Difference between revisions of "The Blindman"

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==External links==
==External links==
* [http://www.dada-companion.com/journals/per_blindman.php The Blind Man in Dada Companion]
* [http://www.dada-companion.com/journals/per_blindman.php The Blind Man in Dada Companion]
* [http://modernist-magazines.org/?q=category/categories/-blind-man The Blind Man at Magazine Modernism]
* [http://en.wikipedia.org/wiki/The_Blind_Man The Blind Man at Wikipedia]
* [http://en.wikipedia.org/wiki/The_Blind_Man The Blind Man at Wikipedia]

Revision as of 23:11, 7 March 2014

The Blind Man was an art and Dada journal published by the New York Dadaists in 1917, being edited by Marcel Duchamp, Beatrice Wood and Henri-Pierre Roché.

Henri-Pierre Roche, Beatrice Wood, and Mina Loy contributed to the first, Independents' Number issue; Walter Arensberg (Axiom, Theorem, poems), Gabrielle Buffet-Picabia (Marie Laurencin, essay), Robert Carlton (Bob) Brown (poems), Frank Crowninshield (letter), Charles Demuth (For Richard Mutt, poem), Marcel Duchamp, Charles Duncan (poem), an essay about Louis Michael Eilshemius, Mina Loy (prose), Louise Norton (essay), Francis Picabia (Medusa, poem), Joseph Stella (Coney Island, picture), Frances Simpson Stevens (1894-1976) (poem), Alfred Stieglitz (Fountain by R. Mutt, photography; letter) and Clara Tice (drawing) to the second. The magazine only saw two editions to publication.

Volume 2 is best known for the group's reaction to the rejection of Duchamp's Fountain to a 1917 unjuried art show.


The Blindman: Independents' Number 1 (Apr 1917). Download.
The Blind Man 2 (May 1917). Download.


External links

Avant-garde and modernist magazines

Poesia (1905-09, 1920), Der Sturm (1910-32), Blast (1914-15), The Egoist (1914-19), The Little Review (1914-29), 291 (1915-16), MA (1916-25), De Stijl (1917-20, 1921-32), Dada (1917-21), Noi (1917-25), 391 (1917-24), Zenit (1921-26), Broom (1921-24), Veshch/Gegenstand/Objet (1922), Die Form (1922, 1925-35), Contimporanul (1922-32), Secession (1922-24), Klaxon (1922-23), Merz (1923-32), LEF (1923-25), G (1923-26), Irradiador (1923), Sovremennaya architektura (1926-30), Novyi LEF (1927-29), ReD (1927-31), Close Up (1927-33), transition (1927-38).