Difference between revisions of "UbuWeb"
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| − | + | '''UbuWeb''' is the most significant and largest online archive of avant-garde art; it was initiated and is led by conceptual artist [[Kenneth Goldsmith]]. UbuWeb has grown into a relevant and recognized critical institution of contemporary art. Artists want to see their work in its catalog and thus agree to a relationship with UbuWeb that has no formal contractual obligations. | |
| + | ==Essays, statements, interviews== | ||
| + | * Kenneth Goldsmith, [http://ubu.com/resources/frameworks.html "If We Had To Ask for Permission, We Wouldn't Exist: An Open Letter to the Frameworks Community"], 18 Oct 2010. | ||
| + | * Kenneth Goldsmith, [http://ubu.com/resources/index.html "About UbuWeb"], ''UbuWeb'', 2011. | ||
| + | * Kenneth Goldsmith, [http://www.poetryfoundation.org/harriet/2011/04/ubuweb-at-15-years-an-overview/ "UbuWeb at 15 Years: An Overview"], ''Poetry Foundation'', 26 Apr 2011; [http://www.ubu.com/resources/index.html version] on ''UbuWeb'', 2011. | ||
| + | * Kenneth Goldsmith, [http://ubu.com/resources/paradise.html "Paradise Now: UbuWeb's World Without Copyright"], 17 Mar 2012. Keynote speech given at Matadero Madrid. {{en}}, {{es}} | ||
| + | * [http://www.macba.cat/en/lecture-memorabilia-kenneth-goldsmith "Memorabilia. Collecting Sounds with.. Kenneth Goldsmith"], ''MACBA'', 20 Apr 2012. Audio recording of the lecture. | ||
| + | * Kenneth Goldsmith, [http://www.billboard.com/biz/articles/news/legal-and-management/6157548/copyright-is-over-if-you-want-it-guest-post "Copyright Is Over – If You Want It (Guest Post)"], ''Billboard'', 15 Jul 2014. | ||
| + | * Kenneth Goldsmith, [https://artycok.tv/42465/ "UbuWeb"], Prague: Artyčok/Academy of Fine Arts, 28 Jan 2019, 56 min. Video. [https://soundcloud.com/user-73818852/class-of-interpretation-coi-tba21-academy-of-fine-arts-prague Audio]. On UbuWeb and [http://custodians.online/ubu Custodians Online]. Part of TBA21's Class of Interpretation. | ||
| + | * Kenneth Goldsmith, ''Duchamp Is My Lawyer: The Polemics, Pragmatics, and Poetics of UbuWeb'', Columbia University Press, forthcoming 2020, 256 pp. [http://cup.columbia.edu/book/duchamp-is-my-lawyer/9780231186957] | ||
| + | ** [[Media:Goldsmith Kenneth 2019 Le manifeste polemique d UbuWeb.pdf|"Le manifeste polémique d’UbuWeb"]], ''Multitudes'' 76, trans. Cristiano de Sá Fagundes, 2019, pp 155-167. Trans. of first chapter. [https://www.cairn.info/revue-multitudes-2019-3-page-155.htm] {{fr}} | ||
| + | * Kenneth Goldsmith, ''[https://monoskop.org/log/?p=22330 Duchamp Is My Lawyer: The Polemics, Pragmatics, and Poetics of UbuWeb]'', New York: Columbia University Press, Jul 2020, x+318 pp. | ||
| − | [[Category: | + | ==Literature== |
| + | * Miloš Vojtěchovský, [http://www.advojka.cz/archiv/2010/12/janosik-online-archivu "Jánošík online archivů. UbuWeb – autorské právo a poetická (an)architektura"], ''A2'' 12 (2010). [http://web.archive.org/web/20130515003356/http://makulatura.posterous.com/ubuweb-autorske-pravo-a-poeticka-anarchitektu] {{cz}} | ||
| + | * Agnès Peller, ''[[Media:Peller_Agnes_Kenneth_Goldsmiths_UbuWeb.pdf|Kenneth Goldsmith's UbuWeb. An Artist's Contribution to the Digital Humanities]]'', trans. Francesca Simkin, Paris: University of Paris 3-Sorbonne Nouvelle, 2015, 108 pp. Revised master's thesis. | ||
| + | * Daniel Snelson, [https://monoskop.org/images/8/8c/Snelson_Daniel_Variable_Format_Media_Poetics_and_the_Little_Database_2015.pdf#page=139 "'Ever the Avant-Garde of the Avant-Garde till Heaven and After': UbuWeb from Film to Database"], ch 4 in Snelson, ''Variable Format: Media Poetics and the Little Database'', University of Pennsylvania, 2015, pp 133-179. PhD dissertation. [https://repository.upenn.edu/dissertations/AAI3722240/] | ||
| + | * Cornelia Sollfrank, [[Media:Sollfrank Cornelia 2015 Nothing New Needs to be Created Kenneth Goldsmiths Claim to Uncreativity.pdf|"Nothing New Needs to be Created: Kenneth Goldsmith’s Claim to Uncreativity"]]. in ''No Internet – No Art. A Lunch Byte Anthology'', ed. Melanie Bühler, Eindhoven: Onomatopee, 2015. | ||
| + | * Nick Thurston, [https://frieze.com/article/happy-birthday-ubu "Happy Birthday Ubu. Twenty years of sharing"], ''Frieze'', 26 Oct 2016. | ||
| + | * [http://custodians.online/ubu/ "Happy birthday, Ubu.com!"], ''Custodians.online'', 30 Nov 2016. | ||
| + | * Nanna Bonde Thylstrup, [https://monoskop.org/images/b/b3/Thylstrup_Nanna_Bonde_2018_The_Licit_and_Illicit_Nature_of_Mass_Digitization.pdf#page=16 "UbuWeb"], in Thylstrup, ''The Politics of Mass Digitization'', MIT Press, 2018, pp 94-97, n162, [https://monoskop.org/media/text/thylstrup_2018_the_politics_of_mass_digitization/#d2e412 HTML]. | ||
| + | * Cornelia Sollfrank, [http://www.ocopy.net/essays/cornelia-sollfrank/ "The Surplus of Copying: How Shadow Libraries and Pirate Archives Contribute to the Creation of Cultural Memory and the Commons"], ''originalcopy'', Nov 2018. [http://creatingcommons.zhdk.ch/?p=581] | ||
| + | |||
| + | ==Links== | ||
| + | * http://www.ubu.com | ||
| + | * [http://twitter.com/ubuweb Twitter] | ||
| + | * Mirrors: [https://ubu.memoryoftheworld.org ubu.memoryoftheworld.org], [http://ubu-mirror.ch ubu-mirror.ch] | ||
| + | * [https://en.wikipedia.org/wiki/UbuWeb Wikipedia] | ||
| + | |||
| + | [[Category:Media archives]] [[Category:Digital libraries]] [[Category:File sharing]] | ||
Revision as of 09:22, 23 June 2020
UbuWeb is the most significant and largest online archive of avant-garde art; it was initiated and is led by conceptual artist Kenneth Goldsmith. UbuWeb has grown into a relevant and recognized critical institution of contemporary art. Artists want to see their work in its catalog and thus agree to a relationship with UbuWeb that has no formal contractual obligations.
Essays, statements, interviews
- Kenneth Goldsmith, "If We Had To Ask for Permission, We Wouldn't Exist: An Open Letter to the Frameworks Community", 18 Oct 2010.
- Kenneth Goldsmith, "About UbuWeb", UbuWeb, 2011.
- Kenneth Goldsmith, "UbuWeb at 15 Years: An Overview", Poetry Foundation, 26 Apr 2011; version on UbuWeb, 2011.
- Kenneth Goldsmith, "Paradise Now: UbuWeb's World Without Copyright", 17 Mar 2012. Keynote speech given at Matadero Madrid. (English), (Spanish)
- "Memorabilia. Collecting Sounds with.. Kenneth Goldsmith", MACBA, 20 Apr 2012. Audio recording of the lecture.
- Kenneth Goldsmith, "Copyright Is Over – If You Want It (Guest Post)", Billboard, 15 Jul 2014.
- Kenneth Goldsmith, "UbuWeb", Prague: Artyčok/Academy of Fine Arts, 28 Jan 2019, 56 min. Video. Audio. On UbuWeb and Custodians Online. Part of TBA21's Class of Interpretation.
- Kenneth Goldsmith, Duchamp Is My Lawyer: The Polemics, Pragmatics, and Poetics of UbuWeb, Columbia University Press, forthcoming 2020, 256 pp. [1]
- "Le manifeste polémique d’UbuWeb", Multitudes 76, trans. Cristiano de Sá Fagundes, 2019, pp 155-167. Trans. of first chapter. [2] (French)
- Kenneth Goldsmith, Duchamp Is My Lawyer: The Polemics, Pragmatics, and Poetics of UbuWeb, New York: Columbia University Press, Jul 2020, x+318 pp.
Literature
- Miloš Vojtěchovský, "Jánošík online archivů. UbuWeb – autorské právo a poetická (an)architektura", A2 12 (2010). [3] (Czech)
- Agnès Peller, Kenneth Goldsmith's UbuWeb. An Artist's Contribution to the Digital Humanities, trans. Francesca Simkin, Paris: University of Paris 3-Sorbonne Nouvelle, 2015, 108 pp. Revised master's thesis.
- Daniel Snelson, "'Ever the Avant-Garde of the Avant-Garde till Heaven and After': UbuWeb from Film to Database", ch 4 in Snelson, Variable Format: Media Poetics and the Little Database, University of Pennsylvania, 2015, pp 133-179. PhD dissertation. [4]
- Cornelia Sollfrank, "Nothing New Needs to be Created: Kenneth Goldsmith’s Claim to Uncreativity". in No Internet – No Art. A Lunch Byte Anthology, ed. Melanie Bühler, Eindhoven: Onomatopee, 2015.
- Nick Thurston, "Happy Birthday Ubu. Twenty years of sharing", Frieze, 26 Oct 2016.
- "Happy birthday, Ubu.com!", Custodians.online, 30 Nov 2016.
- Nanna Bonde Thylstrup, "UbuWeb", in Thylstrup, The Politics of Mass Digitization, MIT Press, 2018, pp 94-97, n162, HTML.
- Cornelia Sollfrank, "The Surplus of Copying: How Shadow Libraries and Pirate Archives Contribute to the Creation of Cultural Memory and the Commons", originalcopy, Nov 2018. [5]
