Difference between revisions of "UbuWeb"
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* [http://custodians.online/ubu/ "Happy birthday, Ubu.com!"], ''Custodians.online'', 30 Nov 2016. | * [http://custodians.online/ubu/ "Happy birthday, Ubu.com!"], ''Custodians.online'', 30 Nov 2016. | ||
* Nanna Bonde Thylstrup, [https://monoskop.org/images/b/b3/Thylstrup_Nanna_Bonde_2018_The_Licit_and_Illicit_Nature_of_Mass_Digitization.pdf#page=16 "UbuWeb"], in Thylstrup, ''The Politics of Mass Digitization'', MIT Press, 2018, pp 94-97, n162, [https://monoskop.org/media/text/thylstrup_2018_the_politics_of_mass_digitization/#d2e412 HTML]. | * Nanna Bonde Thylstrup, [https://monoskop.org/images/b/b3/Thylstrup_Nanna_Bonde_2018_The_Licit_and_Illicit_Nature_of_Mass_Digitization.pdf#page=16 "UbuWeb"], in Thylstrup, ''The Politics of Mass Digitization'', MIT Press, 2018, pp 94-97, n162, [https://monoskop.org/media/text/thylstrup_2018_the_politics_of_mass_digitization/#d2e412 HTML]. | ||
| + | * Cornelia Sollfrank, [http://www.ocopy.net/essays/cornelia-sollfrank/ "The Surplus of Copying: How Shadow Libraries and Pirate Archives Contribute to the Creation of Cultural Memory and the Commons"], ''originalcopy'', Nov 2018. [http://creatingcommons.zhdk.ch/?p=581] | ||
==Links== | ==Links== | ||
| − | * http://www.ubu.com | + | * http://www.ubu.com |
| − | * http://twitter.com/ubuweb | + | * [http://twitter.com/ubuweb Twitter] |
| + | * Mirrors: [https://ubu.memoryoftheworld.org ubu.memoryoftheworld.org], [http://ubu-mirror.ch ubu-mirror.ch] | ||
| + | * [https://en.wikipedia.org/wiki/UbuWeb Wikipedia] | ||
[[Category:Media archives]] [[Category:Digital libraries]] [[Category:File sharing]] | [[Category:Media archives]] [[Category:Digital libraries]] [[Category:File sharing]] | ||
Revision as of 17:15, 12 August 2019
UbuWeb is the most significant and largest online archive of avant-garde art; it was initiated and is led by conceptual artist Kenneth Goldsmith. UbuWeb has grown into a relevant and recognized critical institution of contemporary art. Artists want to see their work in its catalog and thus agree to a relationship with UbuWeb that has no formal contractual obligations.
Essays, statements, interviews
- Kenneth Goldsmith, "If We Had To Ask for Permission, We Wouldn't Exist: An Open Letter to the Frameworks Community", 18 Oct 2010.
- Kenneth Goldsmith, "About UbuWeb", UbuWeb, 2011.
- Kenneth Goldsmith, "UbuWeb at 15 Years: An Overview", Poetry Foundation, 26 Apr 2011; version on UbuWeb, 2011.
- Kenneth Goldsmith, "Paradise Now: UbuWeb's World Without Copyright", 17 Mar 2012. Keynote speech given at Matadero Madrid. (English), (Spanish)
- "Memorabilia. Collecting Sounds with.. Kenneth Goldsmith", MACBA, 20 Apr 2012. Audio recording of the lecture.
- Kenneth Goldsmith, "Copyright Is Over – If You Want It (Guest Post)", Billboard, 15 Jul 2014.
- Kenneth Goldsmith, "UbuWeb", Prague: Artyčok/Academy of Fine Arts, 28 Jan 2019, 56 min. Video. Audio. On UbuWeb and Custodians Online. Part of TBA21's Class of Interpretation.
Literature
- Miloš Vojtěchovský, "Jánošík online archivů. UbuWeb – autorské právo a poetická (an)architektura", A2 12 (2010). [1] (Czech)
- Agnès Peller, Kenneth Goldsmith's UbuWeb. An Artist's Contribution to the Digital Humanities, trans. Francesca Simkin, Paris: University of Paris 3-Sorbonne Nouvelle, 2015, 108 pp. Revised master's thesis.
- Daniel Snelson, "'Ever the Avant-Garde of the Avant-Garde till Heaven and After': UbuWeb from Film to Database", ch 4 in Snelson, Variable Format: Media Poetics and the Little Database, University of Pennsylvania, 2015, pp 133-179. PhD dissertation. [2]
- Cornelia Sollfrank, "Nothing New Needs to be Created: Kenneth Goldsmith’s Claim to Uncreativity". in No Internet – No Art. A Lunch Byte Anthology, ed. Melanie Bühler, Eindhoven: Onomatopee, 2015.
- Nick Thurston, "Happy Birthday Ubu. Twenty years of sharing", Frieze, 26 Oct 2016.
- "Happy birthday, Ubu.com!", Custodians.online, 30 Nov 2016.
- Nanna Bonde Thylstrup, "UbuWeb", in Thylstrup, The Politics of Mass Digitization, MIT Press, 2018, pp 94-97, n162, HTML.
- Cornelia Sollfrank, "The Surplus of Copying: How Shadow Libraries and Pirate Archives Contribute to the Creation of Cultural Memory and the Commons", originalcopy, Nov 2018. [3]
