Difference between revisions of "The Blindman"

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'''The Blind Man''' was an art and Dada journal published by the [[New York]] Dadaists in 1917, being edited by [[Marcel Duchamp]], [[Beatrice Wood]] and [[Henri-Pierre Roché]].
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'''The Blindman''' was an art and Dada journal published by the [[New York]] Dadaists in two issues in 1917, being edited by [[Marcel Duchamp]], [[Beatrice Wood]] and [[Henri-Pierre Roché]].
  
Henri-Pierre Roche, Beatrice Wood, and Mina Loy contributed to the first, Independents' Number issue; Walter Arensberg (Axiom, Theorem, poems), Gabrielle Buffet-Picabia (Marie Laurencin, essay), Robert Carlton (Bob) Brown (poems), Frank Crowninshield (letter), Charles Demuth (For Richard Mutt, poem), Marcel Duchamp, Charles Duncan (poem), an essay about Louis Michael Eilshemius, Mina Loy (prose), Louise Norton (essay), Francis Picabia (Medusa, poem), Joseph Stella (Coney Island, picture), Frances Simpson Stevens (1894-1976) (poem), Alfred Stieglitz (Fountain by R. Mutt, photography; letter) and Clara Tice (drawing) to the second. The magazine only saw two editions to publication.
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Henri-Pierre Roche, Beatrice Wood, and Mina Loy contributed to the first, ''Independents' Number'' issue; Walter Arensberg (Axiom, Theorem, poems), Gabrielle Buffet-Picabia (Marie Laurencin, essay), Robert Carlton (Bob) Brown (poems), Frank Crowninshield (letter), Charles Demuth (For Richard Mutt, poem), Marcel Duchamp, Charles Duncan (poem), an essay about Louis Michael Eilshemius, Mina Loy (prose), Louise Norton (essay), Francis Picabia (Medusa, poem), Joseph Stella (Coney Island, picture), Frances Simpson Stevens (1894-1976) (poem), Alfred Stieglitz (Fountain by R. Mutt, photography; letter) and Clara Tice (drawing) to the second.  
  
 
Volume 2 is best known for the group's reaction to the rejection of [[Marcel Duchamp|Duchamp]]'s ''Fountain'' to a 1917 unjuried art show.
 
Volume 2 is best known for the group's reaction to the rejection of [[Marcel Duchamp|Duchamp]]'s ''Fountain'' to a 1917 unjuried art show.
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{| class="imgtable"
 
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[[Image:The_Blindman_1_Apr_1917.jpg|thumb|185px|''The Blindman: Independents' Number'' 1 (Apr 1917). 8 pages, 19.5″ x 12″. [[Media:The_Blindman_1_Apr_1917.pdf|Download]].]]
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[[Image:The_Blindman_1_Apr_1917.jpg|thumb|185px|''The Blindman: Independents' Number'' 1 (Apr 1917). 8 pages, 28 x 20,5 cm. [[Media:The_Blindman_1_Apr_1917.pdf|PDF]].]]
 
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[[Image:The_Blind_Man_2_May_1917.jpg|thumb|185px|''P.B.T. The Blind Man'' 2 (May 1917). 16 pages, 19.5″ x 12″. [[Media:The_Blind_Man_2_May_1917.pdf|Download]].]]
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[[Image:The_Blind_Man_2_May_1917.jpg|thumb|185px|''P.B.T. The Blind Man'' 2 (May 1917). 16 pages, 28 x 20,5 cm. [[Media:The_Blind_Man_2_May_1917.pdf|PDF]].]]
 
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The above PDFs are sourced from [http://bibliothequekandinsky.centrepompidou.fr/clientbookline/recherche/NoticesDetaillees.asp?INSTANCE=incipio&iNotice=1&ldebut=&chkckbox23=off&chk0=off&chk1=on&chk2=off&DISPLAYMENU=&IDTEZO=&IDTEZOBASE=&IDTEZOFORM= Bibliothèque Kandinsky].
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The above PDFs are sourced from [http://bibliothequekandinsky.centrepompidou.fr/clientBookline/service/reference.asp?INSTANCE=incipio&OUTPUT=PORTAL&DOCID=0468537&DOCBASE=CGPP Bibliothèque Kandinsky].
  
* [http://www.toutfait.com/issues/issue_3/Collections/girst/Blindman/index.html Scans of the Issue 1 at Tout-fait]
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* [http://www.toutfait.com/issues/issue_3/Collections/girst/index.html Scans at Tout-fait]
 
* [http://digital.lib.uiowa.edu/cdm/compoundobject/collection/dada/id/24826/rec/1 Scans of the Issue 2 in International Dada Archive] [http://sdrc.lib.uiowa.edu/dada/blindman/]
 
* [http://digital.lib.uiowa.edu/cdm/compoundobject/collection/dada/id/24826/rec/1 Scans of the Issue 2 in International Dada Archive] [http://sdrc.lib.uiowa.edu/dada/blindman/]
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==Reprint==
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* ''3 New York Dadas and the Blind Man: Marcel Duchamp, Henri-Pierre Roché, Beatrice Wood'', London: Atlas, 2014. [http://www.atlaspress.co.uk/index.cgi?action=view_eclectic&number=14]
  
 
==Literature==
 
==Literature==
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==Links==
 
==Links==
* [http://www.dada-companion.com/journals/per_blindman.php The Blindman in Dada Companion]
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* [http://web.archive.org/web/20190419232052/http://www.dada-companion.com/journals/per_blindman.php The Blindman in Dada Companion]
 
* [http://modernist-magazines.org/?q=category/categories/-blind-man The Blindman in Magazine Modernism]
 
* [http://modernist-magazines.org/?q=category/categories/-blind-man The Blindman in Magazine Modernism]
* [http://en.wikipedia.org/wiki/The_Blind_Man The Blind Man at Wikipedia]
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* [http://en.wikipedia.org/wiki/The_Blind_Man The Blindman at Wikipedia]
  
  
 
{{Avant-garde and modernist magazines}}
 
{{Avant-garde and modernist magazines}}
[[Category:Dada|Blind Man, The]]
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[[Category:Dada|Blindman, The]]

Latest revision as of 16:45, 15 November 2019

The Blindman was an art and Dada journal published by the New York Dadaists in two issues in 1917, being edited by Marcel Duchamp, Beatrice Wood and Henri-Pierre Roché.

Henri-Pierre Roche, Beatrice Wood, and Mina Loy contributed to the first, Independents' Number issue; Walter Arensberg (Axiom, Theorem, poems), Gabrielle Buffet-Picabia (Marie Laurencin, essay), Robert Carlton (Bob) Brown (poems), Frank Crowninshield (letter), Charles Demuth (For Richard Mutt, poem), Marcel Duchamp, Charles Duncan (poem), an essay about Louis Michael Eilshemius, Mina Loy (prose), Louise Norton (essay), Francis Picabia (Medusa, poem), Joseph Stella (Coney Island, picture), Frances Simpson Stevens (1894-1976) (poem), Alfred Stieglitz (Fountain by R. Mutt, photography; letter) and Clara Tice (drawing) to the second.

Volume 2 is best known for the group's reaction to the rejection of Duchamp's Fountain to a 1917 unjuried art show.

The deluxe version is printed on fine Japanese Vellum paper, the standard version on standard non glossy paper.

Issues[edit]

The Blindman: Independents' Number 1 (Apr 1917). 8 pages, 28 x 20,5 cm. PDF.
P.B.T. The Blind Man 2 (May 1917). 16 pages, 28 x 20,5 cm. PDF.

The above PDFs are sourced from Bibliothèque Kandinsky.

Reprint[edit]

  • 3 New York Dadas and the Blind Man: Marcel Duchamp, Henri-Pierre Roché, Beatrice Wood, London: Atlas, 2014. [2]

Literature[edit]

Links[edit]


Avant-garde and modernist magazines

Poesia (1905-09, 1920), Der Sturm (1910-32), Blast (1914-15), The Egoist (1914-19), The Little Review (1914-29), 291 (1915-16), MA (1916-25), De Stijl (1917-20, 1921-32), Dada (1917-21), Noi (1917-25), 391 (1917-24), Zenit (1921-26), Broom (1921-24), Veshch/Gegenstand/Objet (1922), Die Form (1922, 1925-35), Contimporanul (1922-32), Secession (1922-24), Klaxon (1922-23), Merz (1923-32), LEF (1923-25), G (1923-26), Irradiador (1923), Sovremennaya architektura (1926-30), Novyi LEF (1927-29), ReD (1927-31), Close Up (1927-33), transition (1927-38).