Difference between revisions of "Tomáš Pospiszyl"

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* [http://www.manifestajournal.org/issues/fungus-contemporary#page-issuesfunguscontemporaryetude "Etude"], ''Manifesta Journal'' 13, 2013. {{en}}
 
* [http://www.manifestajournal.org/issues/fungus-contemporary#page-issuesfunguscontemporaryetude "Etude"], ''Manifesta Journal'' 13, 2013. {{en}}
 
* [http://post.at.moma.org/content_items/683-milan-knizak-and-ken-friedman-keeping-together-manifestations-in-a-divided-world "Milan Knížák and Ken Friedman: Keeping Together Manifestations in a Divided World"], ''post'', New York: MoMA, 1 Sep 2015. {{en}}
 
* [http://post.at.moma.org/content_items/683-milan-knizak-and-ken-friedman-keeping-together-manifestations-in-a-divided-world "Milan Knížák and Ken Friedman: Keeping Together Manifestations in a Divided World"], ''post'', New York: MoMA, 1 Sep 2015. {{en}}
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* [[Media:Pospiszyl Tomas 2017 Filmova montaz a princip montaze v nefilmovych oborech Rane kolaze Jiriho Kolare.pdf|"Filmová montáž a princip montáže v nefilmových oborech. Případová studie: rané koláže Jiřího Koláře"]], ''Sešit pro umění, teorii a příbuzné zóny'' 22, Prague, 2017, pp 42-61. {{cz}}
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* [https://monoskop.org/images/a/a3/Third_Text_32_4_Actually_Existing_Artworlds_of_Socialism_2018.pdf#page=11 "Artists in the Service of the Public"], ''Third Text'' 153: "Actually Existing Artworlds of Socialism", Jul 2018, pp 379-391. {{en}}
  
 
* [http://www.advojka.cz/autori/tomas-pospiszyl in A2]
 
* [http://www.advojka.cz/autori/tomas-pospiszyl in A2]

Revision as of 08:56, 22 July 2019

Tomáš Pospiszyl (1967) is an art historian, critic and curator based in Prague. He worked as a curator in The National Gallery in Prague (1997-2002), was a research fellow at the Museum of Modern Art in New York (2000), and served at the editorial board of Umelec magazine. Since 2003 he teaches at the Film and TV School of the Academy of Performing Arts in Prague, and since 2012 also at the Academy of Fine Arts, Prague. He is a board member of tranzit.cz. His publications include anthology Primary Documents; A Sourcebook for Eastern and Central European Art since the 1950s (2002), which he edited with Laura Hoptman, two volumes of his essays, Srovnávací studie (2005) and Asociativní dějepis umění (2014), and numerous catalogue essays and magazine articles.

Publications

Books

  • editor & trans., Před obrazem. Antologie americké výtvarné teorie a kritiky, OSVU, 1998, 189 pp. (Czech)
  • editor, with Laura Hoptman, Primary Documents: A Sourcebook for Eastern and Central European Art since the 1950s, MIT Press, 2002, 304 pp. [1] (English)
  • with Petr Babák, Octobriana a ruský underground. Neuvěřitelný příběh Petra Sadeckého, Prague: Labyrint, 2004, 280 pp. [2] (Czech)
  • with Vanda Skálová, Alén Diviš, Prague: Nadace Karla Svolinského a Věry Kubátové, 2005, 252 pp. (Czech)
  • Srovnávací studie, Prague: Fra, 2005, 180 pp. (Czech)
  • Josef Bolf: velká černá kniha / Big Black Book, Prague: Divus, 2009, 120 pp. [3] (Czech)/(English)
  • editor, with Ivan Adamovič, Planeta Eden. Svět zítřka v socialistickém Československu 1948-1978, Prague: Arbor vitae, 2010, 248 pp. [4] (Czech)
  • Vladislav Mirvald, Prague: Arbor vitae, 2010, 160 pp. [5] (Czech)
  • editor, with Eric Rosenzveig, CAS: Co to je? / What is it?, Prague: NAMU, 2013, 326 pp. (Czech)/(English)
  • Asociativní dějepis umění: poválečné umění napříč generacemi a médii. Koláž, intermediální a konceptuální umění, performance a film, Prague: tranzit.cz, 2014, 208 pp. Publisher, TOC, Book launch. (Czech)

Essays

Links

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