (1921-26), [[Kinofon]] (1921-22), [[Het Overzicht]] (1921-25), [[Jednodńuwka futurystuw]] (1921), [[Nowa sztuka]] (1921-22), [[Broom]] (1921-24), [[Život]] (1921-48), [[Creación]] (1921-24), [[Jar-Ptitza]] (1921-26), [[New York Dada]] (1921), [[Aventure]] (1921-22), [[Spolokhi]] (1921-23), [[Gargoyle]] (1921-22), [[Veshch/Gegenstand/Objet]] (1922), [[Kino-fot]] (1922-23), [[Le Coeur à barbe]] (1922), [[Die Form]] (1922, 1925-35), [[7 Arts]] (1922-28), [[Manomètre]] (1922-28), [[Ultra]] (1922), [[Út]] (1922-25), [[Dada-Jok]] (1922), [[Dada Tank]] (1922), [[Dada Jazz]] (1922), [[Mécano]] (1922-23), [[Contimporanul]] (1922-32), [[Zwrotnica]] (1922-23, 1926-27), [[Secession]] (1922-24), [[Stavba]] (1922-38), [[Gostinitsa dlya puteshestvuyuschih v prekrasnom]] (1922-24), [[Putevi]] (1922-24), [[Klaxon]] (1922-23), [[Akasztott Ember]] (1922-23), [[MSS]] (1922-23), [[Perevoz Dada]] (1922-49), [[Egység]] (1922-24), [[L'Architecture vivante]] (1923-33), [[Merz]] (1923-32), [[LEF]] (1923-25), [[G]] (1923-26), [[The Next Call]] (1923-26), [[Russkoye iskusstvo]] (1923), [[Disk]] (1923-25), [[Irradiador]] (1923), [[Surréalisme]] (1924), [[Almanach Nowej Sztuki]] (1924-25), [[La Révolution surréaliste]] (1924-29), [[Blok]] (1924-26), [[Pásmo]] (1924-26), [[DAV]] (1924-37), [[Bulletin de l'Effort moderne]] (1924-27), [[ABC]] (1924-28), [[CAP]] (1924-28), [[Athena]] (1924-25), [[Punct]] (1924-25), [[75HP]] (1924), [[Le Tour de Babel]] (1925), [[Periszkop]] (1925-26), [[Integral]] (1925-28), [[Praesens]] (1926, 1930), [[Sovremennaya architektura]] (1926-30), [[bauhaus]] (1926-31), [[Das neue Frankfurt]] (1926-31), [[L'Art cinématographique]] (1926-31), [[Dokumentum]] (1926-27), [[Kritisk Revy]] (1926-28), [[Novyi LEF]] (1927-29), [[i 10]] (1927-29), [[Nova generatsiia]] (1927-30), [[ReD]] (1927-31), [[Dźwignia]] (1927-28), [[Tank]] (1927-28), [[Close Up]] (1927-33), [[Horizont]] (1927-32), [[transition]] (1927-38), [[Discontinuité]] (1928), [[Munka]] (1928-39), [[Quosego]] (1928-29), [[Urmuz]] (1928), [[Unu]] (1928-32), [[Revista de Antropofagia]] (1928-29), [[50 u Evropi]] (1928-29), [[Documents]] (1929-30), [[L'Art Contemporain - Sztuka Współczesna]] (1929-30), [[Adam]] (1929-40), [[Art concret]] (1930), [[Zvěrokruh]] (1930), [[Alge]] (1930-31), [[Le Surréalisme au service de la révolution]] (1930-33), [[Levá fronta]] (1930-33), [[Kvart]] (1930-37, 1945-49), [[Nová Bratislava]] (1931-32), [[Linja]] (1931-33), [[Spektrum]] (1931-33), [[Nadrealizam danas i ovde]] (1931-32), [[Ulise]] (1932-33), [[Die neue Stadt]] (1932-33), [[Mouvement]] (1933), [[PLAN]] (1933-36), [[Karavan]] (1934-35), [[Ekran]] (1934), [[Axis]] (1935-37), [[Acéphale]] (1936-39), [[Telehor]] (1936), [[aka]] (1937-38), [[Plastique]] (1937-39), [[Plus]] (1938-39), [[Les Réverbères]] (1938-39).</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Entretiens politiques et littéraires]] (1890-93), [[Moderní revue]] (1894-1925), [[Volné směry]] (1897-1948), [[Mir iskusstva]] (1898-1904), [[Vesy]] (1904-09), [[Poesia]] (1905-09, 1920), [[Zolotoe runo]] (1906-10), [[The Mask]] (1908-29), [[Apollon]] (1909-17), [[Ukraïnska khata]] (1909-14), [[Der Sturm]] (1910-32), [[Thalia]] (1910-13), [[Rhythm]] (1911-13), [[Trudy i dni]] (1912), [[Simbolul]] (1912), [[The Glebe]] (1913-14), [[Ocharovannyi strannik]] (1913-16), [[Revolution]] (1913), [[Blast]] (1914-15), [[The Little Review]] (1914-29), [[Futuristy]] (1914), [[Zeit-Echo]] (1914-17), [[The Egoist]] (1914-19), [[L'Élan]] (1915-16), [[291]] (1915-16), [[Orpheu]] (1915), [[La Balza futurista]] (1915), [[MA]] (1916-25), [[SIC]] (1916-19), [[flamman]] (1916-21), [[The Blindman]] (1917), [[Nord-Sud]] (1917-18), [[De Stijl]] (1917-20, 1921-32), [[Dada (journal)|Dada]] (1917-21), [[Klingen]] (1917-20, 1942), [[Noi]] (1917-25), [[391]] (1917-24), [[Modernisme et compréhension]] (1917), [[Anarkhiia]] (1917-18), [[Iskusstvo kommuny]] (1918-19), [[Formiści]] (1919-21), [[S4N]] (1919-25), [[La Cité]] (1919-35), [[Aujourd'hui]] (1919), [[Exlex]] (1919-20), [[L'Esprit nouveau]] (1920-25), [[Orfeus]] (1920-21), [[Action]] (1920-22), [[Proverbe]] (1920-22), [[Ça ira]] (1920-23), [[Zenit]] (1921-26), [[Kinofon]] (1921-22), [[Het Overzicht]] (1921-25), [[Jednodńuwka futurystuw]] (1921), [[Nowa sztuka]] (1921-22), [[Broom]] (1921-24), [[Život]] (1921-48), [[Creación]] (1921-24), [[Jar-Ptitza]] (1921-26), [[New York Dada]] (1921), [[Aventure]] (1921-22), [[Spolokhi]] (1921-23), [[Gargoyle]] (1921-22), [[Veshch/Gegenstand/Objet]] (1922), [[Kino-fot]] (1922-23), [[Le Coeur à barbe]] (1922), [[Die Form]] (1922, 1925-35), [[7 Arts]] (1922-28), [[Manomètre]] (1922-28), [[Ultra]] (1922), [[Út]] (1922-25), [[Dada-Jok]] (1922), [[Dada Tank]] (1922), [[Dada Jazz]] (1922), [[Mécano]] (1922-23), [[Contimporanul]] (1922-32), [[Zwrotnica]] (1922-23, 1926-27), [[Secession]] (1922-24), [[Stavba]] (1922-38), [[Gostinitsa dlya puteshestvuyuschih v prekrasnom]] (1922-24), [[Putevi]] (1922-24), [[Klaxon]] (1922-23), [[Akasztott Ember]] (1922-23), [[MSS]] (1922-23), [[Perevoz Dada]] (1922-49), [[Egység]] (1922-24), [[L'Architecture vivante]] (1923-33), [[Merz]] (1923-32), [[LEF]] (1923-25), [[G]] (1923-26), [[The Next Call]] (1923-26), [[Russkoye iskusstvo]] (1923), [[Disk]] (1923-25), [[Irradiador]] (1923), [[Surréalisme]] (1924), [[Almanach Nowej Sztuki]] (1924-25), [[La Révolution surréaliste]] (1924-29), [[Blok]] (1924-26), [[Pásmo]] (1924-26), [[DAV]] (1924-37), [[Bulletin de l'Effort moderne]] (1924-27), [[ABC]] (1924-28), [[CAP]] (1924-28), [[Athena]] (1924-25), [[Punct]] (1924-25), [[75HP]] (1924), [[Le Tour de Babel]] (1925), [[Periszkop]] (1925-26), [[Integral]] (1925-28), [[Praesens]] (1926, 1930), [[Sovremennaya architektura]] (1926-30), [[bauhaus]] (1926-31), [[Das neue Frankfurt]] (1926-31), [[L'Art cinématographique]] (1926-31), [[Dokumentum]] (1926-27), [[Kritisk Revy]] (1926-28), [[Novyi LEF]] (1927-29), [[i 10]] (1927-29), [[Nova generatsiia]] (1927-30), [[ReD]] (1927-31), [[Dźwignia]] (1927-28), [[Tank]] (1927-28), [[Close Up]] (1927-33), [[Horizont]] (1927-32), [[transition]] (1927-38), [[Discontinuité]] (1928), [[Munka]] (1928-39), [[Quosego]] (1928-29), [[Urmuz]] (1928), [[Unu]] (1928-32), [[Revista de Antropofagia]] (1928-29), [[50 u Evropi]] (1928-29), [[Documents]] (1929-30), [[L'Art Contemporain - Sztuka Współczesna]] (1929-30), [[Adam]] (1929-40), [[Art concret]] (1930), [[Zvěrokruh]] (1930), [[Alge]] (1930-31), [[Le Surréalisme au service de la révolution]] (1930-33), [[Levá fronta]] (1930-33), [[Kvart]] (1930-37, 1945-49), [[Nová Bratislava]] (1931-32), [[Linja]] (1931-33), [[Spektrum]] (1931-33), [[Nadrealizam danas i ovde]] (1931-32), [[Ulise]] (1932-33), [[Die neue Stadt]] (1932-33), [[Mouvement]] (1933), [[PLAN]] (1933-36), [[Karavan]] (1934-35), [[Ekran]] (1934), [[<ins class="diffchange diffchange-inline">Axis (magazine)|</ins>Axis]] (1935-37), [[Acéphale]] (1936-39), [[Telehor]] (1936), [[aka]] (1937-38), [[Plastique]] (1937-39), [[Plus]] (1938-39), [[Les Réverbères]] (1938-39).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|}</div></td></tr>
</table>
Dusan
https://monoskop.org/index.php?title=Template:Avant-garde_and_modernist_magazines&diff=91853&oldid=prev
Thebaus at 22:13, 30 June 2019
2019-06-30T22:13:13Z
<p></p>
<table class="diff diff-contentalign-left" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 22:13, 30 June 2019</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l17" >Line 17:</td>
<td colspan="2" class="diff-lineno">Line 17:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| colspan="3" align="center" class="tocpadding" | </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| colspan="3" align="center" class="tocpadding" | </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Entretiens politiques et littéraires]] (1890-93), [[Moderní revue]] (1894-1925), [[Volné směry]] (1897-1948), [[Mir iskusstva]] (1898-1904), [[Vesy]] (1904-09), [[Poesia]] (1905-09, 1920), [[Zolotoe runo]] (1906-10), [[The Mask]] (1908-29), [[Apollon]] (1909-17), [[Ukraïnska khata]] (1909-14), [[Der Sturm]] (1910-32), [[Thalia]] (1910-13), [[Rhythm]] (1911-13), [[Trudy i dni]] (1912), [[Simbolul]] (1912), [[The Glebe]] (1913-14), [[Ocharovannyi strannik]] (1913-16), [[Revolution]] (1913), [[Blast]] (1914-15), [[The Little Review]] (1914-29), [[Futuristy]] (1914), [[Zeit-Echo]] (1914-17), [[The Egoist]] (1914-19), [[L'Élan]] (1915-16), [[291]] (1915-16), [[Orpheu]] (1915), [[La Balza futurista]] (1915), [[MA]] (1916-25), [[SIC]] (1916-19), [[flamman]] (1916-21), [[The Blindman]] (1917), [[Nord-Sud]] (1917-18), [[De Stijl]] (1917-20, 1921-32), [[Dada (journal)|Dada]] (1917-21), [[Klingen]] (1917-20, 1942), [[Noi]] (1917-25), [[391]] (1917-24), [[Modernisme et compréhension]] (1917), [[Iskusstvo kommuny]] (1918-19), [[Formiści]] (1919-21), [[S4N]] (1919-25), [[La Cité]] (1919-35), [[Aujourd'hui]] (1919), [[Exlex]] (1919-20), [[L'Esprit nouveau]] (1920-25), [[Orfeus]] (1920-21), [[Action]] (1920-22), [[Proverbe]] (1920-22), [[Ça ira]] (1920-23), [[Zenit]] (1921-26), [[Kinofon]] (1921-22), [[Het Overzicht]] (1921-25), [[Jednodńuwka futurystuw]] (1921), [[Nowa sztuka]] (1921-22), [[Broom]] (1921-24), [[Život]] (1921-48), [[Creación]] (1921-24), [[Jar-Ptitza]] (1921-26), [[New York Dada]] (1921), [[Aventure]] (1921-22), [[Spolokhi]] (1921-23), [[Gargoyle]] (1921-22), [[Veshch/Gegenstand/Objet]] (1922), [[Kino-fot]] (1922-23), [[Le Coeur à barbe]] (1922), [[Die Form]] (1922, 1925-35), [[7 Arts]] (1922-28), [[Manomètre]] (1922-28), [[Ultra]] (1922), [[Út]] (1922-25), [[Dada-Jok]] (1922), [[Dada Tank]] (1922), [[Dada Jazz]] (1922), [[Mécano]] (1922-23), [[Contimporanul]] (1922-32), [[Zwrotnica]] (1922-23, 1926-27), [[Secession]] (1922-24), [[Stavba]] (1922-38), [[Gostinitsa dlya puteshestvuyuschih v prekrasnom]] (1922-24), [[Putevi]] (1922-24), [[Klaxon]] (1922-23), [[Akasztott Ember]] (1922-23), [[MSS]] (1922-23), [[Perevoz Dada]] (1922-49), [[Egység]] (1922-24), [[L'Architecture vivante]] (1923-33), [[Merz]] (1923-32), [[LEF]] (1923-25), [[G]] (1923-26), [[The Next Call]] (1923-26), [[Russkoye iskusstvo]] (1923), [[Disk]] (1923-25), [[Irradiador]] (1923), [[Surréalisme]] (1924), [[Almanach Nowej Sztuki]] (1924-25), [[La Révolution surréaliste]] (1924-29), [[Blok]] (1924-26), [[Pásmo]] (1924-26), [[DAV]] (1924-37), [[Bulletin de l'Effort moderne]] (1924-27), [[ABC]] (1924-28), [[CAP]] (1924-28), [[Athena]] (1924-25), [[Punct]] (1924-25), [[75HP]] (1924), [[Le Tour de Babel]] (1925), [[Periszkop]] (1925-26), [[Integral]] (1925-28), [[Praesens]] (1926, 1930), [[Sovremennaya architektura]] (1926-30), [[bauhaus]] (1926-31), [[Das neue Frankfurt]] (1926-31), [[L'Art cinématographique]] (1926-31), [[Dokumentum]] (1926-27), [[Kritisk Revy]] (1926-28), [[Novyi LEF]] (1927-29), [[i 10]] (1927-29), [[Nova generatsiia]] (1927-30), [[ReD]] (1927-31), [[Dźwignia]] (1927-28), [[Tank]] (1927-28), [[Close Up]] (1927-33), [[Horizont]] (1927-32), [[transition]] (1927-38), [[Discontinuité]] (1928), [[Munka]] (1928-39), [[Quosego]] (1928-29), [[Urmuz]] (1928), [[Unu]] (1928-32), [[Revista de Antropofagia]] (1928-29), [[50 u Evropi]] (1928-29), [[Documents]] (1929-30), [[L'Art Contemporain - Sztuka Współczesna]] (1929-30), [[Adam]] (1929-40), [[Art concret]] (1930), [[Zvěrokruh]] (1930), [[Alge]] (1930-31), [[Le Surréalisme au service de la révolution]] (1930-33), [[Levá fronta]] (1930-33), [[Kvart]] (1930-37, 1945-49), [[Nová Bratislava]] (1931-32), [[Linja]] (1931-33), [[Spektrum]] (1931-33), [[Nadrealizam danas i ovde]] (1931-32), [[Ulise]] (1932-33), [[Die neue Stadt]] (1932-33), [[Mouvement]] (1933), [[PLAN]] (1933-36), [[Karavan]] (1934-35), [[Ekran]] (1934), [[Axis]] (1935-37), [[Acéphale]] (1936-39), [[Telehor]] (1936), [[aka]] (1937-38), [[Plastique]] (1937-39), [[Plus]] (1938-39), [[Les Réverbères]] (1938-39).</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Entretiens politiques et littéraires]] (1890-93), [[Moderní revue]] (1894-1925), [[Volné směry]] (1897-1948), [[Mir iskusstva]] (1898-1904), [[Vesy]] (1904-09), [[Poesia]] (1905-09, 1920), [[Zolotoe runo]] (1906-10), [[The Mask]] (1908-29), [[Apollon]] (1909-17), [[Ukraïnska khata]] (1909-14), [[Der Sturm]] (1910-32), [[Thalia]] (1910-13), [[Rhythm]] (1911-13), [[Trudy i dni]] (1912), [[Simbolul]] (1912), [[The Glebe]] (1913-14), [[Ocharovannyi strannik]] (1913-16), [[Revolution]] (1913), [[Blast]] (1914-15), [[The Little Review]] (1914-29), [[Futuristy]] (1914), [[Zeit-Echo]] (1914-17), [[The Egoist]] (1914-19), [[L'Élan]] (1915-16), [[291]] (1915-16), [[Orpheu]] (1915), [[La Balza futurista]] (1915), [[MA]] (1916-25), [[SIC]] (1916-19), [[flamman]] (1916-21), [[The Blindman]] (1917), [[Nord-Sud]] (1917-18), [[De Stijl]] (1917-20, 1921-32), [[Dada (journal)|Dada]] (1917-21), [[Klingen]] (1917-20, 1942), [[Noi]] (1917-25), [[391]] (1917-24), [[Modernisme et compréhension]] (1917<ins class="diffchange diffchange-inline">), [[Anarkhiia]] (1917-18</ins>), [[Iskusstvo kommuny]] (1918-19), [[Formiści]] (1919-21), [[S4N]] (1919-25), [[La Cité]] (1919-35), [[Aujourd'hui]] (1919), [[Exlex]] (1919-20), [[L'Esprit nouveau]] (1920-25), [[Orfeus]] (1920-21), [[Action]] (1920-22), [[Proverbe]] (1920-22), [[Ça ira]] (1920-23), [[Zenit]] (1921-26), [[Kinofon]] (1921-22), [[Het Overzicht]] (1921-25), [[Jednodńuwka futurystuw]] (1921), [[Nowa sztuka]] (1921-22), [[Broom]] (1921-24), [[Život]] (1921-48), [[Creación]] (1921-24), [[Jar-Ptitza]] (1921-26), [[New York Dada]] (1921), [[Aventure]] (1921-22), [[Spolokhi]] (1921-23), [[Gargoyle]] (1921-22), [[Veshch/Gegenstand/Objet]] (1922), [[Kino-fot]] (1922-23), [[Le Coeur à barbe]] (1922), [[Die Form]] (1922, 1925-35), [[7 Arts]] (1922-28), [[Manomètre]] (1922-28), [[Ultra]] (1922), [[Út]] (1922-25), [[Dada-Jok]] (1922), [[Dada Tank]] (1922), [[Dada Jazz]] (1922), [[Mécano]] (1922-23), [[Contimporanul]] (1922-32), [[Zwrotnica]] (1922-23, 1926-27), [[Secession]] (1922-24), [[Stavba]] (1922-38), [[Gostinitsa dlya puteshestvuyuschih v prekrasnom]] (1922-24), [[Putevi]] (1922-24), [[Klaxon]] (1922-23), [[Akasztott Ember]] (1922-23), [[MSS]] (1922-23), [[Perevoz Dada]] (1922-49), [[Egység]] (1922-24), [[L'Architecture vivante]] (1923-33), [[Merz]] (1923-32), [[LEF]] (1923-25), [[G]] (1923-26), [[The Next Call]] (1923-26), [[Russkoye iskusstvo]] (1923), [[Disk]] (1923-25), [[Irradiador]] (1923), [[Surréalisme]] (1924), [[Almanach Nowej Sztuki]] (1924-25), [[La Révolution surréaliste]] (1924-29), [[Blok]] (1924-26), [[Pásmo]] (1924-26), [[DAV]] (1924-37), [[Bulletin de l'Effort moderne]] (1924-27), [[ABC]] (1924-28), [[CAP]] (1924-28), [[Athena]] (1924-25), [[Punct]] (1924-25), [[75HP]] (1924), [[Le Tour de Babel]] (1925), [[Periszkop]] (1925-26), [[Integral]] (1925-28), [[Praesens]] (1926, 1930), [[Sovremennaya architektura]] (1926-30), [[bauhaus]] (1926-31), [[Das neue Frankfurt]] (1926-31), [[L'Art cinématographique]] (1926-31), [[Dokumentum]] (1926-27), [[Kritisk Revy]] (1926-28), [[Novyi LEF]] (1927-29), [[i 10]] (1927-29), [[Nova generatsiia]] (1927-30), [[ReD]] (1927-31), [[Dźwignia]] (1927-28), [[Tank]] (1927-28), [[Close Up]] (1927-33), [[Horizont]] (1927-32), [[transition]] (1927-38), [[Discontinuité]] (1928), [[Munka]] (1928-39), [[Quosego]] (1928-29), [[Urmuz]] (1928), [[Unu]] (1928-32), [[Revista de Antropofagia]] (1928-29), [[50 u Evropi]] (1928-29), [[Documents]] (1929-30), [[L'Art Contemporain - Sztuka Współczesna]] (1929-30), [[Adam]] (1929-40), [[Art concret]] (1930), [[Zvěrokruh]] (1930), [[Alge]] (1930-31), [[Le Surréalisme au service de la révolution]] (1930-33), [[Levá fronta]] (1930-33), [[Kvart]] (1930-37, 1945-49), [[Nová Bratislava]] (1931-32), [[Linja]] (1931-33), [[Spektrum]] (1931-33), [[Nadrealizam danas i ovde]] (1931-32), [[Ulise]] (1932-33), [[Die neue Stadt]] (1932-33), [[Mouvement]] (1933), [[PLAN]] (1933-36), [[Karavan]] (1934-35), [[Ekran]] (1934), [[Axis]] (1935-37), [[Acéphale]] (1936-39), [[Telehor]] (1936), [[aka]] (1937-38), [[Plastique]] (1937-39), [[Plus]] (1938-39), [[Les Réverbères]] (1938-39).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|}</div></td></tr>
</table>
Thebaus
https://monoskop.org/index.php?title=Template:Avant-garde_and_modernist_magazines&diff=61021&oldid=prev
Dusan at 16:37, 10 August 2015
2015-08-10T16:37:52Z
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 16:37, 10 August 2015</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| colspan="3" align="center" class="tocpadding" | </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| colspan="3" align="center" class="tocpadding" | </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Entretiens politiques et littéraires]] (1890-93), [[Moderní revue]] (1894-1925), [[Volné směry]] (1897-1948), [[Mir iskusstva]] (1898-1904), [[Vesy]] (1904-09), [[Poesia]] (1905-09, 1920), [[Zolotoe runo]] (1906-10), [[The Mask]] (1908-29), [[Apollon]] (1909-17), [[Ukraïnska khata]] (1909-14), [[Der Sturm]] (1910-32), [[Thalia]] (1910-13), [[Rhythm]] (1911-13), [[Trudy i dni]] (1912), [[Simbolul]] (1912), [[The Glebe]] (1913-14), [[Ocharovannyi strannik]] (1913-16), [[Revolution]] (1913), [[Blast]] (1914-15), [[The Little Review]] (1914-29), [[Futuristy]] (1914), [[Zeit-Echo]] (1914-17), [[The Egoist]] (1914-19), [[L'Élan]] (1915-16), [[291]] (1915-16), [[Orpheu]] (1915), [[La Balza futurista]] (1915), [[MA]] (1916-25), [[SIC]] (1916-19), [[flamman]] (1916-21), [[The Blindman]] (1917), [[Nord-Sud]] (1917-18), [[De Stijl]] (1917-20, 1921-32), [[Dada (journal)|Dada]] (1917-21), [[Klingen]] (1917-20, 1942), [[Noi]] (1917-25), [[391]] (1917-24), [[Modernisme et compréhension]] (1917), [[Formiści]] (1919-21), [[S4N]] (1919-25), [[La Cité]] (1919-35), [[Aujourd'hui]] (1919), [[Exlex]] (1919-20), [[L'Esprit nouveau]] (1920-25), [[Orfeus]] (1920-21), [[Action]] (1920-22), [[Proverbe]] (1920-22), [[Ça ira]] (1920-23), [[Zenit]] (1921-26), [[Kinofon]] (1921-22), [[Het Overzicht]] (1921-25), [[Jednodńuwka futurystuw]] (1921), [[Nowa sztuka]] (1921-22), [[Broom]] (1921-24), [[Život]] (1921-48), [[Creación]] (1921-24), [[Jar-Ptitza]] (1921-26), [[New York Dada]] (1921), [[Aventure]] (1921-22), [[Spolokhi]] (1921-23), [[Gargoyle]] (1921-22), [[Veshch/Gegenstand/Objet]] (1922), [[Kino-fot]] (1922-23), [[Le Coeur à barbe]] (1922), [[Die Form]] (1922, 1925-35), [[7 Arts]] (1922-28), [[Manomètre]] (1922-28), [[Ultra]] (1922), [[Út]] (1922-25), [[Dada-Jok]] (1922), [[Dada Tank]] (1922), [[Dada Jazz]] (1922), [[Mécano]] (1922-23), [[Contimporanul]] (1922-32), [[Zwrotnica]] (1922-23, 1926-27), [[Secession]] (1922-24), [[Stavba]] (1922-38), [[Gostinitsa dlya puteshestvuyuschih v prekrasnom]] (1922-24), [[Putevi]] (1922-24), [[Klaxon]] (1922-23), [[Akasztott Ember]] (1922-23), [[MSS]] (1922-23), [[Perevoz Dada]] (1922-49), [[Egység]] (1922-24), [[L'Architecture vivante]] (1923-33), [[Merz]] (1923-32), [[LEF]] (1923-25), [[G]] (1923-26), [[The Next Call]] (1923-26), [[Russkoye iskusstvo]] (1923), [[Disk]] (1923-25), [[Irradiador]] (1923), [[Surréalisme]] (1924), [[Almanach Nowej Sztuki]] (1924-25), [[La Révolution surréaliste]] (1924-29), [[Blok]] (1924-26), [[Pásmo]] (1924-26), [[DAV]] (1924-37), [[Bulletin de l'Effort moderne]] (1924-27), [[ABC]] (1924-28), [[CAP]] (1924-28), [[Athena]] (1924-25), [[Punct]] (1924-25), [[75HP]] (1924), [[Le Tour de Babel]] (1925), [[Periszkop]] (1925-26), [[Integral]] (1925-28), [[Praesens]] (1926, 1930), [[Sovremennaya architektura]] (1926-30), [[bauhaus]] (1926-31), [[Das neue Frankfurt]] (1926-31), [[L'Art cinématographique]] (1926-31), [[Dokumentum]] (1926-27), [[Kritisk Revy]] (1926-28), [[Novyi LEF]] (1927-29), [[i 10]] (1927-29), [[Nova generatsiia]] (1927-30), [[ReD]] (1927-31), [[Dźwignia]] (1927-28), [[Tank]] (1927-28), [[Close Up]] (1927-33), [[Horizont]] (1927-32), [[transition]] (1927-38), [[Discontinuité]] (1928), [[Munka]] (1928-39), [[Quosego]] (1928-29), [[Urmuz]] (1928), [[Unu]] (1928-32), [[Revista de Antropofagia]] (1928-29), [[50 u Evropi]] (1928-29), [[Documents]] (1929-30), [[L'Art Contemporain - Sztuka Współczesna]] (1929-30), [[Adam]] (1929-40), [[Art concret]] (1930), [[Zvěrokruh]] (1930), [[Alge]] (1930-31), [[Le Surréalisme au service de la révolution]] (1930-33), [[Levá fronta]] (1930-33), [[Kvart]] (1930-37, 1945-49), [[Nová Bratislava]] (1931-32), [[Linja]] (1931-33), [[Spektrum]] (1931-33), [[Nadrealizam danas i ovde]] (1931-32), [[Ulise]] (1932-33), [[Die neue Stadt]] (1932-33), [[Mouvement]] (1933), [[PLAN]] (1933-36), [[Karavan]] (1934-35), [[Ekran]] (1934), [[Axis]] (1935-37), [[Acéphale]] (1936-39), [[Telehor]] (1936), [[aka]] (1937-38), [[Plastique]] (1937-39), [[Plus]] (1938-39), [[Les Réverbères]] (1938-39).</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Entretiens politiques et littéraires]] (1890-93), [[Moderní revue]] (1894-1925), [[Volné směry]] (1897-1948), [[Mir iskusstva]] (1898-1904), [[Vesy]] (1904-09), [[Poesia]] (1905-09, 1920), [[Zolotoe runo]] (1906-10), [[The Mask]] (1908-29), [[Apollon]] (1909-17), [[Ukraïnska khata]] (1909-14), [[Der Sturm]] (1910-32), [[Thalia]] (1910-13), [[Rhythm]] (1911-13), [[Trudy i dni]] (1912), [[Simbolul]] (1912), [[The Glebe]] (1913-14), [[Ocharovannyi strannik]] (1913-16), [[Revolution]] (1913), [[Blast]] (1914-15), [[The Little Review]] (1914-29), [[Futuristy]] (1914), [[Zeit-Echo]] (1914-17), [[The Egoist]] (1914-19), [[L'Élan]] (1915-16), [[291]] (1915-16), [[Orpheu]] (1915), [[La Balza futurista]] (1915), [[MA]] (1916-25), [[SIC]] (1916-19), [[flamman]] (1916-21), [[The Blindman]] (1917), [[Nord-Sud]] (1917-18), [[De Stijl]] (1917-20, 1921-32), [[Dada (journal)|Dada]] (1917-21), [[Klingen]] (1917-20, 1942), [[Noi]] (1917-25), [[391]] (1917-24), [[Modernisme et compréhension]] (1917<ins class="diffchange diffchange-inline">), [[Iskusstvo kommuny]] (1918-19</ins>), [[Formiści]] (1919-21), [[S4N]] (1919-25), [[La Cité]] (1919-35), [[Aujourd'hui]] (1919), [[Exlex]] (1919-20), [[L'Esprit nouveau]] (1920-25), [[Orfeus]] (1920-21), [[Action]] (1920-22), [[Proverbe]] (1920-22), [[Ça ira]] (1920-23), [[Zenit]] (1921-26), [[Kinofon]] (1921-22), [[Het Overzicht]] (1921-25), [[Jednodńuwka futurystuw]] (1921), [[Nowa sztuka]] (1921-22), [[Broom]] (1921-24), [[Život]] (1921-48), [[Creación]] (1921-24), [[Jar-Ptitza]] (1921-26), [[New York Dada]] (1921), [[Aventure]] (1921-22), [[Spolokhi]] (1921-23), [[Gargoyle]] (1921-22), [[Veshch/Gegenstand/Objet]] (1922), [[Kino-fot]] (1922-23), [[Le Coeur à barbe]] (1922), [[Die Form]] (1922, 1925-35), [[7 Arts]] (1922-28), [[Manomètre]] (1922-28), [[Ultra]] (1922), [[Út]] (1922-25), [[Dada-Jok]] (1922), [[Dada Tank]] (1922), [[Dada Jazz]] (1922), [[Mécano]] (1922-23), [[Contimporanul]] (1922-32), [[Zwrotnica]] (1922-23, 1926-27), [[Secession]] (1922-24), [[Stavba]] (1922-38), [[Gostinitsa dlya puteshestvuyuschih v prekrasnom]] (1922-24), [[Putevi]] (1922-24), [[Klaxon]] (1922-23), [[Akasztott Ember]] (1922-23), [[MSS]] (1922-23), [[Perevoz Dada]] (1922-49), [[Egység]] (1922-24), [[L'Architecture vivante]] (1923-33), [[Merz]] (1923-32), [[LEF]] (1923-25), [[G]] (1923-26), [[The Next Call]] (1923-26), [[Russkoye iskusstvo]] (1923), [[Disk]] (1923-25), [[Irradiador]] (1923), [[Surréalisme]] (1924), [[Almanach Nowej Sztuki]] (1924-25), [[La Révolution surréaliste]] (1924-29), [[Blok]] (1924-26), [[Pásmo]] (1924-26), [[DAV]] (1924-37), [[Bulletin de l'Effort moderne]] (1924-27), [[ABC]] (1924-28), [[CAP]] (1924-28), [[Athena]] (1924-25), [[Punct]] (1924-25), [[75HP]] (1924), [[Le Tour de Babel]] (1925), [[Periszkop]] (1925-26), [[Integral]] (1925-28), [[Praesens]] (1926, 1930), [[Sovremennaya architektura]] (1926-30), [[bauhaus]] (1926-31), [[Das neue Frankfurt]] (1926-31), [[L'Art cinématographique]] (1926-31), [[Dokumentum]] (1926-27), [[Kritisk Revy]] (1926-28), [[Novyi LEF]] (1927-29), [[i 10]] (1927-29), [[Nova generatsiia]] (1927-30), [[ReD]] (1927-31), [[Dźwignia]] (1927-28), [[Tank]] (1927-28), [[Close Up]] (1927-33), [[Horizont]] (1927-32), [[transition]] (1927-38), [[Discontinuité]] (1928), [[Munka]] (1928-39), [[Quosego]] (1928-29), [[Urmuz]] (1928), [[Unu]] (1928-32), [[Revista de Antropofagia]] (1928-29), [[50 u Evropi]] (1928-29), [[Documents]] (1929-30), [[L'Art Contemporain - Sztuka Współczesna]] (1929-30), [[Adam]] (1929-40), [[Art concret]] (1930), [[Zvěrokruh]] (1930), [[Alge]] (1930-31), [[Le Surréalisme au service de la révolution]] (1930-33), [[Levá fronta]] (1930-33), [[Kvart]] (1930-37, 1945-49), [[Nová Bratislava]] (1931-32), [[Linja]] (1931-33), [[Spektrum]] (1931-33), [[Nadrealizam danas i ovde]] (1931-32), [[Ulise]] (1932-33), [[Die neue Stadt]] (1932-33), [[Mouvement]] (1933), [[PLAN]] (1933-36), [[Karavan]] (1934-35), [[Ekran]] (1934), [[Axis]] (1935-37), [[Acéphale]] (1936-39), [[Telehor]] (1936), [[aka]] (1937-38), [[Plastique]] (1937-39), [[Plus]] (1938-39), [[Les Réverbères]] (1938-39).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|}</div></td></tr>
</table>
Dusan
https://monoskop.org/index.php?title=Template:Avant-garde_and_modernist_magazines&diff=52322&oldid=prev
Dusan at 21:51, 7 February 2015
2015-02-07T21:51:43Z
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 21:51, 7 February 2015</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| colspan="3" align="center" class="tocpadding" | </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| colspan="3" align="center" class="tocpadding" | </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Entretiens politiques et littéraires]] (1890-93), [[Volné směry]] (1897-1948), [[Mir iskusstva]] (1898-1904), [[Vesy]] (1904-09), [[Poesia]] (1905-09, 1920), [[Zolotoe runo]] (1906-10), [[The Mask]] (1908-29), [[Apollon]] (1909-17), [[Ukraïnska khata]] (1909-14), [[Der Sturm]] (1910-32), [[Thalia]] (1910-13), [[Rhythm]] (1911-13), [[Trudy i dni]] (1912), [[Simbolul]] (1912), [[The Glebe]] (1913-14), [[Ocharovannyi strannik]] (1913-16), [[Revolution]] (1913), [[Blast]] (1914-15), [[The Little Review]] (1914-29), [[Futuristy]] (1914), [[Zeit-Echo]] (1914-17), [[L'Élan]] (1915-16), [[291]] (1915-16), [[Orpheu]] (1915), [[La Balza futurista]] (1915), [[MA]] (1916-25), [[SIC]] (1916-19), [[flamman]] (1916-21), [[The Blindman]] (1917), [[Nord-Sud]] (1917-18), [[De Stijl]] (1917-20, 1921-32), [[Dada (journal)|Dada]] (1917-21), [[Klingen]] (1917-20, 1942), [[Noi]] (1917-25), [[391]] (1917-24), [[Modernisme et compréhension]] (1917), [[Formiści]] (1919-21), [[S4N]] (1919-25), [[La Cité]] (1919-35), [[Aujourd'hui]] (1919), [[Exlex]] (1919-20), [[L'Esprit nouveau]] (1920-25), [[Orfeus]] (1920-21), [[Action]] (1920-22), [[Proverbe]] (1920-22), [[Ça ira]] (1920-23), [[Zenit]] (1921-26), [[Kinofon]] (1921-22), [[Het Overzicht]] (1921-25), [[Jednodńuwka futurystuw]] (1921), [[Nowa sztuka]] (1921-22), [[Broom]] (1921-24), [[Život]] (1921-48), [[Creación]] (1921-24), [[Jar-Ptitza]] (1921-26), [[New York Dada]] (1921), [[Aventure]] (1921-22), [[Spolokhi]] (1921-23), [[Gargoyle]] (1921-22), [[Veshch/Gegenstand/Objet]] (1922), [[Kino-fot]] (1922-23), [[Le Coeur à barbe]] (1922), [[Die Form]] (1922, 1925-35), [[7 Arts]] (1922-28), [[Manomètre]] (1922-28), [[Ultra]] (1922), [[Út]] (1922-25), [[Dada-Jok]] (1922), [[Dada Tank]] (1922), [[Dada Jazz]] (1922), [[Mécano]] (1922-23), [[Contimporanul]] (1922-32), [[Zwrotnica]] (1922-23, 1926-27), [[Secession]] (1922-24), [[Stavba]] (1922-38), [[Gostinitsa dlya puteshestvuyuschih v prekrasnom]] (1922-24), [[Putevi]] (1922-24), [[Klaxon]] (1922-23), [[Akasztott Ember]] (1922-23), [[MSS]] (1922-23), [[Perevoz Dada]] (1922-49), [[Egység]] (1922-24), [[L'Architecture vivante]] (1923-33), [[Merz]] (1923-32), [[LEF]] (1923-25), [[G]] (1923-26), [[The Next Call]] (1923-26), [[Russkoye iskusstvo]] (1923), [[Disk]] (1923-25), [[Irradiador]] (1923), [[Surréalisme]] (1924), [[Almanach Nowej Sztuki]] (1924-25), [[La Révolution surréaliste]] (1924-29), [[Blok]] (1924-26), [[Pásmo]] (1924-26), [[DAV]] (1924-37), [[Bulletin de l'Effort moderne]] (1924-27), [[ABC]] (1924-28), [[CAP]] (1924-28), [[Athena]] (1924-25), [[Punct]] (1924-25), [[75HP]] (1924), [[Le Tour de Babel]] (1925), [[Periszkop]] (1925-26), [[Integral]] (1925-28), [[Praesens]] (1926, 1930), [[Sovremennaya architektura]] (1926-30), [[bauhaus]] (1926-31), [[Das neue Frankfurt]] (1926-31), [[L'Art cinématographique]] (1926-31), [[Dokumentum]] (1926-27), [[Kritisk Revy]] (1926-28), [[Novyi LEF]] (1927-29), [[i 10]] (1927-29), [[Nova generatsiia]] (1927-30), [[ReD]] (1927-31), [[Dźwignia]] (1927-28), [[Tank]] (1927-28), [[Close Up]] (1927-33), [[Horizont]] (1927-32), [[transition]] (1927-38), [[Discontinuité]] (1928), [[Munka]] (1928-39), [[Quosego]] (1928-29), [[Urmuz]] (1928), [[Unu]] (1928-32), [[Revista de Antropofagia]] (1928-29), [[50 u Evropi]] (1928-29), [[Documents]] (1929-30), [[L'Art Contemporain - Sztuka Współczesna]] (1929-30), [[Adam]] (1929-40), [[Art concret]] (1930), [[Zvěrokruh]] (1930), [[Alge]] (1930-31), [[Levá fronta]] (1930-33), [[Kvart]] (1930-37, 1945-49), [[Nová Bratislava]] (1931-32), [[Linja]] (1931-33), [[Spektrum]] (1931-33), [[Nadrealizam danas i ovde]] (1931-32), [[Ulise]] (1932-33), [[Die neue Stadt]] (1932-33), [[Mouvement]] (1933), [[PLAN]] (1933-36), [[Karavan]] (1934-35), [[Ekran]] (1934), [[Axis]] (1935-37), [[Acéphale]] (1936-39), [[Telehor]] (1936), [[aka]] (1937-38), [[Plastique]] (1937-39), [[Plus]] (1938-39), [[Les Réverbères]] (1938-39).</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Entretiens politiques et littéraires]] (1890-93<ins class="diffchange diffchange-inline">), [[Moderní revue]] (1894-1925</ins>), [[Volné směry]] (1897-1948), [[Mir iskusstva]] (1898-1904), [[Vesy]] (1904-09), [[Poesia]] (1905-09, 1920), [[Zolotoe runo]] (1906-10), [[The Mask]] (1908-29), [[Apollon]] (1909-17), [[Ukraïnska khata]] (1909-14), [[Der Sturm]] (1910-32), [[Thalia]] (1910-13), [[Rhythm]] (1911-13), [[Trudy i dni]] (1912), [[Simbolul]] (1912), [[The Glebe]] (1913-14), [[Ocharovannyi strannik]] (1913-16), [[Revolution]] (1913), [[Blast]] (1914-15), [[The Little Review]] (1914-29), [[Futuristy]] (1914), [[Zeit-Echo]] (1914-17<ins class="diffchange diffchange-inline">), [[The Egoist]] (1914-19</ins>), [[L'Élan]] (1915-16), [[291]] (1915-16), [[Orpheu]] (1915), [[La Balza futurista]] (1915), [[MA]] (1916-25), [[SIC]] (1916-19), [[flamman]] (1916-21), [[The Blindman]] (1917), [[Nord-Sud]] (1917-18), [[De Stijl]] (1917-20, 1921-32), [[Dada (journal)|Dada]] (1917-21), [[Klingen]] (1917-20, 1942), [[Noi]] (1917-25), [[391]] (1917-24), [[Modernisme et compréhension]] (1917), [[Formiści]] (1919-21), [[S4N]] (1919-25), [[La Cité]] (1919-35), [[Aujourd'hui]] (1919), [[Exlex]] (1919-20), [[L'Esprit nouveau]] (1920-25), [[Orfeus]] (1920-21), [[Action]] (1920-22), [[Proverbe]] (1920-22), [[Ça ira]] (1920-23), [[Zenit]] (1921-26), [[Kinofon]] (1921-22), [[Het Overzicht]] (1921-25), [[Jednodńuwka futurystuw]] (1921), [[Nowa sztuka]] (1921-22), [[Broom]] (1921-24), [[Život]] (1921-48), [[Creación]] (1921-24), [[Jar-Ptitza]] (1921-26), [[New York Dada]] (1921), [[Aventure]] (1921-22), [[Spolokhi]] (1921-23), [[Gargoyle]] (1921-22), [[Veshch/Gegenstand/Objet]] (1922), [[Kino-fot]] (1922-23), [[Le Coeur à barbe]] (1922), [[Die Form]] (1922, 1925-35), [[7 Arts]] (1922-28), [[Manomètre]] (1922-28), [[Ultra]] (1922), [[Út]] (1922-25), [[Dada-Jok]] (1922), [[Dada Tank]] (1922), [[Dada Jazz]] (1922), [[Mécano]] (1922-23), [[Contimporanul]] (1922-32), [[Zwrotnica]] (1922-23, 1926-27), [[Secession]] (1922-24), [[Stavba]] (1922-38), [[Gostinitsa dlya puteshestvuyuschih v prekrasnom]] (1922-24), [[Putevi]] (1922-24), [[Klaxon]] (1922-23), [[Akasztott Ember]] (1922-23), [[MSS]] (1922-23), [[Perevoz Dada]] (1922-49), [[Egység]] (1922-24), [[L'Architecture vivante]] (1923-33), [[Merz]] (1923-32), [[LEF]] (1923-25), [[G]] (1923-26), [[The Next Call]] (1923-26), [[Russkoye iskusstvo]] (1923), [[Disk]] (1923-25), [[Irradiador]] (1923), [[Surréalisme]] (1924), [[Almanach Nowej Sztuki]] (1924-25), [[La Révolution surréaliste]] (1924-29), [[Blok]] (1924-26), [[Pásmo]] (1924-26), [[DAV]] (1924-37), [[Bulletin de l'Effort moderne]] (1924-27), [[ABC]] (1924-28), [[CAP]] (1924-28), [[Athena]] (1924-25), [[Punct]] (1924-25), [[75HP]] (1924), [[Le Tour de Babel]] (1925), [[Periszkop]] (1925-26), [[Integral]] (1925-28), [[Praesens]] (1926, 1930), [[Sovremennaya architektura]] (1926-30), [[bauhaus]] (1926-31), [[Das neue Frankfurt]] (1926-31), [[L'Art cinématographique]] (1926-31), [[Dokumentum]] (1926-27), [[Kritisk Revy]] (1926-28), [[Novyi LEF]] (1927-29), [[i 10]] (1927-29), [[Nova generatsiia]] (1927-30), [[ReD]] (1927-31), [[Dźwignia]] (1927-28), [[Tank]] (1927-28), [[Close Up]] (1927-33), [[Horizont]] (1927-32), [[transition]] (1927-38), [[Discontinuité]] (1928), [[Munka]] (1928-39), [[Quosego]] (1928-29), [[Urmuz]] (1928), [[Unu]] (1928-32), [[Revista de Antropofagia]] (1928-29), [[50 u Evropi]] (1928-29), [[Documents]] (1929-30), [[L'Art Contemporain - Sztuka Współczesna]] (1929-30), [[Adam]] (1929-40), [[Art concret]] (1930), [[Zvěrokruh]] (1930), [[Alge]] (1930-31<ins class="diffchange diffchange-inline">), [[Le Surréalisme au service de la révolution]] (1930-33</ins>), [[Levá fronta]] (1930-33), [[Kvart]] (1930-37, 1945-49), [[Nová Bratislava]] (1931-32), [[Linja]] (1931-33), [[Spektrum]] (1931-33), [[Nadrealizam danas i ovde]] (1931-32), [[Ulise]] (1932-33), [[Die neue Stadt]] (1932-33), [[Mouvement]] (1933), [[PLAN]] (1933-36), [[Karavan]] (1934-35), [[Ekran]] (1934), [[Axis]] (1935-37), [[Acéphale]] (1936-39), [[Telehor]] (1936), [[aka]] (1937-38), [[Plastique]] (1937-39), [[Plus]] (1938-39), [[Les Réverbères]] (1938-39).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|}</div></td></tr>
</table>
Dusan
https://monoskop.org/index.php?title=Template:Avant-garde_and_modernist_magazines&diff=50937&oldid=prev
Dusan at 12:04, 2 December 2014
2014-12-02T12:04:43Z
<p></p>
<table class="diff diff-contentalign-left" data-mw="interface">
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<col class="diff-marker" />
<col class="diff-content" />
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 12:04, 2 December 2014</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l7" >Line 7:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| colspan="3" align="center" class="tocpadding" | </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| colspan="3" align="center" class="tocpadding" | </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Poesia]] (1905-09, 1920), [[Der Sturm]] (1910-32), [[Blast]] (1914-15), [[The Little Review]] (1914-29), [[291]] (1915-16), [[MA]] (1916-25), [[De Stijl]] (1917-20, 1921-32), [[Dada (journal)|Dada]] (1917-21), [[Noi]] (1917-25), [[391]] (1917-24), [[Zenit]] (1921-26), [[Broom]] (1921-24), [[Veshch/Gegenstand/Objet]] (1922), [[Die Form]] (1922, 1925-35), [[Contimporanul]] (1922-32), [[Secession]] (1922-24), [[Klaxon]] (1922-23), [[Merz]] (1923-32), [[LEF]] (1923-25), [[G]] (1923-26), [[Irradiador]] (1923), [[Sovremennaya architektura]] (1926-30), [[Novyi LEF]] (1927-29), [[ReD]] (1927-31), [[Close Up]] (1927-33), [[transition]] (1927-38).</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Poesia]] (1905-09, 1920), [[Der Sturm]] (1910-32), [[Blast]] (1914-15<ins class="diffchange diffchange-inline">), [[The Egoist]] (1914-19</ins>), [[The Little Review]] (1914-29), [[291]] (1915-16), [[MA]] (1916-25), [[De Stijl]] (1917-20, 1921-32), [[Dada (journal)|Dada]] (1917-21), [[Noi]] (1917-25), [[391]] (1917-24), [[Zenit]] (1921-26), [[Broom]] (1921-24), [[Veshch/Gegenstand/Objet]] (1922), [[Die Form]] (1922, 1925-35), [[Contimporanul]] (1922-32), [[Secession]] (1922-24), [[Klaxon]] (1922-23), [[Merz]] (1923-32), [[LEF]] (1923-25), [[G]] (1923-26), [[Irradiador]] (1923), [[Sovremennaya architektura]] (1926-30), [[Novyi LEF]] (1927-29), [[ReD]] (1927-31), [[Close Up]] (1927-33), [[transition]] (1927-38).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|}</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{| class="collapsible collapsed toccolours"</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{| class="collapsible collapsed toccolours"</div></td></tr>
</table>
Dusan
https://monoskop.org/index.php?title=Template:Avant-garde_and_modernist_magazines&diff=49256&oldid=prev
Dusan at 16:58, 12 September 2014
2014-09-12T16:58:08Z
<p></p>
<table class="diff diff-contentalign-left" data-mw="interface">
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<col class="diff-marker" />
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 16:58, 12 September 2014</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l17" >Line 17:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| colspan="3" align="center" class="tocpadding" | </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| colspan="3" align="center" class="tocpadding" | </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Entretiens politiques et littéraires]] (1890-93), [[Volné směry]] (1897-1948), [[Mir iskusstva]] (1898-1904), [[Vesy]] (1904-09), [[Poesia]] (1905-09, 1920), [[Zolotoe runo]] (1906-10), [[The Mask]] (1908-29), [[Apollon]] (1909-17), [[Ukraïnska khata]] (1909-14), [[Der Sturm]] (1910-32), [[Thalia]] (1910-13), [[Rhythm]] (1911-13), [[Trudy i dni]] (1912), [[Simbolul]] (1912), [[The Glebe]] (1913-14), [[Ocharovannyi strannik]] (1913-16), [[Revolution]] (1913), [[Blast]] (1914-15), [[The Little Review]] (1914-29), [[Futuristy]] (1914), [[Zeit-Echo]] (1914-17), [[L'Élan]] (1915-16), [[291]] (1915-16), [[Orpheu]] (1915), [[La Balza futurista]] (1915), [[MA]] (1916-25), [[SIC]] (1916-19), [[flamman]] (1916-21), [[The Blindman]] (1917), [[Nord-Sud]] (1917-18), [[De Stijl]] (1917-20, 1921-32), [[Dada (journal)|Dada]] (1917-21), [[Klingen]] (1917-20, 1942), [[Noi]] (1917-25), [[391]] (1917-24), [[Modernisme et compréhension]] (1917), [[Formiści]] (1919-21), [[S4N]] (1919-25), [[La Cité]] (1919-35), [[Aujourd'hui]] (1919), [[Exlex]] (1919-20), [[L'Esprit nouveau]] (1920-25), [[Orfeus]] (1920-21), [[Action]] (1920-22), [[Proverbe]] (1920-22), [[Ça ira]] (1920-23), [[Zenit]] (1921-26), [[Kinofon]] (1921-22), [[Het Overzicht]] (1921-25), [[Jednodńuwka futurystuw]] (1921), [[Nowa sztuka]] (1921-22), [[Broom]] (1921-24), [[Život]] (1921-48), [[Creación]] (1921-24), [[Jar-Ptitza]] (1921-26), [[New York Dada]] (1921), [[Aventure]] (1921-22), [[Spolokhi]] (1921-23), [[Gargoyle]] (1921-22), [[Veshch/Gegenstand/Objet]] (1922), [[Kino-fot]] (1922-23), [[Le Coeur à barbe]] (1922), [[Die Form]] (1922, 1925-35), [[7 Arts]] (1922-28), [[Manomètre]] (1922-28), [[Ultra]] (1922), [[Út]] (1922-25), [[Dada-Jok]] (1922), [[Dada Tank]] (1922), [[Dada Jazz]] (1922), [[Mécano]] (1922-23), [[Contimporanul]] (1922-32), [[Zwrotnica]] (1922-23, 1926-27), [[Secession]] (1922-24), [[Stavba]] (1922-38), [[Gostinitsa dlya puteshestvuyuschih v prekrasnom]] (1922-24), [[Putevi]] (1922-24), [[Klaxon]] (1922-23), [[Akasztott Ember]] (1922-23), [[MSS]] (1922-23), [[Perevoz Dada]] (1922-49), [[Egység]] (1922-24), [[L'Architecture vivante]] (1923-33), [[Merz]] (1923-32), [[LEF]] (1923-25), [[G]] (1923-26), [[The Next Call]] (1923-26), [[Russkoye iskusstvo]] (1923), [[Disk]] (1923-25), [[Irradiador]] (1923), [[Surréalisme]] (1924), [[La Révolution surréaliste]] (1924-29), [[Blok]] (1924-26), [[Pásmo]] (1924-26), [[DAV]] (1924-37), [[Bulletin de l'Effort moderne]] (1924-27), [[ABC]] (1924-28), [[CAP]] (1924-28), [[Athena]] (1924-25), [[Punct]] (1924-25), [[75HP]] (1924), [[Le Tour de Babel]] (1925), [[Periszkop]] (1925-26), [[Integral]] (1925-28), [[Praesens]] (1926, 1930), [[Sovremennaya architektura]] (1926-30), [[bauhaus]] (1926-31), [[Das neue Frankfurt]] (1926-31), [[L'Art cinématographique]] (1926-31), [[Dokumentum]] (1926-27), [[Kritisk Revy]] (1926-28), [[Novyi LEF]] (1927-29), [[i 10]] (1927-29), [[Nova generatsiia]] (1927-30), [[ReD]] (1927-31), [[Dźwignia]] (1927-28), [[Tank]] (1927-28), [[Close Up]] (1927-33), [[Horizont]] (1927-32), [[transition]] (1927-38), [[Discontinuité]] (1928), [[Munka]] (1928-39), [[Quosego]] (1928-29), [[Urmuz]] (1928), [[Unu]] (1928-32), [[Revista de Antropofagia]] (1928-29), [[50 u Evropi]] (1928-29), [[Documents]] (1929-30), [[L'Art Contemporain - Sztuka Współczesna]] (1929-30), [[Adam]] (1929-40), [[Art concret]] (1930), [[Zvěrokruh]] (1930), [[Alge]] (1930-31), [[Levá fronta]] (1930-33), [[Kvart]] (1930-37, 1945-49), [[Nová Bratislava]] (1931-32), [[Linja]] (1931-33), [[Spektrum]] (1931-33), [[Nadrealizam danas i ovde]] (1931-32), [[Ulise]] (1932-33), [[Die neue Stadt]] (1932-33), [[Mouvement]] (1933), [[PLAN]] (1933-36), [[Karavan]] (1934-35), [[Ekran]] (1934), [[Axis]] (1935-37), [[Acéphale]] (1936-39), [[Telehor]] (1936), [[aka]] (1937-38), [[Plastique]] (1937-39), [[Plus]] (1938-39), [[Les Réverbères]] (1938-39).</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Entretiens politiques et littéraires]] (1890-93), [[Volné směry]] (1897-1948), [[Mir iskusstva]] (1898-1904), [[Vesy]] (1904-09), [[Poesia]] (1905-09, 1920), [[Zolotoe runo]] (1906-10), [[The Mask]] (1908-29), [[Apollon]] (1909-17), [[Ukraïnska khata]] (1909-14), [[Der Sturm]] (1910-32), [[Thalia]] (1910-13), [[Rhythm]] (1911-13), [[Trudy i dni]] (1912), [[Simbolul]] (1912), [[The Glebe]] (1913-14), [[Ocharovannyi strannik]] (1913-16), [[Revolution]] (1913), [[Blast]] (1914-15), [[The Little Review]] (1914-29), [[Futuristy]] (1914), [[Zeit-Echo]] (1914-17), [[L'Élan]] (1915-16), [[291]] (1915-16), [[Orpheu]] (1915), [[La Balza futurista]] (1915), [[MA]] (1916-25), [[SIC]] (1916-19), [[flamman]] (1916-21), [[The Blindman]] (1917), [[Nord-Sud]] (1917-18), [[De Stijl]] (1917-20, 1921-32), [[Dada (journal)|Dada]] (1917-21), [[Klingen]] (1917-20, 1942), [[Noi]] (1917-25), [[391]] (1917-24), [[Modernisme et compréhension]] (1917), [[Formiści]] (1919-21), [[S4N]] (1919-25), [[La Cité]] (1919-35), [[Aujourd'hui]] (1919), [[Exlex]] (1919-20), [[L'Esprit nouveau]] (1920-25), [[Orfeus]] (1920-21), [[Action]] (1920-22), [[Proverbe]] (1920-22), [[Ça ira]] (1920-23), [[Zenit]] (1921-26), [[Kinofon]] (1921-22), [[Het Overzicht]] (1921-25), [[Jednodńuwka futurystuw]] (1921), [[Nowa sztuka]] (1921-22), [[Broom]] (1921-24), [[Život]] (1921-48), [[Creación]] (1921-24), [[Jar-Ptitza]] (1921-26), [[New York Dada]] (1921), [[Aventure]] (1921-22), [[Spolokhi]] (1921-23), [[Gargoyle]] (1921-22), [[Veshch/Gegenstand/Objet]] (1922), [[Kino-fot]] (1922-23), [[Le Coeur à barbe]] (1922), [[Die Form]] (1922, 1925-35), [[7 Arts]] (1922-28), [[Manomètre]] (1922-28), [[Ultra]] (1922), [[Út]] (1922-25), [[Dada-Jok]] (1922), [[Dada Tank]] (1922), [[Dada Jazz]] (1922), [[Mécano]] (1922-23), [[Contimporanul]] (1922-32), [[Zwrotnica]] (1922-23, 1926-27), [[Secession]] (1922-24), [[Stavba]] (1922-38), [[Gostinitsa dlya puteshestvuyuschih v prekrasnom]] (1922-24), [[Putevi]] (1922-24), [[Klaxon]] (1922-23), [[Akasztott Ember]] (1922-23), [[MSS]] (1922-23), [[Perevoz Dada]] (1922-49), [[Egység]] (1922-24), [[L'Architecture vivante]] (1923-33), [[Merz]] (1923-32), [[LEF]] (1923-25), [[G]] (1923-26), [[The Next Call]] (1923-26), [[Russkoye iskusstvo]] (1923), [[Disk]] (1923-25), [[Irradiador]] (1923), [[Surréalisme]] (1924<ins class="diffchange diffchange-inline">), [[Almanach Nowej Sztuki]] (1924-25</ins>), [[La Révolution surréaliste]] (1924-29), [[Blok]] (1924-26), [[Pásmo]] (1924-26), [[DAV]] (1924-37), [[Bulletin de l'Effort moderne]] (1924-27), [[ABC]] (1924-28), [[CAP]] (1924-28), [[Athena]] (1924-25), [[Punct]] (1924-25), [[75HP]] (1924), [[Le Tour de Babel]] (1925), [[Periszkop]] (1925-26), [[Integral]] (1925-28), [[Praesens]] (1926, 1930), [[Sovremennaya architektura]] (1926-30), [[bauhaus]] (1926-31), [[Das neue Frankfurt]] (1926-31), [[L'Art cinématographique]] (1926-31), [[Dokumentum]] (1926-27), [[Kritisk Revy]] (1926-28), [[Novyi LEF]] (1927-29), [[i 10]] (1927-29), [[Nova generatsiia]] (1927-30), [[ReD]] (1927-31), [[Dźwignia]] (1927-28), [[Tank]] (1927-28), [[Close Up]] (1927-33), [[Horizont]] (1927-32), [[transition]] (1927-38), [[Discontinuité]] (1928), [[Munka]] (1928-39), [[Quosego]] (1928-29), [[Urmuz]] (1928), [[Unu]] (1928-32), [[Revista de Antropofagia]] (1928-29), [[50 u Evropi]] (1928-29), [[Documents]] (1929-30), [[L'Art Contemporain - Sztuka Współczesna]] (1929-30), [[Adam]] (1929-40), [[Art concret]] (1930), [[Zvěrokruh]] (1930), [[Alge]] (1930-31), [[Levá fronta]] (1930-33), [[Kvart]] (1930-37, 1945-49), [[Nová Bratislava]] (1931-32), [[Linja]] (1931-33), [[Spektrum]] (1931-33), [[Nadrealizam danas i ovde]] (1931-32), [[Ulise]] (1932-33), [[Die neue Stadt]] (1932-33), [[Mouvement]] (1933), [[PLAN]] (1933-36), [[Karavan]] (1934-35), [[Ekran]] (1934), [[Axis]] (1935-37), [[Acéphale]] (1936-39), [[Telehor]] (1936), [[aka]] (1937-38), [[Plastique]] (1937-39), [[Plus]] (1938-39), [[Les Réverbères]] (1938-39).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|}</div></td></tr>
</table>
Dusan
https://monoskop.org/index.php?title=Template:Avant-garde_and_modernist_magazines&diff=49198&oldid=prev
Dusan at 12:13, 10 September 2014
2014-09-10T12:13:59Z
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 12:13, 10 September 2014</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| colspan="3" align="center" class="tocpadding" | </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| colspan="3" align="center" class="tocpadding" | </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Entretiens politiques et littéraires]] (1890-93), [[Volné směry]] (1897-1948), [[Mir iskusstva]] (1898-1904), [[Vesy]] (1904-09), [[Poesia]] (1905-09, 1920), [[Zolotoe runo]] (1906-10), [[The Mask]] (1908-29), [[Apollon]] (1909-17), [[Ukraïnska khata]] (1909-14), [[Der Sturm]] (1910-32), [[Thalia]] (1910-13), [[Rhythm]] (1911-13), [[Trudy i dni]] (1912), [[Simbolul]] (1912), [[The Glebe]] (1913-14), [[Ocharovannyi strannik]] (1913-16), [[Revolution]] (1913), [[Blast]] (1914-15), [[The Little Review]] (1914-29), [[Futuristy]] (1914), [[Zeit-Echo]] (1914-17), [[L'Élan]] (1915-16), [[291]] (1915-16), [[Orpheu]] (1915), [[La Balza futurista]] (1915), [[MA]] (1916-25), [[SIC]] (1916-19), [[flamman]] (1916-21), [[The Blindman]] (1917), [[Nord-Sud]] (1917-18), [[De Stijl]] (1917-20, 1921-32), [[Dada (journal)|Dada]] (1917-21), [[Klingen]] (1917-20, 1942), [[Noi]] (1917-25), [[391]] (1917-24), [[Modernisme et compréhension]] (1917), [[Formiści]] (1919-21), [[S4N]] (1919-25), [[La Cité]] (1919-35), [[Aujourd'hui]] (1919), [[Exlex]] (1919-20), [[L'Esprit nouveau]] (1920-25), [[Orfeus]] (1920-21), [[Action]] (1920-22), [[Proverbe]] (1920-22), [[Ça ira]] (1920-23), [[Zenit]] (1921-26), [[Kinofon]] (1921-22), [[Het Overzicht]] (1921-25), [[Jednodńuwka futurystuw]] (1921), [[Nowa sztuka]] (1921-22), [[Broom]] (1921-24), [[Život]] (1921-48), [[Creación]] (1921-24), [[Jar-Ptitza]] (1921-26), [[New York Dada]] (1921), [[Aventure]] (1921-22), [[Spolokhi]] (1921-23), [[Gargoyle]] (1921-22), [[Veshch/Gegenstand/Objet]] (1922), [[Kino-fot]] (1922-23), [[Le Coeur à barbe]] (1922), [[Die Form]] (1922, 1925-35), [[7 Arts]] (1922-28), [[Manomètre]] (1922-28), [[Ultra]] (1922), [[Út]] (1922-25), [[Dada-Jok]] (1922), [[Dada Tank]] (1922), [[Dada Jazz]] (1922), [[Mécano]] (1922-23), [[Contimporanul]] (1922-32), [[Zwrotnica]] (1922-23, 1926-27), [[Secession]] (1922-24), [[Stavba]] (1922-38), [[Gostinitsa dlya puteshestvuyuschih v prekrasnom]] (1922-24), [[Putevi]] (1922-24), [[Klaxon]] (1922-23), [[Akasztott Ember]] (1922-23), [[MSS]] (1922-23), [[Perevoz Dada]] (1922-49), [[Egység]] (1922-24), [[L'Architecture vivante]] (1923-33), [[Merz]] (1923-32), [[LEF]] (1923-25), [[G]] (1923-26), [[The Next Call]] (1923-26), [[Russkoye iskusstvo]] (1923), [[Disk]] (1923-25), [[Irradiador]] (1923), [[Surréalisme]] (1924), [[La Révolution surréaliste]] (1924-29), [[Blok]] (1924-26), [[Pásmo]] (1924-26), [[DAV]] (1924-37), [[Bulletin de l'Effort moderne]] (1924-27), [[ABC]] (1924-28), [[CAP]] (1924-28), [[Athena]] (1924-25), [[Punct]] (1924-25), [[75HP]] (1924), [[Le Tour de Babel]] (1925), [[Periszkop]] (1925-26), [[Integral]] (1925-28), [[Praesens]] (1926, 1930), [[Sovremennaya architektura]] (1926-30), [[bauhaus]] (1926-31), [[Das neue Frankfurt]] (1926-31), [[L'Art cinématographique]] (1926-31), [[Dokumentum]] (1926-27), [[Kritisk Revy]] (1926-28), [[Novyi LEF]] (1927-29), [[i 10]] (1927-29), [[Nova generatsiia]] (1927-30), [[ReD]] (1927-31), [[Dźwignia]] (1927-28), [[Tank]] (1927-28), [[Close Up]] (1927-33), [[Horizont]] (1927-32), [[transition]] (1927-38), [[Discontinuité]] (1928), [[Munka]] (1928-39), [[Quosego]] (1928-29), [[Urmuz]] (1928), [[Unu]] (1928-32), [[Revista de Antropofagia]] (1928-29), [[50 u Evropi]] (1928-29), [[Documents]] (1929-30), [[L'Art Contemporain - Sztuka Współczesna]] (1929-30), [[Adam]] (1929-40), [[Art concret]] (1930), [[Zvěrokruh]] (1930), [[Alge]] (1930-31), [[Levá fronta]] (1930-33), [[Kvart]] (1930-37, 1945-49), [[Nová Bratislava]] (1931-32), [[Linja]] (1931-33), [[Spektrum]] (1931-33), [[Nadrealizam danas i ovde]] (1931-32), [[Ulise]] (1932-33), [[Die neue Stadt]] (1932-33), [[Mouvement]] (1933), [[PLAN]] (1933-36), [[Karavan]] (1934-35), [[Ekran]] (1934), [[Axis]] (1935-37), [[Acéphale]] (1936-39), [[Telehor]] (1936), [[aka]] (1937-38), [[Plastique]] (1937-39), [[Les Réverbères]] (1938-39).</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Entretiens politiques et littéraires]] (1890-93), [[Volné směry]] (1897-1948), [[Mir iskusstva]] (1898-1904), [[Vesy]] (1904-09), [[Poesia]] (1905-09, 1920), [[Zolotoe runo]] (1906-10), [[The Mask]] (1908-29), [[Apollon]] (1909-17), [[Ukraïnska khata]] (1909-14), [[Der Sturm]] (1910-32), [[Thalia]] (1910-13), [[Rhythm]] (1911-13), [[Trudy i dni]] (1912), [[Simbolul]] (1912), [[The Glebe]] (1913-14), [[Ocharovannyi strannik]] (1913-16), [[Revolution]] (1913), [[Blast]] (1914-15), [[The Little Review]] (1914-29), [[Futuristy]] (1914), [[Zeit-Echo]] (1914-17), [[L'Élan]] (1915-16), [[291]] (1915-16), [[Orpheu]] (1915), [[La Balza futurista]] (1915), [[MA]] (1916-25), [[SIC]] (1916-19), [[flamman]] (1916-21), [[The Blindman]] (1917), [[Nord-Sud]] (1917-18), [[De Stijl]] (1917-20, 1921-32), [[Dada (journal)|Dada]] (1917-21), [[Klingen]] (1917-20, 1942), [[Noi]] (1917-25), [[391]] (1917-24), [[Modernisme et compréhension]] (1917), [[Formiści]] (1919-21), [[S4N]] (1919-25), [[La Cité]] (1919-35), [[Aujourd'hui]] (1919), [[Exlex]] (1919-20), [[L'Esprit nouveau]] (1920-25), [[Orfeus]] (1920-21), [[Action]] (1920-22), [[Proverbe]] (1920-22), [[Ça ira]] (1920-23), [[Zenit]] (1921-26), [[Kinofon]] (1921-22), [[Het Overzicht]] (1921-25), [[Jednodńuwka futurystuw]] (1921), [[Nowa sztuka]] (1921-22), [[Broom]] (1921-24), [[Život]] (1921-48), [[Creación]] (1921-24), [[Jar-Ptitza]] (1921-26), [[New York Dada]] (1921), [[Aventure]] (1921-22), [[Spolokhi]] (1921-23), [[Gargoyle]] (1921-22), [[Veshch/Gegenstand/Objet]] (1922), [[Kino-fot]] (1922-23), [[Le Coeur à barbe]] (1922), [[Die Form]] (1922, 1925-35), [[7 Arts]] (1922-28), [[Manomètre]] (1922-28), [[Ultra]] (1922), [[Út]] (1922-25), [[Dada-Jok]] (1922), [[Dada Tank]] (1922), [[Dada Jazz]] (1922), [[Mécano]] (1922-23), [[Contimporanul]] (1922-32), [[Zwrotnica]] (1922-23, 1926-27), [[Secession]] (1922-24), [[Stavba]] (1922-38), [[Gostinitsa dlya puteshestvuyuschih v prekrasnom]] (1922-24), [[Putevi]] (1922-24), [[Klaxon]] (1922-23), [[Akasztott Ember]] (1922-23), [[MSS]] (1922-23), [[Perevoz Dada]] (1922-49), [[Egység]] (1922-24), [[L'Architecture vivante]] (1923-33), [[Merz]] (1923-32), [[LEF]] (1923-25), [[G]] (1923-26), [[The Next Call]] (1923-26), [[Russkoye iskusstvo]] (1923), [[Disk]] (1923-25), [[Irradiador]] (1923), [[Surréalisme]] (1924), [[La Révolution surréaliste]] (1924-29), [[Blok]] (1924-26), [[Pásmo]] (1924-26), [[DAV]] (1924-37), [[Bulletin de l'Effort moderne]] (1924-27), [[ABC]] (1924-28), [[CAP]] (1924-28), [[Athena]] (1924-25), [[Punct]] (1924-25), [[75HP]] (1924), [[Le Tour de Babel]] (1925), [[Periszkop]] (1925-26), [[Integral]] (1925-28), [[Praesens]] (1926, 1930), [[Sovremennaya architektura]] (1926-30), [[bauhaus]] (1926-31), [[Das neue Frankfurt]] (1926-31), [[L'Art cinématographique]] (1926-31), [[Dokumentum]] (1926-27), [[Kritisk Revy]] (1926-28), [[Novyi LEF]] (1927-29), [[i 10]] (1927-29), [[Nova generatsiia]] (1927-30), [[ReD]] (1927-31), [[Dźwignia]] (1927-28), [[Tank]] (1927-28), [[Close Up]] (1927-33), [[Horizont]] (1927-32), [[transition]] (1927-38), [[Discontinuité]] (1928), [[Munka]] (1928-39), [[Quosego]] (1928-29), [[Urmuz]] (1928), [[Unu]] (1928-32), [[Revista de Antropofagia]] (1928-29), [[50 u Evropi]] (1928-29), [[Documents]] (1929-30), [[L'Art Contemporain - Sztuka Współczesna]] (1929-30), [[Adam]] (1929-40), [[Art concret]] (1930), [[Zvěrokruh]] (1930), [[Alge]] (1930-31), [[Levá fronta]] (1930-33), [[Kvart]] (1930-37, 1945-49), [[Nová Bratislava]] (1931-32), [[Linja]] (1931-33), [[Spektrum]] (1931-33), [[Nadrealizam danas i ovde]] (1931-32), [[Ulise]] (1932-33), [[Die neue Stadt]] (1932-33), [[Mouvement]] (1933), [[PLAN]] (1933-36), [[Karavan]] (1934-35), [[Ekran]] (1934), [[Axis]] (1935-37), [[Acéphale]] (1936-39), [[Telehor]] (1936), [[aka]] (1937-38), [[Plastique]] (1937<ins class="diffchange diffchange-inline">-39), [[Plus]] (1938</ins>-39), [[Les Réverbères]] (1938-39).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|}</div></td></tr>
</table>
Dusan
https://monoskop.org/index.php?title=Template:Avant-garde_and_modernist_magazines&diff=49183&oldid=prev
Dusan at 11:11, 10 September 2014
2014-09-10T11:11:58Z
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 11:11, 10 September 2014</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| colspan="3" align="center" class="tocpadding" | </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| colspan="3" align="center" class="tocpadding" | </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Entretiens politiques et littéraires]] (1890-93), [[Volné směry]] (1897-1948), [[Mir iskusstva]] (1898-1904), [[Vesy]] (1904-09), [[Poesia]] (1905-09, 1920), [[Zolotoe runo]] (1906-10), [[The Mask]] (1908-29), [[Apollon]] (1909-17), [[Ukraïnska khata]] (1909-14), [[Der Sturm]] (1910-32), [[Thalia]] (1910-13), [[Rhythm]] (1911-13), [[Trudy i dni]] (1912), [[Simbolul]] (1912), [[The Glebe]] (1913-14), [[Ocharovannyi strannik]] (1913-16), [[Revolution]] (1913), [[Blast]] (1914-15), [[The Little Review]] (1914-29), [[Futuristy]] (1914), [[Zeit-Echo]] (1914-17), [[L'Élan]] (1915-16), [[291]] (1915-16), [[Orpheu]] (1915), [[La Balza futurista]] (1915), [[MA]] (1916-25), [[SIC]] (1916-19), [[flamman]] (1916-21), [[The Blindman]] (1917), [[Nord-Sud]] (1917-18), [[De Stijl]] (1917-20, 1921-32), [[Dada (journal)|Dada]] (1917-21), [[Klingen]] (1917-20, 1942), [[Noi]] (1917-25), [[391]] (1917-24), [[Modernisme et compréhension]] (1917), [[Formiści]] (1919-21), [[S4N]] (1919-25), [[La Cité]] (1919-35), [[Aujourd'hui]] (1919), [[Exlex]] (1919-20), [[L'Esprit nouveau]] (1920-25), [[Orfeus]] (1920-21), [[Action]] (1920-22), [[Proverbe]] (1920-22), [[Ça ira]] (1920-23), [[Zenit]] (1921-26), [[Kinofon]] (1921-22), [[Het Overzicht]] (1921-25), [[Jednodńuwka futurystuw]] (1921), [[Nowa sztuka]] (1921-22), [[Broom]] (1921-24), [[Život]] (1921-48), [[Creación]] (1921-24), [[Jar-Ptitza]] (1921-26), [[New York Dada]] (1921), [[Aventure]] (1921-22), [[Spolokhi]] (1921-23), [[Gargoyle]] (1921-22), [[Veshch/Gegenstand/Objet]] (1922), [[Kino-fot]] (1922-23), [[Le Coeur à barbe]] (1922), [[Die Form]] (1922, 1925-35), [[7 Arts]] (1922-28), [[Manomètre]] (1922-28), [[Ultra]] (1922), [[Út]] (1922-25), [[Dada-Jok]] (1922), [[Dada Tank]] (1922), [[Dada Jazz]] (1922), [[Mécano]] (1922-23), [[Contimporanul]] (1922-32), [[Zwrotnica]] (1922-23, 1926-27), [[Secession]] (1922-24), [[Stavba]] (1922-38), [[Gostinitsa dlya puteshestvuyuschih v prekrasnom]] (1922-24), [[Klaxon]] (1922-23), [[Akasztott Ember]] (1922-23), [[MSS]] (1922-23), [[Perevoz Dada]] (1922-49), [[Egység]] (1922-24), [[L'Architecture vivante]] (1923-33), [[Merz]] (1923-32), [[LEF]] (1923-25), [[G]] (1923-26), [[The Next Call]] (1923-26), [[Russkoye iskusstvo]] (1923), [[Disk]] (1923-25), [[Irradiador]] (1923), [[Surréalisme]] (1924), [[La Révolution surréaliste]] (1924-29), [[Blok]] (1924-26), [[Pásmo]] (1924-26), [[DAV]] (1924-37), [[Bulletin de l'Effort moderne]] (1924-27), [[ABC]] (1924-28), [[CAP]] (1924-28), [[Athena]] (1924-25), [[Punct]] (1924-25), [[75HP]] (1924), [[Le Tour de Babel]] (1925), [[Periszkop]] (1925-26), [[Integral]] (1925-28), [[Praesens]] (1926, 1930), [[Sovremennaya architektura]] (1926-30), [[bauhaus]] (1926-31), [[Das neue Frankfurt]] (1926-31), [[L'Art cinématographique]] (1926-31), [[Dokumentum]] (1926-27), [[Kritisk Revy]] (1926-28), [[Novyi LEF]] (1927-29), [[i 10]] (1927-29), [[Nova generatsiia]] (1927-30), [[ReD]] (1927-31), [[Dźwignia]] (1927-28), [[Tank]] (1927-28), [[Close Up]] (1927-33), [[Horizont]] (1927-32), [[transition]] (1927-38), [[Discontinuité]] (1928), [[Munka]] (1928-39), [[Quosego]] (1928-29), [[Urmuz]] (1928), [[Unu]] (1928-32), [[Revista de Antropofagia]] (1928-29), [[50 u Evropi]] (1928-29), [[Documents]] (1929-30), [[L'Art Contemporain - Sztuka Współczesna]] (1929-30), [[Adam]] (1929-40), [[Art concret]] (1930), [[Zvěrokruh]] (1930), [[Alge]] (1930-31), [[Levá fronta]] (1930-33), [[Kvart]] (1930-37, 1945-49), [[Nová Bratislava]] (1931-32), [[Linja]] (1931-33), [[Spektrum]] (1931-33), [[Nadrealizam danas i ovde]] (1931-32), [[Ulise]] (1932-33), [[Die neue Stadt]] (1932-33), [[Mouvement]] (1933), [[PLAN]] (1933-36), [[Karavan]] (1934-35), [[Ekran]] (1934), [[Axis]] (1935-37), [[Acéphale]] (1936-39), [[Telehor]] (1936), [[aka]] (1937-38), [[Plastique]] (1937-39), [[Les Réverbères]] (1938-39).</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Entretiens politiques et littéraires]] (1890-93), [[Volné směry]] (1897-1948), [[Mir iskusstva]] (1898-1904), [[Vesy]] (1904-09), [[Poesia]] (1905-09, 1920), [[Zolotoe runo]] (1906-10), [[The Mask]] (1908-29), [[Apollon]] (1909-17), [[Ukraïnska khata]] (1909-14), [[Der Sturm]] (1910-32), [[Thalia]] (1910-13), [[Rhythm]] (1911-13), [[Trudy i dni]] (1912), [[Simbolul]] (1912), [[The Glebe]] (1913-14), [[Ocharovannyi strannik]] (1913-16), [[Revolution]] (1913), [[Blast]] (1914-15), [[The Little Review]] (1914-29), [[Futuristy]] (1914), [[Zeit-Echo]] (1914-17), [[L'Élan]] (1915-16), [[291]] (1915-16), [[Orpheu]] (1915), [[La Balza futurista]] (1915), [[MA]] (1916-25), [[SIC]] (1916-19), [[flamman]] (1916-21), [[The Blindman]] (1917), [[Nord-Sud]] (1917-18), [[De Stijl]] (1917-20, 1921-32), [[Dada (journal)|Dada]] (1917-21), [[Klingen]] (1917-20, 1942), [[Noi]] (1917-25), [[391]] (1917-24), [[Modernisme et compréhension]] (1917), [[Formiści]] (1919-21), [[S4N]] (1919-25), [[La Cité]] (1919-35), [[Aujourd'hui]] (1919), [[Exlex]] (1919-20), [[L'Esprit nouveau]] (1920-25), [[Orfeus]] (1920-21), [[Action]] (1920-22), [[Proverbe]] (1920-22), [[Ça ira]] (1920-23), [[Zenit]] (1921-26), [[Kinofon]] (1921-22), [[Het Overzicht]] (1921-25), [[Jednodńuwka futurystuw]] (1921), [[Nowa sztuka]] (1921-22), [[Broom]] (1921-24), [[Život]] (1921-48), [[Creación]] (1921-24), [[Jar-Ptitza]] (1921-26), [[New York Dada]] (1921), [[Aventure]] (1921-22), [[Spolokhi]] (1921-23), [[Gargoyle]] (1921-22), [[Veshch/Gegenstand/Objet]] (1922), [[Kino-fot]] (1922-23), [[Le Coeur à barbe]] (1922), [[Die Form]] (1922, 1925-35), [[7 Arts]] (1922-28), [[Manomètre]] (1922-28), [[Ultra]] (1922), [[Út]] (1922-25), [[Dada-Jok]] (1922), [[Dada Tank]] (1922), [[Dada Jazz]] (1922), [[Mécano]] (1922-23), [[Contimporanul]] (1922-32), [[Zwrotnica]] (1922-23, 1926-27), [[Secession]] (1922-24), [[Stavba]] (1922-38), [[Gostinitsa dlya puteshestvuyuschih v prekrasnom<ins class="diffchange diffchange-inline">]] (1922-24), [[Putevi</ins>]] (1922-24), [[Klaxon]] (1922-23), [[Akasztott Ember]] (1922-23), [[MSS]] (1922-23), [[Perevoz Dada]] (1922-49), [[Egység]] (1922-24), [[L'Architecture vivante]] (1923-33), [[Merz]] (1923-32), [[LEF]] (1923-25), [[G]] (1923-26), [[The Next Call]] (1923-26), [[Russkoye iskusstvo]] (1923), [[Disk]] (1923-25), [[Irradiador]] (1923), [[Surréalisme]] (1924), [[La Révolution surréaliste]] (1924-29), [[Blok]] (1924-26), [[Pásmo]] (1924-26), [[DAV]] (1924-37), [[Bulletin de l'Effort moderne]] (1924-27), [[ABC]] (1924-28), [[CAP]] (1924-28), [[Athena]] (1924-25), [[Punct]] (1924-25), [[75HP]] (1924), [[Le Tour de Babel]] (1925), [[Periszkop]] (1925-26), [[Integral]] (1925-28), [[Praesens]] (1926, 1930), [[Sovremennaya architektura]] (1926-30), [[bauhaus]] (1926-31), [[Das neue Frankfurt]] (1926-31), [[L'Art cinématographique]] (1926-31), [[Dokumentum]] (1926-27), [[Kritisk Revy]] (1926-28), [[Novyi LEF]] (1927-29), [[i 10]] (1927-29), [[Nova generatsiia]] (1927-30), [[ReD]] (1927-31), [[Dźwignia]] (1927-28), [[Tank]] (1927-28), [[Close Up]] (1927-33), [[Horizont]] (1927-32), [[transition]] (1927-38), [[Discontinuité]] (1928), [[Munka]] (1928-39), [[Quosego]] (1928-29), [[Urmuz]] (1928), [[Unu]] (1928-32), [[Revista de Antropofagia]] (1928-29), [[50 u Evropi]] (1928-29), [[Documents]] (1929-30), [[L'Art Contemporain - Sztuka Współczesna]] (1929-30), [[Adam]] (1929-40), [[Art concret]] (1930), [[Zvěrokruh]] (1930), [[Alge]] (1930-31), [[Levá fronta]] (1930-33), [[Kvart]] (1930-37, 1945-49), [[Nová Bratislava]] (1931-32), [[Linja]] (1931-33), [[Spektrum]] (1931-33), [[Nadrealizam danas i ovde]] (1931-32), [[Ulise]] (1932-33), [[Die neue Stadt]] (1932-33), [[Mouvement]] (1933), [[PLAN]] (1933-36), [[Karavan]] (1934-35), [[Ekran]] (1934), [[Axis]] (1935-37), [[Acéphale]] (1936-39), [[Telehor]] (1936), [[aka]] (1937-38), [[Plastique]] (1937-39), [[Les Réverbères]] (1938-39).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|}</div></td></tr>
</table>
Dusan
https://monoskop.org/index.php?title=Template:Avant-garde_and_modernist_magazines&diff=49166&oldid=prev
Dusan at 10:24, 10 September 2014
2014-09-10T10:24:24Z
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 10:24, 10 September 2014</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| colspan="3" align="center" class="tocpadding" | </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| colspan="3" align="center" class="tocpadding" | </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Entretiens politiques et littéraires]] (1890-93), [[Volné směry]] (1897-1948), [[Mir iskusstva]] (1898-1904), [[Vesy]] (1904-09), [[Poesia]] (1905-09, 1920), [[Zolotoe runo]] (1906-10), [[The Mask]] (1908-29), [[Apollon]] (1909-17), [[Ukraïnska khata]] (1909-14), [[Der Sturm]] (1910-32), [[Thalia]] (1910-13), [[Rhythm]] (1911-13), [[Trudy i dni]] (1912), [[Simbolul]] (1912), [[The Glebe]] (1913-14), [[Ocharovannyi strannik]] (1913-16), [[Revolution]] (1913), [[Blast]] (1914-15), [[The Little Review]] (1914-29), [[Futuristy]] (1914), [[Zeit-Echo]] (1914-17), [[L'Élan]] (1915-16), [[291]] (1915-16), [[Orpheu]] (1915), [[La Balza futurista]] (1915), [[MA]] (1916-25), [[SIC]] (1916-19), [[flamman]] (1916-21), [[The Blindman]] (1917), [[Nord-Sud]] (1917-18), [[De Stijl]] (1917-20, 1921-32), [[Dada (journal)|Dada]] (1917-21), [[Klingen]] (1917-20, 1942), [[Noi]] (1917-25), [[391]] (1917-24), [[Modernisme et compréhension]] (1917), [[Formiści]] (1919-21), [[La Cité]] (1919-35), [[Aujourd'hui]] (1919), [[Exlex]] (1919-20), [[L'Esprit nouveau]] (1920-25), [[Orfeus]] (1920-21), [[Action]] (1920-22), [[Proverbe]] (1920-22), [[Ça ira]] (1920-23), [[Zenit]] (1921-26), [[Kinofon]] (1921-22), [[Het Overzicht]] (1921-25), [[Jednodńuwka futurystuw]] (1921), [[Nowa sztuka]] (1921-22), [[Broom]] (1921-24), [[Život]] (1921-48), [[Creación]] (1921-24), [[Jar-Ptitza]] (1921-26), [[New York Dada]] (1921), [[Aventure]] (1921-22), [[Spolokhi]] (1921-23), [[Gargoyle]] (1921-22), [[Veshch/Gegenstand/Objet]] (1922), [[Kino-fot]] (1922-23), [[Le Coeur à barbe]] (1922), [[Die Form]] (1922, 1925-35), [[7 Arts]] (1922-28), [[Manomètre]] (1922-28), [[Ultra]] (1922), [[Út]] (1922-25), [[Dada-Jok]] (1922), [[Dada Tank]] (1922), [[Dada Jazz]] (1922), [[Mécano]] (1922-23), [[Contimporanul]] (1922-32), [[Zwrotnica]] (1922-23, 1926-27), [[Secession]] (1922-24), [[Stavba]] (1922-38), [[Gostinitsa dlya puteshestvuyuschih v prekrasnom]] (1922-24), [[Klaxon]] (1922-23), [[Akasztott Ember]] (1922-23), [[MSS]] (1922-23), [[Perevoz Dada]] (1922-49), [[Egység]] (1922-24), [[L'Architecture vivante]] (1923-33), [[Merz]] (1923-32), [[LEF]] (1923-25), [[G]] (1923-26), [[The Next Call]] (1923-26), [[Russkoye iskusstvo]] (1923), [[Disk]] (1923-25), [[Irradiador]] (1923), [[Surréalisme]] (1924), [[La Révolution surréaliste]] (1924-29), [[Blok]] (1924-26), [[Pásmo]] (1924-26), [[DAV]] (1924-37), [[Bulletin de l'Effort moderne]] (1924-27), [[ABC]] (1924-28), [[CAP]] (1924-28), [[Athena]] (1924-25), [[Punct]] (1924-25), [[75HP]] (1924), [[Le Tour de Babel]] (1925), [[Periszkop]] (1925-26), [[Integral]] (1925-28), [[Praesens]] (1926, 1930), [[Sovremennaya architektura]] (1926-30), [[bauhaus]] (1926-31), [[Das neue Frankfurt]] (1926-31), [[L'Art cinématographique]] (1926-31), [[Dokumentum]] (1926-27), [[Kritisk Revy]] (1926-28), [[Novyi LEF]] (1927-29), [[i 10]] (1927-29), [[Nova generatsiia]] (1927-30), [[ReD]] (1927-31), [[Dźwignia]] (1927-28), [[Tank]] (1927-28), [[Close Up]] (1927-33), [[Horizont]] (1927-32), [[transition]] (1927-38), [[Discontinuité]] (1928), [[Munka]] (1928-39), [[Quosego]] (1928-29), [[Urmuz]] (1928), [[Unu]] (1928-32), [[Revista de Antropofagia]] (1928-29), [[50 u Evropi]] (1928-29), [[Documents]] (1929-30), [[L'Art Contemporain - Sztuka Współczesna]] (1929-30), [[Adam]] (1929-40), [[Art concret]] (1930), [[Zvěrokruh]] (1930), [[Alge]] (1930-31), [[Levá fronta]] (1930-33), [[Kvart]] (1930-37, 1945-49), [[Nová Bratislava]] (1931-32), [[Linja]] (1931-33), [[Spektrum]] (1931-33), [[Nadrealizam danas i ovde]] (1931-32), [[Ulise]] (1932-33), [[Die neue Stadt]] (1932-33), [[Mouvement]] (1933), [[PLAN]] (1933-36), [[Karavan]] (1934-35), [[Ekran]] (1934), [[Axis]] (1935-37), [[Acéphale]] (1936-39), [[Telehor]] (1936), [[aka]] (1937-38), [[Plastique]] (1937-39), [[Les Réverbères]] (1938-39).</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Entretiens politiques et littéraires]] (1890-93), [[Volné směry]] (1897-1948), [[Mir iskusstva]] (1898-1904), [[Vesy]] (1904-09), [[Poesia]] (1905-09, 1920), [[Zolotoe runo]] (1906-10), [[The Mask]] (1908-29), [[Apollon]] (1909-17), [[Ukraïnska khata]] (1909-14), [[Der Sturm]] (1910-32), [[Thalia]] (1910-13), [[Rhythm]] (1911-13), [[Trudy i dni]] (1912), [[Simbolul]] (1912), [[The Glebe]] (1913-14), [[Ocharovannyi strannik]] (1913-16), [[Revolution]] (1913), [[Blast]] (1914-15), [[The Little Review]] (1914-29), [[Futuristy]] (1914), [[Zeit-Echo]] (1914-17), [[L'Élan]] (1915-16), [[291]] (1915-16), [[Orpheu]] (1915), [[La Balza futurista]] (1915), [[MA]] (1916-25), [[SIC]] (1916-19), [[flamman]] (1916-21), [[The Blindman]] (1917), [[Nord-Sud]] (1917-18), [[De Stijl]] (1917-20, 1921-32), [[Dada (journal)|Dada]] (1917-21), [[Klingen]] (1917-20, 1942), [[Noi]] (1917-25), [[391]] (1917-24), [[Modernisme et compréhension]] (1917), [[Formiści]] (1919-21<ins class="diffchange diffchange-inline">), [[S4N]] (1919-25</ins>), [[La Cité]] (1919-35), [[Aujourd'hui]] (1919), [[Exlex]] (1919-20), [[L'Esprit nouveau]] (1920-25), [[Orfeus]] (1920-21), [[Action]] (1920-22), [[Proverbe]] (1920-22), [[Ça ira]] (1920-23), [[Zenit]] (1921-26), [[Kinofon]] (1921-22), [[Het Overzicht]] (1921-25), [[Jednodńuwka futurystuw]] (1921), [[Nowa sztuka]] (1921-22), [[Broom]] (1921-24), [[Život]] (1921-48), [[Creación]] (1921-24), [[Jar-Ptitza]] (1921-26), [[New York Dada]] (1921), [[Aventure]] (1921-22), [[Spolokhi]] (1921-23), [[Gargoyle]] (1921-22), [[Veshch/Gegenstand/Objet]] (1922), [[Kino-fot]] (1922-23), [[Le Coeur à barbe]] (1922), [[Die Form]] (1922, 1925-35), [[7 Arts]] (1922-28), [[Manomètre]] (1922-28), [[Ultra]] (1922), [[Út]] (1922-25), [[Dada-Jok]] (1922), [[Dada Tank]] (1922), [[Dada Jazz]] (1922), [[Mécano]] (1922-23), [[Contimporanul]] (1922-32), [[Zwrotnica]] (1922-23, 1926-27), [[Secession]] (1922-24), [[Stavba]] (1922-38), [[Gostinitsa dlya puteshestvuyuschih v prekrasnom]] (1922-24), [[Klaxon]] (1922-23), [[Akasztott Ember]] (1922-23), [[MSS]] (1922-23), [[Perevoz Dada]] (1922-49), [[Egység]] (1922-24), [[L'Architecture vivante]] (1923-33), [[Merz]] (1923-32), [[LEF]] (1923-25), [[G]] (1923-26), [[The Next Call]] (1923-26), [[Russkoye iskusstvo]] (1923), [[Disk]] (1923-25), [[Irradiador]] (1923), [[Surréalisme]] (1924), [[La Révolution surréaliste]] (1924-29), [[Blok]] (1924-26), [[Pásmo]] (1924-26), [[DAV]] (1924-37), [[Bulletin de l'Effort moderne]] (1924-27), [[ABC]] (1924-28), [[CAP]] (1924-28), [[Athena]] (1924-25), [[Punct]] (1924-25), [[75HP]] (1924), [[Le Tour de Babel]] (1925), [[Periszkop]] (1925-26), [[Integral]] (1925-28), [[Praesens]] (1926, 1930), [[Sovremennaya architektura]] (1926-30), [[bauhaus]] (1926-31), [[Das neue Frankfurt]] (1926-31), [[L'Art cinématographique]] (1926-31), [[Dokumentum]] (1926-27), [[Kritisk Revy]] (1926-28), [[Novyi LEF]] (1927-29), [[i 10]] (1927-29), [[Nova generatsiia]] (1927-30), [[ReD]] (1927-31), [[Dźwignia]] (1927-28), [[Tank]] (1927-28), [[Close Up]] (1927-33), [[Horizont]] (1927-32), [[transition]] (1927-38), [[Discontinuité]] (1928), [[Munka]] (1928-39), [[Quosego]] (1928-29), [[Urmuz]] (1928), [[Unu]] (1928-32), [[Revista de Antropofagia]] (1928-29), [[50 u Evropi]] (1928-29), [[Documents]] (1929-30), [[L'Art Contemporain - Sztuka Współczesna]] (1929-30), [[Adam]] (1929-40), [[Art concret]] (1930), [[Zvěrokruh]] (1930), [[Alge]] (1930-31), [[Levá fronta]] (1930-33), [[Kvart]] (1930-37, 1945-49), [[Nová Bratislava]] (1931-32), [[Linja]] (1931-33), [[Spektrum]] (1931-33), [[Nadrealizam danas i ovde]] (1931-32), [[Ulise]] (1932-33), [[Die neue Stadt]] (1932-33), [[Mouvement]] (1933), [[PLAN]] (1933-36), [[Karavan]] (1934-35), [[Ekran]] (1934), [[Axis]] (1935-37), [[Acéphale]] (1936-39), [[Telehor]] (1936), [[aka]] (1937-38), [[Plastique]] (1937-39), [[Les Réverbères]] (1938-39).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|}</div></td></tr>
</table>
Dusan
https://monoskop.org/index.php?title=Template:Avant-garde_and_modernist_magazines&diff=49120&oldid=prev
Dusan at 21:37, 9 September 2014
2014-09-09T21:37:42Z
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 21:37, 9 September 2014</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| colspan="3" align="center" class="tocpadding" | </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| colspan="3" align="center" class="tocpadding" | </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Entretiens politiques et littéraires]] (1890-93), [[Volné směry]] (1897-1948), [[Mir iskusstva]] (1898-1904), [[Vesy]] (1904-09), [[Poesia]] (1905-09, 1920), [[Zolotoe runo]] (1906-10), [[The Mask]] (1908-29), [[Apollon]] (1909-17), [[Ukraïnska khata]] (1909-14), [[Der Sturm]] (1910-32), [[Thalia]] (1910-13), [[Rhythm]] (1911-13), [[Trudy i dni]] (1912), [[Simbolul]] (1912), [[The Glebe]] (1913-14), [[Ocharovannyi strannik]] (1913-16), [[Revolution]] (1913), [[Blast]] (1914-15), [[The Little Review]] (1914-29), [[Futuristy]] (1914), [[Zeit-Echo]] (1914-17), [[L'Élan]] (1915-16), [[291]] (1915-16), [[Orpheu]] (1915), [[La Balza futurista]] (1915), [[MA]] (1916-25), [[SIC]] (1916-19), [[flamman]] (1916-21), [[The Blindman]] (1917), [[Nord-Sud]] (1917-18), [[De Stijl]] (1917-20, 1921-32), [[Dada (journal)|Dada]] (1917-21), [[Klingen]] (1917-20, 1942), [[Noi]] (1917-25), [[391]] (1917-24), [[Modernisme et compréhension]] (1917), [[Formiści]] (1919-21), [[La Cité]] (1919-35), [[Aujourd'hui]] (1919), [[Exlex]] (1919-20), [[L'Esprit nouveau]] (1920-25), [[Orfeus]] (1920-21), [[Action]] (1920-22), [[Proverbe]] (1920-22), [[Ça ira]] (1920-23), [[Zenit]] (1921-26), [[Kinofon]] (1921-22), [[Het Overzicht]] (1921-25), [[Jednodńuwka futurystuw]] (1921), [[Nowa sztuka]] (1921-22), [[Broom]] (1921-24), [[Život]] (1921-48), [[Creación]] (1921-24), [[Jar-Ptitza]] (1921-26), [[New York Dada]] (1921), [[Aventure]] (1921-22), [[Spolokhi]] (1921-23), [[Gargoyle]] (1921-22), [[Veshch/Gegenstand/Objet]] (1922), [[Kino-fot]] (1922-23), [[Le Coeur à barbe]] (1922), [[Die Form]] (1922, 1925-35), [[7 Arts]] (1922-28), [[Manomètre]] (1922-28), [[Ultra]] (1922), [[Út]] (1922-25), [[Dada-Jok]] (1922), [[Dada Tank]] (1922), [[Dada Jazz]] (1922), [[Mécano]] (1922-23), [[Contimporanul]] (1922-32), [[Zwrotnica]] (1922-23, 1926-27), [[Secession]] (1922-24), [[Stavba]] (1922-38), [[Gostinitsa dlya puteshestvuyuschih v prekrasnom]] (1922-24), [[Klaxon]] (1922-23), [[Akasztott Ember]] (1922-23), [[MSS]] (1922-23), [[Perevoz Dada]] (1922-49), [[Egység]] (1922-24), [[L'Architecture vivante]] (1923-33), [[Merz]] (1923-32), [[LEF]] (1923-25), [[G]] (1923-26), [[The Next Call]] (1923-26), [[Russkoye iskusstvo]] (1923), [[Disk]] (1923-25), [[Irradiador]] (1923), [[Surréalisme]] (1924), [[La Révolution surréaliste]] (1924-29), [[Blok]] (1924-26), [[Pásmo]] (1924-26), [[DAV]] (1924-37), [[Bulletin de l'Effort moderne]] (1924-27), [[ABC]] (1924-28), [[Athena]] (1924-25), [[Punct]] (1924-25), [[75HP]] (1924), [[Le Tour de Babel]] (1925), [[Periszkop]] (1925-26), [[Integral]] (1925-28), [[Praesens]] (1926, 1930), [[Sovremennaya architektura]] (1926-30), [[bauhaus]] (1926-31), [[Das neue Frankfurt]] (1926-31), [[L'Art cinématographique]] (1926-31), [[Dokumentum]] (1926-27), [[Kritisk Revy]] (1926-28), [[Novyi LEF]] (1927-29), [[i 10]] (1927-29), [[Nova generatsiia]] (1927-30), [[ReD]] (1927-31), [[Dźwignia]] (1927-28), [[Tank]] (1927-28), [[Close Up]] (1927-33), [[Horizont]] (1927-32), [[transition]] (1927-38), [[Discontinuité]] (1928), [[Munka]] (1928-39), [[Quosego]] (1928-29), [[Urmuz]] (1928), [[Unu]] (1928-32), [[Revista de Antropofagia]] (1928-29), [[50 u Evropi]] (1928-29), [[Documents]] (1929-30), [[L'Art Contemporain - Sztuka Współczesna]] (1929-30), [[Adam]] (1929-40), [[Art concret]] (1930), [[Zvěrokruh]] (1930), [[Alge]] (1930-31), [[Levá fronta]] (1930-33), [[Kvart]] (1930-37, 1945-49), [[Nová Bratislava]] (1931-32), [[Linja]] (1931-33), [[Spektrum]] (1931-33), [[Nadrealizam danas i ovde]] (1931-32), [[Ulise]] (1932-33), [[Die neue Stadt]] (1932-33), [[Mouvement]] (1933), [[PLAN]] (1933-36), [[Karavan]] (1934-35), [[Ekran]] (1934), [[Axis]] (1935-37), [[Acéphale]] (1936-39), [[Telehor]] (1936), [[aka]] (1937-38), [[Plastique]] (1937-39), [[Les Réverbères]] (1938-39).</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Entretiens politiques et littéraires]] (1890-93), [[Volné směry]] (1897-1948), [[Mir iskusstva]] (1898-1904), [[Vesy]] (1904-09), [[Poesia]] (1905-09, 1920), [[Zolotoe runo]] (1906-10), [[The Mask]] (1908-29), [[Apollon]] (1909-17), [[Ukraïnska khata]] (1909-14), [[Der Sturm]] (1910-32), [[Thalia]] (1910-13), [[Rhythm]] (1911-13), [[Trudy i dni]] (1912), [[Simbolul]] (1912), [[The Glebe]] (1913-14), [[Ocharovannyi strannik]] (1913-16), [[Revolution]] (1913), [[Blast]] (1914-15), [[The Little Review]] (1914-29), [[Futuristy]] (1914), [[Zeit-Echo]] (1914-17), [[L'Élan]] (1915-16), [[291]] (1915-16), [[Orpheu]] (1915), [[La Balza futurista]] (1915), [[MA]] (1916-25), [[SIC]] (1916-19), [[flamman]] (1916-21), [[The Blindman]] (1917), [[Nord-Sud]] (1917-18), [[De Stijl]] (1917-20, 1921-32), [[Dada (journal)|Dada]] (1917-21), [[Klingen]] (1917-20, 1942), [[Noi]] (1917-25), [[391]] (1917-24), [[Modernisme et compréhension]] (1917), [[Formiści]] (1919-21), [[La Cité]] (1919-35), [[Aujourd'hui]] (1919), [[Exlex]] (1919-20), [[L'Esprit nouveau]] (1920-25), [[Orfeus]] (1920-21), [[Action]] (1920-22), [[Proverbe]] (1920-22), [[Ça ira]] (1920-23), [[Zenit]] (1921-26), [[Kinofon]] (1921-22), [[Het Overzicht]] (1921-25), [[Jednodńuwka futurystuw]] (1921), [[Nowa sztuka]] (1921-22), [[Broom]] (1921-24), [[Život]] (1921-48), [[Creación]] (1921-24), [[Jar-Ptitza]] (1921-26), [[New York Dada]] (1921), [[Aventure]] (1921-22), [[Spolokhi]] (1921-23), [[Gargoyle]] (1921-22), [[Veshch/Gegenstand/Objet]] (1922), [[Kino-fot]] (1922-23), [[Le Coeur à barbe]] (1922), [[Die Form]] (1922, 1925-35), [[7 Arts]] (1922-28), [[Manomètre]] (1922-28), [[Ultra]] (1922), [[Út]] (1922-25), [[Dada-Jok]] (1922), [[Dada Tank]] (1922), [[Dada Jazz]] (1922), [[Mécano]] (1922-23), [[Contimporanul]] (1922-32), [[Zwrotnica]] (1922-23, 1926-27), [[Secession]] (1922-24), [[Stavba]] (1922-38), [[Gostinitsa dlya puteshestvuyuschih v prekrasnom]] (1922-24), [[Klaxon]] (1922-23), [[Akasztott Ember]] (1922-23), [[MSS]] (1922-23), [[Perevoz Dada]] (1922-49), [[Egység]] (1922-24), [[L'Architecture vivante]] (1923-33), [[Merz]] (1923-32), [[LEF]] (1923-25), [[G]] (1923-26), [[The Next Call]] (1923-26), [[Russkoye iskusstvo]] (1923), [[Disk]] (1923-25), [[Irradiador]] (1923), [[Surréalisme]] (1924), [[La Révolution surréaliste]] (1924-29), [[Blok]] (1924-26), [[Pásmo]] (1924-26), [[DAV]] (1924-37), [[Bulletin de l'Effort moderne]] (1924-27), [[ABC<ins class="diffchange diffchange-inline">]] (1924-28), [[CAP</ins>]] (1924-28), [[Athena]] (1924-25), [[Punct]] (1924-25), [[75HP]] (1924), [[Le Tour de Babel]] (1925), [[Periszkop]] (1925-26), [[Integral]] (1925-28), [[Praesens]] (1926, 1930), [[Sovremennaya architektura]] (1926-30), [[bauhaus]] (1926-31), [[Das neue Frankfurt]] (1926-31), [[L'Art cinématographique]] (1926-31), [[Dokumentum]] (1926-27), [[Kritisk Revy]] (1926-28), [[Novyi LEF]] (1927-29), [[i 10]] (1927-29), [[Nova generatsiia]] (1927-30), [[ReD]] (1927-31), [[Dźwignia]] (1927-28), [[Tank]] (1927-28), [[Close Up]] (1927-33), [[Horizont]] (1927-32), [[transition]] (1927-38), [[Discontinuité]] (1928), [[Munka]] (1928-39), [[Quosego]] (1928-29), [[Urmuz]] (1928), [[Unu]] (1928-32), [[Revista de Antropofagia]] (1928-29), [[50 u Evropi]] (1928-29), [[Documents]] (1929-30), [[L'Art Contemporain - Sztuka Współczesna]] (1929-30), [[Adam]] (1929-40), [[Art concret]] (1930), [[Zvěrokruh]] (1930), [[Alge]] (1930-31), [[Levá fronta]] (1930-33), [[Kvart]] (1930-37, 1945-49), [[Nová Bratislava]] (1931-32), [[Linja]] (1931-33), [[Spektrum]] (1931-33), [[Nadrealizam danas i ovde]] (1931-32), [[Ulise]] (1932-33), [[Die neue Stadt]] (1932-33), [[Mouvement]] (1933), [[PLAN]] (1933-36), [[Karavan]] (1934-35), [[Ekran]] (1934), [[Axis]] (1935-37), [[Acéphale]] (1936-39), [[Telehor]] (1936), [[aka]] (1937-38), [[Plastique]] (1937-39), [[Les Réverbères]] (1938-39).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|}</div></td></tr>
</table>
Dusan