Difference between revisions of "Thomas Crow"
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* ''The Rise of the Sixties: American and European Art in the Era of Dissent, 1955-69'', New York: Harry N. Abrams, 1996. {{en}} | * ''The Rise of the Sixties: American and European Art in the Era of Dissent, 1955-69'', New York: Harry N. Abrams, 1996. {{en}} | ||
| + | ** ''Die Kunst der sechziger Jahre von der Pop-art zu Yves Klein und Joseph Beuys'', trans. Claudia Spinner, Cologne: DuMont, 1997, 192 pp. {{de}} | ||
** ''El Esplendor de los sesenta: arte americano y europeo en la era de la rebeldía 1955-1969'', trans. Selina Blasco, Madrid: Akal, 2001, 192 pp. {{es}} | ** ''El Esplendor de los sesenta: arte americano y europeo en la era de la rebeldía 1955-1969'', trans. Selina Blasco, Madrid: Akal, 2001, 192 pp. {{es}} | ||
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** ''[[Media:Crow Thomas La inteligencia del arte 2008.pdf|La inteligencia del arte]]'', trans. Laura E. Manríquez, México D.F.: Fondo de Cultura Económica, 2008, 155 pp. {{es}} | ** ''[[Media:Crow Thomas La inteligencia del arte 2008.pdf|La inteligencia del arte]]'', trans. Laura E. Manríquez, México D.F.: Fondo de Cultura Económica, 2008, 155 pp. {{es}} | ||
| − | * with Corinne Diserens, | + | * with Corinne Diserens, et al., ''Gordon Matta-Clark'', London: Phaidon, 2003, 240 pp. {{en}} |
| + | |||
| + | * ''Comprendre Warhol, comprendre l'art contemporain'', Dijon: Les Press du réel, 2013, 44 pp. Lecture. {{fr}} | ||
* ''The Long March of Pop: Art, Music, and Design 1930 to 1995'', New Haven and London: Yale University Press, 2015. {{en}} | * ''The Long March of Pop: Art, Music, and Design 1930 to 1995'', New Haven and London: Yale University Press, 2015. {{en}} | ||
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* [https://monoskop.org/images/0/02/Guilbaut_Serge_ed_Reconstructing_Modernism_Art_in_New_York_Paris_and_Montreal_1945-1964.pdf#page=331 "Saturday Disasters: Trace and Reference in Early Warhol"], in ''Reconstructing Modernism: Art in New York, Paris, and Montreal 1945-1964'', ed. Serge Guilbaut, MIT Press, 1990, pp 311-331. | * [https://monoskop.org/images/0/02/Guilbaut_Serge_ed_Reconstructing_Modernism_Art_in_New_York_Paris_and_Montreal_1945-1964.pdf#page=331 "Saturday Disasters: Trace and Reference in Early Warhol"], in ''Reconstructing Modernism: Art in New York, Paris, and Montreal 1945-1964'', ed. Serge Guilbaut, MIT Press, 1990, pp 311-331. | ||
* "Cosmic Exile: Turns in the Life and Art of Robert Smithson", in ''Robert Smithson'', ed. Eugenie Tsai, University of California Press, 2004. | * "Cosmic Exile: Turns in the Life and Art of Robert Smithson", in ''Robert Smithson'', ed. Eugenie Tsai, University of California Press, 2004. | ||
| + | * [[Media:Crow_Thomas_2010_Warhol_among_the_Art_Directors.pdf|"Warhol among the Art Directors"]], in ''Andy Warhol Enterprises'', eds. Sarah Urist Green and Allison Unrue, Hatje Cantz, 2010, pp 99-113. | ||
==Links== | ==Links== | ||
| + | * [http://aaaaarg.fail/maker/53108356334fe0726920799e ARG] | ||
* [http://en.wikipedia.org/wiki/Thomas_E._Crow Wikipedia] | * [http://en.wikipedia.org/wiki/Thomas_E._Crow Wikipedia] | ||
[[Category:Art history]] [[Category:Marxist aesthetics]] {{DEFAULTSORT:Crow, Thomas E}} | [[Category:Art history]] [[Category:Marxist aesthetics]] {{DEFAULTSORT:Crow, Thomas E}} | ||
Revision as of 20:11, 16 November 2017
Thomas E. Crow (1948) is an American art historian and art critic. He is a contributing editor to Artforum magazine.
Publications
Monographs
- Painters and Public Life in Eighteenth Century Paris, New Haven and London: Yale University Press, 1985, 290 pp. (English)
- Pintura y sociedad en el París del siglo XVIII, trans. Luis Carlos Benito Cardenal, Madrid: Nerea, 1989, 382 pp. (Spanish)
- La peinture et son public à Paris au dix-huitième siècle, trans. André Jacquesson, Paris: Macula, 2000, 335 pp. (French)
- Emulation: Making Artists for Revolutionary France, New Haven and London: Yale University Press, 1995. (English)
- L'atelier de David: émulation et révolution, trans. Roger Stuveras, Paris: Gallimard, 1997, 453 pp. (French)
- Emulación: la formación de los artistas para la Francia revolucionaria, trans. Luis Arenas and Óscar Arenas, Madrid: Machado Libros, 2002, 480 pp. (Spanish)
- The Rise of the Sixties: American and European Art in the Era of Dissent, 1955-69, New York: Harry N. Abrams, 1996. (English)
- Die Kunst der sechziger Jahre von der Pop-art zu Yves Klein und Joseph Beuys, trans. Claudia Spinner, Cologne: DuMont, 1997, 192 pp. (German)
- El Esplendor de los sesenta: arte americano y europeo en la era de la rebeldía 1955-1969, trans. Selina Blasco, Madrid: Akal, 2001, 192 pp. (Spanish)
- Modern Art in the Common Culture, New Haven and London: Yale University Press, 1996. (English)
- El arte moderno y la cultura de lo cotidiano, trans. Joaquín Chamorro Mielke, Madrid: Akal, 2002, 259 pp. (Spanish)
- The Intelligence of Art, University of North Carolina Press, 1999. (English)
- La inteligencia del arte, trans. Laura E. Manríquez, México D.F.: Fondo de Cultura Económica, 2008, 155 pp. (Spanish)
- with Corinne Diserens, et al., Gordon Matta-Clark, London: Phaidon, 2003, 240 pp. (English)
- Comprendre Warhol, comprendre l'art contemporain, Dijon: Les Press du réel, 2013, 44 pp. Lecture. (French)
- The Long March of Pop: Art, Music, and Design 1930 to 1995, New Haven and London: Yale University Press, 2015. (English)
Book chapters
- "Saturday Disasters: Trace and Reference in Early Warhol", in Reconstructing Modernism: Art in New York, Paris, and Montreal 1945-1964, ed. Serge Guilbaut, MIT Press, 1990, pp 311-331.
- "Cosmic Exile: Turns in the Life and Art of Robert Smithson", in Robert Smithson, ed. Eugenie Tsai, University of California Press, 2004.
- "Warhol among the Art Directors", in Andy Warhol Enterprises, eds. Sarah Urist Green and Allison Unrue, Hatje Cantz, 2010, pp 99-113.
