Difference between revisions of "Unlimited Edition"

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* Bruno Zevi, ''Towards An Organic Architecture'', Faber & Faber, 1950.
 
* Bruno Zevi, ''Towards An Organic Architecture'', Faber & Faber, 1950.
 
* Michel Benamou, Charles Caramello (eds.), ''Performance in Postmodern Culture'', University of Wisconsin-Milwaukee, 1977, 234 pp.
 
* Michel Benamou, Charles Caramello (eds.), ''Performance in Postmodern Culture'', University of Wisconsin-Milwaukee, 1977, 234 pp.
* Jimmie Durham, ''A Certain Lack of Coherence: Writings on Art and Cultural Politics'', Kala Press, 1993.
+
* [http://monoskop.org/log/?p=12807 (Posted.)] Jimmie Durham, ''A Certain Lack of Coherence: Writings on Art and Cultural Politics'', Kala Press, 1993.
 
* Roy K. Gottfried, ''Joyce's Iritis and the Irritated Text: The Dis-lexic Ulysses'', University Press of Florida, 1995, 208 pp.  
 
* Roy K. Gottfried, ''Joyce's Iritis and the Irritated Text: The Dis-lexic Ulysses'', University Press of Florida, 1995, 208 pp.  
 
* K. Michael Hays (ed.), ''Oppositions Reader: Selected Readings from A Journal for Ideas and Criticism in Architecture 1973-1984'', Princeton Architectural Press, 1998.
 
* K. Michael Hays (ed.), ''Oppositions Reader: Selected Readings from A Journal for Ideas and Criticism in Architecture 1973-1984'', Princeton Architectural Press, 1998.

Revision as of 15:12, 13 December 2014

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A list of treasures that would be lovely to see online and a way to contribute to Monoskop and the internet.

Interwar avant-garde
  • (Posted.) El Lissitzky, Hans Arp, Die Kunstismen/Les Ismes De L’Art/The Isms of Art: 1914-1924, Erlenbach-Zürich/Munich/Leipzig: Eugen Rentsch, 1925. (in German/French/English)
  • (Posted: 1-2, 4, 7-12, 14.) Bauhaus books series, 14 vols., 1925-30. (in German)
  • Franz Roh, Jan Tschichold (eds.), Foto-Auge / Oeil et Photo / Photo-Eye, Stuttgart: Akademischer Verlag Dr. Fritz Wedekind, 1929. Catalogue. (in German/French/English)
  • (Posted.) František Kalivoda (ed.), Telehor: The International Review New Vision, Vol 1, Nos 1-2, Brno, 1936. (in English/Czech/German)
  • Ben Nicholson, Naum Gabo, Leslie Martin (eds.), Circle: International Survey of Constructive Art, London, 1937.
  • Laszlo Moholy-Nagy, Vision in Motion, Paul Theobald, 1947.
  • Sophie Lissitzky-Küppers (ed.), El Lissitzky: Life, Letters, Texts, trans. Helene Aldwinckle, London: Thames and Hudson, 1968; 1980.
  • Linda Dalrymple Henderson, The Fourth Dimension, Princeton University Press, 1983; 2013.
  • Marjorie Perloff, The Futurist Moment: Avant-Garde, Avant Guerre, and the Language of Rupture, University of California Press, 1985.
  • Roman Jakobson, My Futurist Years, trans. Stephen Rudy, ed. Bengt Jangfeldt, New York: Marsilio, 1997, 345 pp.
  • Margarita Tupitsyn, El Lissitzky: Beyond the Abstract Cabinet: Photography, Design, Collaboration, Yale University Press, 1999.
  • Timothy O. Benson, Éva Forgács (eds.), Between Worlds: A Sourcebook of Central European Avant-Gardes, 1910-1930, Los Angeles County Museum of Art, 2002.
  • Yuri Tsivian, Lines of Resistance: Dziga Vertov and the Twenties, 2004.
  • (Posted.) Maria Gough, The Artist as Producer: Russian Constructivism in Revolution, University of California Press, 2005.
  • (Posted.) Julia Vaingurt, Wonderlands of the Avant-Garde: Technology and the Arts in Russia of the 1920s, Northwestern University Press, 2013.
Literary theory
  • Stephen Bann, John E. Bowlt (eds.), Russian Formalism: A Collection of Articles and Texts in Translation, Edinburgh: Scottish Academy Press, 1973; New York, 1974.
Marxist aesthetics
  • (Posted.) Marx & Engels on Literature and Art: A Selection of Writings, eds. Stefan Morawski and Lee Baxandall, St. Louis: Telos Press, 1973, 175 pp; New York: International General, 1974, 179 pp; Telos Press, 1983.
  • (Posted.) Margaret A. Rose, Marx's Lost Aesthetic: Karl Marx and the Visual Arts, Cambridge University Press, 1984, 216 pp; 1988.
  • Michael Sprinker, Imaginary Relations: Aesthetics & Ideology in the Theory of Historical Materialism, Verso, 1988, 312 pp.
Media theory and media aesthetics
  • Friedrich Kittler, Horst Turk, Urszenen. Literaturwissenschaft als Diskursanalyse und Diskurskritik, Frankfurt am Main: Suhrkamp, 1977, 409 pp. (in German)
  • Eric A. Havelock, Jackson P. Hershbell (eds.), Communication Arts in the Ancient World, New York: Hastings House, 1978, 162 pp.
  • (Posted.) Friedrich Kittler, Grammophon Film Typewriter, Berlin: Brinkmann & Bose, 1986. (in German)
  • Peter Klier, Jean-Luc Evard (eds.), Mediendämmerung: Zur Archäologie der Medien, Berlin: Tiamat, 1989. (in German)
  • Neil Strauss, Dave Mandl (eds.), Radiotext(e), Autonomedia, 1993. [1]
  • Régis Debray, Transmitting Culture, trans. Eric Rauth, New York: University of Columbia Press, 2000; 2004.
  • Friedrich Kittler, Musik und Mathematik I: Hellas 1: Aphrodite, Paderborn: Wilhelm Fink, 2005. (in German)
  • Wolfgang Ernst, Friedrich Kittler (eds.), Die Geburt des Vokalalphabets aus dem Geist der Poesie: Schrift, Zahl und Ton im Medienverbund, Munich: Fink, 2006. (in German)
  • Eric Kluitenberg (ed.), Book of Imaginary Media, Rotterdam: NAi, 2006.
  • Friedrich Kittler, Musik und Mathematik I. Hellas 2: Eros, Paderborn: Wilhelm Fink, 2009. (in German)
  • Ana Ofak, Philipp von Hilgers (eds.), Rekursionen: Von Faltungen des Wissens, Munich: Fink, 2010. (in German)
  • Grey Room 43 (Spring 2011), Special issue: "Audio/Visual". [2]
Music, music theory, sound art and sound studies
  • Pierre Schaeffer, À la recherche d'une musique concrète, Paris: Seuil, 1952. (in French)
    • (Posted.) In Search of a Concrete Music, trans. John Dack and Christine North, University of California Press, 2012, 244 pp.
  • Pierre Schaeffer, Traité des objets musicaux, Paris: Seuil, 1966; 2nd ed., 1977. (in French)
  • Germano Celant, The Record as Artwork: From Futurism to Conceptual Art, Chicago: Museum of Contemporary Art, 1977, 121 pp. Catalogue. (in English/French) [3]
  • Sound: An Exhibition of Sound Sculpture, Instrument Building and Acoustically Tuned Spaces, Pasadena, CA: Los Angeles Institute of Contemporary Art, 1979, 68 pp. Early catalogue of sound art.
  • René Block, Lorenz Dombois, Nele Herltling, Barbara Volkmann (eds.), Für Augen und Ohren. Von der Spieluhr zum akustischen Environment. Objekte. Installationen. Performances, Berlin: Akademie der Künste, 1980, 312 pp. Early catalogue of sound art. (in German)
  • Vito Acconci, William Hellermann, Don Goddard, Sound/Art, New York: The Foundation, 1984, 29 pp. Early catalogue of sound art.
  • Ruth Katz, Carl Dahlhaus (eds.), Contemplating Music: Source Readings in the Aesthetics of Music, 4 vols., Pendragon, 1987.
  • Ursula Block, Michael Glasmeier (eds.), Broken Music: Artists' Recordworks, Berlin: DAAD Galerie and gelbe Musik, 1989, 279 pp. Catalogue. (in English, French, German).
  • Douglas Kahn, Gregory Whitehead (eds.), Wireless Imagination: Sound, Radio, and the Avant-Garde, MIT Press, 1992, 452 pp. [4]
  • Erik Satie, Musiques d'ameublement, Salabert, 1999. 'Furniture music' scores written from 1917 to the 1920s.
  • Alvin Lucier, Reflections: Interview, Scores, Writings 1965–1994, 2nd ed., Cologne: MusikTexte, 2005, 528 pp. (in English/German)
  • (Posted.) Osiris 28: "Music, Sound, and the Laboratory From 1750-1980", eds. Alexandra Hui, Julia Kursell and Myles W. Jackson, University of Chicago Press, 2013.
Film
  • P. Adams Sitney (ed.), The Avant-garde Film: A Reader of Theory and Criticism, New York: New York University Press, 1978. Contains the often-hard-to-find theoretical writings of experimental filmmakers, beginning in France in the 1920s and continuing internationally through the 1970s.
  • Holger Wilmesmeier, Deutsche Avantgarde und Film: Die Filmmatinee "Der absolute film" (3. und 10. Mai 1925), 1994, 220 pp. (in German)
  • Millennium Film Journal 58, 35th Anniversary Edition: Since 78, Vol. 1 (Fall 2013).
Art history and theory
  • Oskar Hansen, Towards Open Form, Frankfurt am Main: Revolver and Warsaw: Foksal, 2005. (in English/Polish)
Art and the machine, Electronic and media art
  • Pontus Hultén (ed.), The Machine: As Seen at the End of the Mechanical Age, Museum of Modern Art, 1968, 218 pp.
  • (Posted.) Les Immatériaux, 1: Épreuves d'écriture, Paris: Centre Georges Pompidou, 1985. Catalogue. (in French)
  • Stephen Kovats (ed.), Ost-West-Internet/Media Revolution. Electronic Media in the Transformation Process of Eastern and Central Europe, Campus Verlag, 1999.
  • Paul Brown, Charlie Gere, Nicholas Lambert, Catherine Mason (eds.), White Heat Cold Logic: British Computer Art 1960-1980, MIT Press, 2009.
Philosophy
  • Martin Heidegger, Sojourns: The Journey to Greece, SUNY Press, 2005.
Uncreative writing
  • (Posted.) Kenneth Goldsmith, Seven American Deaths and Disasters, powerHouse, 2013, 176 pp.
History of science, technology, media and computing
  • (Posted.) James Nyce, Paul Kahn (eds.), From Memex to Hypertext: Vannevar Bush and the Mind's Machine, London: Academic Press, 1991.
  • (Posted.) Ursula Franklin, The Real World of Technology, Toronto: Anansi, 1992.
  • Thomas L. Hankins, Robert J. Silverman, Instruments and the Imagination, Princeton University Press, 1999, 352 pp. Contents.
  • Georg Trogemann, Wolfgang Ernst, A. Y. Nitussov (eds.), History of Computer Devices in Russia, Friedrick Vieweg & Son, 2001.
More, from Monoskop Log wishlist and elsewhere
  • Bruno Zevi, Towards An Organic Architecture, Faber & Faber, 1950.
  • Michel Benamou, Charles Caramello (eds.), Performance in Postmodern Culture, University of Wisconsin-Milwaukee, 1977, 234 pp.
  • (Posted.) Jimmie Durham, A Certain Lack of Coherence: Writings on Art and Cultural Politics, Kala Press, 1993.
  • Roy K. Gottfried, Joyce's Iritis and the Irritated Text: The Dis-lexic Ulysses, University Press of Florida, 1995, 208 pp.
  • K. Michael Hays (ed.), Oppositions Reader: Selected Readings from A Journal for Ideas and Criticism in Architecture 1973-1984, Princeton Architectural Press, 1998.
  • Tim Armstrong, Modernism, Technology and the Body, Cambridge University Press, 1998.
  • Bruce Clarke, Energy Forms: Allegory and Science in the Era of Classical Thermodynamics, University of Michigan Press, 2001.
  • Bruce Clarke, Linda Dalrymple Henderson (eds.), From Energy to Information: Representation in Science and Technology, Art, and Literature, Stanford University Press, 2002.
  • Paul Hegarty, Noise Music: A History, Bloomsbury, 2007.
  • Cultural Critique 80 (Winter 2012): "Desiring Human: Machines in the Soviet Union, East Asia, and the United States". [5] [6]

The list continues on Monoskop Log.

First posted on 26 June 2014.