Tomás Maldonado

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Tomás Maldonado (1922, Buenos Aires) is a painter, industrial designer, teacher and design theoritician who has been highly influential on design thinking and practice since the 1960s.

He studied at the Academia Nacional de Bellas Artes in Buenos Aires. In 1942, together with Jorge Brito, Alfredo Hlito, and Claudio Girola, he signed the Manifiesto de cuatro jóvenes rejecting the selection carried out at the Salón Nacional. In 1945, he co-founded the Asociación Arte Concreto-Invención and co-wrote The Manifiesto Invencionista.

In 1948, he met Max Bill during his travel to Europe; later he invited him to teach design at the Ulm School of Design, where he taught between 1954 and 1967; in 1955-56 serving as Prorector, and from 1960 as Rector.

Teaches environmental planning at Politecnico in Milan.

Publications

Books

  • Max Bill, Buenos Aires: Nueva Visión, 1955, 148 pp. (English),(French),(German),(Spanish)
  • Beiträge zur Terminologie der Semiotik, Ulm: Ebner, 1961. (German)
  • La speranza progettuale, Einaudi, 1970, 146 pp. (Italian)
    • Design, Nature, and Revolution: Toward a Critical Ecology, trans. Mario Domandi, New York: Harper & Row, 1972, xi+139 pp. (English) Commentary: Sadler (2013).
    • Environnement et idéologie. Vers une écologie critique, trans. Giovanni Joppolo, Paris: Union générale d'éditions, 1972, 192 pp. (French)

Articles

See also

Links