Difference between revisions of "User:Mbattles"

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Matthew Battles is a maker and thinker whose work merges literary, scholarly, and artistic forms of inquiry. His writing on the cultural dimensions of science and technology appears such venues as The American Scholar, The Atlantic, Harper’s Magazine, and The New York Times. His most recent book, a material and cultural history of writing entitled Palimpsest, was published by W. W. Norton in 2015. At metaLAB, Matthew advances an agenda of creative research exploring the dark abundance of collections in libraries and museums; technology’s impact on our experience of art, culture, and the natural world; and the conditions of culture and experience in the context of deep time. This work takes varied form in writing, video, and multimedia installation,
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Matthew Battles is a maker and thinker whose work merges literary, scholarly, and artistic forms of inquiry. His writing on the cultural dimensions of science and technology appears such venues as ''The American Scholar'', ''The Atlantic'', ''Harper’s Magazine'', and ''The New York Times''. His most recent book, a material and cultural history of writing entitled ''Palimpsest'', was published by W. W. Norton in 2015. At metaLAB, Matthew advances an agenda of creative research exploring the dark abundance of collections in libraries and museums; technology’s impact on our experience of art, culture, and the natural world; and the conditions of culture and experience in the context of deep time. This work takes varied form in writing, video, and multimedia installation.

Revision as of 21:04, 26 October 2016

Matthew Battles is a maker and thinker whose work merges literary, scholarly, and artistic forms of inquiry. His writing on the cultural dimensions of science and technology appears such venues as The American Scholar, The Atlantic, Harper’s Magazine, and The New York Times. His most recent book, a material and cultural history of writing entitled Palimpsest, was published by W. W. Norton in 2015. At metaLAB, Matthew advances an agenda of creative research exploring the dark abundance of collections in libraries and museums; technology’s impact on our experience of art, culture, and the natural world; and the conditions of culture and experience in the context of deep time. This work takes varied form in writing, video, and multimedia installation.