Difference between revisions of "The Blindman"
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| − | [[Image:The_Blindman_1_Apr_1917.jpg|thumb|185px|''The Blindman: Independents' Number'' 1 (Apr 1917). 8 pages, | + | [[Image:The_Blindman_1_Apr_1917.jpg|thumb|185px|''The Blindman: Independents' Number'' 1 (Apr 1917). 8 pages, 28 x 20,5 cm. [[Media:The_Blindman_1_Apr_1917.pdf|PDF]].]] |
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| − | [[Image:The_Blind_Man_2_May_1917.jpg|thumb|185px|''P.B.T. The Blind Man'' 2 (May 1917). 16 pages, | + | [[Image:The_Blind_Man_2_May_1917.jpg|thumb|185px|''P.B.T. The Blind Man'' 2 (May 1917). 16 pages, 28 x 20,5 cm. [[Media:The_Blind_Man_2_May_1917.pdf|PDF]].]] |
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| − | The above PDFs are sourced from [http://bibliothequekandinsky.centrepompidou.fr/ | + | The above PDFs are sourced from [http://bibliothequekandinsky.centrepompidou.fr/clientBookline/service/reference.asp?INSTANCE=incipio&OUTPUT=PORTAL&DOCID=0468537&DOCBASE=CGPP Bibliothèque Kandinsky]. |
* [http://www.toutfait.com/issues/issue_3/Collections/girst/index.html Scans at Tout-fait] | * [http://www.toutfait.com/issues/issue_3/Collections/girst/index.html Scans at Tout-fait] | ||
* [http://digital.lib.uiowa.edu/cdm/compoundobject/collection/dada/id/24826/rec/1 Scans of the Issue 2 in International Dada Archive] [http://sdrc.lib.uiowa.edu/dada/blindman/] | * [http://digital.lib.uiowa.edu/cdm/compoundobject/collection/dada/id/24826/rec/1 Scans of the Issue 2 in International Dada Archive] [http://sdrc.lib.uiowa.edu/dada/blindman/] | ||
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| + | ==Reprint== | ||
| + | * ''3 New York Dadas and the Blind Man: Marcel Duchamp, Henri-Pierre Roché, Beatrice Wood'', London: Atlas, 2014. [http://www.atlaspress.co.uk/index.cgi?action=view_eclectic&number=14] | ||
==Literature== | ==Literature== | ||
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==Links== | ==Links== | ||
| − | * [http://www.dada-companion.com/journals/per_blindman.php The Blindman in Dada Companion] | + | * [http://web.archive.org/web/20190419232052/http://www.dada-companion.com/journals/per_blindman.php The Blindman in Dada Companion] |
* [http://modernist-magazines.org/?q=category/categories/-blind-man The Blindman in Magazine Modernism] | * [http://modernist-magazines.org/?q=category/categories/-blind-man The Blindman in Magazine Modernism] | ||
* [http://en.wikipedia.org/wiki/The_Blind_Man The Blindman at Wikipedia] | * [http://en.wikipedia.org/wiki/The_Blind_Man The Blindman at Wikipedia] | ||
Revision as of 16:45, 15 November 2019
The Blindman was an art and Dada journal published by the New York Dadaists in two issues in 1917, being edited by Marcel Duchamp, Beatrice Wood and Henri-Pierre Roché.
Henri-Pierre Roche, Beatrice Wood, and Mina Loy contributed to the first, Independents' Number issue; Walter Arensberg (Axiom, Theorem, poems), Gabrielle Buffet-Picabia (Marie Laurencin, essay), Robert Carlton (Bob) Brown (poems), Frank Crowninshield (letter), Charles Demuth (For Richard Mutt, poem), Marcel Duchamp, Charles Duncan (poem), an essay about Louis Michael Eilshemius, Mina Loy (prose), Louise Norton (essay), Francis Picabia (Medusa, poem), Joseph Stella (Coney Island, picture), Frances Simpson Stevens (1894-1976) (poem), Alfred Stieglitz (Fountain by R. Mutt, photography; letter) and Clara Tice (drawing) to the second.
Volume 2 is best known for the group's reaction to the rejection of Duchamp's Fountain to a 1917 unjuried art show.
The deluxe version is printed on fine Japanese Vellum paper, the standard version on standard non glossy paper.
Contents
Issues
 The Blindman: Independents' Number 1 (Apr 1917). 8 pages, 28 x 20,5 cm. PDF. |
 P.B.T. The Blind Man 2 (May 1917). 16 pages, 28 x 20,5 cm. PDF. |
The above PDFs are sourced from Bibliothèque Kandinsky.
Reprint
- 3 New York Dadas and the Blind Man: Marcel Duchamp, Henri-Pierre Roché, Beatrice Wood, London: Atlas, 2014. [2]
Literature
- Irene E. Hofmann, "Documents of Dada and Surrealism: Dada and Surrealist Journals in the Mary Reynolds Collection: New York", c2001.
Links
| Avant-garde and modernist magazines | ||
|---|---|---|
|
Poesia (1905-09, 1920), Der Sturm (1910-32), Blast (1914-15), The Egoist (1914-19), The Little Review (1914-29), 291 (1915-16), MA (1916-25), De Stijl (1917-20, 1921-32), Dada (1917-21), Noi (1917-25), 391 (1917-24), Zenit (1921-26), Broom (1921-24), Veshch/Gegenstand/Objet (1922), Die Form (1922, 1925-35), Contimporanul (1922-32), Secession (1922-24), Klaxon (1922-23), Merz (1923-32), LEF (1923-25), G (1923-26), Irradiador (1923), Sovremennaya architektura (1926-30), Novyi LEF (1927-29), ReD (1927-31), Close Up (1927-33), transition (1927-38). | ||
| Full list | ||
|---|---|---|
|
Entretiens politiques et littéraires (1890-93), Moderní revue (1894-1925), Volné směry (1897-1948), Mir iskusstva (1898-1904), Vesy (1904-09), Poesia (1905-09, 1920), Zolotoe runo (1906-10), The Mask (1908-29), Apollon (1909-17), Ukraïnska khata (1909-14), Der Sturm (1910-32), Thalia (1910-13), Rhythm (1911-13), Trudy i dni (1912), Simbolul (1912), The Glebe (1913-14), Ocharovannyi strannik (1913-16), Revolution (1913), Blast (1914-15), The Little Review (1914-29), Futuristy (1914), Zeit-Echo (1914-17), The Egoist (1914-19), L'Élan (1915-16), 291 (1915-16), Orpheu (1915), La Balza futurista (1915), MA (1916-25), SIC (1916-19), flamman (1916-21), The Blindman (1917), Nord-Sud (1917-18), De Stijl (1917-20, 1921-32), Dada (1917-21), Klingen (1917-20, 1942), Noi (1917-25), 391 (1917-24), Modernisme et compréhension (1917), Anarkhiia (1917-18), Iskusstvo kommuny (1918-19), Formiści (1919-21), S4N (1919-25), La Cité (1919-35), Aujourd'hui (1919), Exlex (1919-20), L'Esprit nouveau (1920-25), Orfeus (1920-21), Action (1920-22), Proverbe (1920-22), Ça ira (1920-23), Zenit (1921-26), Kinofon (1921-22), Het Overzicht (1921-25), Jednodńuwka futurystuw (1921), Nowa sztuka (1921-22), Broom (1921-24), Život (1921-48), Creación (1921-24), Jar-Ptitza (1921-26), New York Dada (1921), Aventure (1921-22), Spolokhi (1921-23), Gargoyle (1921-22), Veshch/Gegenstand/Objet (1922), Kino-fot (1922-23), Le Coeur à barbe (1922), Die Form (1922, 1925-35), 7 Arts (1922-28), Manomètre (1922-28), Ultra (1922), Út (1922-25), Dada-Jok (1922), Dada Tank (1922), Dada Jazz (1922), Mécano (1922-23), Contimporanul (1922-32), Zwrotnica (1922-23, 1926-27), Secession (1922-24), Stavba (1922-38), Gostinitsa dlya puteshestvuyuschih v prekrasnom (1922-24), Putevi (1922-24), Klaxon (1922-23), Akasztott Ember (1922-23), MSS (1922-23), Perevoz Dada (1922-49), Egység (1922-24), L'Architecture vivante (1923-33), Merz (1923-32), LEF (1923-25), G (1923-26), The Next Call (1923-26), Russkoye iskusstvo (1923), Disk (1923-25), Irradiador (1923), Surréalisme (1924), Almanach Nowej Sztuki (1924-25), La Révolution surréaliste (1924-29), Blok (1924-26), Pásmo (1924-26), DAV (1924-37), Bulletin de l'Effort moderne (1924-27), ABC (1924-28), CAP (1924-28), Athena (1924-25), Punct (1924-25), 75HP (1924), Le Tour de Babel (1925), Periszkop (1925-26), Integral (1925-28), Praesens (1926, 1930), Sovremennaya architektura (1926-30), bauhaus (1926-31), Das neue Frankfurt (1926-31), L'Art cinématographique (1926-31), Dokumentum (1926-27), Kritisk Revy (1926-28), Novyi LEF (1927-29), i 10 (1927-29), Nova generatsiia (1927-30), ReD (1927-31), Dźwignia (1927-28), Tank (1927-28), Close Up (1927-33), Horizont (1927-32), transition (1927-38), Discontinuité (1928), Munka (1928-39), Quosego (1928-29), Urmuz (1928), Unu (1928-32), Revista de Antropofagia (1928-29), 50 u Evropi (1928-29), Documents (1929-30), L'Art Contemporain - Sztuka Współczesna (1929-30), Adam (1929-40), Art concret (1930), Zvěrokruh (1930), Alge (1930-31), Le Surréalisme au service de la révolution (1930-33), Levá fronta (1930-33), Kvart (1930-37, 1945-49), Nová Bratislava (1931-32), Linja (1931-33), Spektrum (1931-33), Nadrealizam danas i ovde (1931-32), Ulise (1932-33), Die neue Stadt (1932-33), Mouvement (1933), PLAN (1933-36), Karavan (1934-35), Ekran (1934), Axis (1935-37), Acéphale (1936-39), Telehor (1936), aka (1937-38), Plastique (1937-39), Plus (1938-39), Les Réverbères (1938-39). | ||
