Transmediale is an annual festival for art and digital culture, held in Berlin.
Originating as a video and film festival for contemporary art that started in 1988, transmediale has since 2001 been directed by Andreas Broeckmann who introduced an interest in software art and re-established the festival as an important contributor to the European art scene. Festival titles have included 'Do it yourself!' (2001), 'Go Public!' (2002), 'Play Global!' (2003), 'Fly Utopia!' (2004), 'Basics' (2005), and 'Reality Addicts' (2006). The festival included large media art exhibitions in 2002 and in 2006 ('Smile Machines'). From 2005-2009, transmediale is receiving a major grant from the German Federal Cultural Foundation.
The festival incorporates an award competition for art and media. The three categories: software, image and interaction were used in the years 2001-2004, since 2005 the competition has been run without such categories.
club transmediale, an evening program which explores outstanding international electronic and adventurous music, visual art and audiovisual performance is held parallel to the transmediale festival.
Transmediale began as VideoFilmFest in 1988. The first programme booklet opens with the remark: “On the afternoon of 16 December 1987, we took the decision to found the Video-FilmFest ‘88.” Only 54 days later, the first festival opened which was initially dedicated to 'video culture’ (mainly understood in opposition to film) and soon entered into a critical dialogue with televison, before dealing with ‘multimedia’ and ‘media art’ in the 1990s and developing into the current ‘festival for art and digital culture’ that has been running under the name transmediale since 1998.
The festival was first a project by the independent MedienOperative (later renamed Mediopolis), which closely cooperated with the international forum of the Berlinale Film Festival in presenting its programmes of experimental and documentary videos. Until 1992, these events took place in the spaces of MedienOperative and at the Akademie der Künste in East Berlin, then moving to Podewil from 1993 to 2001, which has also housed the office of transmediale since 1997, the year when the organisation of the festival was taken over by Berliner Kulturveranstaltungs-GmbH (renamed Kulturprojekte Berlin GmbH in 2006). From 2002 to 2005 transmediale took place at the House of World Cultures, and since 2006 it has been held at Akademie der Künste on Hanseatenweg. In the first years, the festival was rather erratically supported by the Berlin regional government, which began to secure its existence only from the mid-90s onwards through the Culture Administration, the Lottery Fund, and the Capital City Culture Fund.
Since 2005, transmediale has been receiving substantial funding from the German Federal Cultural Foundation. The festival was initially directed jointly by Hartmut Horst (until 1994) and Micky Kwella (until 2000). From 2001 till 2007, Andreas Broeckmann has been the artistic director of transmediale.
|29 Jan - 3 Feb 2013||House of World Cultures||BWPWAP||31 Jan - 5 Feb 2012||House of World Cultures||in/compatible|||
|2011||House of World Cultures||Response:Ability|
|2 - 7 Feb 2010||House of World Cultures||Futurity Now!|
|28 Jan - 1 Feb 2009||House of World Cultures||Deep North||focus on the global artistic, cultural, societal and philosophical consequences that the presumed imminent collapse of the polar ice barrier may trigger|
|29 Jan - 3 Feb 2008||House of World Cultures||Conspire...||challenged the common notions of conspiracy as an artistic and cultural strategy: intensifying and informing our own understandings of digital communities, collaborative, subversive and network practice CONSPIRE ... questioned the mechanisms of control and information "creep" that technological society is confronted with on a daily basis.|
|31 Jan - 4 Feb 2007||Akademie der Künste||Unfinish!||questioned finality and claimed that any given situation is full of potential. unfinish! investigated artistic processes that are open to change and reversal of decisions.|
|3-7 Feb 2006||Akademie der Künste||Reality Addicts||devoted to the Reality Addicts and their artistic strategies, with which they subvert the technological paradigm of reality.|
|4-8 Feb 2005||House of World Cultures||Basics||explored the BASICS of artistic practice with digital technologies. The festival investigates the aesthetical and ethical foundations of a frantic and hyper-potential culture.|
|30 Jan - 4 Feb 2004||House of World Cultures||Fly Utopia!||explored the utopian potential of contemporary art practice in the field of digital culture. the festival focuses on art made by means of digital technologies, and on art that reflects on the social, cultural and aesthetic dimensions of new technologies.|
|1-5 Feb 2003||House of World Cultures||Play Global!||dealt with the artistic and cultural responses to globalisation under the motto: "play global!"|
|5-10 2002||House of World Cultures||Go Public!||devoted to changes in the public sphere. Go public! is an exhortation to create publicity and to develop new ideas for the design and the use of public space in the digital era.|
|4-11 2001||Podewil||Do it yourself!||concentrated on artistic projects which are concerned with the DIY development and construction of creative tools and which are designed to foster creative media competence.|
|11-20 Feb 2000||Podewil||internationales medienkunstfestival berlin|
|11-22 Feb 1999||Podewil||international media art festival|
|12-22 Feb 1998||Podewil||11. VideoFest|
|23 May - 1 Jun 1997||Podewil||10.Videofest|
|1992||MedienOperative and Akademie der Künste||5.Videofest|
|1991||MedienOperative and Akademie der Künste||4.Videofest|
|1990||MedienOperative and Akademie der Künste||3.Videofest|
|1989||MedienOperative and Akademie der Künste||2.Videofest|
|1988||MedienOperative and Akademie der Künste||1.Videofest|
- Armin Medosch, "Good Bye Reality! How Media Art Died But Nobody Noticed", 2006.
- Andreas Broeckmann, Thomas Munz (eds.), tm*20 register, 2007.
- Stephen Kovats, Thomas Munz (eds.), transmediale parcours 1 - CONSPIRE, 2008.